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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF651 it is the complementary color #A209AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF651. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF651 shade: #62F64C, #73FF5F, #84FF72, #95FF85 and #A6FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF651. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF651 shade: #5DF651, #4CE43E, #3BD22B, #2AC018 and #19AE05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF651 shade: #5DF651, #89F651, #B6F651, #E2F651 and #F6DD51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF651 shade: #5DF651, #51F671, #51F69E, #51F6CA and #51F5F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF651 shade matches the following richer shades: #5DF651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF651 shade: #5DF651, #69E75F, #76D86E, #83C97D and #8FBA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF651 shade: #B6F651, #8AF651, #5EF651, #51F66F and #51F69B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF651 shade: #1CE80C, #38F429, #5DF651, #81F878 and #A6FA9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF651 shade: #5DF651, #51E3F6 and #F651A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF651 shade: #5DF651, #515EF6 and #F6515E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF651 shade: #5DF651, #51E3F6, #E851F6 and #F66451

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF651 shade: #5DF651, #51B1F6, #E851F6 and #F69551

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

Complementary color

CMYK 7 / 95 / 0 / 32

HEX #A209AE

RGB 162 9 174

HSL 295.64, 0.9%, 0.36%

LAB 39.47, 70.85, -48.75

 

CMYK 60 / 0 / 69 / 4

HEX #62F64C

RGB 98 246 76

HSL 112.24, 0.9%, 0.63%

LAB 86.52, -69.4, 66.81

 

CMYK 55 / 0 / 63 / 0

HEX #73FF5F

RGB 115 255 95

HSL 112.5, 1%, 0.69%

LAB 89.86, -66.88, 63.18

 

CMYK 48 / 0 / 55 / 0

HEX #84FF72

RGB 132 255 114

HSL 112.34, 1%, 0.72%

LAB 90.62, -60.51, 56.1

 

CMYK 42 / 0 / 48 / 0

HEX #95FF85

RGB 149 255 133

HSL 112.13, 1%, 0.76%

LAB 91.51, -53.44, 48.62

 

CMYK 35 / 0 / 40 / 0

HEX #A6FF98

RGB 166 255 152

HSL 111.84, 1%, 0.8%

LAB 92.53, -45.77, 40.95

 

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

CMYK 67 / 0 / 73 / 11

HEX #4CE43E

RGB 76 228 62

HSL 114.94, 0.75%, 0.57%

LAB 80.39, -69.11, 65.32

 

CMYK 72 / 0 / 80 / 18

HEX #3BD22B

RGB 59 210 43

HSL 114.25, 0.66%, 0.5%

LAB 74.32, -67.72, 65.29

 

CMYK 78 / 0 / 88 / 25

HEX #2AC018

RGB 42 192 24

HSL 113.57, 0.78%, 0.42%

LAB 68.21, -65.73, 64.33

 

CMYK 86 / 0 / 97 / 32

HEX #19AE05

RGB 25 174 5

HSL 112.9, 0.94%, 0.35%

LAB 62.07, -62.98, 62.01

 

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

CMYK 44 / 0 / 67 / 4

HEX #89F651

RGB 137 246 81

HSL 99.64, 0.9%, 0.64%

LAB 87.88, -58.78, 66.78

 

CMYK 26 / 0 / 67 / 4

HEX #B6F651

RGB 182 246 81

HSL 83.27, 0.9%, 0.64%

LAB 90.07, -43.76, 69.74

 

CMYK 8 / 0 / 67 / 4

HEX #E2F651

RGB 226 246 81

HSL 67.27, 0.9%, 0.64%

LAB 92.87, -26.95, 73.5

 

CMYK 0 / 10 / 67 / 4

HEX #F6DD51

RGB 246 221 81

HSL 50.91, 0.9%, 0.64%

LAB 87.92, -6.63, 68.96

 

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

CMYK 67 / 0 / 54 / 4

HEX #51F671

RGB 81 246 113

HSL 131.64, 0.9%, 0.64%

LAB 86.43, -68.92, 51.2

 

CMYK 67 / 0 / 36 / 4

HEX #51F69E

RGB 81 246 158

HSL 148, 0.9%, 0.64%

LAB 87.06, -61.82, 30.23

 

CMYK 67 / 0 / 18 / 4

HEX #51F6CA

RGB 81 246 202

HSL 164, 0.9%, 0.64%

LAB 87.93, -52.57, 8.84

 

CMYK 67 / 0 / 0 / 4

HEX #51F5F6

RGB 81 245 246

HSL 180.36, 0.9%, 0.64%

LAB 88.78, -40.94, -12.86

 

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

CMYK 55 / 0 / 59 / 9

HEX #69E75F

RGB 105 231 95

HSL 115.59, 0.74%, 0.64%

LAB 82.37, -60.68, 54.65

 

