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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF7EC it is the complementary color #A20813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF7EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF7EC shade: #62F7E7, #73FFFA, #84FFFF, #95FFFF and #A6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF7EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF7EC shade: #5DF7EC, #4CE5D9, #3BD3C6, #2AC1B3 and #19AFA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF7EC shade: #5EF7EC, #5EF7C3, #5EF79A, #5EF771 and #75F75E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF7EC shade: #5EF7EC, #5ED9F7, #5EB0F7, #5E86F7 and #5E5EF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF7EC shade matches the following richer shades: #5EF7EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF7EC shade: #5EF7EC, #6CEAE1, #7ADCD5, #87CFC9 and #95C1BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF7EC shade: #5EF799, #5EF7C2, #5EF7EB, #5EDBF7 and #5EB3F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF7EC shade: #0FF4E3, #37F6E8, #5EF7EC, #86F9F1 and #ADFBF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF7EC shade: #5DF7EC, #705EF7 and #F7AD5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF7EC shade: #5DF7EC, #EB5EF7 and #F7EB5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF7EC shade: #5DF7EC, #705EF7, #F75E6B and #E6F75E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF7EC shade: #5DF7EC, #9E5EF7, #F75E6B and #B8F75E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 4 / 3

HEX #5DF7EC

RGB 93 247 236

HSL 175.71, 0.91%, 0.67%

LAB 89.35, -42.76, -6.77

 

Complementary color

CMYK 0 / 95 / 88 / 36

HEX #A20813

RGB 162 8 19

HSL 355.71, 0.91%, 0.33%

LAB 33.78, 56.27, 39.59

 

CMYK 60 / 0 / 6 / 3

HEX #62F7E7

RGB 98 247 231

HSL 173.56, 0.9%, 0.68%

LAB 89.34, -43.23, -4.16

 

CMYK 55 / 0 / 2 / 0

HEX #73FFFA

RGB 115 255 250

HSL 177.86, 1%, 0.73%

LAB 92.6, -39, -9.16

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 62 / 0 / 4 / 3

HEX #5DF7EC

RGB 93 247 236

HSL 175.71, 0.91%, 0.67%

LAB 89.35, -42.76, -6.77

 

CMYK 67 / 0 / 5 / 10

HEX #4CE5D9

RGB 76 229 217

HSL 175.29, 0.75%, 0.6%

LAB 83.22, -42.3, -5.89

 

CMYK 72 / 0 / 6 / 17

HEX #3BD3C6

RGB 59 211 198

HSL 174.87, 0.63%, 0.53%

LAB 77.04, -41.65, -4.94

 

CMYK 78 / 0 / 7 / 24

HEX #2AC1B3

RGB 42 193 179

HSL 174.44, 0.64%, 0.46%

LAB 70.79, -40.78, -3.88

 

CMYK 86 / 0 / 9 / 31

HEX #19AFA0

RGB 25 175 160

HSL 174, 0.75%, 0.39%

LAB 64.49, -39.58, -2.71

 

CMYK 62 / 0 / 4 / 3

HEX #5EF7EC

RGB 94 247 236

HSL 175.69, 0.91%, 0.67%

LAB 89.37, -42.61, -6.73

 

CMYK 62 / 0 / 21 / 3

HEX #5EF7C3

RGB 94 247 195

HSL 159.61, 0.91%, 0.67%

LAB 88.37, -52.46, 13.14

 

CMYK 62 / 0 / 38 / 3

HEX #5EF79A

RGB 94 247 154

HSL 143.53, 0.91%, 0.67%

LAB 87.6, -60.61, 33.01

 

CMYK 62 / 0 / 54 / 3

HEX #5EF771

RGB 94 247 113

HSL 127.45, 0.91%, 0.67%

LAB 87.04, -66.8, 52.01

 

CMYK 53 / 0 / 62 / 3

HEX #75F75E

RGB 117 247 94

HSL 110.98, 0.91%, 0.67%

LAB 87.54, -63.59, 61.03

 

CMYK 62 / 0 / 4 / 3

HEX #5EF7EC

RGB 94 247 236

HSL 175.69, 0.91%, 0.67%

LAB 89.37, -42.61, -6.73

 

CMYK 62 / 12 / 0 / 3

HEX #5ED9F7

RGB 94 217 247

HSL 191.76, 0.91%, 0.67%

LAB 81.14, -25.52, -24.89

 

CMYK 62 / 29 / 0 / 3

HEX #5EB0F7

RGB 94 176 247

HSL 207.84, 0.91%, 0.67%

LAB 69.57, -4, -42.76

 

CMYK 62 / 46 / 0 / 3

HEX #5E86F7

RGB 94 134 247

HSL 224.31, 0.91%, 0.67%

LAB 58.17, 20.45, -60.82

 

CMYK 62 / 62 / 0 / 3

HEX #5E5EF7

RGB 94 94 247

HSL 240, 0.91%, 0.67%

LAB 48.39, 44.56, -76.66

 

CMYK 62 / 0 / 4 / 3

HEX #5EF7EC

RGB 94 247 236

HSL 175.69, 0.91%, 0.67%

LAB 89.37, -42.61, -6.73

 

CMYK 62 / 0 / 4 / 3

HEX #5EF7EC

RGB 94 247 236

HSL 175.69, 0.91%, 0.67%

LAB 89.37, -42.61, -6.73

 

CMYK 54 / 0 / 4 / 8

HEX #6CEAE1

RGB 108 234 225

HSL 175.71, 0.75%, 0.67%

LAB 85.74, -37.08, -6.3

 

