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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DE53F it is the complementary color #A21AC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DE53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DE53F shade: #62E53A, #73F74D, #84FF60, #95FF73 and #A6FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DE53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DE53F shade: #5DE53F, #4CD32C, #3BC119, #2AAF06 and #199D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DE53F shade: #5CE53E, #89E53E, #B6E53E, #E3E53E and #E5B93E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DE53F shade: #5CE53E, #3EE54D, #3EE57A, #3EE5A7 and #3EE5D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DE53F shade matches the following richer shades: #5CE53E and #51F62C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DE53F shade: #5CE53E, #67D350, #73C161, #7EAF73 and #899E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DE53F shade: #B5E53E, #89E53E, #5DE53E, #3EE54C and #3EE578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DE53F shade: #36B719, #40DC1E, #5CE53E, #7BEA62 and #99EF87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DE53F shade: #5DE53F, #3EE2E5 and #E53E9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DE53F shade: #5DE53F, #3E5DE5 and #E53E5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DE53F shade: #5DE53F, #3EE2E5, #C63EE5 and #E5413E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DE53F shade: #5DE53F, #3EB0E5, #C63EE5 and #E5733E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 72 / 10

HEX #5DE53F

RGB 93 229 63

HSL 109.16, 0.76%, 0.57%

LAB 81.14, -65.76, 65.88

 

Complementary color

CMYK 16 / 86 / 0 / 25

HEX #A21AC0

RGB 162 26 192

HSL 289.16, 0.76%, 0.43%

LAB 41.57, 71.27, -55.98

 

CMYK 57 / 0 / 75 / 10

HEX #62E53A

RGB 98 229 58

HSL 105.96, 0.77%, 0.56%

LAB 81.26, -64.91, 67.72

 

CMYK 53 / 0 / 69 / 3

HEX #73F74D

RGB 115 247 77

HSL 106.59, 0.91%, 0.64%

LAB 87.34, -65.59, 67.46

 

CMYK 48 / 0 / 62 / 0

HEX #84FF60

RGB 132 255 96

HSL 106.42, 1%, 0.69%

LAB 90.45, -62.35, 63.59

 

CMYK 42 / 0 / 55 / 0

HEX #95FF73

RGB 149 255 115

HSL 105.43, 1%, 0.73%

LAB 91.3, -55.54, 56.63

 

CMYK 35 / 0 / 47 / 0

HEX #A6FF86

RGB 166 255 134

HSL 104.13, 1%, 0.76%

LAB 92.29, -48.11, 49.29

 

CMYK 59 / 0 / 72 / 10

HEX #5DE53F

RGB 93 229 63

HSL 109.16, 0.76%, 0.57%

LAB 81.14, -65.76, 65.88

 

CMYK 64 / 0 / 79 / 17

HEX #4CD32C

RGB 76 211 44

HSL 108.5, 0.65%, 0.5%

LAB 75.02, -64.74, 65.8

 

CMYK 69 / 0 / 87 / 24

HEX #3BC119

RGB 59 193 25

HSL 107.86, 0.77%, 0.43%

LAB 68.85, -63.24, 64.81

 

CMYK 76 / 0 / 97 / 31

HEX #2AAF06

RGB 42 175 6

HSL 107.22, 0.93%, 0.35%

LAB 62.65, -61.1, 62.45

 

CMYK 84 / 0 / 100 / 38

HEX #199D00

RGB 25 157 0

HSL 110.45, 1%, 0.31%

LAB 56.41, -58.12, 58.15

 

CMYK 60 / 0 / 73 / 10

HEX #5CE53E

RGB 92 229 62

HSL 109.22, 0.76%, 0.57%

LAB 81.11, -66.07, 66.18

 

CMYK 40 / 0 / 73 / 10

HEX #89E53E

RGB 137 229 62

HSL 93.05, 0.76%, 0.57%

LAB 82.76, -53.48, 68.37

 

