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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E02C5 it is the complementary color #A1FD3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E02C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E02C5 shade: #6302C0, #7414D3, #8526E6, #9638F9 and #A74AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E02C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E02C5 shade: #5E02C5, #4D00B2, #3C009F, #2B008C and #1A0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E02C5 shade: #5E02C5, #9302C5, #C502C3, #C5028E and #C5025A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E02C5 shade: #5E02C5, #2902C5 and #0202C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E02C5 shade matches the following richer shades: #5E02C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E02C5 shade: #5E02C5, #5F12B5, #6022A5, #613295 and #624285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E02C5 shade: #020FC5, #2902C5, #5D02C5, #9102C5 and #C502C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E02C5 shade: #370173, #4A029C, #5E02C5, #7102EE and #861DFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E02C5 shade: #5E02C5, #C50243 and #02C50F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E02C5 shade: #5E02C5, #C55D02 and #02C55D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E02C5 shade: #5E02C5, #C50243, #6AC502 and #02C584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E02C5 shade: #5E02C5, #C50208, #6AC502 and #02C5BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

Complementary color

CMYK 36 / 0 / 77 / 1

HEX #A1FD3A

RGB 161 253 58

HSL 88.31, 0.98%, 0.61%

LAB 90.84, -55.32, 77.76

 

CMYK 48 / 99 / 0 / 25

HEX #6302C0

RGB 99 2 192

HSL 270.63, 0.98%, 0.38%

LAB 30.64, 67.22, -74.24

 

CMYK 45 / 91 / 0 / 17

HEX #7414D3

RGB 116 20 211

HSL 270.16, 0.83%, 0.45%

LAB 35.82, 70.05, -76.72

 

CMYK 42 / 83 / 0 / 10

HEX #8526E6

RGB 133 38 230

HSL 269.69, 0.79%, 0.53%

LAB 41.35, 71.64, -78.45

 

CMYK 40 / 78 / 0 / 2

HEX #9638F9

RGB 150 56 249

HSL 269.22, 0.94%, 0.6%

LAB 47.17, 72.21, -79.54

 

CMYK 35 / 71 / 0 / 0

HEX #A74AFF

RGB 167 74 255

HSL 270.83, 1%, 0.65%

LAB 52.21, 69.2, -74.58

 

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

CMYK 57 / 100 / 0 / 30

HEX #4D00B2

RGB 77 0 178

HSL 265.96, 1%, 0.35%

LAB 26.13, 62.76, -73.47

 

CMYK 62 / 100 / 0 / 38

HEX #3C009F

RGB 60 0 159

HSL 262.64, 1%, 0.31%

LAB 21.81, 57.24, -69.2

 

CMYK 69 / 100 / 0 / 45

HEX #2B008C

RGB 43 0 140

HSL 258.43, 1%, 0.27%

LAB 17.49, 51.69, -64.68

 

CMYK 79 / 100 / 0 / 53

HEX #1A0079

RGB 26 0 121

HSL 252.89, 1%, 0.24%

LAB 13.23, 46.12, -59.76

 

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

CMYK 25 / 99 / 0 / 23

HEX #9302C5

RGB 147 2 197

HSL 284.62, 0.98%, 0.39%

LAB 38.34, 73.4, -64.27

 

CMYK 0 / 99 / 1 / 23

HEX #C502C3

RGB 197 2 195

HSL 300.62, 0.98%, 0.39%

LAB 46.78, 80.45, -49.04

 

CMYK 0 / 99 / 28 / 23

HEX #C5028E

RGB 197 2 142

HSL 316.92, 0.98%, 0.39%

LAB 44.04, 73.62, -21.81

 

CMYK 0 / 99 / 54 / 23

HEX #C5025A

RGB 197 2 90

HSL 332.92, 0.98%, 0.39%

LAB 42.23, 68.89, 7.82

 

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

CMYK 79 / 99 / 0 / 23

HEX #2902C5

RGB 41 2 197

HSL 252, 0.98%, 0.39%

LAB 25.4, 65.32, -86.07

 

CMYK 99 / 99 / 0 / 23

HEX #0202C5

RGB 2 2 197

HSL 240, 0.98%, 0.39%

LAB 23.96, 64.78, -88.51

 

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

CMYK 48 / 90 / 0 / 29

HEX #5F12B5

RGB 95 18 181

HSL 268.34, 0.82%, 0.39%

LAB 29.92, 61.51, -68.94

 

