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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DFBED it is the complementary color #A20412. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DFBED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DFBED shade: #62FBE8, #73FFFB, #84FFFF, #95FFFF and #A6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DFBED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DFBED shade: #5DFBED, #4CE9DA, #3BD7C7, #2AC5B4 and #19B3A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DFBED shade: #5BFBED, #5BFBC2, #5BFB96, #5BFB6B and #76FB5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DFBED shade: #5BFBED, #5BDEFB, #5BB3FB, #5B88FB and #5B5DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DFBED shade matches the following richer shades: #5BFBED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DFBED shade: #5BFBED, #69EDE1, #76E0D6, #84D2CB and #91C4C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DFBED shade: #5BFB96, #5BFBC0, #5BFBEB, #5BE0FB and #5BB6FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DFBED shade: #0AF9E4, #33FAE8, #5BFBED, #83FCF1 and #ABFDF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DFBED shade: #5DFBED, #6B5BFB and #FBAB5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DFBED shade: #5DFBED, #EB5BFB and #FBEB5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DFBED shade: #5DFBED, #6B5BFB, #FB5B6B and #EBFB5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DFBED shade: #5DFBED, #9B5BFB, #FB5B6B and #BBFB5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 6 / 2

HEX #5DFBED

RGB 93 251 237

HSL 174.68, 0.95%, 0.67%

LAB 90.52, -44.27, -5.56

 

Complementary color

CMYK 0 / 98 / 89 / 36

HEX #A20412

RGB 162 4 18

HSL 354.68, 0.95%, 0.33%

LAB 33.59, 56.78, 39.94

 

CMYK 61 / 0 / 8 / 2

HEX #62FBE8

RGB 98 251 232

HSL 172.55, 0.95%, 0.68%

LAB 90.51, -44.74, -2.96

 

CMYK 55 / 0 / 2 / 0

HEX #73FFFB

RGB 115 255 251

HSL 178.29, 1%, 0.73%

LAB 92.63, -38.75, -9.63

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 63 / 0 / 6 / 2

HEX #5DFBED

RGB 93 251 237

HSL 174.68, 0.95%, 0.67%

LAB 90.52, -44.27, -5.56

 

CMYK 67 / 0 / 6 / 9

HEX #4CE9DA

RGB 76 233 218

HSL 174.27, 0.78%, 0.61%

LAB 84.42, -43.8, -4.66

 

CMYK 73 / 0 / 7 / 16

HEX #3BD7C7

RGB 59 215 199

HSL 173.85, 0.66%, 0.54%

LAB 78.26, -43.15, -3.67

 

CMYK 79 / 0 / 9 / 23

HEX #2AC5B4

RGB 42 197 180

HSL 173.42, 0.65%, 0.47%

LAB 72.04, -42.26, -2.59

 

CMYK 86 / 0 / 10 / 30

HEX #19B3A1

RGB 25 179 161

HSL 172.99, 0.75%, 0.4%

LAB 65.76, -41.06, -1.39

 

CMYK 64 / 0 / 6 / 2

HEX #5BFBED

RGB 91 251 237

HSL 174.75, 0.95%, 0.67%

LAB 90.47, -44.58, -5.63

 

CMYK 64 / 0 / 23 / 2

HEX #5BFBC2

RGB 91 251 194

HSL 158.63, 0.95%, 0.67%

LAB 89.45, -54.82, 15.17

 

CMYK 64 / 0 / 40 / 2

HEX #5BFB96

RGB 91 251 150

HSL 142.13, 0.95%, 0.67%

LAB 88.65, -63.35, 36.37

 

CMYK 64 / 0 / 57 / 2

HEX #5BFB6B

RGB 91 251 107

HSL 126, 0.95%, 0.67%

LAB 88.1, -69.51, 55.93

 

CMYK 53 / 0 / 64 / 2

HEX #76FB5B

RGB 118 251 91

HSL 109.88, 0.95%, 0.67%

LAB 88.73, -65.07, 63.59

 

CMYK 64 / 0 / 6 / 2

HEX #5BFBED

RGB 91 251 237

HSL 174.75, 0.95%, 0.67%

LAB 90.47, -44.58, -5.63

 

CMYK 64 / 12 / 0 / 2

HEX #5BDEFB

RGB 91 222 251

HSL 190.88, 0.95%, 0.67%

LAB 82.61, -27.29, -24.78

 

CMYK 64 / 29 / 0 / 2

HEX #5BB3FB

RGB 91 179 251

HSL 207, 0.95%, 0.67%

LAB 70.48, -4.89, -43.52

 

CMYK 64 / 46 / 0 / 2

HEX #5B88FB

RGB 91 136 251

HSL 223.13, 0.95%, 0.67%

LAB 58.79, 20.07, -62.05

 

CMYK 64 / 63 / 0 / 2

HEX #5B5DFB

RGB 91 93 251

HSL 239.25, 0.95%, 0.67%

LAB 48.28, 46, -79.06

 

CMYK 64 / 0 / 6 / 2

HEX #5BFBED

RGB 91 251 237

HSL 174.75, 0.95%, 0.67%

LAB 90.47, -44.58, -5.63

 

CMYK 64 / 0 / 6 / 2

HEX #5BFBED

RGB 91 251 237

HSL 174.75, 0.95%, 0.67%

LAB 90.47, -44.58, -5.63

 

CMYK 56 / 0 / 5 / 7

HEX #69EDE1

RGB 105 237 225

HSL 174.55, 0.79%, 0.67%

LAB 86.51, -39.02, -5.18

 

