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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E154D it is the complementary color #A1EAB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E154D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E154D shade: #631548, #74275B, #85396E, #964B81 and #A75D94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E154D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E154D shade: #5E154D, #4D033A, #3C0027, #2B0014 and #1A0001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E154D shade: #60164E, #60163A, #601627 and #601616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E154D shade: #60164E, #5D1660, #491660, #351660 and #211660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E154D shade matches the following richer shades: #60164E, #690C53 and #730359

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E154D shade: #60164E, #561F49, #4D2944, #43323F and #3A3C3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E154D shade: #481660, #5C1660, #601650, #60163C and #601628

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E154D shade: #1C0617, #3E0E33, #60164E, #811D6A and #A32586

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E154D shade: #5E154D, #603416 and #166052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E154D shade: #5E154D, #506016 and #165060

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E154D shade: #5E154D, #603416, #166026 and #164160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E154D shade: #5E154D, #604B16, #166026 and #162B60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 18 / 63

HEX #5E154D

RGB 94 21 77

HSL 313.97, 0.63%, 0.23%

LAB 21.77, 38.73, -16.35

 

Complementary color

CMYK 31 / 0 / 24 / 8

HEX #A1EAB2

RGB 161 234 178

HSL 133.97, 0.63%, 0.77%

LAB 86.82, -33.83, 20.13

 

CMYK 0 / 79 / 27 / 61

HEX #631548

RGB 99 21 72

HSL 320.77, 0.65%, 0.24%

LAB 22.5, 39.38, -11.74

 

CMYK 0 / 66 / 22 / 55

HEX #74275B

RGB 116 39 91

HSL 319.48, 0.5%, 0.3%

LAB 29.21, 39.73, -13.84

 

CMYK 0 / 57 / 17 / 48

HEX #85396E

RGB 133 57 110

HSL 318.16, 0.4%, 0.37%

LAB 36.06, 39.36, -15.26

 

CMYK 0 / 50 / 14 / 41

HEX #964B81

RGB 150 75 129

HSL 316.8, 0.33%, 0.44%

LAB 42.92, 38.7, -16.3

 

CMYK 0 / 44 / 11 / 35

HEX #A75D94

RGB 167 93 148

HSL 315.41, 0.3%, 0.51%

LAB 49.72, 37.93, -17.12

 

CMYK 0 / 78 / 18 / 63

HEX #5E154D

RGB 94 21 77

HSL 313.97, 0.63%, 0.23%

LAB 21.77, 38.73, -16.35

 

CMYK 0 / 96 / 25 / 70

HEX #4D033A

RGB 77 3 58

HSL 315.41, 0.93%, 0.16%

LAB 15.21, 37.27, -13.63

 

CMYK 0 / 100 / 35 / 76

HEX #3C0027

RGB 60 0 39

HSL 321, 1%, 0.12%

LAB 9.85, 31.69, -8.33

 

CMYK 0 / 100 / 53 / 83

HEX #2B0014

RGB 43 0 20

HSL 332.09, 1%, 0.08%

LAB 5.1, 22.94, -1.39

 

CMYK 0 / 100 / 96 / 90

HEX #1A0001

RGB 26 0 1

HSL 357.69, 1%, 0.05%

LAB 2, 9.04, 2.76

 

CMYK 0 / 77 / 19 / 62

HEX #60164E

RGB 96 22 78

HSL 314.59, 0.63%, 0.23%

LAB 22.34, 39.06, -16.11

 

CMYK 0 / 77 / 40 / 62

HEX #60163A

RGB 96 22 58

HSL 330.81, 0.63%, 0.23%

LAB 21.45, 36.25, -3.76

 

CMYK 0 / 77 / 59 / 62

HEX #601627

RGB 96 22 39

HSL 346.22, 0.63%, 0.23%

LAB 20.85, 34.27, 8.66

 

CMYK 0 / 77 / 77 / 62

HEX #601616

RGB 96 22 22

HSL 0, 0.63%, 0.23%

LAB 20.51, 33.11, 19.93

 

CMYK 0 / 77 / 19 / 62

HEX #60164E

RGB 96 22 78

HSL 314.59, 0.63%, 0.23%

LAB 22.34, 39.06, -16.11

 

CMYK 3 / 77 / 0 / 62

HEX #5D1660

RGB 93 22 96

HSL 297.57, 0.63%, 0.23%

LAB 22.81, 41.41, -27.42

 

CMYK 24 / 77 / 0 / 62

HEX #491660

RGB 73 22 96

HSL 281.35, 0.63%, 0.23%

LAB 19.37, 36.7, -33.12

 

CMYK 45 / 77 / 0 / 62

HEX #351660

RGB 53 22 96

HSL 265.14, 0.63%, 0.23%

LAB 16.38, 32.39, -38.11

 

CMYK 66 / 77 / 0 / 62

HEX #211660

RGB 33 22 96

HSL 248.92, 0.63%, 0.23%

LAB 14.07, 28.85, -41.99

 

CMYK 0 / 77 / 19 / 62

HEX #60164E

RGB 96 22 78

HSL 314.59, 0.63%, 0.23%

LAB 22.34, 39.06, -16.11

 

CMYK 0 / 89 / 21 / 59

HEX #690C53

RGB 105 12 83

HSL 314.19, 0.79%, 0.23%

LAB 23.31, 45.21, -17.83

 

CMYK 0 / 97 / 23 / 55

HEX #730359

RGB 115 3 89

HSL 313.93, 0.95%, 0.23%

LAB 25.05, 50.17, -18.97

 

