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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DFD9A it is the complementary color #A20265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DFD9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DFD9A shade: #62FD95, #73FFA8, #84FFBB, #95FFCE and #A6FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DFD9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DFD9A shade: #5DFD9A, #4CEB87, #3BD974, #2AC761 and #19B54E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DFD9A shade: #5DFD9A, #5DFD6F, #76FD5D, #A1FD5D and #CCFD5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DFD9A shade: #5DFD9A, #5DFDC5, #5DFDF0, #5DDEFD and #5DB3FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DFD9A shade matches the following richer shades: #5DFD9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DFD9A shade: #5DFD9A, #6AF09D, #77E2A0, #85D5A3 and #92C8A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DFD9A shade: #78FD5D, #5DFD6D, #5DFD98, #5DFDC2 and #5DFDED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DFD9A shade: #0BFC67, #34FC80, #5DFD9A, #86FDB3 and #AFFECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DFD9A shade: #5DFD9A, #5DA2FD and #FD5D62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DFD9A shade: #5DFD9A, #985DFD and #FD985D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DFD9A shade: #5DFD9A, #5DA2FD, #FD5DC2 and #FDB85D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DFD9A shade: #5DFD9A, #5D72FD, #FD5DC2 and #FDE85D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

Complementary color

CMYK 0 / 99 / 38 / 36

HEX #A20265

RGB 162 2 101

HSL 322.88, 0.98%, 0.32%

LAB 35.33, 61.95, -10.17

 

CMYK 61 / 0 / 41 / 1

HEX #62FD95

RGB 98 253 149

HSL 139.74, 0.97%, 0.69%

LAB 89.4, -62.93, 37.88

 

CMYK 55 / 0 / 34 / 0

HEX #73FFA8

RGB 115 255 168

HSL 142.71, 1%, 0.73%

LAB 90.78, -56.89, 30.34

 

CMYK 48 / 0 / 27 / 0

HEX #84FFBB

RGB 132 255 187

HSL 146.83, 1%, 0.76%

LAB 91.69, -49.44, 22.07

 

CMYK 42 / 0 / 19 / 0

HEX #95FFCE

RGB 149 255 206

HSL 152.26, 1%, 0.79%

LAB 92.74, -41.46, 13.91

 

CMYK 35 / 0 / 12 / 0

HEX #A6FFE1

RGB 166 255 225

HSL 159.78, 1%, 0.83%

LAB 93.91, -33.06, 5.91

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 68 / 0 / 43 / 8

HEX #4CEB87

RGB 76 235 135

HSL 142.26, 0.8%, 0.61%

LAB 83.29, -62.67, 36.74

 

CMYK 73 / 0 / 47 / 15

HEX #3BD974

RGB 59 217 116

HSL 141.65, 0.68%, 0.54%

LAB 77.17, -62.04, 38.24

 

CMYK 79 / 0 / 51 / 22

HEX #2AC761

RGB 42 199 97

HSL 141.02, 0.65%, 0.47%

LAB 71.01, -61.06, 39.82

 

CMYK 86 / 0 / 57 / 29

HEX #19B54E

RGB 25 181 78

HSL 140.38, 0.76%, 0.4%

LAB 64.81, -59.59, 41.43

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 63 / 0 / 56 / 1

HEX #5DFD6F

RGB 93 253 111

HSL 126.75, 0.98%, 0.68%

LAB 88.79, -69.32, 54.98

 

CMYK 53 / 0 / 63 / 1

HEX #76FD5D

RGB 118 253 93

HSL 110.63, 0.98%, 0.68%

LAB 89.34, -65.6, 63.45

 

CMYK 36 / 0 / 63 / 1

HEX #A1FD5D

RGB 161 253 93

HSL 94.5, 0.98%, 0.68%

LAB 91.06, -53.06, 65.82

 

CMYK 19 / 0 / 63 / 1

HEX #CCFD5D

RGB 204 253 93

HSL 78.38, 0.98%, 0.68%

LAB 93.4, -37.9, 69.03

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 63 / 0 / 22 / 1

HEX #5DFDC5

RGB 93 253 197

HSL 159, 0.98%, 0.68%

LAB 90.14, -54.64, 14.61

 

CMYK 63 / 0 / 5 / 1

HEX #5DFDF0

RGB 93 253 240

HSL 175.13, 0.98%, 0.68%

LAB 91.17, -44.38, -6.15

 

CMYK 63 / 12 / 0 / 1

HEX #5DDEFD

RGB 93 222 253

HSL 191.63, 0.98%, 0.68%

LAB 82.73, -26.39, -25.64

 