CMYK 45 / 0 / 49 / 15

HEX #76D86E

RGB 118 216 110

HSL 115.47, 0.58%, 0.64%

LAB 78.51, -49.55, 43.23

 

CMYK 35 / 0 / 38 / 21

HEX #83C97D

RGB 131 201 125

HSL 115.26, 0.41%, 0.64%

LAB 74.87, -36.95, 31.2

 

CMYK 23 / 0 / 25 / 27

HEX #8FBA8C

RGB 143 186 140

HSL 116.09, 0.25%, 0.64%

LAB 71.45, -23.35, 18.77

 

CMYK 26 / 0 / 67 / 4

HEX #B6F651

RGB 182 246 81

HSL 83.27, 0.9%, 0.64%

LAB 90.07, -43.76, 69.74

 

CMYK 44 / 0 / 67 / 4

HEX #8AF651

RGB 138 246 81

HSL 99.27, 0.9%, 0.64%

LAB 87.92, -58.48, 66.84

 

CMYK 62 / 0 / 67 / 4

HEX #5EF651

RGB 94 246 81

HSL 115.27, 0.9%, 0.64%

LAB 86.45, -69.86, 64.83

 

CMYK 67 / 0 / 55 / 4

HEX #51F66F

RGB 81 246 111

HSL 130.91, 0.9%, 0.64%

LAB 86.41, -69.18, 52.09

 

CMYK 67 / 0 / 37 / 4

HEX #51F69B

RGB 81 246 155

HSL 146.91, 0.9%, 0.64%

LAB 87.01, -62.37, 31.67

 

CMYK 88 / 0 / 95 / 9

HEX #1CE80C

RGB 28 232 12

HSL 115.64, 0.9%, 0.48%

LAB 80.73, -78.79, 76.57

 

CMYK 77 / 0 / 83 / 4

HEX #38F429

RGB 56 244 41

HSL 115.57, 0.9%, 0.56%

LAB 84.84, -78.41, 75.47

 

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

CMYK 48 / 0 / 52 / 3

HEX #81F878

RGB 129 248 120

HSL 115.78, 0.9%, 0.72%

LAB 88.52, -57.94, 50.85

 

CMYK 34 / 0 / 36 / 2

HEX #A6FA9F

RGB 166 250 159

HSL 115.38, 0.9%, 0.8%

LAB 91.23, -42.59, 35.8

 

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

CMYK 67 / 8 / 0 / 4

HEX #51E3F6

RGB 81 227 246

HSL 186.91, 0.9%, 0.64%

LAB 83.62, -32.63, -20.62

 

CMYK 0 / 67 / 35 / 4

HEX #F651A0

RGB 246 81 160

HSL 331.27, 0.9%, 0.64%

LAB 59.9, 69.04, -7.65

 

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

CMYK 67 / 62 / 0 / 4

HEX #515EF6

RGB 81 94 246

HSL 235.27, 0.9%, 0.64%

LAB 47.51, 42.43, -77.57

 

CMYK 0 / 67 / 62 / 4

HEX #F6515E

RGB 246 81 94

HSL 355.27, 0.9%, 0.64%

LAB 58.31, 63.45, 28.64

 

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

CMYK 67 / 8 / 0 / 4

HEX #51E3F6

RGB 81 227 246

HSL 186.91, 0.9%, 0.64%

LAB 83.62, -32.63, -20.62

 

CMYK 6 / 67 / 0 / 4

HEX #E851F6

RGB 232 81 246

HSL 294.91, 0.9%, 0.64%

LAB 61.39, 77.59, -54.36

 

CMYK 0 / 59 / 67 / 4

HEX #F66451

RGB 246 100 81

HSL 6.91, 0.9%, 0.64%

LAB 61.05, 54.83, 39.36

 

CMYK 62 / 0 / 67 / 4

HEX #5DF651

RGB 93 246 81

HSL 115.64, 0.9%, 0.64%

LAB 86.42, -70.07, 64.79

 

CMYK 67 / 28 / 0 / 4

HEX #51B1F6

RGB 81 177 246

HSL 205.09, 0.9%, 0.64%

LAB 69.36, -7.01, -42.58

 

CMYK 6 / 67 / 0 / 4

HEX #E851F6

RGB 232 81 246

HSL 294.91, 0.9%, 0.64%

LAB 61.39, 77.59, -54.36

 

CMYK 0 / 39 / 67 / 4

HEX #F69551

RGB 246 149 81

HSL 24.73, 0.9%, 0.64%

LAB 70.65, 30.77, 50.46

 

Description

Color code: HEX #5DF651 | qconv.com Color code: HEX #5DF651 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 246 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 246 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 67% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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