CMYK 21 / 0 / 73 / 10

HEX #B6E53E

RGB 182 229 62

HSL 76.89, 0.76%, 0.57%

LAB 85.17, -37.39, 71.54

 

CMYK 1 / 0 / 73 / 10

HEX #E3E53E

RGB 227 229 62

HSL 60.72, 0.76%, 0.57%

LAB 88.31, -19.36, 75.64

 

CMYK 0 / 19 / 73 / 10

HEX #E5B93E

RGB 229 185 62

HSL 44.19, 0.76%, 0.57%

LAB 77.1, 3.75, 64.97

 

CMYK 60 / 0 / 73 / 10

HEX #5CE53E

RGB 92 229 62

HSL 109.22, 0.76%, 0.57%

LAB 81.11, -66.07, 66.18

 

CMYK 73 / 0 / 66 / 10

HEX #3EE54D

RGB 62 229 77

HSL 125.39, 0.76%, 0.57%

LAB 80.52, -70.57, 59.81

 

CMYK 73 / 0 / 47 / 10

HEX #3EE57A

RGB 62 229 122

HSL 141.56, 0.76%, 0.57%

LAB 81, -64.84, 40.16

 

CMYK 73 / 0 / 27 / 10

HEX #3EE5A7

RGB 62 229 167

HSL 157.72, 0.76%, 0.57%

LAB 81.76, -56.35, 18.3

 

CMYK 73 / 0 / 7 / 10

HEX #3EE5D4

RGB 62 229 212

HSL 173.89, 0.76%, 0.57%

LAB 82.82, -45.43, -3.88

 

CMYK 60 / 0 / 73 / 10

HEX #5CE53E

RGB 92 229 62

HSL 109.22, 0.76%, 0.57%

LAB 81.11, -66.07, 66.18

 

CMYK 67 / 0 / 82 / 4

HEX #51F62C

RGB 81 246 44

HSL 109.01, 0.92%, 0.57%

LAB 85.93, -74.91, 75.91

 

CMYK 60 / 0 / 73 / 10

HEX #5CE53E

RGB 92 229 62

HSL 109.22, 0.76%, 0.57%

LAB 81.11, -66.07, 66.18

 

CMYK 51 / 0 / 62 / 17

HEX #67D350

RGB 103 211 80

HSL 109.47, 0.6%, 0.57%

LAB 76.1, -55.29, 54.03

 

CMYK 40 / 0 / 50 / 24

HEX #73C161

RGB 115 193 97

HSL 108.75, 0.44%, 0.57%

LAB 71.32, -42.49, 40.68

 

CMYK 28 / 0 / 34 / 31

HEX #7EAF73

RGB 126 175 115

HSL 109, 0.27%, 0.57%

LAB 66.77, -27.98, 25.7

 

CMYK 13 / 0 / 16 / 38

HEX #899E85

RGB 137 158 133

HSL 110.4, 0.11%, 0.57%

LAB 62.9, -12.3, 10.61

 

CMYK 21 / 0 / 73 / 10

HEX #B5E53E

RGB 181 229 62

HSL 77.25, 0.76%, 0.57%

LAB 85.1, -37.77, 71.46

 

CMYK 40 / 0 / 73 / 10

HEX #89E53E

RGB 137 229 62

HSL 93.05, 0.76%, 0.57%

LAB 82.76, -53.48, 68.37

 

CMYK 59 / 0 / 73 / 10

HEX #5DE53E

RGB 93 229 62

HSL 108.86, 0.76%, 0.57%

LAB 81.13, -65.83, 66.22

 

CMYK 73 / 0 / 67 / 10

HEX #3EE54C

RGB 62 229 76

HSL 125.03, 0.76%, 0.57%

LAB 80.51, -70.66, 60.19

 

CMYK 73 / 0 / 48 / 10

HEX #3EE578

RGB 62 229 120

HSL 140.84, 0.76%, 0.57%

LAB 80.97, -65.16, 41.1

 

