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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DCC6B it is the complementary color #A23394. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DCC6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DCC6B shade: #62CC66, #73DE79, #84F08C, #95FF9F and #A6FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DCC6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DCC6B shade: #5DCC6B, #4CBA58, #3BA845, #2A9632 and #19841F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DCC6B shade: #5CCC6A, #6CCC5C, #8ACC5C, #A8CC5C and #C6CC5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DCC6B shade: #5CCC6A, #5CCC88, #5CCCA6, #5CCCC4 and #5CB5CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DCC6B shade matches the following richer shades: #5CCC6A, #4BDD5D and #3AEE50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DCC6B shade: #5CCC6A, #6EBA77, #7FA984, #909891 and #A2869E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DCC6B shade: #8BCC5C, #6DCC5C, #5CCC69, #5CCC87 and #5CCCA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DCC6B shade: #33A241, #3DC14E, #5CCC6A, #7CD587 and #9BDFA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DCC6B shade: #5DCC6B, #5CA8CC and #CC5C7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DCC6B shade: #5DCC6B, #695CCC and #CC695C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DCC6B shade: #5DCC6B, #5CA8CC, #CC5CBF and #CC7F5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DCC6B shade: #5DCC6B, #5C87CC, #CC5CBF and #CCA15C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 48 / 20

HEX #5DCC6B

RGB 93 204 107

HSL 127.57, 0.52%, 0.58%

LAB 73.92, -51.89, 38.78

 

Complementary color

CMYK 0 / 69 / 9 / 36

HEX #A23394

RGB 162 51 148

HSL 307.57, 0.52%, 0.42%

LAB 41.51, 56.42, -29.87

 

CMYK 52 / 0 / 50 / 20

HEX #62CC66

RGB 98 204 102

HSL 122.26, 0.51%, 0.59%

LAB 74.02, -51.32, 41.41

 

CMYK 48 / 0 / 45 / 13

HEX #73DE79

RGB 115 222 121

HSL 123.36, 0.62%, 0.66%

LAB 80.33, -51.31, 40.11

 

CMYK 45 / 0 / 42 / 6

HEX #84F08C

RGB 132 240 140

HSL 124.44, 0.78%, 0.73%

LAB 86.56, -51.21, 38.85

 

CMYK 42 / 0 / 38 / 0

HEX #95FF9F

RGB 149 255 159

HSL 125.66, 1%, 0.79%

LAB 91.87, -49.79, 36.51

 

CMYK 35 / 0 / 30 / 0

HEX #A6FFB2

RGB 166 255 178

HSL 128.09, 1%, 0.83%

LAB 92.94, -41.81, 28.58

 

CMYK 54 / 0 / 48 / 20

HEX #5DCC6B

RGB 93 204 107

HSL 127.57, 0.52%, 0.58%

LAB 73.92, -51.89, 38.78

 

CMYK 59 / 0 / 53 / 27

HEX #4CBA58

RGB 76 186 88

HSL 126.55, 0.44%, 0.51%

LAB 67.55, -51.72, 40.14

 

CMYK 65 / 0 / 59 / 34

HEX #3BA845

RGB 59 168 69

HSL 125.5, 0.48%, 0.45%

LAB 61.1, -51.29, 41.49

 

CMYK 72 / 0 / 67 / 41

HEX #2A9632

RGB 42 150 50

HSL 124.44, 0.56%, 0.38%

LAB 54.59, -50.43, 42.7

 

CMYK 81 / 0 / 77 / 48

HEX #19841F

RGB 25 132 31

HSL 123.36, 0.68%, 0.31%

LAB 48.02, -48.89, 43.49

 

CMYK 55 / 0 / 48 / 20

HEX #5CCC6A

RGB 92 204 106

HSL 127.5, 0.52%, 0.58%

LAB 73.87, -52.29, 39.2

 

CMYK 47 / 0 / 55 / 20

HEX #6CCC5C

RGB 108 204 92

HSL 111.43, 0.52%, 0.58%

LAB 74.28, -49.82, 46.59

 