CMYK 42 / 79 / 0 / 35

HEX #6022A5

RGB 96 34 165

HSL 268.4, 0.66%, 0.39%

LAB 30.27, 52.68, -58.75

 

CMYK 35 / 66 / 0 / 42

HEX #613295

RGB 97 50 149

HSL 268.48, 0.5%, 0.39%

LAB 31.79, 41.27, -46.55

 

CMYK 26 / 50 / 0 / 48

HEX #624285

RGB 98 66 133

HSL 268.66, 0.34%, 0.39%

LAB 34.37, 28.16, -32.58

 

CMYK 99 / 92 / 0 / 23

HEX #020FC5

RGB 2 15 197

HSL 236, 0.98%, 0.39%

LAB 24.91, 61.85, -86.92

 

CMYK 79 / 99 / 0 / 23

HEX #2902C5

RGB 41 2 197

HSL 252, 0.98%, 0.39%

LAB 25.4, 65.32, -86.07

 

CMYK 53 / 99 / 0 / 23

HEX #5D02C5

RGB 93 2 197

HSL 268, 0.98%, 0.39%

LAB 30.4, 67.84, -77.6

 

CMYK 26 / 99 / 0 / 23

HEX #9102C5

RGB 145 2 197

HSL 284, 0.98%, 0.39%

LAB 38.01, 73.15, -64.82

 

CMYK 0 / 99 / 0 / 23

HEX #C502C5

RGB 197 2 197

HSL 300, 0.98%, 0.39%

LAB 46.9, 80.74, -50.01

 

CMYK 52 / 99 / 0 / 55

HEX #370173

RGB 55 1 115

HSL 268.42, 0.98%, 0.23%

LAB 15.86, 45.95, -51.42

 

CMYK 53 / 99 / 0 / 39

HEX #4A029C

RGB 74 2 156

HSL 268.05, 0.97%, 0.31%

LAB 23.34, 57.04, -64.79

 

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

CMYK 53 / 99 / 0 / 7

HEX #7102EE

RGB 113 2 238

HSL 268.22, 0.98%, 0.47%

LAB 37.35, 78.27, -89.68

 

CMYK 47 / 89 / 0 / 1

HEX #861DFD

RGB 134 29 253

HSL 268.13, 0.98%, 0.55%

LAB 42.82, 79.15, -89

 

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

CMYK 0 / 99 / 66 / 23

HEX #C50243

RGB 197 2 67

HSL 340, 0.98%, 0.39%

LAB 41.72, 67.51, 21.67

 

CMYK 99 / 0 / 92 / 23

HEX #02C50F

RGB 2 197 15

HSL 124, 0.98%, 0.39%

LAB 69.46, -70.56, 66.8

 

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

CMYK 0 / 53 / 99 / 23

HEX #C55D02

RGB 197 93 2

HSL 28, 0.98%, 0.39%

LAB 51.5, 37.54, 59.99

 

CMYK 99 / 0 / 53 / 23

HEX #02C55D

RGB 2 197 93

HSL 148, 0.98%, 0.39%

LAB 69.99, -63.81, 40.44

 

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

CMYK 0 / 99 / 66 / 23

HEX #C50243

RGB 197 2 67

HSL 340, 0.98%, 0.39%

LAB 41.72, 67.51, 21.67

 

CMYK 46 / 0 / 99 / 23

HEX #6AC502

RGB 106 197 2

HSL 88, 0.98%, 0.39%

LAB 71.56, -53.15, 70.87

 

CMYK 99 / 0 / 33 / 23

HEX #02C584

RGB 2 197 132

HSL 160, 0.98%, 0.39%

LAB 70.6, -56.57, 21.25

 

CMYK 52 / 99 / 0 / 23

HEX #5E02C5

RGB 94 2 197

HSL 268.31, 0.98%, 0.39%

LAB 30.53, 67.92, -77.39

 

CMYK 0 / 99 / 96 / 23

HEX #C50208

RGB 197 2 8

HSL 358.15, 0.98%, 0.39%

LAB 41.11, 65.84, 52.57

 

CMYK 46 / 0 / 99 / 23

HEX #6AC502

RGB 106 197 2

HSL 88, 0.98%, 0.39%

LAB 71.56, -53.15, 70.87

 

CMYK 99 / 0 / 4 / 23

HEX #02C5BE

RGB 2 197 190

HSL 177.85, 0.98%, 0.39%

LAB 72, -41.61, -8.13

 

Description

Color code: HEX #5E02C5 | qconv.com Color code: HEX #5E02C5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 2 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 2 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 99 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 99% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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