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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF3C0 it is the complementary color #A20C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF3C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF3C0 shade: #62F3BB, #73FFCE, #84FFE1, #95FFF4 and #A6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF3C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF3C0 shade: #5DF3C0, #4CE1AD, #3BCF9A, #2ABD87 and #19AB74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF3C0 shade: #5EF3C0, #5EF398, #5EF370, #74F35E and #9CF35E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF3C0 shade: #5EF3C0, #5EF3E8, #5ED5F3, #5EADF3 and #5E85F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF3C0 shade matches the following richer shades: #5EF3C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF3C0 shade: #5EF3C0, #6CE5BC, #7AD7B7, #88C9B3 and #96BBAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF3C0 shade: #5EF36F, #5EF397, #5EF3BF, #5EF3E6 and #5ED8F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF3C0 shade: #12ECA2, #37F0B1, #5EF3C0, #84F6CF and #AAF9DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF3C0 shade: #5DF3C0, #5E74F3 and #F3835E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF3C0 shade: #5DF3C0, #BF5EF3 and #F3BF5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF3C0 shade: #5DF3C0, #5E74F3, #F35E92 and #F3DC5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF3C0 shade: #5DF3C0, #745EF3, #F35E92 and #DCF35E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 21 / 5

HEX #5DF3C0

RGB 93 243 192

HSL 159.6, 0.86%, 0.66%

LAB 87.11, -51.66, 12.91

 

Complementary color

CMYK 0 / 93 / 61 / 36

HEX #A20C3F

RGB 162 12 63

HSL 339.6, 0.86%, 0.34%

LAB 34.61, 57.54, 13.47

 

CMYK 60 / 0 / 23 / 5

HEX #62F3BB

RGB 98 243 187

HSL 156.83, 0.86%, 0.67%

LAB 87.14, -51.83, 15.55

 

CMYK 55 / 0 / 19 / 0

HEX #73FFCE

RGB 115 255 206

HSL 159, 1%, 0.73%

LAB 91.51, -49.38, 12.01

 

CMYK 48 / 0 / 12 / 0

HEX #84FFE1

RGB 132 255 225

HSL 165.37, 1%, 0.76%

LAB 92.51, -41.53, 3.71

 

CMYK 42 / 0 / 4 / 0

HEX #95FFF4

RGB 149 255 244

HSL 173.77, 1%, 0.79%

LAB 93.64, -33.25, -4.38

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 62 / 0 / 21 / 5

HEX #5DF3C0

RGB 93 243 192

HSL 159.6, 0.86%, 0.66%

LAB 87.11, -51.66, 12.91

 

CMYK 66 / 0 / 23 / 12

HEX #4CE1AD

RGB 76 225 173

HSL 159.06, 0.71%, 0.59%

LAB 80.96, -51.39, 14.09

 

CMYK 71 / 0 / 26 / 19

HEX #3BCF9A

RGB 59 207 154

HSL 158.51, 0.61%, 0.52%

LAB 74.75, -50.94, 15.37

 

CMYK 78 / 0 / 29 / 26

HEX #2ABD87

RGB 42 189 135

HSL 157.96, 0.64%, 0.45%

LAB 68.49, -50.24, 16.78

 

CMYK 85 / 0 / 32 / 33

HEX #19AB74

RGB 25 171 116

HSL 157.4, 0.74%, 0.38%

LAB 62.16, -49.16, 18.35

 

CMYK 61 / 0 / 21 / 5

HEX #5EF3C0

RGB 94 243 192

HSL 159.46, 0.86%, 0.66%

LAB 87.14, -51.48, 12.95

 

CMYK 61 / 0 / 37 / 5

HEX #5EF398

RGB 94 243 152

HSL 143.36, 0.86%, 0.66%

LAB 86.38, -59.44, 32.39

 

CMYK 61 / 0 / 54 / 5

HEX #5EF370

RGB 94 243 112

HSL 127.25, 0.86%, 0.66%

LAB 85.83, -65.51, 51.02

 

CMYK 52 / 0 / 61 / 5

HEX #74F35E

RGB 116 243 94

HSL 111.14, 0.86%, 0.66%

LAB 86.32, -62.39, 59.66

 

CMYK 36 / 0 / 61 / 5

HEX #9CF35E

RGB 156 243 94

HSL 95.03, 0.86%, 0.66%

LAB 87.96, -50.53, 61.94

 

CMYK 61 / 0 / 21 / 5

HEX #5EF3C0

RGB 94 243 192

HSL 159.46, 0.86%, 0.66%

LAB 87.14, -51.48, 12.95

 

CMYK 61 / 0 / 5 / 5

HEX #5EF3E8

RGB 94 243 232

HSL 175.57, 0.86%, 0.66%

LAB 88.12, -41.86, -6.5

 

CMYK 61 / 12 / 0 / 5

HEX #5ED5F3

RGB 94 213 243

HSL 192.08, 0.86%, 0.66%

LAB 79.86, -24.7, -24.71

 

CMYK 61 / 29 / 0 / 5

HEX #5EADF3

RGB 94 173 243

HSL 208.19, 0.86%, 0.66%

LAB 68.56, -3.61, -42.17

 

CMYK 61 / 45 / 0 / 5

HEX #5E85F3

RGB 94 133 243

HSL 224.3, 0.86%, 0.66%

LAB 57.68, 19.72, -59.4

 

CMYK 61 / 0 / 21 / 5

HEX #5EF3C0

RGB 94 243 192

HSL 159.46, 0.86%, 0.66%

LAB 87.14, -51.48, 12.95

 

CMYK 61 / 0 / 21 / 5

HEX #5EF3C0

RGB 94 243 192

HSL 159.46, 0.86%, 0.66%

LAB 87.14, -51.48, 12.95

 