CMYK 47 / 0 / 4 / 12

HEX #76E0D6

RGB 118 224 214

HSL 174.34, 0.63%, 0.67%

LAB 82.92, -33.08, -4.61

 

CMYK 37 / 0 / 3 / 18

HEX #84D2CB

RGB 132 210 203

HSL 174.62, 0.46%, 0.67%

LAB 79.22, -25.58, -4.14

 

CMYK 26 / 0 / 2 / 23

HEX #91C4C0

RGB 145 196 192

HSL 175.29, 0.3%, 0.67%

LAB 75.64, -17.42, -3.4

 

CMYK 64 / 0 / 40 / 2

HEX #5BFB96

RGB 91 251 150

HSL 142.13, 0.95%, 0.67%

LAB 88.65, -63.35, 36.37

 

CMYK 64 / 0 / 24 / 2

HEX #5BFBC0

RGB 91 251 192

HSL 157.88, 0.95%, 0.67%

LAB 89.4, -55.26, 16.14

 

CMYK 64 / 0 / 6 / 2

HEX #5BFBEB

RGB 91 251 235

HSL 174, 0.95%, 0.67%

LAB 90.42, -45.09, -4.67

 

CMYK 64 / 11 / 0 / 2

HEX #5BE0FB

RGB 91 224 251

HSL 190.13, 0.95%, 0.67%

LAB 83.18, -28.27, -23.91

 

CMYK 64 / 27 / 0 / 2

HEX #5BB6FB

RGB 91 182 251

HSL 205.88, 0.95%, 0.67%

LAB 71.31, -6.54, -42.21

 

CMYK 96 / 0 / 8 / 2

HEX #0AF9E4

RGB 10 249 228

HSL 174.73, 0.95%, 0.51%

LAB 88.65, -52.88, -3.76

 

CMYK 80 / 0 / 7 / 2

HEX #33FAE8

RGB 51 250 232

HSL 174.57, 0.95%, 0.59%

LAB 89.35, -50.14, -4.78

 

CMYK 64 / 0 / 6 / 2

HEX #5BFBED

RGB 91 251 237

HSL 174.75, 0.95%, 0.67%

LAB 90.47, -44.58, -5.63

 

CMYK 48 / 0 / 4 / 1

HEX #83FCF1

RGB 131 252 241

HSL 174.55, 0.95%, 0.75%

LAB 92.04, -36.66, -5.27

 

CMYK 32 / 0 / 3 / 1

HEX #ABFDF6

RGB 171 253 246

HSL 174.88, 0.95%, 0.83%

LAB 94.12, -26.27, -4.59

 

CMYK 63 / 0 / 6 / 2

HEX #5DFBED

RGB 93 251 237

HSL 174.68, 0.95%, 0.67%

LAB 90.52, -44.27, -5.56

 

CMYK 57 / 64 / 0 / 2

HEX #6B5BFB

RGB 107 91 251

HSL 246, 0.95%, 0.67%

LAB 48.97, 49.5, -77.89

 

CMYK 0 / 32 / 64 / 2

HEX #FBAB5B

RGB 251 171 91

HSL 30, 0.95%, 0.67%

LAB 76.31, 21.87, 52.18

 

CMYK 63 / 0 / 6 / 2

HEX #5DFBED

RGB 93 251 237

HSL 174.68, 0.95%, 0.67%

LAB 90.52, -44.27, -5.56

 

CMYK 6 / 64 / 0 / 2

HEX #EB5BFB

RGB 235 91 251

HSL 294, 0.95%, 0.67%

LAB 63.43, 75.32, -53.85

 

CMYK 0 / 6 / 64 / 2

HEX #FBEB5B

RGB 251 235 91

HSL 54, 0.95%, 0.67%

LAB 91.99, -10.99, 69.35

 

CMYK 63 / 0 / 6 / 2

HEX #5DFBED

RGB 93 251 237

HSL 174.68, 0.95%, 0.67%

LAB 90.52, -44.27, -5.56

 

CMYK 57 / 64 / 0 / 2

HEX #6B5BFB

RGB 107 91 251

HSL 246, 0.95%, 0.67%

LAB 48.97, 49.5, -77.89

 

CMYK 0 / 64 / 57 / 2

HEX #FB5B6B

RGB 251 91 107

HSL 354, 0.95%, 0.67%

LAB 60.83, 61.91, 24.59

 

CMYK 6 / 0 / 64 / 2

HEX #EBFB5B

RGB 235 251 91

HSL 66, 0.95%, 0.67%

LAB 94.91, -25.15, 72.04

 

CMYK 63 / 0 / 6 / 2

HEX #5DFBED

RGB 93 251 237

HSL 174.68, 0.95%, 0.67%

LAB 90.52, -44.27, -5.56

 

CMYK 38 / 64 / 0 / 2

HEX #9B5BFB

RGB 155 91 251

HSL 264, 0.95%, 0.67%

LAB 53.4, 58.11, -70.49

 

CMYK 0 / 64 / 57 / 2

HEX #FB5B6B

RGB 251 91 107

HSL 354, 0.95%, 0.67%

LAB 60.83, 61.91, 24.59

 

CMYK 25 / 0 / 64 / 2

HEX #BBFB5B

RGB 187 251 91

HSL 84, 0.95%, 0.67%

LAB 91.83, -43.42, 67.84

 

Description

Color code: HEX #5DFBED | qconv.com Color code: HEX #5DFBED | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 251 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 251 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 6 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 6% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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