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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E14D6 it is the complementary color #A1EB29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E14D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E14D6 shade: #6314D1, #7426E4, #8538F7, #964AFF and #A75CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E14D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E14D6 shade: #5E14D6, #4D02C3, #3C00B0, #2B009D and #1A008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E14D6 shade: #5E14D7, #9314D7, #C714D7, #D714B2 and #D7147D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E14D6 shade: #5E14D7, #2A14D7 and #1414D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E14D6 shade matches the following richer shades: #5E14D7 and #5A01EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E14D6 shade: #5E14D7, #6327C4, #673AB1, #6C4D9E and #70608B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E14D6 shade: #1434D7, #2714D7, #5B14D7, #8F14D7 and #C314D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E14D6 shade: #3D0D8B, #4E10B1, #5E14D7, #7329EB and #8C4FEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E14D6 shade: #5E14D6, #D71468 and #1AD714

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E14D6 shade: #5E14D6, #D75B14 and #14D75B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E14D6 shade: #5E14D6, #D71468, #8FD714 and #14D782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E14D6 shade: #5E14D6, #D7142E, #8FD714 and #14D7BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 91 / 0 / 16

HEX #5E14D6

RGB 94 20 214

HSL 262.89, 0.83%, 0.46%

LAB 33.42, 68.7, -82.51

 

Complementary color

CMYK 31 / 0 / 83 / 8

HEX #A1EB29

RGB 161 235 41

HSL 82.89, 0.83%, 0.54%

LAB 85.58, -48.71, 77.43

 

CMYK 53 / 90 / 0 / 18

HEX #6314D1

RGB 99 20 209

HSL 265.08, 0.83%, 0.45%

LAB 33.47, 67.95, -79.52

 

CMYK 49 / 83 / 0 / 11

HEX #7426E4

RGB 116 38 228

HSL 264.63, 0.78%, 0.52%

LAB 39.07, 69.15, -81.14

 

CMYK 46 / 77 / 0 / 3

HEX #8538F7

RGB 133 56 247

HSL 264.19, 0.92%, 0.59%

LAB 44.98, 69.34, -82.09

 

CMYK 41 / 71 / 0 / 0

HEX #964AFF

RGB 150 74 255

HSL 265.19, 1%, 0.65%

LAB 50.22, 66.27, -77.91

 

CMYK 35 / 64 / 0 / 0

HEX #A75CFF

RGB 167 92 255

HSL 267.61, 1%, 0.68%

LAB 55.16, 60.99, -69.79

 

CMYK 56 / 91 / 0 / 16

HEX #5E14D6

RGB 94 20 214

HSL 262.89, 0.83%, 0.46%

LAB 33.42, 68.7, -82.51

 

CMYK 61 / 99 / 0 / 24

HEX #4D02C3

RGB 77 2 195

HSL 263.32, 0.98%, 0.39%

LAB 28.28, 66.32, -80.01

 

CMYK 66 / 100 / 0 / 31

HEX #3C00B0

RGB 60 0 176

HSL 260.45, 1%, 0.35%

LAB 23.98, 61.31, -75.9

 

CMYK 73 / 100 / 0 / 38

HEX #2B009D

RGB 43 0 157

HSL 256.43, 1%, 0.31%

LAB 19.83, 55.94, -71.32

 

CMYK 81 / 100 / 0 / 46

HEX #1A008A

RGB 26 0 138

HSL 251.3, 1%, 0.27%

LAB 15.77, 50.57, -66.33

 

CMYK 56 / 91 / 0 / 16

HEX #5E14D7

RGB 94 20 215

HSL 262.77, 0.83%, 0.46%

LAB 33.53, 68.93, -82.9

 

CMYK 32 / 91 / 0 / 16

HEX #9314D7

RGB 147 20 215

HSL 279.08, 0.83%, 0.46%

LAB 40.59, 74.5, -71.04

 

CMYK 7 / 91 / 0 / 16

HEX #C714D7

RGB 199 20 215

HSL 295.08, 0.83%, 0.46%

LAB 48.94, 82.06, -57.1

 

CMYK 0 / 91 / 17 / 16

HEX #D714B2

RGB 215 20 178

HSL 311.38, 0.83%, 0.46%

LAB 49.69, 79.65, -34.28

 

CMYK 0 / 91 / 42 / 16

HEX #D7147D

RGB 215 20 125

HSL 327.69, 0.83%, 0.46%

LAB 47.53, 73.91, -5.81

 

CMYK 56 / 91 / 0 / 16

HEX #5E14D7

RGB 94 20 215

HSL 262.77, 0.83%, 0.46%

LAB 33.53, 68.93, -82.9

 

CMYK 80 / 91 / 0 / 16

HEX #2A14D7

RGB 42 20 215

HSL 246.77, 0.83%, 0.46%

LAB 29.16, 66.05, -90.3

 

CMYK 91 / 91 / 0 / 16

HEX #1414D7

RGB 20 20 215

HSL 240, 0.83%, 0.46%

LAB 28.26, 65.53, -91.82

 

CMYK 56 / 91 / 0 / 16

HEX #5E14D7

RGB 94 20 215

HSL 262.77, 0.83%, 0.46%

LAB 33.53, 68.93, -82.9

 

CMYK 62 / 100 / 0 / 8

HEX #5A01EA

RGB 90 1 234

HSL 262.92, 0.99%, 0.46%

LAB 34.26, 76.1, -92.6

 

CMYK 56 / 91 / 0 / 16

HEX #5E14D7

RGB 94 20 215

HSL 262.77, 0.83%, 0.46%

LAB 33.53, 68.93, -82.9

 

