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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF33C it is the complementary color #A20CC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF33C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF33C shade: #62F337, #73FF4A, #84FF5D, #95FF70 and #A6FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF33C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF33C shade: #5DF33C, #4CE129, #3BCF16, #2ABD03 and #19AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF33C shade: #5CF23A, #8DF23A, #BFF23A, #F0F23A and #F2C33A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF33C shade: #5CF23A, #3AF24B, #3AF27D, #3AF2AE and #3AF2E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF33C shade matches the following richer shades: #5CF23A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF33C shade: #5CF23A, #66E24B, #71D15C, #7CC06D and #87AF7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF33C shade: #BEF23A, #8DF23A, #5CF23A, #3AF24A and #3AF27B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF33C shade: #30CD0D, #3BF014, #5CF23A, #7CF561 and #9CF788

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF33C shade: #5DF33C, #3AEFF2 and #F23AA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF33C shade: #5DF33C, #3A5CF2 and #F23A5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF33C shade: #5DF33C, #3AEFF2, #D13AF2 and #F23E3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF33C shade: #5DF33C, #3AB8F2, #D13AF2 and #F2753A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 75 / 5

HEX #5DF33C

RGB 93 243 60

HSL 109.18, 0.88%, 0.59%

LAB 85.38, -70.65, 71.07

 

Complementary color

CMYK 17 / 94 / 0 / 24

HEX #A20CC3

RGB 162 12 195

HSL 289.18, 0.88%, 0.41%

LAB 41.03, 74.03, -58.61

 

CMYK 60 / 0 / 77 / 5

HEX #62F337

RGB 98 243 55

HSL 106.28, 0.89%, 0.58%

LAB 85.49, -69.84, 72.73

 

CMYK 55 / 0 / 71 / 0

HEX #73FF4A

RGB 115 255 74

HSL 106.41, 1%, 0.65%

LAB 89.7, -68.62, 70.95

 

CMYK 48 / 0 / 64 / 0

HEX #84FF5D

RGB 132 255 93

HSL 105.56, 1%, 0.68%

LAB 90.42, -62.62, 64.77

 

CMYK 42 / 0 / 56 / 0

HEX #95FF70

RGB 149 255 112

HSL 104.48, 1%, 0.72%

LAB 91.27, -55.86, 57.92

 

CMYK 35 / 0 / 49 / 0

HEX #A6FF83

RGB 166 255 131

HSL 103.06, 1%, 0.76%

LAB 92.25, -48.47, 50.65

 

CMYK 62 / 0 / 75 / 5

HEX #5DF33C

RGB 93 243 60

HSL 109.18, 0.88%, 0.59%

LAB 85.38, -70.65, 71.07

 

CMYK 66 / 0 / 82 / 12

HEX #4CE129

RGB 76 225 41

HSL 108.59, 0.75%, 0.52%

LAB 79.36, -69.43, 70.63

 

CMYK 71 / 0 / 89 / 19

HEX #3BCF16

RGB 59 207 22

HSL 108, 0.81%, 0.45%

LAB 73.29, -67.72, 69.21

 

CMYK 78 / 0 / 98 / 26

HEX #2ABD03

RGB 42 189 3

HSL 107.42, 0.97%, 0.38%

LAB 67.2, -65.39, 66.51

 

CMYK 85 / 0 / 100 / 33

HEX #19AB00

RGB 25 171 0

HSL 111.23, 1%, 0.34%

LAB 61.07, -62.23, 61.88

 

CMYK 62 / 0 / 76 / 5

HEX #5CF23A

RGB 92 242 58

HSL 108.91, 0.88%, 0.59%

LAB 85.04, -70.67, 71.35

 

CMYK 42 / 0 / 76 / 5

HEX #8DF23A

RGB 141 242 58

HSL 92.93, 0.88%, 0.59%

LAB 86.74, -57.51, 73.57

 

CMYK 21 / 0 / 76 / 5

HEX #BFF23A

RGB 191 242 58

HSL 76.63, 0.88%, 0.59%

LAB 89.34, -39.93, 76.94

 

CMYK 1 / 0 / 76 / 5

HEX #F0F23A

RGB 240 242 58

HSL 60.65, 0.88%, 0.59%

LAB 92.72, -20.45, 81.28

 

CMYK 0 / 19 / 76 / 5

HEX #F2C33A

RGB 242 195 58

HSL 44.67, 0.88%, 0.59%

LAB 80.86, 3.9, 70.47

 

CMYK 62 / 0 / 76 / 5

HEX #5CF23A

RGB 92 242 58

HSL 108.91, 0.88%, 0.59%

LAB 85.04, -70.67, 71.35

 

CMYK 76 / 0 / 69 / 5

HEX #3AF24B

RGB 58 242 75

HSL 125.54, 0.88%, 0.59%

LAB 84.44, -75.34, 64.73

 

CMYK 76 / 0 / 48 / 5

HEX #3AF27D

RGB 58 242 125

HSL 141.85, 0.88%, 0.59%

LAB 84.94, -69.34, 43.66

 

CMYK 76 / 0 / 28 / 5

HEX #3AF2AE

RGB 58 242 174

HSL 157.83, 0.88%, 0.59%

LAB 85.74, -60.3, 20.19

 

CMYK 76 / 0 / 7 / 5

HEX #3AF2E0

RGB 58 242 224

HSL 174.13, 0.88%, 0.59%

LAB 86.89, -48.25, -4.2

 

CMYK 62 / 0 / 76 / 5

HEX #5CF23A

RGB 92 242 58

HSL 108.91, 0.88%, 0.59%

LAB 85.04, -70.67, 71.35

 

CMYK 62 / 0 / 76 / 5

HEX #5CF23A

RGB 92 242 58

HSL 108.91, 0.88%, 0.59%

LAB 85.04, -70.67, 71.35

 

