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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF85B it is the complementary color #A207A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF85B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF85B shade: #62F856, #73FF69, #84FF7C, #95FF8F and #A6FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF85B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF85B shade: #5DF85B, #4CE648, #3BD435, #2AC222 and #19B00F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF85B shade: #5BF859, #86F859, #B1F859, #DCF859 and #F8E959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF85B shade: #5BF859, #59F882, #59F8AD, #59F8D8 and #59EEF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF85B shade matches the following richer shades: #5BF859

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF85B shade: #5BF859, #68EA67, #76DC75, #84CE83 and #91C091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF85B shade: #B0F859, #86F859, #5BF859, #59F880 and #59F8AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF85B shade: #0DF40A, #33F631, #5BF859, #82FA80 and #A9FBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF85B shade: #5DF85B, #59DBF8 and #F8599B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF85B shade: #5DF85B, #595BF8 and #F8595B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF85B shade: #5DF85B, #59DBF8, #F559F8 and #F87659

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF85B shade: #5DF85B, #59ABF8, #F559F8 and #F8A659

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 63 / 3

HEX #5DF85B

RGB 93 248 91

HSL 119.24, 0.92%, 0.66%

LAB 87.1, -69.81, 61.58

 

Complementary color

CMYK 1 / 96 / 0 / 36

HEX #A207A4

RGB 162 7 164

HSL 299.24, 0.92%, 0.34%

LAB 38.75, 69.5, -43.91

 

CMYK 60 / 0 / 65 / 3

HEX #62F856

RGB 98 248 86

HSL 115.56, 0.92%, 0.65%

LAB 87.19, -69.22, 63.72

 

CMYK 55 / 0 / 59 / 0

HEX #73FF69

RGB 115 255 105

HSL 116, 1%, 0.71%

LAB 89.95, -65.87, 59.1

 

CMYK 48 / 0 / 51 / 0

HEX #84FF7C

RGB 132 255 124

HSL 116.34, 1%, 0.74%

LAB 90.73, -59.34, 51.7

 

CMYK 42 / 0 / 44 / 0

HEX #95FF8F

RGB 149 255 143

HSL 116.79, 1%, 0.78%

LAB 91.64, -52.12, 44.02

 

CMYK 35 / 0 / 36 / 0

HEX #A6FFA2

RGB 166 255 162

HSL 117.42, 1%, 0.82%

LAB 92.68, -44.33, 36.23

 

CMYK 63 / 0 / 63 / 3

HEX #5DF85B

RGB 93 248 91

HSL 119.24, 0.92%, 0.66%

LAB 87.1, -69.81, 61.58

 

CMYK 67 / 0 / 69 / 10

HEX #4CE648

RGB 76 230 72

HSL 118.48, 0.76%, 0.59%

LAB 81.07, -68.96, 62.42

 

CMYK 72 / 0 / 75 / 17

HEX #3BD435

RGB 59 212 53

HSL 117.74, 0.65%, 0.52%

LAB 75, -67.7, 62.86

 

CMYK 78 / 0 / 82 / 24

HEX #2AC222

RGB 42 194 34

HSL 117, 0.7%, 0.45%

LAB 68.89, -65.88, 62.61

 

CMYK 86 / 0 / 91 / 31

HEX #19B00F

RGB 25 176 15

HSL 116.27, 0.84%, 0.37%

LAB 62.75, -63.3, 61.19

 

CMYK 63 / 0 / 64 / 3

HEX #5BF859

RGB 91 248 89

HSL 119.25, 0.92%, 0.66%

LAB 87.04, -70.41, 62.3

 

CMYK 46 / 0 / 64 / 3

HEX #86F859

RGB 134 248 89

HSL 103.02, 0.92%, 0.66%

LAB 88.41, -59.77, 64.2

 

CMYK 29 / 0 / 64 / 3

HEX #B1F859

RGB 177 248 89

HSL 86.79, 0.92%, 0.66%

LAB 90.42, -45.85, 66.95

 

CMYK 11 / 0 / 64 / 3

HEX #DCF859

RGB 220 248 89

HSL 70.57, 0.92%, 0.66%

LAB 93.05, -29.77, 70.53

 

CMYK 0 / 6 / 64 / 3

HEX #F8E959

RGB 248 233 89

HSL 54.34, 0.92%, 0.66%

LAB 91.21, -11.34, 69.26

 

CMYK 63 / 0 / 64 / 3

HEX #5BF859

RGB 91 248 89

HSL 119.25, 0.92%, 0.66%

LAB 87.04, -70.41, 62.3

 

CMYK 64 / 0 / 48 / 3

HEX #59F882

RGB 89 248 130

HSL 135.47, 0.92%, 0.66%

LAB 87.42, -65.81, 44.52

 

CMYK 64 / 0 / 30 / 3

HEX #59F8AD

RGB 89 248 173

HSL 151.7, 0.92%, 0.66%

LAB 88.1, -58.35, 24.06

 

CMYK 64 / 0 / 13 / 3

HEX #59F8D8

RGB 89 248 216

HSL 167.92, 0.92%, 0.66%

LAB 89.02, -48.85, 3.16

 

CMYK 64 / 4 / 0 / 3

HEX #59EEF8

RGB 89 238 248

HSL 183.77, 0.92%, 0.66%

LAB 87.02, -36.07, -16.53

 

CMYK 63 / 0 / 64 / 3

HEX #5BF859

RGB 91 248 89

HSL 119.25, 0.92%, 0.66%

LAB 87.04, -70.41, 62.3

 

CMYK 63 / 0 / 64 / 3

HEX #5BF859

RGB 91 248 89

HSL 119.25, 0.92%, 0.66%

LAB 87.04, -70.41, 62.3

 

