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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF112 it is the complementary color #A20EED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF112 shade: #62F10D, #73FF20, #84FF33, #95FF46 and #A6FF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF112 shade: #5DF112, #4CDF00, #3BCD00, #2ABB00 and #19A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF112 shade: #5EF113, #9AF113, #D6F113, #F1D113 and #F19513

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF112 shade: #5EF113, #22F113, #13F140, #13F17C and #13F1B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF112 shade matches the following richer shades: #5EF113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF112 shade: #5EF113, #64DD27, #6BC93B, #72B54F and #78A064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF112 shade: #D7F113, #9CF113, #61F113, #25F113 and #13F13C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF112 shade: #3FA80A, #4ECF0C, #5EF113, #78F43A and #93F661

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF112 shade: #5DF112, #13F1D0 and #F113BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF112 shade: #5DF112, #1361F1 and #F11361

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF112 shade: #5DF112, #13F1D0, #A313F1 and #F11334

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF112 shade: #5DF112, #13D0F1, #A313F1 and #F13413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 93 / 5

HEX #5DF112

RGB 93 241 18

HSL 99.82, 0.89%, 0.51%

LAB 84.63, -71.72, 79.59

 

Complementary color

CMYK 32 / 94 / 0 / 7

HEX #A20EED

RGB 162 14 237

HSL 279.82, 0.89%, 0.49%

LAB 44.39, 81.42, -77.28

 

CMYK 59 / 0 / 95 / 5

HEX #62F10D

RGB 98 241 13

HSL 97.63, 0.9%, 0.5%

LAB 84.76, -70.66, 80.28

 

CMYK 55 / 0 / 87 / 0

HEX #73FF20

RGB 115 255 32

HSL 97.67, 1%, 0.56%

LAB 89.52, -70.72, 81.9

 

CMYK 48 / 0 / 80 / 0

HEX #84FF33

RGB 132 255 51

HSL 96.18, 1%, 0.6%

LAB 90.17, -65.41, 78.59

 

CMYK 42 / 0 / 73 / 0

HEX #95FF46

RGB 149 255 70

HSL 94.38, 1%, 0.64%

LAB 90.94, -59.32, 73.96

 

CMYK 35 / 0 / 65 / 0

HEX #A6FF59

RGB 166 255 89

HSL 92.17, 1%, 0.67%

LAB 91.84, -52.54, 68.3

 

CMYK 61 / 0 / 93 / 5

HEX #5DF112

RGB 93 241 18

HSL 99.82, 0.89%, 0.51%

LAB 84.63, -71.72, 79.59

 

CMYK 66 / 0 / 100 / 13

HEX #4CDF00

RGB 76 223 0

HSL 99.55, 1%, 0.44%

LAB 78.64, -69.92, 76.27

 

CMYK 71 / 0 / 100 / 20

HEX #3BCD00

RGB 59 205 0

HSL 102.73, 1%, 0.4%

LAB 72.62, -67.58, 71.32

 

CMYK 78 / 0 / 100 / 27

HEX #2ABB00

RGB 42 187 0

HSL 106.52, 1%, 0.37%

LAB 66.55, -64.86, 66.35

 

CMYK 85 / 0 / 100 / 34

HEX #19A900

RGB 25 169 0

HSL 111.12, 1%, 0.33%

LAB 60.41, -61.65, 61.35

 

CMYK 61 / 0 / 92 / 5

HEX #5EF113

RGB 94 241 19

HSL 99.73, 0.89%, 0.51%

LAB 84.66, -71.47, 79.5

 

CMYK 36 / 0 / 92 / 5

HEX #9AF113

RGB 154 241 19

HSL 83.51, 0.89%, 0.51%

LAB 86.91, -54.18, 82.28

 

CMYK 11 / 0 / 92 / 5

HEX #D6F113

RGB 214 241 19

HSL 67.3, 0.89%, 0.51%

LAB 90.44, -31.53, 86.57

 

CMYK 0 / 13 / 92 / 5

HEX #F1D113

RGB 241 209 19

HSL 51.35, 0.89%, 0.51%

LAB 84.15, -4.68, 82.68

 

CMYK 0 / 38 / 92 / 5

HEX #F19513

RGB 241 149 19

HSL 35.14, 0.89%, 0.51%

LAB 69.64, 26.63, 71.98

 

CMYK 61 / 0 / 92 / 5

HEX #5EF113

RGB 94 241 19

HSL 99.73, 0.89%, 0.51%

LAB 84.66, -71.47, 79.5

 

CMYK 86 / 0 / 92 / 5

HEX #22F113

RGB 34 241 19

HSL 115.95, 0.89%, 0.51%

LAB 83.6, -80.63, 78.19

 

CMYK 92 / 0 / 73 / 5

HEX #13F140

RGB 19 241 64

HSL 132.16, 0.89%, 0.51%

LAB 83.66, -79.41, 67.69

 

CMYK 92 / 0 / 49 / 5

HEX #13F17C

RGB 19 241 124

HSL 148.38, 0.89%, 0.51%

LAB 84.23, -72.4, 43.16

 

CMYK 92 / 0 / 24 / 5

HEX #13F1B8

RGB 19 241 184

HSL 164.59, 0.89%, 0.51%

LAB 85.26, -60.58, 14.28

 

CMYK 61 / 0 / 92 / 5

HEX #5EF113

RGB 94 241 19

HSL 99.73, 0.89%, 0.51%

LAB 84.66, -71.47, 79.5

 

CMYK 61 / 0 / 92 / 5

HEX #5EF113

RGB 94 241 19

HSL 99.73, 0.89%, 0.51%

LAB 84.66, -71.47, 79.5

 

