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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF7FB it is the complementary color #A20804. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF7FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF7FB shade: #62F7F6, #73FFFF, #84FFFF, #95FFFF and #A6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF7FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF7FB shade: #5DF7FB, #4CE5E8, #3BD3D5, #2AC1C2 and #19AFAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF7FB shade: #5BF7FB, #5BCCFB, #5BA1FB, #5B75FB and #6C5BFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF7FB shade: #5BF7FB, #5BCCFB, #5BA1FB, #5B75FB and #5B5BFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF7FB shade matches the following richer shades: #5BF7FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF7FB shade: #5BF7FB, #69EAED, #76DDE0, #84D0D2 and #91C3C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF7FB shade: #5BFBA8, #5BFBD3, #5BF8FB, #5BCDFB and #5BA3FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF7FB shade: #0AF3F9, #33F5FA, #5BF7FB, #83F9FC and #ABFBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF7FB shade: #5DF7FB, #7E5BFB and #FBBE5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF7FB shade: #5DF7FB, #FB5BF8 and #F8FB5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF7FB shade: #5DF7FB, #7E5BFB, #FB5E5B and #D8FB5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF7FB shade: #5DF7FB, #AE5BFB, #FB5E5B and #A8FB5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 2 / 0 / 2

HEX #5DF7FB

RGB 93 247 251

HSL 181.52, 0.95%, 0.67%

LAB 89.77, -38.79, -13.96

 

Complementary color

CMYK 0 / 95 / 98 / 36

HEX #A20804

RGB 162 8 4

HSL 1.52, 0.95%, 0.33%

LAB 33.7, 56.04, 46.06

 

CMYK 60 / 0 / 0 / 3

HEX #62F7F6

RGB 98 247 246

HSL 179.6, 0.9%, 0.68%

LAB 89.75, -39.35, -11.37

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 63 / 2 / 0 / 2

HEX #5DF7FB

RGB 93 247 251

HSL 181.52, 0.95%, 0.67%

LAB 89.77, -38.79, -13.96

 

CMYK 67 / 1 / 0 / 9

HEX #4CE5E8

RGB 76 229 232

HSL 181.15, 0.77%, 0.6%

LAB 83.65, -38.22, -13.19

 

CMYK 72 / 1 / 0 / 16

HEX #3BD3D5

RGB 59 211 213

HSL 180.78, 0.65%, 0.53%

LAB 77.47, -37.46, -12.35

 

CMYK 78 / 1 / 0 / 24

HEX #2AC1C2

RGB 42 193 194

HSL 180.39, 0.64%, 0.46%

LAB 71.23, -36.47, -11.42

 

CMYK 86 / 0 / 0 / 31

HEX #19AFAF

RGB 25 175 175

HSL 180, 0.75%, 0.39%

LAB 64.93, -35.17, -10.4

 

CMYK 64 / 2 / 0 / 2

HEX #5BF7FB

RGB 91 247 251

HSL 181.5, 0.95%, 0.67%

LAB 89.72, -39.09, -14.04

 

CMYK 64 / 19 / 0 / 2

HEX #5BCCFB

RGB 91 204 251

HSL 197.63, 0.95%, 0.67%

LAB 77.5, -18.25, -32.6

 

CMYK 64 / 36 / 0 / 2

HEX #5BA1FB

RGB 91 161 251

HSL 213.75, 0.95%, 0.67%

LAB 65.5, 5.29, -51.36

 

CMYK 64 / 53 / 0 / 2

HEX #5B75FB

RGB 91 117 251

HSL 230.25, 0.95%, 0.67%

LAB 53.93, 31.61, -69.87

 

CMYK 57 / 64 / 0 / 2

HEX #6C5BFB

RGB 108 91 251

HSL 246.38, 0.95%, 0.67%

LAB 49.05, 49.66, -77.76

 

CMYK 64 / 2 / 0 / 2

HEX #5BF7FB

RGB 91 247 251

HSL 181.5, 0.95%, 0.67%

LAB 89.72, -39.09, -14.04

 

CMYK 64 / 19 / 0 / 2

HEX #5BCCFB

RGB 91 204 251

HSL 197.63, 0.95%, 0.67%

LAB 77.5, -18.25, -32.6

 

CMYK 64 / 36 / 0 / 2

HEX #5BA1FB

RGB 91 161 251

HSL 213.75, 0.95%, 0.67%

LAB 65.5, 5.29, -51.36

 

CMYK 64 / 53 / 0 / 2

HEX #5B75FB

RGB 91 117 251

HSL 230.25, 0.95%, 0.67%

LAB 53.93, 31.61, -69.87

 

CMYK 64 / 64 / 0 / 2

HEX #5B5BFB

RGB 91 91 251

HSL 240, 0.95%, 0.67%

LAB 47.84, 47.16, -79.78

 

CMYK 64 / 2 / 0 / 2

HEX #5BF7FB

RGB 91 247 251

HSL 181.5, 0.95%, 0.67%

LAB 89.72, -39.09, -14.04

 

CMYK 64 / 2 / 0 / 2

HEX #5BF7FB

RGB 91 247 251

HSL 181.5, 0.95%, 0.67%

LAB 89.72, -39.09, -14.04

 

CMYK 56 / 1 / 0 / 7

HEX #69EAED

RGB 105 234 237

HSL 181.36, 0.79%, 0.67%

LAB 85.99, -34.54, -12.25

 

