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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DD66A it is the complementary color #A22995. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DD66A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DD66A shade: #62D665, #73E878, #84FA8B, #95FF9E and #A6FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DD66A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DD66A shade: #5DD66A, #4CC457, #3BB244, #2AA031 and #198E1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DD66A shade: #5CD669, #70D65C, #91D65C, #B2D65C and #D3D65C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DD66A shade: #5CD669, #5CD68A, #5CD6AB, #5CD6CC and #5CBFD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DD66A shade matches the following richer shades: #5CD669, #4BE75C and #3BF74F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DD66A shade: #5CD669, #6CC676, #7DB583, #8DA590 and #9E949D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DD66A shade: #91D65C, #70D65C, #5CD668, #5CD689 and #5CD6A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DD66A shade: #2DB33B, #3BCE4B, #5CD669, #7DDE87 and #9EE7A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DD66A shade: #5DD66A, #5CB1D6 and #D65C81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DD66A shade: #5DD66A, #685CD6 and #D6685C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DD66A shade: #5DD66A, #5CB1D6, #D65CCA and #D6815C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DD66A shade: #5DD66A, #5C8DD6, #D65CCA and #D6A55C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 50 / 16

HEX #5DD66A

RGB 93 214 106

HSL 126.45, 0.6%, 0.6%

LAB 76.96, -55.9, 43.04

 

Complementary color

CMYK 0 / 75 / 8 / 36

HEX #A22995

RGB 162 41 149

HSL 306.45, 0.6%, 0.4%

LAB 40.31, 60.13, -32.37

 

CMYK 54 / 0 / 53 / 16

HEX #62D665

RGB 98 214 101

HSL 121.55, 0.59%, 0.61%

LAB 77.06, -55.35, 45.59

 

CMYK 50 / 0 / 48 / 9

HEX #73E878

RGB 115 232 120

HSL 122.56, 0.72%, 0.68%

LAB 83.29, -55.43, 44.31

 

CMYK 47 / 0 / 44 / 2

HEX #84FA8B

RGB 132 250 139

HSL 123.56, 0.92%, 0.75%

LAB 89.46, -55.39, 43.04

 

CMYK 42 / 0 / 38 / 0

HEX #95FF9E

RGB 149 255 158

HSL 125.09, 1%, 0.79%

LAB 91.85, -49.94, 36.98

 

CMYK 35 / 0 / 31 / 0

HEX #A6FFB1

RGB 166 255 177

HSL 127.42, 1%, 0.83%

LAB 92.93, -41.98, 29.06

 

CMYK 57 / 0 / 50 / 16

HEX #5DD66A

RGB 93 214 106

HSL 126.45, 0.6%, 0.6%

LAB 76.96, -55.9, 43.04

 

CMYK 61 / 0 / 56 / 23

HEX #4CC457

RGB 76 196 87

HSL 125.5, 0.5%, 0.53%

LAB 70.67, -55.61, 44.37

 

CMYK 67 / 0 / 62 / 30

HEX #3BB244

RGB 59 178 68

HSL 124.54, 0.5%, 0.46%

LAB 64.31, -55.02, 45.65

 

CMYK 74 / 0 / 69 / 37

HEX #2AA031

RGB 42 160 49

HSL 123.56, 0.58%, 0.4%

LAB 57.9, -53.97, 46.71

 

CMYK 82 / 0 / 79 / 44

HEX #198E1E

RGB 25 142 30

HSL 122.56, 0.7%, 0.33%

LAB 51.44, -52.22, 47.24

 

CMYK 57 / 0 / 51 / 16

HEX #5CD669

RGB 92 214 105

HSL 126.39, 0.6%, 0.6%

LAB 76.91, -56.28, 43.46

 

CMYK 48 / 0 / 57 / 16

HEX #70D65C

RGB 112 214 92

HSL 110.16, 0.6%, 0.6%

LAB 77.47, -52.66, 50.37

 