CMYK 55 / 0 / 82 / 13

HEX #64DD27

RGB 100 221 39

HSL 99.89, 0.73%, 0.51%

LAB 78.79, -62.65, 70.87

 

CMYK 47 / 0 / 71 / 21

HEX #6BC93B

RGB 107 201 59

HSL 99.72, 0.57%, 0.51%

LAB 73.03, -52.11, 59.23

 

CMYK 37 / 0 / 56 / 29

HEX #72B54F

RGB 114 181 79

HSL 99.41, 0.41%, 0.51%

LAB 67.42, -39.74, 44.68

 

CMYK 25 / 0 / 38 / 37

HEX #78A064

RGB 120 160 100

HSL 100, 0.24%, 0.51%

LAB 61.7, -25.08, 26.98

 

CMYK 11 / 0 / 92 / 5

HEX #D7F113

RGB 215 241 19

HSL 67.03, 0.89%, 0.51%

LAB 90.51, -31.13, 86.65

 

CMYK 35 / 0 / 92 / 5

HEX #9CF113

RGB 156 241 19

HSL 82.97, 0.89%, 0.51%

LAB 87.01, -53.49, 82.4

 

CMYK 60 / 0 / 92 / 5

HEX #61F113

RGB 97 241 19

HSL 98.92, 0.89%, 0.51%

LAB 84.74, -70.79, 79.61

 

CMYK 85 / 0 / 92 / 5

HEX #25F113

RGB 37 241 19

HSL 115.14, 0.89%, 0.51%

LAB 83.63, -80.38, 78.23

 

CMYK 92 / 0 / 75 / 5

HEX #13F13C

RGB 19 241 60

HSL 131.08, 0.89%, 0.51%

LAB 83.64, -79.7, 68.98

 

CMYK 63 / 0 / 94 / 34

HEX #3FA80A

RGB 63 168 10

HSL 99.87, 0.89%, 0.35%

LAB 60.86, -54.58, 60.64

 

CMYK 62 / 0 / 94 / 19

HEX #4ECF0C

RGB 78 207 12

HSL 99.69, 0.89%, 0.43%

LAB 73.72, -64.16, 71.16

 

CMYK 61 / 0 / 92 / 5

HEX #5EF113

RGB 94 241 19

HSL 99.73, 0.89%, 0.51%

LAB 84.66, -71.47, 79.5

 

CMYK 51 / 0 / 76 / 4

HEX #78F43A

RGB 120 244 58

HSL 100, 0.89%, 0.59%

LAB 86.5, -64.47, 73.05

 

CMYK 40 / 0 / 61 / 4

HEX #93F661

RGB 147 246 97

HSL 99.87, 0.89%, 0.67%

LAB 88.44, -54.36, 61.11

 

CMYK 61 / 0 / 93 / 5

HEX #5DF112

RGB 93 241 18

HSL 99.82, 0.89%, 0.51%

LAB 84.63, -71.72, 79.59

 

CMYK 92 / 0 / 14 / 5

HEX #13F1D0

RGB 19 241 208

HSL 171.08, 0.89%, 0.51%

LAB 85.81, -54.66, 2.55

 

CMYK 0 / 92 / 23 / 5

HEX #F113BA

RGB 241 19 186

HSL 314.86, 0.89%, 0.51%

LAB 54.77, 85.71, -30.66

 

CMYK 61 / 0 / 93 / 5

HEX #5DF112

RGB 93 241 18

HSL 99.82, 0.89%, 0.51%

LAB 84.63, -71.72, 79.59

 

CMYK 92 / 60 / 0 / 5

HEX #1361F1

RGB 19 97 241

HSL 218.92, 0.89%, 0.51%

LAB 45.69, 33.57, -77.83

 

CMYK 0 / 92 / 60 / 5

HEX #F11361

RGB 241 19 97

HSL 338.92, 0.89%, 0.51%

LAB 51.87, 77.94, 18.19

 

CMYK 61 / 0 / 93 / 5

HEX #5DF112

RGB 93 241 18

HSL 99.82, 0.89%, 0.51%

LAB 84.63, -71.72, 79.59

 

CMYK 92 / 0 / 14 / 5

HEX #13F1D0

RGB 19 241 208

HSL 171.08, 0.89%, 0.51%

LAB 85.81, -54.66, 2.55

 

CMYK 32 / 92 / 0 / 5

HEX #A313F1

RGB 163 19 241

HSL 278.92, 0.89%, 0.51%

LAB 45.09, 81.66, -78.39

 

CMYK 0 / 92 / 78 / 5

HEX #F11334

RGB 241 19 52

HSL 351.08, 0.89%, 0.51%

LAB 51.17, 75.98, 44

 

CMYK 61 / 0 / 93 / 5

HEX #5DF112

RGB 93 241 18

HSL 99.82, 0.89%, 0.51%

LAB 84.63, -71.72, 79.59

 

CMYK 92 / 14 / 0 / 5

HEX #13D0F1

RGB 19 208 241

HSL 188.92, 0.89%, 0.51%

LAB 77.04, -30.45, -28.07

 

CMYK 32 / 92 / 0 / 5

HEX #A313F1

RGB 163 19 241

HSL 278.92, 0.89%, 0.51%

LAB 45.09, 81.66, -78.39

 

CMYK 0 / 78 / 92 / 5

HEX #F13413

RGB 241 52 19

HSL 8.92, 0.89%, 0.51%

LAB 53.17, 68.96, 60.75

 

Description

Color code: HEX #5DF112 | qconv.com Color code: HEX #5DF112 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 241 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 241 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 93 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 93% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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