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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF050 it is the complementary color #A20FAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF050 shade: #62F04B, #73FF5E, #84FF71, #95FF84 and #A6FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF050 shade: #5DF050, #4CDE3D, #3BCC2A, #2ABA17 and #19A804

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF050 shade: #5EF051, #89F051, #B4F051, #DEF051 and #F0D751

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF050 shade: #5EF051, #51F06F, #51F09A, #51F0C5 and #51F0F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF050 shade matches the following richer shades: #5EF051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF050 shade: #5EF051, #6BE161, #78D170, #85C27F and #91B38E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF050 shade: #B3F051, #89F051, #5FF051, #51F06E and #51F099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF050 shade: #23DC13, #3BED2B, #5EF051, #81F377 and #A5F79D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF050 shade: #5DF050, #51DDF0 and #F0519E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF050 shade: #5DF050, #515FF0 and #F0515F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF050 shade: #5DF050, #51DDF0, #E351F0 and #F06451

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF050 shade: #5DF050, #51AEF0, #E351F0 and #F09351

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 67 / 6

HEX #5DF050

RGB 93 240 80

HSL 115.13, 0.84%, 0.63%

LAB 84.6, -68.14, 63.23

 

Complementary color

CMYK 7 / 91 / 0 / 31

HEX #A20FAF

RGB 162 15 175

HSL 295.13, 0.84%, 0.37%

LAB 39.78, 70.29, -48.84

 

CMYK 59 / 0 / 69 / 6

HEX #62F04B

RGB 98 240 75

HSL 111.64, 0.85%, 0.62%

LAB 84.7, -67.45, 65.28

 

CMYK 55 / 0 / 63 / 0

HEX #73FF5E

RGB 115 255 94

HSL 112.17, 1%, 0.68%

LAB 89.85, -66.97, 63.57

 

CMYK 48 / 0 / 56 / 0

HEX #84FF71

RGB 132 255 113

HSL 111.97, 1%, 0.72%

LAB 90.61, -60.63, 56.53

 

CMYK 42 / 0 / 48 / 0

HEX #95FF84

RGB 149 255 132

HSL 111.71, 1%, 0.76%

LAB 91.49, -53.56, 49.08

 

CMYK 35 / 0 / 41 / 0

HEX #A6FF97

RGB 166 255 151

HSL 111.35, 1%, 0.8%

LAB 92.51, -45.91, 41.42

 

CMYK 61 / 0 / 67 / 6

HEX #5DF050

RGB 93 240 80

HSL 115.13, 0.84%, 0.63%

LAB 84.6, -68.14, 63.23

 

CMYK 66 / 0 / 73 / 13

HEX #4CDE3D

RGB 76 222 61

HSL 114.41, 0.71%, 0.55%

LAB 78.53, -67.23, 63.79

 

CMYK 71 / 0 / 79 / 20

HEX #3BCC2A

RGB 59 204 42

HSL 113.7, 0.66%, 0.48%

LAB 72.42, -65.9, 63.79

 

CMYK 77 / 0 / 88 / 27

HEX #2ABA17

RGB 42 186 23

HSL 113.01, 0.78%, 0.41%

LAB 66.27, -63.96, 62.84

 

CMYK 85 / 0 / 98 / 34

HEX #19A804

RGB 25 168 4

HSL 112.32, 0.95%, 0.34%

LAB 60.09, -61.26, 60.53

 

CMYK 61 / 0 / 66 / 6

HEX #5EF051

RGB 94 240 81

HSL 115.09, 0.84%, 0.63%

LAB 84.63, -67.83, 62.89

 

CMYK 43 / 0 / 66 / 6

HEX #89F051

RGB 137 240 81

HSL 98.87, 0.84%, 0.63%

LAB 86.12, -56.46, 64.92

 

CMYK 25 / 0 / 66 / 6

HEX #B4F051

RGB 180 240 81

HSL 82.64, 0.84%, 0.63%

LAB 88.26, -41.88, 67.83

 

CMYK 8 / 0 / 66 / 6

HEX #DEF051

RGB 222 240 81

HSL 66.79, 0.84%, 0.63%

LAB 90.98, -25.71, 71.49

 

CMYK 0 / 10 / 66 / 6

HEX #F0D751

RGB 240 215 81

HSL 50.57, 0.84%, 0.63%

LAB 85.87, -6.1, 66.68

 

CMYK 61 / 0 / 66 / 6

HEX #5EF051

RGB 94 240 81

HSL 115.09, 0.84%, 0.63%

LAB 84.63, -67.83, 62.89

 

CMYK 66 / 0 / 54 / 6

HEX #51F06F

RGB 81 240 111

HSL 131.32, 0.84%, 0.63%

LAB 84.6, -67.13, 49.91

 

CMYK 66 / 0 / 36 / 6

HEX #51F09A

RGB 81 240 154

HSL 147.55, 0.84%, 0.63%

LAB 85.2, -60.32, 29.76

 

CMYK 66 / 0 / 18 / 6

HEX #51F0C5

RGB 81 240 197

HSL 163.77, 0.84%, 0.63%

LAB 86.06, -51.27, 8.76

 

CMYK 66 / 0 / 0 / 6

HEX #51F0F0

RGB 81 240 240

HSL 180, 0.84%, 0.63%

LAB 87.17, -40.33, -12.13

 

CMYK 61 / 0 / 66 / 6

HEX #5EF051

RGB 94 240 81

HSL 115.09, 0.84%, 0.63%

LAB 84.63, -67.83, 62.89

 

CMYK 61 / 0 / 66 / 6

HEX #5EF051

RGB 94 240 81

HSL 115.09, 0.84%, 0.63%

LAB 84.63, -67.83, 62.89

 

