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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E1490 it is the complementary color #A1EB6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E1490. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E1490 shade: #63148B, #74269E, #8538B1, #964AC4 and #A75CD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E1490. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E1490 shade: #5E1490, #4D027D, #3C006A, #2B0057 and #1A0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E1490 shade: #5D138F, #7F138F, #8F137E, #8F135D and #8F133B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E1490 shade: #5D138F, #3C138F, #1A138F and #13138F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E1490 shade matches the following richer shades: #5D138F and #60069C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E1490 shade: #5D138F, #5B2082, #582D75, #553B68 and #53485A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E1490 shade: #19138F, #3A138F, #5B138F, #7D138F and #8F1381

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E1490 shade: #2E0947, #450E6B, #5D138F, #7518B3 and #8C1DD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E1490 shade: #5E1490, #8F132E and #138F2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E1490 shade: #5E1490, #8F5B13 and #138F5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E1490 shade: #5E1490, #8F132E, #478F13 and #138F74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E1490 shade: #5E1490, #8F1D13, #478F13 and #13858F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 86 / 0 / 44

HEX #5E1490

RGB 94 20 144

HSL 275.81, 0.76%, 0.32%

LAB 26.43, 52.37, -52.2

 

Complementary color

CMYK 31 / 0 / 53 / 8

HEX #A1EB6F

RGB 161 235 111

HSL 95.81, 0.76%, 0.68%

LAB 86.08, -43.83, 52.39

 

CMYK 29 / 86 / 0 / 45

HEX #63148B

RGB 99 20 139

HSL 279.83, 0.75%, 0.31%

LAB 26.78, 52.07, -48.48

 

CMYK 27 / 76 / 0 / 38

HEX #74269E

RGB 116 38 158

HSL 279, 0.61%, 0.38%

LAB 33.07, 52.99, -49.84

 

CMYK 25 / 68 / 0 / 31

HEX #8538B1

RGB 133 56 177

HSL 278.18, 0.52%, 0.46%

LAB 39.56, 52.98, -50.61

 

CMYK 23 / 62 / 0 / 23

HEX #964AC4

RGB 150 74 196

HSL 277.38, 0.51%, 0.53%

LAB 46.13, 52.5, -51.06

 

CMYK 22 / 57 / 0 / 16

HEX #A75CD7

RGB 167 92 215

HSL 276.59, 0.61%, 0.6%

LAB 52.7, 51.81, -51.33

 

CMYK 35 / 86 / 0 / 44

HEX #5E1490

RGB 94 20 144

HSL 275.81, 0.76%, 0.32%

LAB 26.43, 52.37, -52.2

 

CMYK 38 / 98 / 0 / 51

HEX #4D027D

RGB 77 2 125

HSL 276.59, 0.97%, 0.25%

LAB 20.45, 50.3, -50.17

 

CMYK 43 / 100 / 0 / 58

HEX #3C006A

RGB 60 0 106

HSL 273.96, 1%, 0.21%

LAB 15.49, 44.66, -46.13

 

CMYK 51 / 100 / 0 / 66

HEX #2B0057

RGB 43 0 87

HSL 269.66, 1%, 0.17%

LAB 10.57, 38.35, -41.65

 

CMYK 62 / 100 / 0 / 73

HEX #1A0044

RGB 26 0 68

HSL 262.94, 1%, 0.13%

LAB 5.75, 30.79, -36.49

 

CMYK 35 / 87 / 0 / 44

HEX #5D138F

RGB 93 19 143

HSL 275.81, 0.77%, 0.32%

LAB 26.09, 52.29, -52.14

 

CMYK 11 / 87 / 0 / 44

HEX #7F138F

RGB 127 19 143

HSL 292.26, 0.77%, 0.32%

LAB 31.72, 58.02, -42.75

 

CMYK 0 / 87 / 12 / 44

HEX #8F137E

RGB 143 19 126

HSL 308.23, 0.77%, 0.32%

LAB 33.59, 58.41, -29.02

 

CMYK 0 / 87 / 35 / 44

HEX #8F135D

RGB 143 19 93

HSL 324.19, 0.77%, 0.32%

LAB 32.02, 54.11, -10.38

 

CMYK 0 / 87 / 59 / 44

HEX #8F133B

RGB 143 19 59

HSL 340.65, 0.77%, 0.32%

LAB 30.93, 50.97, 10.43

 

CMYK 35 / 87 / 0 / 44

HEX #5D138F

RGB 93 19 143

HSL 275.81, 0.77%, 0.32%

LAB 26.09, 52.29, -52.14

 

CMYK 58 / 87 / 0 / 44

HEX #3C138F

RGB 60 19 143

HSL 259.84, 0.77%, 0.32%

LAB 21.61, 47.99, -59.66

 

CMYK 82 / 87 / 0 / 44

HEX #1A138F

RGB 26 19 143

HSL 243.39, 0.77%, 0.32%

LAB 18.66, 45.34, -64.64

 

CMYK 87 / 87 / 0 / 44

HEX #13138F

RGB 19 19 143

HSL 240, 0.77%, 0.32%

LAB 18.31, 45.03, -65.24

 

CMYK 35 / 87 / 0 / 44

HEX #5D138F

RGB 93 19 143

HSL 275.81, 0.77%, 0.32%

LAB 26.09, 52.29, -52.14

 

CMYK 38 / 96 / 0 / 39

HEX #60069C

RGB 96 6 156

HSL 276, 0.93%, 0.32%

LAB 26.78, 58.43, -58.99

 

CMYK 35 / 87 / 0 / 44

HEX #5D138F

RGB 93 19 143

HSL 275.81, 0.77%, 0.32%

LAB 26.09, 52.29, -52.14

 