CMYK 47 / 1 / 0 / 12

HEX #76DDE0

RGB 118 221 224

HSL 181.7, 0.63%, 0.67%

LAB 82.35, -29.15, -10.77

 

CMYK 37 / 1 / 0 / 18

HEX #84D0D2

RGB 132 208 210

HSL 181.54, 0.46%, 0.67%

LAB 78.85, -22.92, -8.44

 

CMYK 26 / 1 / 0 / 23

HEX #91C3C4

RGB 145 195 196

HSL 181.18, 0.3%, 0.67%

LAB 75.47, -16.01, -5.82

 

CMYK 64 / 0 / 33 / 2

HEX #5BFBA8

RGB 91 251 168

HSL 148.88, 0.95%, 0.67%

LAB 88.94, -60.12, 27.76

 

CMYK 64 / 0 / 16 / 2

HEX #5BFBD3

RGB 91 251 211

HSL 165, 0.95%, 0.67%

LAB 89.82, -50.98, 6.92

 

CMYK 64 / 1 / 0 / 2

HEX #5BF8FB

RGB 91 248 251

HSL 181.13, 0.95%, 0.67%

LAB 90.01, -39.54, -13.61

 

CMYK 64 / 18 / 0 / 2

HEX #5BCDFB

RGB 91 205 251

HSL 197.25, 0.95%, 0.67%

LAB 77.79, -18.77, -32.17

 

CMYK 64 / 35 / 0 / 2

HEX #5BA3FB

RGB 91 163 251

HSL 213, 0.95%, 0.67%

LAB 66.05, 4.13, -50.49

 

CMYK 96 / 2 / 0 / 2

HEX #0AF3F9

RGB 10 243 249

HSL 181.51, 0.95%, 0.51%

LAB 87.49, -44.4, -16.45

 

CMYK 80 / 2 / 0 / 2

HEX #33F5FA

RGB 51 245 250

HSL 181.51, 0.95%, 0.59%

LAB 88.41, -43, -15.57

 

CMYK 64 / 2 / 0 / 2

HEX #5BF7FB

RGB 91 247 251

HSL 181.5, 0.95%, 0.67%

LAB 89.72, -39.09, -14.04

 

CMYK 48 / 1 / 0 / 1

HEX #83F9FC

RGB 131 249 252

HSL 181.49, 0.95%, 0.75%

LAB 91.51, -32.56, -11.77

 

CMYK 32 / 1 / 0 / 1

HEX #ABFBFD

RGB 171 251 253

HSL 181.46, 0.95%, 0.83%

LAB 93.77, -23.74, -8.74

 

CMYK 63 / 2 / 0 / 2

HEX #5DF7FB

RGB 93 247 251

HSL 181.52, 0.95%, 0.67%

LAB 89.77, -38.79, -13.96

 

CMYK 50 / 64 / 0 / 2

HEX #7E5BFB

RGB 126 91 251

HSL 253.13, 0.95%, 0.67%

LAB 50.55, 52.66, -75.25

 

CMYK 0 / 24 / 64 / 2

HEX #FBBE5B

RGB 251 190 91

HSL 37.13, 0.95%, 0.67%

LAB 80.79, 11.92, 57.23

 

CMYK 63 / 2 / 0 / 2

HEX #5DF7FB

RGB 93 247 251

HSL 181.52, 0.95%, 0.67%

LAB 89.77, -38.79, -13.96

 

CMYK 0 / 64 / 1 / 2

HEX #FB5BF8

RGB 251 91 248

HSL 301.13, 0.95%, 0.67%

LAB 65.57, 78.44, -48.67

 

CMYK 1 / 0 / 64 / 2

HEX #F8FB5B

RGB 248 251 91

HSL 61.13, 0.95%, 0.67%

LAB 95.87, -19.98, 73.34

 

CMYK 63 / 2 / 0 / 2

HEX #5DF7FB

RGB 93 247 251

HSL 181.52, 0.95%, 0.67%

LAB 89.77, -38.79, -13.96

 

CMYK 50 / 64 / 0 / 2

HEX #7E5BFB

RGB 126 91 251

HSL 253.13, 0.95%, 0.67%

LAB 50.55, 52.66, -75.25

 

CMYK 0 / 63 / 64 / 2

HEX #FB5E5B

RGB 251 94 91

HSL 1.13, 0.95%, 0.67%

LAB 61.02, 59.66, 33.96

 

CMYK 14 / 0 / 64 / 2

HEX #D8FB5B

RGB 216 251 91

HSL 73.13, 0.95%, 0.67%

LAB 93.6, -32.57, 70.26

 

CMYK 63 / 2 / 0 / 2

HEX #5DF7FB

RGB 93 247 251

HSL 181.52, 0.95%, 0.67%

LAB 89.77, -38.79, -13.96

 

CMYK 31 / 64 / 0 / 2

HEX #AE5BFB

RGB 174 91 251

HSL 271.13, 0.95%, 0.67%

LAB 55.53, 61.99, -66.95

 

CMYK 0 / 63 / 64 / 2

HEX #FB5E5B

RGB 251 94 91

HSL 1.13, 0.95%, 0.67%

LAB 61.02, 59.66, 33.96

 

CMYK 33 / 0 / 64 / 2

HEX #A8FB5B

RGB 168 251 91

HSL 91.13, 0.95%, 0.67%

LAB 90.81, -50.07, 66.45

 

Description

Color code: HEX #5DF7FB | qconv.com Color code: HEX #5DF7FB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 247 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 247 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 2 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 2% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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