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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DFBB8 it is the complementary color #A20447. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DFBB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DFBB8 shade: #62FBB3, #73FFC6, #84FFD9, #95FFEC and #A6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DFBB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DFBB8 shade: #5DFBB8, #4CE9A5, #3BD792, #2AC57F and #19B36C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DFBB8 shade: #5BFBB7, #5BFB8C, #5BFB61, #80FB5B and #ABFB5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DFBB8 shade: #5BFBB7, #5BFBE2, #5BE8FB, #5BBDFB and #5B92FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DFBB8 shade matches the following richer shades: #5BFBB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DFBB8 shade: #5BFBB7, #69EDB5, #76E0B3, #84D2B1 and #91C4AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DFBB8 shade: #5BFB60, #5BFB8B, #5BFBB6, #5BFBE0 and #5BEBFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DFBB8 shade: #0AF994, #33FAA5, #5BFBB7, #83FCC9 and #ABFDDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DFBB8 shade: #5DFBB8, #5B80FB and #FB765B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DFBB8 shade: #5DFBB8, #B65BFB and #FBB65B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DFBB8 shade: #5DFBB8, #5B80FB, #FB5BA0 and #FBD55B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DFBB8 shade: #5DFBB8, #665BFB, #FB5BA0 and #F0FB5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 27 / 2

HEX #5DFBB8

RGB 93 251 184

HSL 154.56, 0.95%, 0.67%

LAB 89.29, -56.6, 20.09

 

Complementary color

CMYK 0 / 98 / 56 / 36

HEX #A20447

RGB 162 4 71

HSL 334.56, 0.95%, 0.33%

LAB 34.44, 59.11, 8.01

 

CMYK 61 / 0 / 29 / 2

HEX #62FBB3

RGB 98 251 179

HSL 151.76, 0.95%, 0.68%

LAB 89.32, -56.71, 22.71

 

CMYK 55 / 0 / 22 / 0

HEX #73FFC6

RGB 115 255 198

HSL 155.57, 1%, 0.73%

LAB 91.34, -51.08, 15.88

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD9

RGB 132 255 217

HSL 161.46, 1%, 0.76%

LAB 92.33, -43.31, 7.57

 

CMYK 42 / 0 / 7 / 0

HEX #95FFEC

RGB 149 255 236

HSL 169.25, 1%, 0.79%

LAB 93.44, -35.08, -0.55

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 63 / 0 / 27 / 2

HEX #5DFBB8

RGB 93 251 184

HSL 154.56, 0.95%, 0.67%

LAB 89.29, -56.6, 20.09

 

CMYK 67 / 0 / 29 / 9

HEX #4CE9A5

RGB 76 233 165

HSL 154.01, 0.78%, 0.61%

LAB 83.19, -56.3, 21.37

 

CMYK 73 / 0 / 32 / 16

HEX #3BD792

RGB 59 215 146

HSL 153.46, 0.66%, 0.54%

LAB 77.04, -55.8, 22.76

 

CMYK 79 / 0 / 36 / 23

HEX #2AC57F

RGB 42 197 127

HSL 152.9, 0.65%, 0.47%

LAB 70.84, -55.02, 24.27

 

CMYK 86 / 0 / 40 / 30

HEX #19B36C

RGB 25 179 108

HSL 152.34, 0.75%, 0.4%

LAB 64.59, -53.84, 25.93

 

CMYK 64 / 0 / 27 / 2

HEX #5BFBB7

RGB 91 251 183

HSL 154.5, 0.95%, 0.67%

LAB 89.22, -57.16, 20.5

 

CMYK 64 / 0 / 44 / 2

HEX #5BFB8C

RGB 91 251 140

HSL 138.38, 0.95%, 0.67%

LAB 88.5, -64.98, 41.08

 

CMYK 64 / 0 / 61 / 2

HEX #5BFB61

RGB 91 251 97

HSL 122.25, 0.95%, 0.67%

LAB 88.01, -70.61, 60.1

 

CMYK 49 / 0 / 64 / 2

HEX #80FB5B

RGB 128 251 91

HSL 106.13, 0.95%, 0.67%

LAB 89.08, -62.42, 64.07

 

CMYK 32 / 0 / 64 / 2

HEX #ABFB5B

RGB 171 251 91

HSL 90, 0.95%, 0.67%

LAB 90.97, -49.05, 66.66

 

CMYK 64 / 0 / 27 / 2

HEX #5BFBB7

RGB 91 251 183

HSL 154.5, 0.95%, 0.67%

LAB 89.22, -57.16, 20.5

 

CMYK 64 / 0 / 10 / 2

HEX #5BFBE2

RGB 91 251 226

HSL 170.63, 0.95%, 0.67%

LAB 90.19, -47.36, -0.34

 

CMYK 64 / 8 / 0 / 2

HEX #5BE8FB

RGB 91 232 251

HSL 187.13, 0.95%, 0.67%

LAB 85.45, -32.11, -20.46

 

CMYK 64 / 25 / 0 / 2

HEX #5BBDFB

RGB 91 189 251

HSL 203.25, 0.95%, 0.67%

LAB 73.28, -10.35, -39.15

 

CMYK 64 / 42 / 0 / 2

HEX #5B92FB

RGB 91 146 251

HSL 219.38, 0.95%, 0.67%

LAB 61.44, 14.08, -57.82

 

CMYK 64 / 0 / 27 / 2

HEX #5BFBB7

RGB 91 251 183

HSL 154.5, 0.95%, 0.67%

LAB 89.22, -57.16, 20.5

 

CMYK 64 / 0 / 27 / 2

HEX #5BFBB7

RGB 91 251 183

HSL 154.5, 0.95%, 0.67%

LAB 89.22, -57.16, 20.5

 

