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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DFC8B it is the complementary color #A20374. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DFC8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DFC8B shade: #62FC86, #73FF99, #84FFAC, #95FFBF and #A6FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DFC8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DFC8B shade: #5DFC8B, #4CEA78, #3BD865, #2AC652 and #19B43F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DFC8B shade: #5FFC8C, #5FFC62, #86FC5F, #B0FC5F and #DBFC5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DFC8B shade: #5FFC8C, #5FFCB7, #5FFCE1, #5FECFC and #5FC2FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DFC8B shade matches the following richer shades: #5FFC8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DFC8B shade: #5FFC8C, #6CEF92, #79E198, #87D49D and #94C7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DFC8B shade: #86FC5F, #5FFC62, #5FFC8B, #5FFCB5 and #5FFCDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DFC8B shade: #0EFA52, #37FB6F, #5FFC8C, #87FDA9 and #B0FDC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DFC8B shade: #5DFC8B, #5FB0FC and #FC5F71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DFC8B shade: #5DFC8B, #8B5FFC and #FC8B5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DFC8B shade: #5DFC8B, #5FB0FC, #FC5FCF and #FCAB5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DFC8B shade: #5DFC8B, #5F81FC, #FC5FCF and #FCDA5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 45 / 1

HEX #5DFC8B

RGB 93 252 139

HSL 137.36, 0.96%, 0.68%

LAB 88.83, -65.12, 42

 

Complementary color

CMYK 0 / 98 / 28 / 36

HEX #A20374

RGB 162 3 116

HSL 317.36, 0.96%, 0.32%

LAB 36, 63.45, -18.69

 

CMYK 61 / 0 / 47 / 1

HEX #62FC86

RGB 98 252 134

HSL 134.03, 0.96%, 0.69%

LAB 88.89, -64.9, 44.5

 

CMYK 55 / 0 / 40 / 0

HEX #73FF99

RGB 115 255 153

HSL 136.29, 1%, 0.73%

LAB 90.54, -59.43, 37.48

 

CMYK 48 / 0 / 33 / 0

HEX #84FFAC

RGB 132 255 172

HSL 139.51, 1%, 0.76%

LAB 91.42, -52.18, 29.3

 

CMYK 42 / 0 / 25 / 0

HEX #95FFBF

RGB 149 255 191

HSL 143.77, 1%, 0.79%

LAB 92.43, -44.35, 21.16

 

CMYK 35 / 0 / 18 / 0

HEX #A6FFD2

RGB 166 255 210

HSL 149.66, 1%, 0.83%

LAB 93.57, -36.07, 13.14

 

CMYK 63 / 0 / 45 / 1

HEX #5DFC8B

RGB 93 252 139

HSL 137.36, 0.96%, 0.68%

LAB 88.83, -65.12, 42

 

CMYK 68 / 0 / 49 / 8

HEX #4CEA78

RGB 76 234 120

HSL 136.71, 0.79%, 0.61%

LAB 82.77, -64.68, 43.42

 

CMYK 73 / 0 / 53 / 15

HEX #3BD865

RGB 59 216 101

HSL 136.05, 0.67%, 0.54%

LAB 76.67, -63.95, 44.88

 

CMYK 79 / 0 / 59 / 22

HEX #2AC652

RGB 42 198 82

HSL 135.38, 0.65%, 0.47%

LAB 70.52, -62.83, 46.34

 

CMYK 86 / 0 / 65 / 29

HEX #19B43F

RGB 25 180 63

HSL 134.71, 0.76%, 0.4%

LAB 64.33, -61.15, 47.71

 

CMYK 62 / 0 / 44 / 1

HEX #5FFC8C

RGB 95 252 140

HSL 137.2, 0.96%, 0.68%

LAB 88.9, -64.58, 41.61

 

CMYK 62 / 0 / 61 / 1

HEX #5FFC62

RGB 95 252 98

HSL 121.15, 0.96%, 0.68%

LAB 88.42, -70.04, 60.17

 