CMYK 70 / 0 / 86 / 28

HEX #36B719

RGB 54 183 25

HSL 108.99, 0.76%, 0.41%

LAB 65.53, -60.98, 61.85

 

CMYK 71 / 0 / 86 / 14

HEX #40DC1E

RGB 64 220 30

HSL 109.26, 0.76%, 0.49%

LAB 77.5, -70.56, 71.39

 

CMYK 60 / 0 / 73 / 10

HEX #5CE53E

RGB 92 229 62

HSL 109.22, 0.76%, 0.57%

LAB 81.11, -66.07, 66.18

 

CMYK 47 / 0 / 58 / 8

HEX #7BEA62

RGB 123 234 98

HSL 108.97, 0.76%, 0.65%

LAB 83.93, -56.69, 55.3

 

CMYK 36 / 0 / 44 / 6

HEX #99EF87

RGB 153 239 135

HSL 109.62, 0.76%, 0.73%

LAB 87.12, -45.28, 42.2

 

CMYK 59 / 0 / 72 / 10

HEX #5DE53F

RGB 93 229 63

HSL 109.16, 0.76%, 0.57%

LAB 81.14, -65.76, 65.88

 

CMYK 73 / 1 / 0 / 10

HEX #3EE2E5

RGB 62 226 229

HSL 181.08, 0.76%, 0.57%

LAB 82.42, -39.41, -13.48

 

CMYK 0 / 73 / 31 / 10

HEX #E53E9F

RGB 229 62 159

HSL 325.15, 0.76%, 0.57%

LAB 54.66, 71.02, -15.22

 

CMYK 59 / 0 / 72 / 10

HEX #5DE53F

RGB 93 229 63

HSL 109.16, 0.76%, 0.57%

LAB 81.14, -65.76, 65.88

 

CMYK 73 / 59 / 0 / 10

HEX #3E5DE5

RGB 62 93 229

HSL 228.86, 0.76%, 0.57%

LAB 44.96, 34.87, -72.22

 

CMYK 0 / 73 / 59 / 10

HEX #E53E5D

RGB 229 62 93

HSL 348.86, 0.76%, 0.57%

LAB 52.83, 65.11, 21.5

 

CMYK 59 / 0 / 72 / 10

HEX #5DE53F

RGB 93 229 63

HSL 109.16, 0.76%, 0.57%

LAB 81.14, -65.76, 65.88

 

CMYK 73 / 1 / 0 / 10

HEX #3EE2E5

RGB 62 226 229

HSL 181.08, 0.76%, 0.57%

LAB 82.42, -39.41, -13.48

 

CMYK 14 / 73 / 0 / 10

HEX #C63EE5

RGB 198 62 229

HSL 288.86, 0.76%, 0.57%

LAB 53.07, 74.33, -58.44

 

CMYK 0 / 72 / 73 / 10

HEX #E5413E

RGB 229 65 62

HSL 1.08, 0.76%, 0.57%

LAB 52.71, 62.45, 39.43

 

CMYK 59 / 0 / 72 / 10

HEX #5DE53F

RGB 93 229 63

HSL 109.16, 0.76%, 0.57%

LAB 81.14, -65.76, 65.88

 

CMYK 73 / 23 / 0 / 10

HEX #3EB0E5

RGB 62 176 229

HSL 199.04, 0.76%, 0.57%

LAB 67.82, -14.72, -35.76

 

CMYK 14 / 73 / 0 / 10

HEX #C63EE5

RGB 198 62 229

HSL 288.86, 0.76%, 0.57%

LAB 53.07, 74.33, -58.44

 

CMYK 0 / 50 / 73 / 10

HEX #E5733E

RGB 229 115 62

HSL 19.04, 0.76%, 0.57%

LAB 61.02, 40.57, 48.55

 

Description

Color code: HEX #5DE53F | qconv.com Color code: HEX #5DE53F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 229 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 229 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 72 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 72% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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