CMYK 30 / 75 / 0 / 49

HEX #5B2082

RGB 91 32 130

HSL 276.12, 0.6%, 0.32%

LAB 26.36, 44.13, -43.6

 

CMYK 25 / 62 / 0 / 54

HEX #582D75

RGB 88 45 117

HSL 275.83, 0.44%, 0.32%

LAB 27.4, 33.64, -33.73

 

CMYK 18 / 43 / 0 / 59

HEX #553B68

RGB 85 59 104

HSL 274.67, 0.28%, 0.32%

LAB 29.56, 20.98, -22.04

 

CMYK 8 / 20 / 0 / 65

HEX #53485A

RGB 83 72 90

HSL 276.67, 0.11%, 0.32%

LAB 32.28, 8.51, -8.92

 

CMYK 83 / 87 / 0 / 44

HEX #19138F

RGB 25 19 143

HSL 242.9, 0.77%, 0.32%

LAB 18.61, 45.29, -64.74

 

CMYK 59 / 87 / 0 / 44

HEX #3A138F

RGB 58 19 143

HSL 258.87, 0.77%, 0.32%

LAB 21.39, 47.78, -60.04

 

CMYK 36 / 87 / 0 / 44

HEX #5B138F

RGB 91 19 143

HSL 274.84, 0.77%, 0.32%

LAB 25.78, 51.99, -52.66

 

CMYK 13 / 87 / 0 / 44

HEX #7D138F

RGB 125 19 143

HSL 291.29, 0.77%, 0.32%

LAB 31.37, 57.66, -43.33

 

CMYK 0 / 87 / 10 / 44

HEX #8F1381

RGB 143 19 129

HSL 306.77, 0.77%, 0.32%

LAB 33.75, 58.85, -30.63

 

CMYK 35 / 87 / 0 / 72

HEX #2E0947

RGB 46 9 71

HSL 275.81, 0.78%, 0.16%

LAB 10.79, 30.45, -30.24

 

CMYK 36 / 87 / 0 / 58

HEX #450E6B

RGB 69 14 107

HSL 275.48, 0.77%, 0.24%

LAB 18.54, 41.71, -41.73

 

CMYK 35 / 87 / 0 / 44

HEX #5D138F

RGB 93 19 143

HSL 275.81, 0.77%, 0.32%

LAB 26.09, 52.29, -52.14

 

CMYK 35 / 87 / 0 / 30

HEX #7518B3

RGB 117 24 179

HSL 276, 0.76%, 0.4%

LAB 33.33, 62.3, -62.03

 

CMYK 35 / 87 / 0 / 15

HEX #8C1DD8

RGB 140 29 216

HSL 275.61, 0.76%, 0.48%

LAB 40.27, 71.96, -72.18

 

CMYK 35 / 86 / 0 / 44

HEX #5E1490

RGB 94 20 144

HSL 275.81, 0.76%, 0.32%

LAB 26.43, 52.37, -52.2

 

CMYK 0 / 87 / 68 / 44

HEX #8F132E

RGB 143 19 46

HSL 346.94, 0.77%, 0.32%

LAB 30.65, 50.14, 18.68

 

CMYK 87 / 0 / 71 / 44

HEX #138F2A

RGB 19 143 42

HSL 131.13, 0.77%, 0.32%

LAB 51.78, -52.18, 42.99

 

CMYK 35 / 86 / 0 / 44

HEX #5E1490

RGB 94 20 144

HSL 275.81, 0.76%, 0.32%

LAB 26.43, 52.37, -52.2

 

CMYK 0 / 36 / 87 / 44

HEX #8F5B13

RGB 143 91 19

HSL 34.84, 0.77%, 0.32%

LAB 43.31, 15.65, 46.22

 

CMYK 87 / 0 / 36 / 44

HEX #138F5B

RGB 19 143 91

HSL 154.84, 0.77%, 0.32%

LAB 52.44, -44.32, 18.94

 

CMYK 35 / 86 / 0 / 44

HEX #5E1490

RGB 94 20 144

HSL 275.81, 0.76%, 0.32%

LAB 26.43, 52.37, -52.2

 

CMYK 0 / 87 / 68 / 44

HEX #8F132E

RGB 143 19 46

HSL 346.94, 0.77%, 0.32%

LAB 30.65, 50.14, 18.68

 

CMYK 50 / 0 / 87 / 44

HEX #478F13

RGB 71 143 19

HSL 94.84, 0.77%, 0.32%

LAB 52.98, -42.81, 52.37

 

CMYK 87 / 0 / 19 / 44

HEX #138F74

RGB 19 143 116

HSL 166.94, 0.77%, 0.32%

LAB 53, -38.19, 5.49

 

CMYK 35 / 86 / 0 / 44

HEX #5E1490

RGB 94 20 144

HSL 275.81, 0.76%, 0.32%

LAB 26.43, 52.37, -52.2

 

CMYK 0 / 80 / 87 / 44

HEX #8F1D13

RGB 143 29 19

HSL 4.84, 0.77%, 0.32%

LAB 31.27, 46.29, 35.84

 

CMYK 50 / 0 / 87 / 44

HEX #478F13

RGB 71 143 19

HSL 94.84, 0.77%, 0.32%

LAB 52.98, -42.81, 52.37

 

CMYK 87 / 7 / 0 / 44

HEX #13858F

RGB 19 133 143

HSL 184.84, 0.77%, 0.32%

LAB 50.57, -25.31, -13.79

 

Description

Color code: HEX #5E1490 | qconv.com Color code: HEX #5E1490 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 20 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 20 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 86 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 86% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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