CMYK 32 / 0 / 57 / 16

HEX #91D65C

RGB 145 214 92

HSL 93.93, 0.6%, 0.6%

LAB 78.98, -42.15, 52.51

 

CMYK 17 / 0 / 57 / 16

HEX #B2D65C

RGB 178 214 92

HSL 77.7, 0.6%, 0.6%

LAB 80.92, -29.99, 55.25

 

CMYK 1 / 0 / 57 / 16

HEX #D3D65C

RGB 211 214 92

HSL 61.48, 0.6%, 0.6%

LAB 83.29, -16.85, 58.56

 

CMYK 57 / 0 / 51 / 16

HEX #5CD669

RGB 92 214 105

HSL 126.39, 0.6%, 0.6%

LAB 76.91, -56.28, 43.46

 

CMYK 57 / 0 / 36 / 16

HEX #5CD68A

RGB 92 214 138

HSL 142.62, 0.6%, 0.6%

LAB 77.4, -51.01, 27.54

 

CMYK 57 / 0 / 20 / 16

HEX #5CD6AB

RGB 92 214 171

HSL 158.85, 0.6%, 0.6%

LAB 78.06, -44.29, 11.09

 

CMYK 57 / 0 / 5 / 16

HEX #5CD6CC

RGB 92 214 204

HSL 175.08, 0.6%, 0.6%

LAB 78.88, -36.3, -5.34

 

CMYK 57 / 11 / 0 / 16

HEX #5CBFD6

RGB 92 191 214

HSL 191.31, 0.6%, 0.6%

LAB 72.49, -22.42, -20.32

 

CMYK 57 / 0 / 51 / 16

HEX #5CD669

RGB 92 214 105

HSL 126.39, 0.6%, 0.6%

LAB 76.91, -56.28, 43.46

 

CMYK 68 / 0 / 60 / 9

HEX #4BE75C

RGB 75 231 92

HSL 126.54, 0.76%, 0.6%

LAB 81.52, -67.49, 54.77

 

CMYK 76 / 0 / 68 / 3

HEX #3BF74F

RGB 59 247 79

HSL 126.38, 0.92%, 0.6%

LAB 86.01, -76.37, 64.91

 

CMYK 57 / 0 / 51 / 16

HEX #5CD669

RGB 92 214 105

HSL 126.39, 0.6%, 0.6%

LAB 76.91, -56.28, 43.46

 

CMYK 45 / 0 / 40 / 22

HEX #6CC676

RGB 108 198 118

HSL 126.67, 0.44%, 0.6%

LAB 72.82, -43.73, 31.92

 

CMYK 31 / 0 / 28 / 29

HEX #7DB583

RGB 125 181 131

HSL 126.43, 0.27%, 0.6%

LAB 68.78, -28.54, 19.79

 

CMYK 15 / 0 / 13 / 35

HEX #8DA590

RGB 141 165 144

HSL 127.5, 0.12%, 0.6%

LAB 65.43, -12.54, 8.1

 

CMYK 0 / 6 / 1 / 38

HEX #9E949D

RGB 158 148 157

HSL 306, 0.05%, 0.6%

LAB 62.41, 5.37, -3.41

 

CMYK 32 / 0 / 57 / 16

HEX #91D65C

RGB 145 214 92

HSL 93.93, 0.6%, 0.6%

LAB 78.98, -42.15, 52.51

 

CMYK 48 / 0 / 57 / 16

HEX #70D65C

RGB 112 214 92

HSL 110.16, 0.6%, 0.6%

LAB 77.47, -52.66, 50.37

 

CMYK 57 / 0 / 51 / 16

HEX #5CD668

RGB 92 214 104

HSL 125.9, 0.6%, 0.6%

LAB 76.9, -56.42, 43.93

 

CMYK 57 / 0 / 36 / 16

HEX #5CD689

RGB 92 214 137

HSL 142.13, 0.6%, 0.6%

LAB 77.39, -51.19, 28.04

 

CMYK 57 / 0 / 21 / 16

HEX #5CD6A9

RGB 92 214 169

HSL 157.87, 0.6%, 0.6%

LAB 78.01, -44.73, 12.09

 