CMYK 63 / 29 / 0 / 1

HEX #5DB3FD

RGB 93 179 253

HSL 207.75, 0.98%, 0.68%

LAB 70.64, -3.91, -44.35

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 56 / 0 / 35 / 6

HEX #6AF09D

RGB 106 240 157

HSL 142.84, 0.82%, 0.68%

LAB 85.92, -54.89, 29.31

 

CMYK 47 / 0 / 29 / 11

HEX #77E2A0

RGB 119 226 160

HSL 142.99, 0.65%, 0.68%

LAB 82.3, -45.46, 22.94

 

CMYK 38 / 0 / 23 / 16

HEX #85D5A3

RGB 133 213 163

HSL 142.5, 0.49%, 0.68%

LAB 79.17, -35.27, 17.12

 

CMYK 27 / 0 / 17 / 22

HEX #92C8A6

RGB 146 200 166

HSL 142.22, 0.33%, 0.68%

LAB 76.18, -24.52, 11.41

 

CMYK 53 / 0 / 63 / 1

HEX #78FD5D

RGB 120 253 93

HSL 109.88, 0.98%, 0.68%

LAB 89.41, -65.09, 63.54

 

CMYK 63 / 0 / 57 / 1

HEX #5DFD6D

RGB 93 253 109

HSL 126, 0.98%, 0.68%

LAB 88.77, -69.56, 55.84

 

CMYK 63 / 0 / 40 / 1

HEX #5DFD98

RGB 93 253 152

HSL 142.13, 0.98%, 0.68%

LAB 89.32, -63.38, 36.27

 

CMYK 63 / 0 / 23 / 1

HEX #5DFDC2

RGB 93 253 194

HSL 157.88, 0.98%, 0.68%

LAB 90.08, -55.29, 16.06

 

CMYK 63 / 0 / 6 / 1

HEX #5DFDED

RGB 93 253 237

HSL 174, 0.98%, 0.68%

LAB 91.09, -45.15, -4.71

 

CMYK 96 / 0 / 59 / 1

HEX #0BFC67

RGB 11 252 103

HSL 142.9, 0.98%, 0.52%

LAB 87.33, -78.98, 56.5

 

CMYK 79 / 0 / 49 / 1

HEX #34FC80

RGB 52 252 128

HSL 142.8, 0.97%, 0.6%

LAB 87.92, -72.87, 45.95

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 47 / 0 / 29 / 1

HEX #86FDB3

RGB 134 253 179

HSL 142.69, 0.97%, 0.76%

LAB 91.04, -49.6, 25.26

 

CMYK 31 / 0 / 19 / 0

HEX #AFFECD

RGB 175 254 205

HSL 142.78, 0.98%, 0.84%

LAB 93.63, -33.96, 15.85

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 63 / 36 / 0 / 1

HEX #5DA2FD

RGB 93 162 253

HSL 214.13, 0.98%, 0.68%

LAB 65.95, 5.71, -51.73

 

CMYK 0 / 63 / 61 / 1

HEX #FD5D62

RGB 253 93 98

HSL 358.13, 0.98%, 0.68%

LAB 61.3, 61.14, 30.42

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 40 / 63 / 0 / 1

HEX #985DFD

RGB 152 93 253

HSL 262.13, 0.98%, 0.68%

LAB 53.6, 57.01, -71.3

 

CMYK 0 / 40 / 63 / 1

HEX #FD985D

RGB 253 152 93

HSL 22.13, 0.98%, 0.68%

LAB 72.31, 32.71, 46.63

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 63 / 36 / 0 / 1

HEX #5DA2FD

RGB 93 162 253

HSL 214.13, 0.98%, 0.68%

LAB 65.95, 5.71, -51.73

 

CMYK 0 / 63 / 23 / 1

HEX #FD5DC2

RGB 253 93 194

HSL 322.13, 0.98%, 0.68%

LAB 63.84, 70.38, -21.12

 

CMYK 0 / 27 / 63 / 1

HEX #FDB85D

RGB 253 184 93

HSL 34.13, 0.98%, 0.68%

LAB 79.59, 16.01, 55.01

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 63 / 55 / 0 / 1

HEX #5D72FD

RGB 93 114 253

HSL 232.13, 0.98%, 0.68%

LAB 53.44, 34.4, -71.77

 

CMYK 0 / 63 / 23 / 1

HEX #FD5DC2

RGB 253 93 194

HSL 322.13, 0.98%, 0.68%

LAB 63.84, 70.38, -21.12

 

CMYK 0 / 8 / 63 / 1

HEX #FDE85D

RGB 253 232 93

HSL 52.13, 0.98%, 0.68%

LAB 91.41, -8.57, 67.97

 

Description

Color code: HEX #5DFD9A | qconv.com Color code: HEX #5DFD9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 253 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 253 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 39 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 39% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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