CMYK 32 / 0 / 55 / 20

HEX #8ACC5C

RGB 138 204 92

HSL 95.36, 0.52%, 0.58%

LAB 75.68, -40.2, 48.58

 

CMYK 18 / 0 / 55 / 20

HEX #A8CC5C

RGB 168 204 92

HSL 79.29, 0.52%, 0.58%

LAB 77.45, -29.13, 51.1

 

CMYK 3 / 0 / 55 / 20

HEX #C6CC5C

RGB 198 204 92

HSL 63.21, 0.52%, 0.58%

LAB 79.59, -17.18, 54.12

 

CMYK 55 / 0 / 48 / 20

HEX #5CCC6A

RGB 92 204 106

HSL 127.5, 0.52%, 0.58%

LAB 73.87, -52.29, 39.2

 

CMYK 55 / 0 / 33 / 20

HEX #5CCC88

RGB 92 204 136

HSL 143.57, 0.52%, 0.58%

LAB 74.34, -47.28, 24.47

 

CMYK 55 / 0 / 19 / 20

HEX #5CCCA6

RGB 92 204 166

HSL 159.64, 0.52%, 0.58%

LAB 74.96, -41.04, 9.36

 

CMYK 55 / 0 / 4 / 20

HEX #5CCCC4

RGB 92 204 196

HSL 175.71, 0.52%, 0.58%

LAB 75.73, -33.72, -5.7

 

CMYK 55 / 11 / 0 / 20

HEX #5CB5CC

RGB 92 181 204

HSL 192.32, 0.52%, 0.58%

LAB 69.24, -20.18, -19.78

 

CMYK 55 / 0 / 48 / 20

HEX #5CCC6A

RGB 92 204 106

HSL 127.5, 0.52%, 0.58%

LAB 73.87, -52.29, 39.2

 

CMYK 66 / 0 / 58 / 13

HEX #4BDD5D

RGB 75 221 93

HSL 127.4, 0.68%, 0.58%

LAB 78.46, -63.97, 50.79

 

CMYK 76 / 0 / 66 / 7

HEX #3AEE50

RGB 58 238 80

HSL 127.33, 0.84%, 0.58%

LAB 83.25, -73.66, 61.56

 

CMYK 55 / 0 / 48 / 20

HEX #5CCC6A

RGB 92 204 106

HSL 127.5, 0.52%, 0.58%

LAB 73.87, -52.29, 39.2

 

CMYK 41 / 0 / 36 / 27

HEX #6EBA77

RGB 110 186 119

HSL 127.11, 0.36%, 0.58%

LAB 69.3, -37.71, 26.78

 

CMYK 25 / 0 / 22 / 34

HEX #7FA984

RGB 127 169 132

HSL 127.14, 0.2%, 0.58%

LAB 65.4, -21.75, 14.58

 

CMYK 5 / 0 / 5 / 40

HEX #909891

RGB 144 152 145

HSL 127.5, 0.04%, 0.58%

LAB 62.02, -4.25, 2.68

 

CMYK 0 / 17 / 2 / 36

HEX #A2869E

RGB 162 134 158

HSL 308.57, 0.13%, 0.58%

LAB 59.16, 14.94, -8.76

 

CMYK 32 / 0 / 55 / 20

HEX #8BCC5C

RGB 139 204 92

HSL 94.82, 0.52%, 0.58%

LAB 75.73, -39.85, 48.66

 

CMYK 47 / 0 / 55 / 20

HEX #6DCC5C

RGB 109 204 92

HSL 110.89, 0.52%, 0.58%

LAB 74.32, -49.53, 46.65

 

CMYK 55 / 0 / 49 / 20

HEX #5CCC69

RGB 92 204 105

HSL 126.96, 0.52%, 0.58%

LAB 73.86, -52.43, 39.68

 

CMYK 55 / 0 / 34 / 20

HEX #5CCC87

RGB 92 204 135

HSL 143.04, 0.52%, 0.58%

LAB 74.32, -47.47, 24.97

 