CMYK 0 / 77 / 19 / 62

HEX #60164E

RGB 96 22 78

HSL 314.59, 0.63%, 0.23%

LAB 22.34, 39.06, -16.11

 

CMYK 0 / 64 / 15 / 66

HEX #561F49

RGB 86 31 73

HSL 314.18, 0.47%, 0.23%

LAB 21.72, 31.15, -13.82

 

CMYK 0 / 47 / 12 / 70

HEX #4D2944

RGB 77 41 68

HSL 315, 0.31%, 0.23%

LAB 22.23, 21.24, -9.77

 

CMYK 0 / 25 / 6 / 74

HEX #43323F

RGB 67 50 63

HSL 314.12, 0.15%, 0.23%

LAB 23.11, 10.29, -5.19

 

CMYK 3 / 0 / 3 / 76

HEX #3A3C3A

RGB 58 60 58

HSL 120, 0.02%, 0.23%

LAB 25.07, -1.3, 0.94

 

CMYK 25 / 77 / 0 / 62

HEX #481660

RGB 72 22 96

HSL 280.54, 0.63%, 0.23%

LAB 19.21, 36.47, -33.39

 

CMYK 4 / 77 / 0 / 62

HEX #5C1660

RGB 92 22 96

HSL 296.76, 0.63%, 0.23%

LAB 22.63, 41.17, -27.71

 

CMYK 0 / 77 / 17 / 62

HEX #601650

RGB 96 22 80

HSL 312.97, 0.63%, 0.23%

LAB 22.44, 39.38, -17.3

 

CMYK 0 / 77 / 38 / 62

HEX #60163C

RGB 96 22 60

HSL 329.19, 0.63%, 0.23%

LAB 21.53, 36.5, -5.03

 

CMYK 0 / 77 / 58 / 62

HEX #601628

RGB 96 22 40

HSL 345.41, 0.63%, 0.23%

LAB 20.88, 34.35, 8

 

CMYK 0 / 79 / 18 / 89

HEX #1C0617

RGB 28 6 23

HSL 313.64, 0.65%, 0.07%

LAB 3.97, 11.53, -5.44

 

CMYK 0 / 77 / 18 / 76

HEX #3E0E33

RGB 62 14 51

HSL 313.75, 0.63%, 0.15%

LAB 13.09, 27.94, -12.15

 

CMYK 0 / 77 / 19 / 62

HEX #60164E

RGB 96 22 78

HSL 314.59, 0.63%, 0.23%

LAB 22.34, 39.06, -16.11

 

CMYK 0 / 78 / 18 / 49

HEX #811D6A

RGB 129 29 106

HSL 313.8, 0.63%, 0.31%

LAB 30.85, 49.56, -20.82

 

CMYK 0 / 77 / 18 / 36

HEX #A32586

RGB 163 37 134

HSL 313.81, 0.63%, 0.39%

LAB 39.29, 59.4, -24.78

 

CMYK 0 / 78 / 18 / 63

HEX #5E154D

RGB 94 21 77

HSL 313.97, 0.63%, 0.23%

LAB 21.77, 38.73, -16.35

 

CMYK 0 / 46 / 77 / 62

HEX #603416

RGB 96 52 22

HSL 24.32, 0.63%, 0.23%

LAB 26.74, 17.03, 26.86

 

CMYK 77 / 0 / 15 / 62

HEX #166052

RGB 22 96 82

HSL 168.65, 0.63%, 0.23%

LAB 36.26, -25.78, 1.62

 

CMYK 0 / 78 / 18 / 63

HEX #5E154D

RGB 94 21 77

HSL 313.97, 0.63%, 0.23%

LAB 21.77, 38.73, -16.35

 

CMYK 17 / 0 / 77 / 62

HEX #506016

RGB 80 96 22

HSL 72.97, 0.63%, 0.23%

LAB 38.07, -17.33, 37.85

 

CMYK 77 / 17 / 0 / 62

HEX #165060

RGB 22 80 96

HSL 192.97, 0.63%, 0.23%

LAB 31.24, -12.45, -14.69

 

CMYK 0 / 78 / 18 / 63

HEX #5E154D

RGB 94 21 77

HSL 313.97, 0.63%, 0.23%

LAB 21.77, 38.73, -16.35

 

CMYK 0 / 46 / 77 / 62

HEX #603416

RGB 96 52 22

HSL 24.32, 0.63%, 0.23%

LAB 26.74, 17.03, 26.86

 

CMYK 77 / 0 / 60 / 62

HEX #166026

RGB 22 96 38

HSL 132.97, 0.63%, 0.23%

LAB 35.35, -35.72, 26.49

 

CMYK 77 / 32 / 0 / 62

HEX #164160

RGB 22 65 96

HSL 205.14, 0.63%, 0.23%

LAB 26.14, -3.05, -22.59

 

CMYK 0 / 78 / 18 / 63

HEX #5E154D

RGB 94 21 77

HSL 313.97, 0.63%, 0.23%

LAB 21.77, 38.73, -16.35

 

CMYK 0 / 22 / 77 / 62

HEX #604B16

RGB 96 75 22

HSL 42.97, 0.63%, 0.23%

LAB 33.09, 2.74, 33.43

 

CMYK 77 / 0 / 60 / 62

HEX #166026

RGB 22 96 38

HSL 132.97, 0.63%, 0.23%

LAB 35.35, -35.72, 26.49

 

CMYK 77 / 55 / 0 / 62

HEX #162B60

RGB 22 43 96

HSL 222.97, 0.63%, 0.23%

LAB 18.98, 12.43, -34.01

 

Description

Color code: HEX #5E154D | qconv.com Color code: HEX #5E154D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 21 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 21 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 18 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 18% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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