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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DD836 it is the complementary color #A227C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DD836. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DD836 shade: #62D831, #73EA44, #84FC57, #95FF6A and #A6FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DD836. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DD836 shade: #5DD836, #4CC623, #3BB410, #2AA200 and #199000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DD836 shade: #5DD936, #89D936, #B5D936, #D9D136 and #D9A536

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DD836 shade: #5DD936, #36D93A, #36D966, #36D992 and #36D9BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DD836 shade matches the following richer shades: #5DD936 and #53EC22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DD836 shade: #5DD936, #67C549, #71B25C, #7B9E70 and #858B83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DD836 shade: #B5D936, #8AD936, #5ED936, #36D938 and #36D964

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DD836 shade: #3D9E1E, #4AC025, #5DD936, #79DF58 and #95E67B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DD836 shade: #5DD836, #36D9D0 and #D936A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DD836 shade: #5DD836, #365ED9 and #D9365E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DD836 shade: #5DD836, #36D9D0, #B036D9 and #D9363E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DD836 shade: #5DD836, #36B0D9, #B036D9 and #D95E36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 75 / 15

HEX #5DD836

RGB 93 216 54

HSL 105.56, 0.68%, 0.53%

LAB 77.1, -61.88, 64.89

 

Complementary color

CMYK 19 / 81 / 0 / 21

HEX #A227C9

RGB 162 39 201

HSL 285.56, 0.68%, 0.47%

LAB 43.29, 69.73, -58.46

 

CMYK 55 / 0 / 77 / 15

HEX #62D831

RGB 98 216 49

HSL 102.4, 0.68%, 0.52%

LAB 77.24, -60.9, 66.66

 

CMYK 51 / 0 / 71 / 8

HEX #73EA44

RGB 115 234 68

HSL 103.01, 0.8%, 0.59%

LAB 83.39, -61.58, 66.64

 

CMYK 48 / 0 / 65 / 1

HEX #84FC57

RGB 132 252 87

HSL 103.64, 0.96%, 0.66%

LAB 89.49, -62.02, 66.13

 

CMYK 42 / 0 / 58 / 0

HEX #95FF6A

RGB 149 255 106

HSL 102.68, 1%, 0.71%

LAB 91.21, -56.47, 60.45

 

CMYK 35 / 0 / 51 / 0

HEX #A6FF7D

RGB 166 255 125

HSL 101.08, 1%, 0.75%

LAB 92.18, -49.16, 53.34

 

CMYK 57 / 0 / 75 / 15

HEX #5DD836

RGB 93 216 54

HSL 105.56, 0.68%, 0.53%

LAB 77.1, -61.88, 64.89

 

CMYK 62 / 0 / 82 / 22

HEX #4CC623

RGB 76 198 35

HSL 104.91, 0.7%, 0.46%

LAB 70.9, -60.86, 64.46

 

CMYK 67 / 0 / 91 / 29

HEX #3BB410

RGB 59 180 16

HSL 104.27, 0.84%, 0.38%

LAB 64.65, -59.35, 62.87

 

CMYK 74 / 0 / 100 / 36

HEX #2AA200

RGB 42 162 0

HSL 104.44, 1%, 0.32%

LAB 58.35, -57.21, 59.81

 

CMYK 83 / 0 / 100 / 44

HEX #199000

RGB 25 144 0

HSL 109.58, 1%, 0.28%

LAB 52.01, -54.2, 54.63

 

CMYK 57 / 0 / 75 / 15

HEX #5DD936

RGB 93 217 54

HSL 105.64, 0.68%, 0.53%

LAB 77.41, -62.23, 65.2

 

CMYK 37 / 0 / 75 / 15

HEX #89D936

RGB 137 217 54

HSL 89.45, 0.68%, 0.53%

LAB 79.16, -49.11, 67.5

 

CMYK 17 / 0 / 75 / 15

HEX #B5D936

RGB 181 217 54

HSL 73.25, 0.68%, 0.53%

LAB 81.68, -32.7, 70.78

 

CMYK 0 / 4 / 75 / 15

HEX #D9D136

RGB 217 209 54

HSL 57.06, 0.68%, 0.53%

LAB 82.17, -14.01, 72.2

 

CMYK 0 / 24 / 75 / 15

HEX #D9A536

RGB 217 165 54

HSL 40.86, 0.68%, 0.53%

LAB 70.82, 8.82, 61.52

 

CMYK 57 / 0 / 75 / 15

HEX #5DD936

RGB 93 217 54

HSL 105.64, 0.68%, 0.53%

LAB 77.41, -62.23, 65.2

 

CMYK 75 / 0 / 73 / 15

HEX #36D93A

RGB 54 217 58

HSL 121.47, 0.68%, 0.53%

LAB 76.51, -69.65, 62.64

 

CMYK 75 / 0 / 53 / 15

HEX #36D966

RGB 54 217 102

HSL 137.67, 0.68%, 0.53%

LAB 76.9, -64.87, 44.68

 

CMYK 75 / 0 / 33 / 15

HEX #36D992

RGB 54 217 146

HSL 153.87, 0.68%, 0.53%

LAB 77.57, -57.22, 23.46

 

CMYK 75 / 0 / 12 / 15

HEX #36D9BE

RGB 54 217 190

HSL 170.06, 0.68%, 0.53%

LAB 78.54, -46.97, 1.54

 

CMYK 57 / 0 / 75 / 15

HEX #5DD936

RGB 93 217 54

HSL 105.64, 0.68%, 0.53%

LAB 77.41, -62.23, 65.2

 

CMYK 65 / 0 / 86 / 7

HEX #53EC22

RGB 83 236 34

HSL 105.45, 0.84%, 0.53%

LAB 82.88, -71.81, 75.45

 

