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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF681 it is the complementary color #A2097E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF681. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF681 shade: #62F67C, #73FF8F, #84FFA2, #95FFB5 and #A6FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF681. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF681 shade: #5DF681, #4CE46E, #3BD25B, #2AC048 and #19AE35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF681 shade: #5BF57F, #60F55B, #8AF55B, #B4F55B and #DDF55B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF681 shade: #5BF57F, #5BF5A9, #5BF5D3, #5BEFF5 and #5BC5F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF681 shade matches the following richer shades: #5BF57F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF681 shade: #5BF57F, #69E787, #77D98E, #85CB96 and #93BD9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF681 shade: #89F55B, #60F55B, #5BF57F, #5BF5A8 and #5BF5D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF681 shade: #0EF043, #34F361, #5BF57F, #82F89E and #A9FABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF681 shade: #5DF681, #5BB3F5 and #F55B75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF681 shade: #5DF681, #7F5BF5 and #F57F5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF681 shade: #5DF681, #5BB3F5, #F55BD1 and #F59E5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF681 shade: #5DF681, #5B84F5, #F55BD1 and #F5CC5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 48 / 4

HEX #5DF681

RGB 93 246 129

HSL 134.12, 0.89%, 0.66%

LAB 86.91, -64.46, 44.37

 

Complementary color

CMYK 0 / 94 / 22 / 36

HEX #A2097E

RGB 162 9 126

HSL 314.12, 0.89%, 0.34%

LAB 36.71, 63.93, -23.86

 

CMYK 60 / 0 / 50 / 4

HEX #62F67C

RGB 98 246 124

HSL 130.54, 0.89%, 0.67%

LAB 86.98, -64.16, 46.86

 

CMYK 55 / 0 / 44 / 0

HEX #73FF8F

RGB 115 255 143

HSL 132, 1%, 0.73%

LAB 90.39, -60.99, 42.18

 

CMYK 48 / 0 / 36 / 0

HEX #84FFA2

RGB 132 255 162

HSL 134.63, 1%, 0.76%

LAB 91.25, -53.88, 34.08

 

CMYK 42 / 0 / 29 / 0

HEX #95FFB5

RGB 149 255 181

HSL 138.11, 1%, 0.79%

LAB 92.24, -46.16, 25.98

 

CMYK 35 / 0 / 22 / 0

HEX #A6FFC8

RGB 166 255 200

HSL 142.92, 1%, 0.83%

LAB 93.36, -37.96, 17.98

 

CMYK 62 / 0 / 48 / 4

HEX #5DF681

RGB 93 246 129

HSL 134.12, 0.89%, 0.66%

LAB 86.91, -64.46, 44.37

 

CMYK 67 / 0 / 52 / 11

HEX #4CE46E

RGB 76 228 110

HSL 133.42, 0.74%, 0.6%

LAB 80.82, -64.01, 45.77

 

CMYK 72 / 0 / 57 / 18

HEX #3BD25B

RGB 59 210 91

HSL 132.72, 0.63%, 0.53%

LAB 74.68, -63.26, 47.18

 

CMYK 78 / 0 / 63 / 25

HEX #2AC048

RGB 42 192 72

HSL 132, 0.64%, 0.46%

LAB 68.5, -62.09, 48.53

 

CMYK 86 / 0 / 70 / 32

HEX #19AE35

RGB 25 174 53

HSL 131.28, 0.75%, 0.39%

LAB 62.28, -60.32, 49.67

 

CMYK 63 / 0 / 48 / 4

HEX #5BF57F

RGB 91 245 127

HSL 134.03, 0.89%, 0.66%

LAB 86.53, -64.79, 44.85

 

CMYK 61 / 0 / 63 / 4

HEX #60F55B

RGB 96 245 91

HSL 118.05, 0.89%, 0.66%

LAB 86.28, -68.16, 60.69

 

CMYK 44 / 0 / 63 / 4

HEX #8AF55B

RGB 138 245 91

HSL 101.69, 0.89%, 0.66%

LAB 87.71, -57.26, 62.68

 

CMYK 27 / 0 / 63 / 4

HEX #B4F55B

RGB 180 245 91

HSL 85.32, 0.89%, 0.66%

LAB 89.75, -43.34, 65.49

 

CMYK 10 / 0 / 63 / 4

HEX #DDF55B

RGB 221 245 91

HSL 69.35, 0.89%, 0.66%

LAB 92.32, -27.85, 69.01

 

CMYK 63 / 0 / 48 / 4

HEX #5BF57F

RGB 91 245 127

HSL 134.03, 0.89%, 0.66%

LAB 86.53, -64.79, 44.85

 

CMYK 63 / 0 / 31 / 4

HEX #5BF5A9

RGB 91 245 169

HSL 150.39, 0.89%, 0.66%

LAB 87.19, -57.62, 24.86

 

CMYK 63 / 0 / 14 / 4

HEX #5BF5D3

RGB 91 245 211

HSL 166.75, 0.89%, 0.66%

LAB 88.08, -48.46, 4.4

 

CMYK 63 / 2 / 0 / 4

HEX #5BEFF5

RGB 91 239 245

HSL 182.34, 0.89%, 0.66%

LAB 87.27, -37.06, -14.58

 

CMYK 63 / 20 / 0 / 4

HEX #5BC5F5

RGB 91 197 245

HSL 198.7, 0.89%, 0.66%

LAB 75.3, -16.45, -32.79

 

CMYK 63 / 0 / 48 / 4

HEX #5BF57F

RGB 91 245 127

HSL 134.03, 0.89%, 0.66%

LAB 86.53, -64.79, 44.85

 

CMYK 63 / 0 / 48 / 4

HEX #5BF57F

RGB 91 245 127

HSL 134.03, 0.89%, 0.66%

LAB 86.53, -64.79, 44.85

 