CMYK 55 / 0 / 67 / 11

HEX #66E24B

RGB 102 226 75

HSL 109.27, 0.72%, 0.59%

LAB 80.59, -61.57, 60.97

 

CMYK 46 / 0 / 56 / 18

HEX #71D15C

RGB 113 209 92

HSL 109.23, 0.56%, 0.59%

LAB 76, -50.37, 48.67

 

CMYK 35 / 0 / 43 / 25

HEX #7CC06D

RGB 124 192 109

HSL 109.16, 0.4%, 0.59%

LAB 71.61, -37.51, 35.13

 

CMYK 23 / 0 / 28 / 31

HEX #87AF7E

RGB 135 175 126

HSL 108.98, 0.23%, 0.59%

LAB 67.51, -23.03, 20.86

 

CMYK 21 / 0 / 76 / 5

HEX #BEF23A

RGB 190 242 58

HSL 76.96, 0.88%, 0.59%

LAB 89.28, -40.31, 76.86

 

CMYK 42 / 0 / 76 / 5

HEX #8DF23A

RGB 141 242 58

HSL 92.93, 0.88%, 0.59%

LAB 86.74, -57.51, 73.57

 

CMYK 62 / 0 / 76 / 5

HEX #5CF23A

RGB 92 242 58

HSL 108.91, 0.88%, 0.59%

LAB 85.04, -70.67, 71.35

 

CMYK 76 / 0 / 69 / 5

HEX #3AF24A

RGB 58 242 74

HSL 125.22, 0.88%, 0.59%

LAB 84.43, -75.42, 65.1

 

CMYK 76 / 0 / 49 / 5

HEX #3AF27B

RGB 58 242 123

HSL 141.2, 0.88%, 0.59%

LAB 84.91, -69.64, 44.58

 

CMYK 77 / 0 / 94 / 20

HEX #30CD0D

RGB 48 205 13

HSL 109.06, 0.88%, 0.43%

LAB 72.44, -69.08, 69.72

 

CMYK 75 / 0 / 92 / 6

HEX #3BF014

RGB 59 240 20

HSL 109.36, 0.88%, 0.51%

LAB 83.6, -77.57, 78.19

 

CMYK 62 / 0 / 76 / 5

HEX #5CF23A

RGB 92 242 58

HSL 108.91, 0.88%, 0.59%

LAB 85.04, -70.67, 71.35

 

CMYK 49 / 0 / 60 / 4

HEX #7CF561

RGB 124 245 97

HSL 109.05, 0.88%, 0.67%

LAB 87.22, -60.71, 59.48

 

CMYK 37 / 0 / 45 / 3

HEX #9CF788

RGB 156 247 136

HSL 109.19, 0.87%, 0.75%

LAB 89.56, -47.62, 44.83

 

CMYK 62 / 0 / 75 / 5

HEX #5DF33C

RGB 93 243 60

HSL 109.18, 0.88%, 0.59%

LAB 85.38, -70.65, 71.07

 

CMYK 76 / 1 / 0 / 5

HEX #3AEFF2

RGB 58 239 242

HSL 180.98, 0.88%, 0.59%

LAB 86.53, -41.99, -14.19

 

CMYK 0 / 76 / 31 / 5

HEX #F23AA6

RGB 242 58 166

HSL 324.78, 0.88%, 0.59%

LAB 56.74, 76.21, -15.97

 

CMYK 62 / 0 / 75 / 5

HEX #5DF33C

RGB 93 243 60

HSL 109.18, 0.88%, 0.59%

LAB 85.38, -70.65, 71.07

 

CMYK 76 / 62 / 0 / 5

HEX #3A5CF2

RGB 58 92 242

HSL 228.91, 0.88%, 0.59%

LAB 45.59, 39.66, -78.52

 

CMYK 0 / 76 / 62 / 5

HEX #F23A5C

RGB 242 58 92

HSL 348.91, 0.88%, 0.59%

LAB 54.74, 69.99, 25.04

 

CMYK 62 / 0 / 75 / 5

HEX #5DF33C

RGB 93 243 60

HSL 109.18, 0.88%, 0.59%

LAB 85.38, -70.65, 71.07

 

CMYK 76 / 1 / 0 / 5

HEX #3AEFF2

RGB 58 239 242

HSL 180.98, 0.88%, 0.59%

LAB 86.53, -41.99, -14.19

 

CMYK 14 / 76 / 0 / 5

HEX #D13AF2

RGB 209 58 242

HSL 289.24, 0.88%, 0.59%

LAB 55.06, 79.99, -62.44

 

CMYK 0 / 74 / 76 / 5

HEX #F23E3A

RGB 242 62 58

HSL 1.3, 0.88%, 0.59%

LAB 54.69, 67.19, 44.48

 

CMYK 62 / 0 / 75 / 5

HEX #5DF33C

RGB 93 243 60

HSL 109.18, 0.88%, 0.59%

LAB 85.38, -70.65, 71.07

 

CMYK 76 / 24 / 0 / 5

HEX #3AB8F2

RGB 58 184 242

HSL 198.91, 0.88%, 0.59%

LAB 70.59, -15.14, -38.54

 

CMYK 14 / 76 / 0 / 5

HEX #D13AF2

RGB 209 58 242

HSL 289.24, 0.88%, 0.59%

LAB 55.06, 79.99, -62.44

 

CMYK 0 / 52 / 76 / 5

HEX #F2753A

RGB 242 117 58

HSL 19.24, 0.88%, 0.59%

LAB 63.26, 44.38, 53.4

 

Description

Color code: HEX #5DF33C | qconv.com Color code: HEX #5DF33C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 243 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 243 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 75 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 75% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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