CMYK 45 / 0 / 3 / 14

HEX #7ADCD5

RGB 122 220 213

HSL 175.71, 0.58%, 0.67%

LAB 81.91, -30.51, -5.56

 

CMYK 35 / 0 / 3 / 19

HEX #87CFC9

RGB 135 207 201

HSL 175, 0.43%, 0.67%

LAB 78.46, -23.77, -4.17

 

CMYK 23 / 0 / 2 / 24

HEX #95C1BE

RGB 149 193 190

HSL 175.91, 0.26%, 0.67%

LAB 74.98, -15.11, -3.26

 

CMYK 62 / 0 / 38 / 3

HEX #5EF799

RGB 94 247 153

HSL 143.14, 0.91%, 0.67%

LAB 87.58, -60.78, 33.49

 

CMYK 62 / 0 / 21 / 3

HEX #5EF7C2

RGB 94 247 194

HSL 159.22, 0.91%, 0.67%

LAB 88.35, -52.68, 13.63

 

CMYK 62 / 0 / 5 / 3

HEX #5EF7EB

RGB 94 247 235

HSL 175.29, 0.91%, 0.67%

LAB 89.35, -42.86, -6.25

 

CMYK 62 / 11 / 0 / 3

HEX #5EDBF7

RGB 94 219 247

HSL 190.98, 0.91%, 0.67%

LAB 81.71, -26.5, -24.03

 

CMYK 62 / 28 / 0 / 3

HEX #5EB3F7

RGB 94 179 247

HSL 206.67, 0.91%, 0.67%

LAB 70.41, -5.66, -41.45

 

CMYK 94 / 0 / 7 / 4

HEX #0FF4E3

RGB 15 244 227

HSL 175.55, 0.91%, 0.51%

LAB 87.17, -50.95, -5.41

 

CMYK 78 / 0 / 6 / 4

HEX #37F6E8

RGB 55 246 232

HSL 175.6, 0.91%, 0.59%

LAB 88.23, -48.1, -6.42

 

CMYK 62 / 0 / 4 / 3

HEX #5EF7EC

RGB 94 247 236

HSL 175.69, 0.91%, 0.67%

LAB 89.37, -42.61, -6.73

 

CMYK 46 / 0 / 3 / 2

HEX #86F9F1

RGB 134 249 241

HSL 175.83, 0.91%, 0.75%

LAB 91.31, -34.62, -6.33

 

CMYK 31 / 0 / 2 / 2

HEX #ADFBF6

RGB 173 251 246

HSL 176.15, 0.91%, 0.83%

LAB 93.68, -24.77, -5.24

 

CMYK 62 / 0 / 4 / 3

HEX #5DF7EC

RGB 93 247 236

HSL 175.71, 0.91%, 0.67%

LAB 89.35, -42.76, -6.77

 

CMYK 55 / 62 / 0 / 3

HEX #705EF7

RGB 112 94 247

HSL 247.06, 0.91%, 0.67%

LAB 49.7, 47.42, -74.47

 

CMYK 0 / 30 / 62 / 3

HEX #F7AD5E

RGB 247 173 94

HSL 30.98, 0.91%, 0.67%

LAB 76.36, 19.38, 50.67

 

CMYK 62 / 0 / 4 / 3

HEX #5DF7EC

RGB 93 247 236

HSL 175.71, 0.91%, 0.67%

LAB 89.35, -42.76, -6.77

 

CMYK 5 / 62 / 0 / 3

HEX #EB5EF7

RGB 235 94 247

HSL 295.29, 0.91%, 0.67%

LAB 63.66, 73.43, -51.29

 

CMYK 0 / 5 / 62 / 3

HEX #F7EB5E

RGB 247 235 94

HSL 55.29, 0.91%, 0.67%

LAB 91.68, -12.44, 67.71

 

CMYK 62 / 0 / 4 / 3

HEX #5DF7EC

RGB 93 247 236

HSL 175.71, 0.91%, 0.67%

LAB 89.35, -42.76, -6.77

 

CMYK 55 / 62 / 0 / 3

HEX #705EF7

RGB 112 94 247

HSL 247.06, 0.91%, 0.67%

LAB 49.7, 47.42, -74.47

 

CMYK 0 / 62 / 57 / 3

HEX #F75E6B

RGB 247 94 107

HSL 354.9, 0.91%, 0.67%

LAB 60.64, 59.39, 24.23

 

CMYK 7 / 0 / 62 / 3

HEX #E6F75E

RGB 230 247 94

HSL 66.67, 0.91%, 0.67%

LAB 93.52, -25.05, 69.28

 

CMYK 62 / 0 / 4 / 3

HEX #5DF7EC

RGB 93 247 236

HSL 175.71, 0.91%, 0.67%

LAB 89.35, -42.76, -6.77

 

CMYK 36 / 62 / 0 / 3

HEX #9E5EF7

RGB 158 94 247

HSL 265.1, 0.91%, 0.67%

LAB 54.02, 56.22, -67.26

 

CMYK 0 / 62 / 57 / 3

HEX #F75E6B

RGB 247 94 107

HSL 354.9, 0.91%, 0.67%

LAB 60.64, 59.39, 24.23

 

CMYK 26 / 0 / 62 / 3

HEX #B8F75E

RGB 184 247 94

HSL 84.71, 0.91%, 0.67%

LAB 90.56, -42.53, 65.22

 

Description

Color code: HEX #5DF7EC | qconv.com Color code: HEX #5DF7EC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 247 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 247 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 4 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 4% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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