CMYK 52 / 0 / 57 / 12

HEX #6BE161

RGB 107 225 97

HSL 115.31, 0.68%, 0.63%

LAB 80.65, -57.71, 51.78

 

CMYK 43 / 0 / 46 / 18

HEX #78D170

RGB 120 209 112

HSL 115.05, 0.51%, 0.63%

LAB 76.54, -45.78, 39.81

 

CMYK 31 / 0 / 35 / 24

HEX #85C27F

RGB 133 194 127

HSL 114.63, 0.35%, 0.63%

LAB 72.96, -32.75, 27.64

 

CMYK 19 / 0 / 21 / 30

HEX #91B38E

RGB 145 179 142

HSL 115.14, 0.2%, 0.63%

LAB 69.62, -18.77, 15.16

 

CMYK 25 / 0 / 66 / 6

HEX #B3F051

RGB 179 240 81

HSL 83.02, 0.84%, 0.63%

LAB 88.21, -42.25, 67.75

 

CMYK 43 / 0 / 66 / 6

HEX #89F051

RGB 137 240 81

HSL 98.87, 0.84%, 0.63%

LAB 86.12, -56.46, 64.92

 

CMYK 60 / 0 / 66 / 6

HEX #5FF051

RGB 95 240 81

HSL 114.72, 0.84%, 0.63%

LAB 84.66, -67.61, 62.93

 

CMYK 66 / 0 / 54 / 6

HEX #51F06E

RGB 81 240 110

HSL 130.94, 0.84%, 0.63%

LAB 84.58, -67.26, 50.36

 

CMYK 66 / 0 / 36 / 6

HEX #51F099

RGB 81 240 153

HSL 147.17, 0.84%, 0.63%

LAB 85.18, -60.5, 30.24

 

CMYK 84 / 0 / 91 / 14

HEX #23DC13

RGB 35 220 19

HSL 115.22, 0.84%, 0.47%

LAB 77.04, -74.77, 72.7

 

CMYK 75 / 0 / 82 / 7

HEX #3BED2B

RGB 59 237 43

HSL 115.05, 0.84%, 0.55%

LAB 82.74, -75.88, 73.1

 

CMYK 61 / 0 / 66 / 6

HEX #5EF051

RGB 94 240 81

HSL 115.09, 0.84%, 0.63%

LAB 84.63, -67.83, 62.89

 

CMYK 47 / 0 / 51 / 5

HEX #81F377

RGB 129 243 119

HSL 115.16, 0.84%, 0.71%

LAB 87.05, -56.11, 49.52

 

CMYK 33 / 0 / 36 / 3

HEX #A5F79D

RGB 165 247 157

HSL 114.67, 0.85%, 0.79%

LAB 90.3, -41.88, 35.57

 

CMYK 61 / 0 / 67 / 6

HEX #5DF050

RGB 93 240 80

HSL 115.13, 0.84%, 0.63%

LAB 84.6, -68.14, 63.23

 

CMYK 66 / 8 / 0 / 6

HEX #51DDF0

RGB 81 221 240

HSL 187.17, 0.84%, 0.63%

LAB 81.7, -31.5, -20.35

 

CMYK 0 / 66 / 34 / 6

HEX #F0519E

RGB 240 81 158

HSL 330.94, 0.84%, 0.63%

LAB 58.86, 67.16, -8.14

 

CMYK 61 / 0 / 67 / 6

HEX #5DF050

RGB 93 240 80

HSL 115.13, 0.84%, 0.63%

LAB 84.6, -68.14, 63.23

 

CMYK 66 / 60 / 0 / 6

HEX #515FF0

RGB 81 95 240

HSL 234.72, 0.84%, 0.63%

LAB 47.27, 39.83, -74.6

 

CMYK 0 / 66 / 60 / 6

HEX #F0515F

RGB 240 81 95

HSL 354.72, 0.84%, 0.63%

LAB 57.3, 61.65, 26.56

 

CMYK 61 / 0 / 67 / 6

HEX #5DF050

RGB 93 240 80

HSL 115.13, 0.84%, 0.63%

LAB 84.6, -68.14, 63.23

 

CMYK 66 / 8 / 0 / 6

HEX #51DDF0

RGB 81 221 240

HSL 187.17, 0.84%, 0.63%

LAB 81.7, -31.5, -20.35

 

CMYK 5 / 66 / 0 / 6

HEX #E351F0

RGB 227 81 240

HSL 295.09, 0.84%, 0.63%

LAB 60.34, 75.5, -52.73

 

CMYK 0 / 58 / 66 / 6

HEX #F06451

RGB 240 100 81

HSL 7.17, 0.84%, 0.63%

LAB 60.1, 52.76, 38

 

CMYK 61 / 0 / 67 / 6

HEX #5DF050

RGB 93 240 80

HSL 115.13, 0.84%, 0.63%

LAB 84.6, -68.14, 63.23

 

CMYK 66 / 28 / 0 / 6

HEX #51AEF0

RGB 81 174 240

HSL 204.91, 0.84%, 0.63%

LAB 68.25, -7.32, -41.06

 

CMYK 5 / 66 / 0 / 6

HEX #E351F0

RGB 227 81 240

HSL 295.09, 0.84%, 0.63%

LAB 60.34, 75.5, -52.73

 

CMYK 0 / 39 / 66 / 6

HEX #F09351

RGB 240 147 81

HSL 24.91, 0.84%, 0.63%

LAB 69.46, 29.41, 48.91

 

Description

Color code: HEX #5DF050 | qconv.com Color code: HEX #5DF050 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 240 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 240 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 67 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 67% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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