CMYK 56 / 0 / 56 / 8

HEX #68EA67

RGB 104 234 103

HSL 119.54, 0.76%, 0.66%

LAB 83.32, -61.12, 52.19

 

CMYK 46 / 0 / 47 / 14

HEX #76DC75

RGB 118 220 117

HSL 119.42, 0.6%, 0.66%

LAB 79.8, -50.23, 41.42

 

CMYK 36 / 0 / 36 / 19

HEX #84CE83

RGB 132 206 131

HSL 119.2, 0.43%, 0.66%

LAB 76.49, -37.96, 30.23

 

CMYK 24 / 0 / 24 / 25

HEX #91C091

RGB 145 192 145

HSL 120, 0.27%, 0.66%

LAB 73.39, -24.76, 18.78

 

CMYK 29 / 0 / 64 / 3

HEX #B0F859

RGB 176 248 89

HSL 87.17, 0.92%, 0.66%

LAB 90.36, -46.2, 66.88

 

CMYK 46 / 0 / 64 / 3

HEX #86F859

RGB 134 248 89

HSL 103.02, 0.92%, 0.66%

LAB 88.41, -59.77, 64.2

 

CMYK 63 / 0 / 64 / 3

HEX #5BF859

RGB 91 248 89

HSL 119.25, 0.92%, 0.66%

LAB 87.04, -70.41, 62.3

 

CMYK 64 / 0 / 48 / 3

HEX #59F880

RGB 89 248 128

HSL 134.72, 0.92%, 0.66%

LAB 87.4, -66.1, 45.44

 

CMYK 64 / 0 / 31 / 3

HEX #59F8AB

RGB 89 248 171

HSL 150.94, 0.92%, 0.66%

LAB 88.06, -58.75, 25.03

 

CMYK 95 / 0 / 96 / 4

HEX #0DF40A

RGB 13 244 10

HSL 119.23, 0.92%, 0.5%

LAB 84.39, -82.8, 79.7

 

CMYK 79 / 0 / 80 / 4

HEX #33F631

RGB 51 246 49

HSL 119.39, 0.92%, 0.58%

LAB 85.42, -79.21, 74

 

CMYK 63 / 0 / 64 / 3

HEX #5BF859

RGB 91 248 89

HSL 119.25, 0.92%, 0.66%

LAB 87.04, -70.41, 62.3

 

CMYK 48 / 0 / 49 / 2

HEX #82FA80

RGB 130 250 128

HSL 119.02, 0.92%, 0.74%

LAB 89.24, -57.43, 48

 

CMYK 33 / 0 / 33 / 2

HEX #A9FBA8

RGB 169 251 168

HSL 119.28, 0.91%, 0.82%

LAB 91.8, -40.73, 32.09

 

CMYK 63 / 0 / 63 / 3

HEX #5DF85B

RGB 93 248 91

HSL 119.24, 0.92%, 0.66%

LAB 87.1, -69.81, 61.58

 

CMYK 64 / 12 / 0 / 3

HEX #59DBF8

RGB 89 219 248

HSL 190.94, 0.92%, 0.66%

LAB 81.6, -27.01, -24.73

 

CMYK 0 / 64 / 38 / 3

HEX #F8599B

RGB 248 89 155

HSL 335.09, 0.92%, 0.66%

LAB 61.19, 66, -2.81

 

CMYK 63 / 0 / 63 / 3

HEX #5DF85B

RGB 93 248 91

HSL 119.24, 0.92%, 0.66%

LAB 87.1, -69.81, 61.58

 

CMYK 64 / 63 / 0 / 3

HEX #595BF8

RGB 89 91 248

HSL 239.25, 0.92%, 0.66%

LAB 47.47, 45.93, -78.72

 

CMYK 0 / 64 / 63 / 3

HEX #F8595B

RGB 248 89 91

HSL 359.25, 0.92%, 0.66%

LAB 59.76, 60.75, 32.27

 

CMYK 63 / 0 / 63 / 3

HEX #5DF85B

RGB 93 248 91

HSL 119.24, 0.92%, 0.66%

LAB 87.1, -69.81, 61.58

 

CMYK 64 / 12 / 0 / 3

HEX #59DBF8

RGB 89 219 248

HSL 190.94, 0.92%, 0.66%

LAB 81.6, -27.01, -24.73

 

CMYK 1 / 64 / 0 / 3

HEX #F559F8

RGB 245 89 248

HSL 298.87, 0.92%, 0.66%

LAB 64.43, 77.83, -50.52

 

CMYK 0 / 52 / 64 / 3

HEX #F87659

RGB 248 118 89

HSL 10.94, 0.92%, 0.66%

LAB 64.67, 47.65, 39.44

 

CMYK 63 / 0 / 63 / 3

HEX #5DF85B

RGB 93 248 91

HSL 119.24, 0.92%, 0.66%

LAB 87.1, -69.81, 61.58

 

CMYK 64 / 31 / 0 / 3

HEX #59ABF8

RGB 89 171 248

HSL 209.06, 0.92%, 0.66%

LAB 68.04, -1.74, -45.72

 

CMYK 1 / 64 / 0 / 3

HEX #F559F8

RGB 245 89 248

HSL 298.87, 0.92%, 0.66%

LAB 64.43, 77.83, -50.52

 

CMYK 0 / 33 / 64 / 3

HEX #F8A659

RGB 248 166 89

HSL 29.06, 0.92%, 0.66%

LAB 74.79, 23.15, 51.33

 

Description

Color code: HEX #5DF85B | qconv.com Color code: HEX #5DF85B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 248 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 248 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 63 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 63% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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