CMYK 55 / 0 / 42 / 9

HEX #69E787

RGB 105 231 135

HSL 134.29, 0.72%, 0.66%

LAB 82.86, -55.3, 36.35

 

CMYK 45 / 0 / 35 / 15

HEX #77D98E

RGB 119 217 142

HSL 134.08, 0.56%, 0.66%

LAB 79.33, -44.82, 28.23

 

CMYK 34 / 0 / 26 / 20

HEX #85CB96

RGB 133 203 150

HSL 134.57, 0.4%, 0.66%

LAB 76.01, -33.04, 19.62

 

CMYK 22 / 0 / 17 / 26

HEX #93BD9D

RGB 147 189 157

HSL 134.29, 0.24%, 0.66%

LAB 72.91, -20.43, 11.66

 

CMYK 44 / 0 / 63 / 4

HEX #89F55B

RGB 137 245 91

HSL 102.08, 0.89%, 0.66%

LAB 87.67, -57.56, 62.62

 

CMYK 61 / 0 / 63 / 4

HEX #60F55B

RGB 96 245 91

HSL 118.05, 0.89%, 0.66%

LAB 86.28, -68.16, 60.69

 

CMYK 63 / 0 / 48 / 4

HEX #5BF57F

RGB 91 245 127

HSL 134.03, 0.89%, 0.66%

LAB 86.53, -64.79, 44.85

 

CMYK 63 / 0 / 31 / 4

HEX #5BF5A8

RGB 91 245 168

HSL 150, 0.89%, 0.66%

LAB 87.17, -57.81, 25.34

 

CMYK 63 / 0 / 15 / 4

HEX #5BF5D1

RGB 91 245 209

HSL 165.97, 0.89%, 0.66%

LAB 88.03, -48.93, 5.37

 

CMYK 94 / 0 / 72 / 6

HEX #0EF043

RGB 14 240 67

HSL 134.07, 0.89%, 0.5%

LAB 83.35, -79.11, 66.34

 

CMYK 79 / 0 / 60 / 5

HEX #34F361

RGB 52 243 97

HSL 134.14, 0.89%, 0.58%

LAB 84.84, -74.16, 56.3

 

CMYK 63 / 0 / 48 / 4

HEX #5BF57F

RGB 91 245 127

HSL 134.03, 0.89%, 0.66%

LAB 86.53, -64.79, 44.85

 

CMYK 48 / 0 / 36 / 3

HEX #82F89E

RGB 130 248 158

HSL 134.24, 0.89%, 0.74%

LAB 89.09, -52.19, 33.19

 

CMYK 32 / 0 / 25 / 2

HEX #A9FABC

RGB 169 250 188

HSL 134.07, 0.89%, 0.82%

LAB 91.88, -36.98, 22.07

 

CMYK 62 / 0 / 48 / 4

HEX #5DF681

RGB 93 246 129

HSL 134.12, 0.89%, 0.66%

LAB 86.91, -64.46, 44.37

 

CMYK 63 / 27 / 0 / 4

HEX #5BB3F5

RGB 91 179 245

HSL 205.71, 0.89%, 0.66%

LAB 70.22, -6.81, -40.68

 

CMYK 0 / 63 / 52 / 4

HEX #F55B75

RGB 245 91 117

HSL 349.87, 0.89%, 0.66%

LAB 60.05, 60.76, 17.59

 

CMYK 62 / 0 / 48 / 4

HEX #5DF681

RGB 93 246 129

HSL 134.12, 0.89%, 0.66%

LAB 86.91, -64.46, 44.37

 

CMYK 48 / 63 / 0 / 4

HEX #7F5BF5

RGB 127 91 245

HSL 254.03, 0.89%, 0.66%

LAB 50.2, 51.16, -72.47

 

CMYK 0 / 48 / 63 / 4

HEX #F57F5B

RGB 245 127 91

HSL 14.03, 0.89%, 0.66%

LAB 66.02, 42.24, 39.9

 

CMYK 62 / 0 / 48 / 4

HEX #5DF681

RGB 93 246 129

HSL 134.12, 0.89%, 0.66%

LAB 86.91, -64.46, 44.37

 

CMYK 63 / 27 / 0 / 4

HEX #5BB3F5

RGB 91 179 245

HSL 205.71, 0.89%, 0.66%

LAB 70.22, -6.81, -40.68

 

CMYK 0 / 63 / 15 / 4

HEX #F55BD1

RGB 245 91 209

HSL 314.03, 0.89%, 0.66%

LAB 62.93, 71.1, -31.12

 

CMYK 0 / 36 / 63 / 4

HEX #F59E5B

RGB 245 158 91

HSL 26.1, 0.89%, 0.66%

LAB 72.64, 26.26, 47.77

 

CMYK 62 / 0 / 48 / 4

HEX #5DF681

RGB 93 246 129

HSL 134.12, 0.89%, 0.66%

LAB 86.91, -64.46, 44.37

 

CMYK 63 / 46 / 0 / 4

HEX #5B84F5

RGB 91 132 245

HSL 224.03, 0.89%, 0.66%

LAB 57.39, 20.47, -60.99

 

CMYK 0 / 63 / 15 / 4

HEX #F55BD1

RGB 245 91 209

HSL 314.03, 0.89%, 0.66%

LAB 62.93, 71.1, -31.12

 

CMYK 0 / 17 / 63 / 4

HEX #F5CC5B

RGB 245 204 91

HSL 44.03, 0.89%, 0.66%

LAB 83.63, 2.18, 60.2

 

Description

Color code: HEX #5DF681 | qconv.com Color code: HEX #5DF681 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 246 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 246 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 48 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 48% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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