CMYK 75 / 0 / 67 / 30

HEX #2DB33B

RGB 45 179 59

HSL 126.27, 0.6%, 0.44%

LAB 64.25, -58.83, 49.41

 

CMYK 71 / 0 / 64 / 19

HEX #3BCE4B

RGB 59 206 75

HSL 126.53, 0.6%, 0.52%

LAB 73.27, -63.82, 52.66

 

CMYK 57 / 0 / 51 / 16

HEX #5CD669

RGB 92 214 105

HSL 126.39, 0.6%, 0.6%

LAB 76.91, -56.28, 43.46

 

CMYK 44 / 0 / 39 / 13

HEX #7DDE87

RGB 125 222 135

HSL 126.19, 0.6%, 0.68%

LAB 80.93, -46.43, 33.97

 

CMYK 32 / 0 / 28 / 9

HEX #9EE7A6

RGB 158 231 166

HSL 126.58, 0.6%, 0.76%

LAB 85.59, -35.46, 24.62

 

CMYK 57 / 0 / 50 / 16

HEX #5DD66A

RGB 93 214 106

HSL 126.45, 0.6%, 0.6%

LAB 76.96, -55.9, 43.04

 

CMYK 57 / 17 / 0 / 16

HEX #5CB1D6

RGB 92 177 214

HSL 198.2, 0.6%, 0.6%

LAB 68.44, -15.15, -26.5

 

CMYK 0 / 57 / 40 / 16

HEX #D65C81

RGB 214 92 129

HSL 341.8, 0.6%, 0.6%

LAB 55.62, 51.45, 3.62

 

CMYK 57 / 0 / 50 / 16

HEX #5DD66A

RGB 93 214 106

HSL 126.45, 0.6%, 0.6%

LAB 76.96, -55.9, 43.04

 

CMYK 51 / 57 / 0 / 16

HEX #685CD6

RGB 104 92 214

HSL 245.9, 0.6%, 0.6%

LAB 46.25, 37.16, -61.47

 

CMYK 0 / 51 / 57 / 16

HEX #D6685C

RGB 214 104 92

HSL 5.9, 0.6%, 0.6%

LAB 57.05, 42.21, 27.16

 

CMYK 57 / 0 / 50 / 16

HEX #5DD66A

RGB 93 214 106

HSL 126.45, 0.6%, 0.6%

LAB 76.96, -55.9, 43.04

 

CMYK 57 / 17 / 0 / 16

HEX #5CB1D6

RGB 92 177 214

HSL 198.2, 0.6%, 0.6%

LAB 68.44, -15.15, -26.5

 

CMYK 0 / 57 / 6 / 16

HEX #D65CCA

RGB 214 92 202

HSL 305.9, 0.6%, 0.6%

LAB 58.24, 61.5, -34.79

 

CMYK 0 / 40 / 57 / 16

HEX #D6815C

RGB 214 129 92

HSL 18.2, 0.6%, 0.6%

LAB 62.31, 29.21, 33.87

 

CMYK 57 / 0 / 50 / 16

HEX #5DD66A

RGB 93 214 106

HSL 126.45, 0.6%, 0.6%

LAB 76.96, -55.9, 43.04

 

CMYK 57 / 34 / 0 / 16

HEX #5C8DD6

RGB 92 141 214

HSL 215.9, 0.6%, 0.6%

LAB 58.21, 5.03, -42.42

 

CMYK 0 / 57 / 6 / 16

HEX #D65CCA

RGB 214 92 202

HSL 305.9, 0.6%, 0.6%

LAB 58.24, 61.5, -34.79

 

CMYK 0 / 23 / 57 / 16

HEX #D6A55C

RGB 214 165 92

HSL 35.9, 0.6%, 0.6%

LAB 70.86, 9.81, 44.31

 

Description

Color code: HEX #5DD66A | qconv.com Color code: HEX #5DD66A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 214 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 214 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 50 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 50% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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