CMYK 57 / 0 / 75 / 15

HEX #5DD936

RGB 93 217 54

HSL 105.64, 0.68%, 0.53%

LAB 77.41, -62.23, 65.2

 

CMYK 48 / 0 / 63 / 23

HEX #67C549

RGB 103 197 73

HSL 105.48, 0.52%, 0.53%

LAB 71.76, -50.54, 52.19

 

CMYK 37 / 0 / 48 / 30

HEX #71B25C

RGB 113 178 92

HSL 105.35, 0.36%, 0.53%

LAB 66.61, -37.19, 37.35

 

CMYK 22 / 0 / 29 / 38

HEX #7B9E70

RGB 123 158 112

HSL 105.65, 0.19%, 0.53%

LAB 61.51, -21.08, 20.22

 

CMYK 4 / 0 / 6 / 45

HEX #858B83

RGB 133 139 131

HSL 105, 0.03%, 0.53%

LAB 57.16, -3.77, 3.51

 

CMYK 17 / 0 / 75 / 15

HEX #B5D936

RGB 181 217 54

HSL 73.25, 0.68%, 0.53%

LAB 81.68, -32.7, 70.78

 

CMYK 36 / 0 / 75 / 15

HEX #8AD936

RGB 138 217 54

HSL 89.08, 0.68%, 0.53%

LAB 79.21, -48.76, 67.56

 

CMYK 57 / 0 / 75 / 15

HEX #5ED936

RGB 94 217 54

HSL 105.28, 0.68%, 0.53%

LAB 77.44, -61.98, 65.24

 

CMYK 75 / 0 / 74 / 15

HEX #36D938

RGB 54 217 56

HSL 120.74, 0.68%, 0.53%

LAB 76.49, -69.8, 63.32

 

CMYK 75 / 0 / 54 / 15

HEX #36D964

RGB 54 217 100

HSL 136.93, 0.68%, 0.53%

LAB 76.88, -65.15, 45.59

 

CMYK 61 / 0 / 81 / 38

HEX #3D9E1E

RGB 61 158 30

HSL 105.47, 0.68%, 0.37%

LAB 57.6, -50.77, 53.41

 

CMYK 61 / 0 / 81 / 25

HEX #4AC025

RGB 74 192 37

HSL 105.68, 0.68%, 0.45%

LAB 68.96, -59.18, 62.11

 

CMYK 57 / 0 / 75 / 15

HEX #5DD936

RGB 93 217 54

HSL 105.64, 0.68%, 0.53%

LAB 77.41, -62.23, 65.2

 

CMYK 46 / 0 / 61 / 13

HEX #79DF58

RGB 121 223 88

HSL 105.33, 0.68%, 0.61%

LAB 80.49, -54.01, 55.7

 

CMYK 35 / 0 / 47 / 10

HEX #95E67B

RGB 149 230 123

HSL 105.42, 0.68%, 0.69%

LAB 84.18, -44.24, 44.28

 

CMYK 57 / 0 / 75 / 15

HEX #5DD836

RGB 93 216 54

HSL 105.56, 0.68%, 0.53%

LAB 77.1, -61.88, 64.89

 

CMYK 75 / 0 / 4 / 15

HEX #36D9D0

RGB 54 217 208

HSL 176.69, 0.68%, 0.53%

LAB 79.02, -42.14, -7.37

 

CMYK 0 / 75 / 26 / 15

HEX #D936A0

RGB 217 54 160

HSL 320.98, 0.68%, 0.53%

LAB 51.76, 70.65, -20.43

 

CMYK 57 / 0 / 75 / 15

HEX #5DD836

RGB 93 216 54

HSL 105.56, 0.68%, 0.53%

LAB 77.1, -61.88, 64.89

 

CMYK 75 / 57 / 0 / 15

HEX #365ED9

RGB 54 94 217

HSL 225.28, 0.68%, 0.53%

LAB 43.94, 29.01, -67.06

 

CMYK 0 / 75 / 57 / 15

HEX #D9365E

RGB 217 54 94

HSL 345.28, 0.68%, 0.53%

LAB 49.74, 64.33, 16.35

 

CMYK 57 / 0 / 75 / 15

HEX #5DD836

RGB 93 216 54

HSL 105.56, 0.68%, 0.53%

LAB 77.1, -61.88, 64.89

 

CMYK 75 / 0 / 4 / 15

HEX #36D9D0

RGB 54 217 208

HSL 176.69, 0.68%, 0.53%

LAB 79.02, -42.14, -7.37

 

CMYK 19 / 75 / 0 / 15

HEX #B036D9

RGB 176 54 217

HSL 284.91, 0.68%, 0.53%

LAB 48.11, 70.6, -59.78

 

CMYK 0 / 75 / 71 / 15

HEX #D9363E

RGB 217 54 62

HSL 357.06, 0.68%, 0.53%

LAB 49.18, 62.51, 34.78

 

CMYK 57 / 0 / 75 / 15

HEX #5DD836

RGB 93 216 54

HSL 105.56, 0.68%, 0.53%

LAB 77.1, -61.88, 64.89

 

CMYK 75 / 19 / 0 / 15

HEX #36B0D9

RGB 54 176 217

HSL 195.09, 0.68%, 0.53%

LAB 67.16, -19.65, -30.21

 

CMYK 19 / 75 / 0 / 15

HEX #B036D9

RGB 176 54 217

HSL 284.91, 0.68%, 0.53%

LAB 48.11, 70.6, -59.78

 

CMYK 0 / 57 / 75 / 15

HEX #D95E36

RGB 217 94 54

HSL 14.72, 0.68%, 0.53%

LAB 55.1, 45.98, 45.72

 

Description

Color code: HEX #5DD836 | qconv.com Color code: HEX #5DD836 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 216 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 216 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 75 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 75% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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