CMYK 49 / 80 / 0 / 23

HEX #6327C4

RGB 99 39 196

HSL 262.93, 0.67%, 0.46%

LAB 34.17, 58.88, -70.78

 

CMYK 42 / 67 / 0 / 31

HEX #673AB1

RGB 103 58 177

HSL 262.69, 0.51%, 0.46%

LAB 36.15, 45.69, -56.32

 

CMYK 32 / 51 / 0 / 38

HEX #6C4D9E

RGB 108 77 158

HSL 262.96, 0.34%, 0.46%

LAB 39.52, 30.95, -39.52

 

CMYK 19 / 31 / 0 / 45

HEX #70608B

RGB 112 96 139

HSL 262.33, 0.18%, 0.46%

LAB 43.76, 15.72, -21.43

 

CMYK 91 / 76 / 0 / 16

HEX #1434D7

RGB 20 52 215

HSL 230.15, 0.83%, 0.46%

LAB 32.94, 51.72, -84.03

 

CMYK 82 / 91 / 0 / 16

HEX #2714D7

RGB 39 20 215

HSL 245.85, 0.83%, 0.46%

LAB 29, 65.96, -90.57

 

CMYK 58 / 91 / 0 / 16

HEX #5B14D7

RGB 91 20 215

HSL 261.85, 0.83%, 0.46%

LAB 33.2, 68.7, -83.46

 

CMYK 33 / 91 / 0 / 16

HEX #8F14D7

RGB 143 20 215

HSL 277.85, 0.83%, 0.46%

LAB 39.99, 74, -72.04

 

CMYK 9 / 91 / 0 / 16

HEX #C314D7

RGB 195 20 215

HSL 293.85, 0.83%, 0.46%

LAB 48.27, 81.43, -58.22

 

CMYK 56 / 91 / 0 / 45

HEX #3D0D8B

RGB 61 13 139

HSL 262.86, 0.83%, 0.3%

LAB 20.61, 49.03, -58.82

 

CMYK 56 / 91 / 0 / 31

HEX #4E10B1

RGB 78 16 177

HSL 263.11, 0.83%, 0.38%

LAB 27.2, 59.39, -71.11

 

CMYK 56 / 91 / 0 / 16

HEX #5E14D7

RGB 94 20 215

HSL 262.77, 0.83%, 0.46%

LAB 33.53, 68.93, -82.9

 

CMYK 51 / 83 / 0 / 8

HEX #7329EB

RGB 115 41 235

HSL 262.89, 0.83%, 0.54%

LAB 39.96, 69.72, -83.65

 

CMYK 41 / 67 / 0 / 6

HEX #8C4FEF

RGB 140 79 239

HSL 262.88, 0.83%, 0.62%

LAB 48.76, 58.21, -71.4

 

CMYK 56 / 91 / 0 / 16

HEX #5E14D6

RGB 94 20 214

HSL 262.89, 0.83%, 0.46%

LAB 33.42, 68.7, -82.51

 

CMYK 0 / 91 / 52 / 16

HEX #D71468

RGB 215 20 104

HSL 334.15, 0.83%, 0.46%

LAB 46.9, 72.19, 6.2

 

CMYK 88 / 0 / 91 / 16

HEX #1AD714

RGB 26 215 20

HSL 118.15, 0.83%, 0.46%

LAB 75.37, -74.11, 71.11

 

CMYK 56 / 91 / 0 / 16

HEX #5E14D6

RGB 94 20 214

HSL 262.89, 0.83%, 0.46%

LAB 33.42, 68.7, -82.51

 

CMYK 0 / 58 / 91 / 16

HEX #D75B14

RGB 215 91 20

HSL 21.85, 0.83%, 0.46%

LAB 54.01, 45.69, 58.83

 

CMYK 91 / 0 / 58 / 16

HEX #14D75B

RGB 20 215 91

HSL 141.85, 0.83%, 0.46%

LAB 75.76, -68.99, 48.33

 

CMYK 56 / 91 / 0 / 16

HEX #5E14D6

RGB 94 20 214

HSL 262.89, 0.83%, 0.46%

LAB 33.42, 68.7, -82.51

 

CMYK 0 / 91 / 52 / 16

HEX #D71468

RGB 215 20 104

HSL 334.15, 0.83%, 0.46%

LAB 46.9, 72.19, 6.2

 

CMYK 33 / 0 / 91 / 16

HEX #8FD714

RGB 143 215 20

HSL 82.15, 0.83%, 0.46%

LAB 78.75, -47.45, 75.29

 

CMYK 91 / 0 / 40 / 16

HEX #14D782

RGB 20 215 130

HSL 153.85, 0.83%, 0.46%

LAB 76.29, -62.68, 29.95

 

CMYK 56 / 91 / 0 / 16

HEX #5E14D6

RGB 94 20 214

HSL 262.89, 0.83%, 0.46%

LAB 33.42, 68.7, -82.51

 

CMYK 0 / 91 / 79 / 16

HEX #D7142E

RGB 215 20 46

HSL 352, 0.83%, 0.46%

LAB 45.83, 69.19, 40.17

 

CMYK 33 / 0 / 91 / 16

HEX #8FD714

RGB 143 215 20

HSL 82.15, 0.83%, 0.46%

LAB 78.75, -47.45, 75.29

 

CMYK 91 / 0 / 12 / 16

HEX #14D7BD

RGB 20 215 189

HSL 172, 0.83%, 0.46%

LAB 77.53, -49.01, 0.56

 

Description

Color code: HEX #5E14D6 | qconv.com Color code: HEX #5E14D6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 20 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 20 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 91 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 91% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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