CMYK 47 / 0 / 62 / 1

HEX #86FC5F

RGB 134 252 95

HSL 105.1, 0.96%, 0.68%

LAB 89.63, -60.75, 63.12

 

CMYK 30 / 0 / 62 / 1

HEX #B0FC5F

RGB 176 252 95

HSL 89.04, 0.96%, 0.68%

LAB 91.54, -47.43, 65.76

 

CMYK 13 / 0 / 62 / 1

HEX #DBFC5F

RGB 219 252 95

HSL 72.61, 0.96%, 0.68%

LAB 94.1, -31.61, 69.27

 

CMYK 62 / 0 / 44 / 1

HEX #5FFC8C

RGB 95 252 140

HSL 137.2, 0.96%, 0.68%

LAB 88.9, -64.58, 41.61

 

CMYK 62 / 0 / 27 / 1

HEX #5FFCB7

RGB 95 252 183

HSL 153.63, 0.96%, 0.68%

LAB 89.61, -56.85, 21.06

 

CMYK 62 / 0 / 11 / 1

HEX #5FFCE1

RGB 95 252 225

HSL 169.68, 0.96%, 0.68%

LAB 90.55, -47.4, 0.72

 

CMYK 62 / 6 / 0 / 1

HEX #5FECFC

RGB 95 236 252

HSL 186.11, 0.96%, 0.68%

LAB 86.73, -33.1, -19.05

 

CMYK 62 / 23 / 0 / 1

HEX #5FC2FC

RGB 95 194 252

HSL 202.17, 0.96%, 0.68%

LAB 74.85, -12.04, -37.23

 

CMYK 62 / 0 / 44 / 1

HEX #5FFC8C

RGB 95 252 140

HSL 137.2, 0.96%, 0.68%

LAB 88.9, -64.58, 41.61

 

CMYK 62 / 0 / 44 / 1

HEX #5FFC8C

RGB 95 252 140

HSL 137.2, 0.96%, 0.68%

LAB 88.9, -64.58, 41.61

 

CMYK 55 / 0 / 39 / 6

HEX #6CEF92

RGB 108 239 146

HSL 137.4, 0.8%, 0.68%

LAB 85.5, -55.95, 34.32

 

CMYK 46 / 0 / 32 / 12

HEX #79E198

RGB 121 225 152

HSL 137.88, 0.63%, 0.68%

LAB 81.94, -45.96, 26.59

 

CMYK 36 / 0 / 26 / 17

HEX #87D49D

RGB 135 212 157

HSL 137.14, 0.47%, 0.68%

LAB 78.85, -35.34, 19.87

 

CMYK 26 / 0 / 18 / 22

HEX #94C7A3

RGB 148 199 163

HSL 137.65, 0.31%, 0.68%

LAB 75.94, -23.96, 12.71

 

CMYK 47 / 0 / 62 / 1

HEX #86FC5F

RGB 134 252 95

HSL 105.1, 0.96%, 0.68%

LAB 89.63, -60.75, 63.12

 

CMYK 62 / 0 / 61 / 1

HEX #5FFC62

RGB 95 252 98

HSL 121.15, 0.96%, 0.68%

LAB 88.42, -70.04, 60.17

 

CMYK 62 / 0 / 45 / 1

HEX #5FFC8B

RGB 95 252 139

HSL 136.82, 0.96%, 0.68%

LAB 88.88, -64.74, 42.07

 

CMYK 62 / 0 / 28 / 1

HEX #5FFCB5

RGB 95 252 181

HSL 152.87, 0.96%, 0.68%

LAB 89.58, -57.25, 22.03

 

CMYK 62 / 0 / 12 / 1

HEX #5FFCDF

RGB 95 252 223

HSL 168.92, 0.96%, 0.68%

LAB 90.5, -47.89, 1.68

 