CMYK 56 / 0 / 24 / 7

HEX #69EDB5

RGB 105 237 181

HSL 154.55, 0.79%, 0.67%

LAB 85.46, -49.21, 16.34

 

CMYK 47 / 0 / 20 / 12

HEX #76E0B3

RGB 118 224 179

HSL 154.53, 0.63%, 0.67%

LAB 82.06, -41.06, 12.66

 

CMYK 37 / 0 / 16 / 18

HEX #84D2B1

RGB 132 210 177

HSL 154.62, 0.46%, 0.67%

LAB 78.56, -31.35, 8.82

 

CMYK 26 / 0 / 11 / 23

HEX #91C4AF

RGB 145 196 175

HSL 155.29, 0.3%, 0.67%

LAB 75.2, -21.06, 5.16

 

CMYK 64 / 0 / 62 / 2

HEX #5BFB60

RGB 91 251 96

HSL 121.88, 0.95%, 0.67%

LAB 88, -70.72, 60.51

 

CMYK 64 / 0 / 45 / 2

HEX #5BFB8B

RGB 91 251 139

HSL 138, 0.95%, 0.67%

LAB 88.49, -65.14, 41.55

 

CMYK 64 / 0 / 27 / 2

HEX #5BFBB6

RGB 91 251 182

HSL 154.13, 0.95%, 0.67%

LAB 89.2, -57.36, 20.99

 

CMYK 64 / 0 / 11 / 2

HEX #5BFBE0

RGB 91 251 224

HSL 169.88, 0.95%, 0.67%

LAB 90.14, -47.85, 0.63

 

CMYK 64 / 6 / 0 / 2

HEX #5BEBFB

RGB 91 235 251

HSL 186, 0.95%, 0.67%

LAB 86.31, -33.53, -19.17

 

CMYK 96 / 0 / 41 / 2

HEX #0AF994

RGB 10 249 148

HSL 154.64, 0.95%, 0.51%

LAB 86.97, -71.21, 34.97

 

CMYK 80 / 0 / 34 / 2

HEX #33FAA5

RGB 51 250 165

HSL 154.37, 0.95%, 0.59%

LAB 87.87, -65.84, 27.69

 

CMYK 64 / 0 / 27 / 2

HEX #5BFBB7

RGB 91 251 183

HSL 154.5, 0.95%, 0.67%

LAB 89.22, -57.16, 20.5

 

CMYK 48 / 0 / 20 / 1

HEX #83FCC9

RGB 131 252 201

HSL 154.71, 0.95%, 0.75%

LAB 91.08, -45.63, 14.04

 

CMYK 32 / 0 / 14 / 1

HEX #ABFDDA

RGB 171 253 218

HSL 154.39, 0.95%, 0.83%

LAB 93.44, -32.16, 8.87

 

CMYK 63 / 0 / 27 / 2

HEX #5DFBB8

RGB 93 251 184

HSL 154.56, 0.95%, 0.67%

LAB 89.29, -56.6, 20.09

 

CMYK 64 / 49 / 0 / 2

HEX #5B80FB

RGB 91 128 251

HSL 226.13, 0.95%, 0.67%

LAB 56.71, 24.92, -65.39

 

CMYK 0 / 53 / 64 / 2

HEX #FB765B

RGB 251 118 91

HSL 10.13, 0.95%, 0.67%

LAB 65.14, 48.86, 39.03

 

CMYK 63 / 0 / 27 / 2

HEX #5DFBB8

RGB 93 251 184

HSL 154.56, 0.95%, 0.67%

LAB 89.29, -56.6, 20.09

 

CMYK 27 / 64 / 0 / 2

HEX #B65BFB

RGB 182 91 251

HSL 274.13, 0.95%, 0.67%

LAB 56.48, 63.67, -65.37

 

CMYK 0 / 27 / 64 / 2

HEX #FBB65B

RGB 251 182 91

HSL 34.13, 0.95%, 0.67%

LAB 78.88, 16.11, 55.09

 

CMYK 63 / 0 / 27 / 2

HEX #5DFBB8

RGB 93 251 184

HSL 154.56, 0.95%, 0.67%

LAB 89.29, -56.6, 20.09

 

CMYK 64 / 49 / 0 / 2

HEX #5B80FB

RGB 91 128 251

HSL 226.13, 0.95%, 0.67%

LAB 56.71, 24.92, -65.39

 

CMYK 0 / 64 / 36 / 2

HEX #FB5BA0

RGB 251 91 160

HSL 334.13, 0.95%, 0.67%

LAB 62.11, 66.6, -4.29

 

CMYK 0 / 15 / 64 / 2

HEX #FBD55B

RGB 251 213 91

HSL 45.75, 0.95%, 0.67%

LAB 86.43, 0.05, 63.42

 

CMYK 63 / 0 / 27 / 2

HEX #5DFBB8

RGB 93 251 184

HSL 154.56, 0.95%, 0.67%

LAB 89.29, -56.6, 20.09

 

CMYK 59 / 64 / 0 / 2

HEX #665BFB

RGB 102 91 251

HSL 244.13, 0.95%, 0.67%

LAB 48.6, 48.74, -78.51

 

CMYK 0 / 64 / 36 / 2

HEX #FB5BA0

RGB 251 91 160

HSL 334.13, 0.95%, 0.67%

LAB 62.11, 66.6, -4.29

 

CMYK 4 / 0 / 64 / 2

HEX #F0FB5B

RGB 240 251 91

HSL 64.13, 0.95%, 0.67%

LAB 95.28, -23.17, 72.53

 

Description

Color code: HEX #5DFBB8 | qconv.com Color code: HEX #5DFBB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 251 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 251 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 27 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 27% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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