CMYK 55 / 0 / 19 / 20

HEX #5CCCA5

RGB 92 204 165

HSL 159.11, 0.52%, 0.58%

LAB 74.94, -41.27, 9.86

 

CMYK 69 / 0 / 60 / 36

HEX #33A241

RGB 51 162 65

HSL 127.57, 0.52%, 0.42%

LAB 58.91, -51.24, 40.77

 

CMYK 68 / 0 / 60 / 24

HEX #3DC14E

RGB 61 193 78

HSL 127.73, 0.52%, 0.5%

LAB 69.24, -58.72, 46.78

 

CMYK 55 / 0 / 48 / 20

HEX #5CCC6A

RGB 92 204 106

HSL 127.5, 0.52%, 0.58%

LAB 73.87, -52.29, 39.2

 

CMYK 42 / 0 / 37 / 16

HEX #7CD587

RGB 124 213 135

HSL 127.42, 0.51%, 0.66%

LAB 78.24, -42.85, 30.42

 

CMYK 30 / 0 / 26 / 13

HEX #9BDFA4

RGB 155 223 164

HSL 127.94, 0.52%, 0.74%

LAB 83.14, -33.04, 22.27

 

CMYK 54 / 0 / 48 / 20

HEX #5DCC6B

RGB 93 204 107

HSL 127.57, 0.52%, 0.58%

LAB 73.92, -51.89, 38.78

 

CMYK 55 / 18 / 0 / 20

HEX #5CA8CC

RGB 92 168 204

HSL 199.29, 0.52%, 0.58%

LAB 65.47, -13.33, -25.55

 

CMYK 0 / 55 / 39 / 20

HEX #CC5C7C

RGB 204 92 124

HSL 342.86, 0.52%, 0.58%

LAB 53.97, 47.56, 4

 

CMYK 54 / 0 / 48 / 20

HEX #5DCC6B

RGB 93 204 107

HSL 127.57, 0.52%, 0.58%

LAB 73.92, -51.89, 38.78

 

CMYK 49 / 55 / 0 / 20

HEX #695CCC

RGB 105 92 204

HSL 246.96, 0.52%, 0.58%

LAB 45.66, 34.34, -56.69

 

CMYK 0 / 49 / 55 / 20

HEX #CC695C

RGB 204 105 92

HSL 6.96, 0.52%, 0.58%

LAB 55.8, 37.94, 25.26

 

CMYK 54 / 0 / 48 / 20

HEX #5DCC6B

RGB 93 204 107

HSL 127.57, 0.52%, 0.58%

LAB 73.92, -51.89, 38.78

 

CMYK 55 / 18 / 0 / 20

HEX #5CA8CC

RGB 92 168 204

HSL 199.29, 0.52%, 0.58%

LAB 65.47, -13.33, -25.55

 

CMYK 0 / 55 / 6 / 20

HEX #CC5CBF

RGB 204 92 191

HSL 306.96, 0.52%, 0.58%

LAB 56.34, 56.96, -31.57

 

CMYK 0 / 38 / 55 / 20

HEX #CC7F5C

RGB 204 127 92

HSL 18.75, 0.52%, 0.58%

LAB 60.59, 26.25, 31.43

 

CMYK 54 / 0 / 48 / 20

HEX #5DCC6B

RGB 93 204 107

HSL 127.57, 0.52%, 0.58%

LAB 73.92, -51.89, 38.78

 

CMYK 55 / 34 / 0 / 20

HEX #5C87CC

RGB 92 135 204

HSL 216.96, 0.52%, 0.58%

LAB 56.05, 5.36, -40.19

 

CMYK 0 / 55 / 6 / 20

HEX #CC5CBF

RGB 204 92 191

HSL 306.96, 0.52%, 0.58%

LAB 56.34, 56.96, -31.57

 

CMYK 0 / 21 / 55 / 20

HEX #CCA15C

RGB 204 161 92

HSL 36.96, 0.52%, 0.58%

LAB 68.82, 7.75, 41.63

 

Description

Color code: HEX #5DCC6B | qconv.com Color code: HEX #5DCC6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 204 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 204 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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