CMYK 94 / 0 / 67 / 2

HEX #0EFA52

RGB 14 250 82

HSL 137.29, 0.96%, 0.52%

LAB 86.54, -80.59, 64.21

 

CMYK 78 / 0 / 56 / 2

HEX #37FB6F

RGB 55 251 111

HSL 137.14, 0.96%, 0.6%

LAB 87.46, -74.6, 53.23

 

CMYK 62 / 0 / 44 / 1

HEX #5FFC8C

RGB 95 252 140

HSL 137.2, 0.96%, 0.68%

LAB 88.9, -64.58, 41.61

 

CMYK 47 / 0 / 33 / 1

HEX #87FDA9

RGB 135 253 169

HSL 137.29, 0.97%, 0.76%

LAB 90.9, -51.11, 30.13

 

CMYK 30 / 0 / 22 / 1

HEX #B0FDC6

RGB 176 253 198

HSL 137.14, 0.95%, 0.84%

LAB 93.26, -34.48, 18.92

 

CMYK 63 / 0 / 45 / 1

HEX #5DFC8B

RGB 93 252 139

HSL 137.36, 0.96%, 0.68%

LAB 88.83, -65.12, 42

 

CMYK 62 / 30 / 0 / 1

HEX #5FB0FC

RGB 95 176 252

HSL 209.04, 0.96%, 0.68%

LAB 69.83, -2.22, -45.06

 

CMYK 0 / 62 / 55 / 1

HEX #FC5F71

RGB 252 95 113

HSL 353.12, 0.96%, 0.68%

LAB 61.72, 61.01, 22.35

 

CMYK 63 / 0 / 45 / 1

HEX #5DFC8B

RGB 93 252 139

HSL 137.36, 0.96%, 0.68%

LAB 88.83, -65.12, 42

 

CMYK 45 / 62 / 0 / 1

HEX #8B5FFC

RGB 139 95 252

HSL 256.82, 0.96%, 0.68%

LAB 52.62, 53.17, -72.39

 

CMYK 0 / 45 / 62 / 1

HEX #FC8B5F

RGB 252 139 95

HSL 16.82, 0.96%, 0.68%

LAB 69.46, 39.11, 42.17

 

CMYK 63 / 0 / 45 / 1

HEX #5DFC8B

RGB 93 252 139

HSL 137.36, 0.96%, 0.68%

LAB 88.83, -65.12, 42

 

CMYK 62 / 30 / 0 / 1

HEX #5FB0FC

RGB 95 176 252

HSL 209.04, 0.96%, 0.68%

LAB 69.83, -2.22, -45.06

 

CMYK 0 / 62 / 18 / 1

HEX #FC5FCF

RGB 252 95 207

HSL 317.2, 0.96%, 0.68%

LAB 64.47, 71.05, -27.52

 

CMYK 0 / 32 / 62 / 1

HEX #FCAB5F

RGB 252 171 95

HSL 29.04, 0.96%, 0.68%

LAB 76.46, 22.53, 50.45

 

CMYK 63 / 0 / 45 / 1

HEX #5DFC8B

RGB 93 252 139

HSL 137.36, 0.96%, 0.68%

LAB 88.83, -65.12, 42

 

CMYK 62 / 49 / 0 / 1

HEX #5F81FC

RGB 95 129 252

HSL 227.01, 0.96%, 0.68%

LAB 57.23, 25.3, -65.09

 

CMYK 0 / 62 / 18 / 1

HEX #FC5FCF

RGB 252 95 207

HSL 317.2, 0.96%, 0.68%

LAB 64.47, 71.05, -27.52

 

CMYK 0 / 13 / 62 / 1

HEX #FCDA5F

RGB 252 218 95

HSL 47.01, 0.96%, 0.68%

LAB 87.81, -1.83, 63.22

 

Description

Color code: HEX #5DFC8B | qconv.com Color code: HEX #5DFC8B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 252 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 252 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 45 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 45% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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