CMYK 53 / 0 / 18 / 10

HEX #6CE5BC

RGB 108 229 188

HSL 159.67, 0.7%, 0.66%

LAB 83.37, -43.64, 9.73

 

CMYK 43 / 0 / 15 / 16

HEX #7AD7B7

RGB 122 215 183

HSL 159.35, 0.54%, 0.66%

LAB 79.7, -35.11, 7.2

 

CMYK 32 / 0 / 11 / 21

HEX #88C9B3

RGB 136 201 179

HSL 159.69, 0.38%, 0.66%

LAB 76.23, -25.44, 4.42

 

CMYK 20 / 0 / 7 / 27

HEX #96BBAE

RGB 150 187 174

HSL 158.92, 0.21%, 0.66%

LAB 72.94, -15.08, 2.48

 

CMYK 61 / 0 / 54 / 5

HEX #5EF36F

RGB 94 243 111

HSL 126.85, 0.86%, 0.66%

LAB 85.82, -65.64, 51.46

 

CMYK 61 / 0 / 38 / 5

HEX #5EF397

RGB 94 243 151

HSL 142.95, 0.86%, 0.66%

LAB 86.36, -59.62, 32.87

 

CMYK 61 / 0 / 21 / 5

HEX #5EF3BF

RGB 94 243 191

HSL 159.06, 0.86%, 0.66%

LAB 87.12, -51.7, 13.44

 

CMYK 61 / 0 / 5 / 5

HEX #5EF3E6

RGB 94 243 230

HSL 174.77, 0.86%, 0.66%

LAB 88.06, -42.38, -5.54

 

CMYK 61 / 11 / 0 / 5

HEX #5ED8F3

RGB 94 216 243

HSL 190.87, 0.86%, 0.66%

LAB 80.72, -26.18, -23.41

 

CMYK 92 / 0 / 31 / 7

HEX #12ECA2

RGB 18 236 162

HSL 159.63, 0.86%, 0.5%

LAB 83.3, -63.7, 22.95

 

CMYK 77 / 0 / 26 / 6

HEX #37F0B1

RGB 55 240 177

HSL 159.57, 0.86%, 0.58%

LAB 85.15, -59.22, 17.82

 

CMYK 61 / 0 / 21 / 5

HEX #5EF3C0

RGB 94 243 192

HSL 159.46, 0.86%, 0.66%

LAB 87.14, -51.48, 12.95

 

CMYK 46 / 0 / 16 / 4

HEX #84F6CF

RGB 132 246 207

HSL 159.47, 0.86%, 0.74%

LAB 89.54, -41.49, 8.75

 

CMYK 32 / 0 / 11 / 2

HEX #AAF9DE

RGB 170 249 222

HSL 159.49, 0.87%, 0.82%

LAB 92.39, -29.76, 5.28

 

CMYK 62 / 0 / 21 / 5

HEX #5DF3C0

RGB 93 243 192

HSL 159.6, 0.86%, 0.66%

LAB 87.11, -51.66, 12.91

 

CMYK 61 / 52 / 0 / 5

HEX #5E74F3

RGB 94 116 243

HSL 231.14, 0.86%, 0.66%

LAB 53.32, 30.04, -66.42

 

CMYK 0 / 46 / 61 / 5

HEX #F3835E

RGB 243 131 94

HSL 14.9, 0.86%, 0.66%

LAB 66.59, 39.66, 38.94

 

CMYK 62 / 0 / 21 / 5

HEX #5DF3C0

RGB 93 243 192

HSL 159.6, 0.86%, 0.66%

LAB 87.11, -51.66, 12.91

 

CMYK 21 / 61 / 0 / 5

HEX #BF5EF3

RGB 191 94 243

HSL 279.06, 0.86%, 0.66%

LAB 57.61, 62.54, -59.05

 

CMYK 0 / 21 / 61 / 5

HEX #F3BF5E

RGB 243 191 94

HSL 39.06, 0.86%, 0.66%

LAB 80.25, 8.29, 55.02

 

CMYK 62 / 0 / 21 / 5

HEX #5DF3C0

RGB 93 243 192

HSL 159.6, 0.86%, 0.66%

LAB 87.11, -51.66, 12.91

 

CMYK 61 / 52 / 0 / 5

HEX #5E74F3

RGB 94 116 243

HSL 231.14, 0.86%, 0.66%

LAB 53.32, 30.04, -66.42

 

CMYK 0 / 61 / 40 / 5

HEX #F35E92

RGB 243 94 146

HSL 339.06, 0.86%, 0.66%

LAB 60.9, 61.53, 1.89

 

CMYK 0 / 9 / 61 / 5

HEX #F3DC5E

RGB 243 220 94

HSL 50.74, 0.86%, 0.66%

LAB 87.51, -6.6, 63.09

 

CMYK 62 / 0 / 21 / 5

HEX #5DF3C0

RGB 93 243 192

HSL 159.6, 0.86%, 0.66%

LAB 87.11, -51.66, 12.91

 

CMYK 52 / 61 / 0 / 5

HEX #745EF3

RGB 116 94 243

HSL 248.86, 0.86%, 0.66%

LAB 49.73, 46.93, -72.17

 

CMYK 0 / 61 / 40 / 5

HEX #F35E92

RGB 243 94 146

HSL 339.06, 0.86%, 0.66%

LAB 60.9, 61.53, 1.89

 

CMYK 9 / 0 / 61 / 5

HEX #DCF35E

RGB 220 243 94

HSL 69.26, 0.86%, 0.66%

LAB 91.74, -27.1, 67.16

 

Description

Color code: HEX #5DF3C0 | qconv.com Color code: HEX #5DF3C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 243 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 243 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 21% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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