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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DCC3E it is the complementary color #A233C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DCC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DCC3E shade: #62CC39, #73DE4C, #84F05F, #95FF72 and #A6FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DCC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DCC3E shade: #5DCC3E, #4CBA2B, #3BA818, #2A9605 and #198400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DCC3E shade: #5DCC3E, #83CC3E, #A9CC3E, #CCC83E and #CCA13E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DCC3E shade: #5DCC3E, #3ECC45, #3ECC6B, #3ECC91 and #3ECCB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DCC3E shade matches the following richer shades: #5DCC3E, #51DF2A and #46F316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DCC3E shade: #5DCC3E, #68B851, #73A465, #7E9079 and #897C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DCC3E shade: #AACC3E, #85CC3E, #5FCC3E, #3ECC42 and #3ECC68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DCC3E shade: #3D9026, #4BB12F, #5DCC3E, #78D45E and #93DD7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DCC3E shade: #5DCC3E, #3ECCC7 and #CC3E98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DCC3E shade: #5DCC3E, #3E5FCC and #CC3E5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DCC3E shade: #5DCC3E, #3ECCC7, #AA3ECC and #CC3E42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DCC3E shade: #5DCC3E, #3EA6CC, #AA3ECC and #CC633E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

Complementary color

CMYK 16 / 74 / 0 / 24

HEX #A233C1

RGB 162 51 193

HSL 286.9, 0.58%, 0.48%

LAB 44.09, 64.36, -52.51

 

CMYK 52 / 0 / 72 / 20

HEX #62CC39

RGB 98 204 57

HSL 103.27, 0.59%, 0.51%

LAB 73.6, -56.02, 60.43

 

CMYK 48 / 0 / 66 / 13

HEX #73DE4C

RGB 115 222 76

HSL 103.97, 0.69%, 0.58%

LAB 79.85, -56.48, 59.92

 

CMYK 45 / 0 / 60 / 6

HEX #84F05F

RGB 132 240 95

HSL 104.69, 0.83%, 0.66%

LAB 86.03, -56.73, 59.08

 

CMYK 42 / 0 / 55 / 0

HEX #95FF72

RGB 149 255 114

HSL 105.11, 1%, 0.72%

LAB 91.29, -55.65, 57.06

 

CMYK 35 / 0 / 48 / 0

HEX #A6FF85

RGB 166 255 133

HSL 103.77, 1%, 0.76%

LAB 92.27, -48.23, 49.74

 

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

CMYK 59 / 0 / 77 / 27

HEX #4CBA2B

RGB 76 186 43

HSL 106.15, 0.62%, 0.45%

LAB 67.15, -56.24, 58.6

 

CMYK 65 / 0 / 86 / 34

HEX #3BA818

RGB 59 168 24

HSL 105.42, 0.75%, 0.38%

LAB 60.78, -55.05, 57.92

 

CMYK 72 / 0 / 97 / 41

HEX #2A9605

RGB 42 150 5

HSL 104.69, 0.94%, 0.3%

LAB 54.36, -53.22, 55.81

 

CMYK 81 / 0 / 100 / 48

HEX #198400

RGB 25 132 0

HSL 108.64, 1%, 0.26%

LAB 47.89, -50.47, 51.34

 

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

CMYK 36 / 0 / 70 / 20

HEX #83CC3E

RGB 131 204 62

HSL 90.85, 0.58%, 0.52%

LAB 75.05, -45.27, 60.53

 

CMYK 17 / 0 / 70 / 20

HEX #A9CC3E

RGB 169 204 62

HSL 74.79, 0.58%, 0.52%

LAB 77.26, -31, 63.48

 

CMYK 0 / 2 / 70 / 20

HEX #CCC83E

RGB 204 200 62

HSL 58.31, 0.58%, 0.52%

LAB 78.75, -14.63, 65.82

 

CMYK 0 / 21 / 70 / 20

HEX #CCA13E

RGB 204 161 62

HSL 41.83, 0.58%, 0.52%

LAB 68.52, 5.71, 55.5

 

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

CMYK 70 / 0 / 66 / 20

HEX #3ECC45

RGB 62 204 69

HSL 122.96, 0.58%, 0.52%

LAB 72.65, -63.26, 54.5

 

CMYK 70 / 0 / 48 / 20

HEX #3ECC6B

RGB 62 204 107

HSL 139.01, 0.58%, 0.52%

LAB 73.07, -58.38, 37.53

 

CMYK 70 / 0 / 29 / 20

HEX #3ECC91

RGB 62 204 145

HSL 155.07, 0.58%, 0.52%

LAB 73.71, -51.28, 18.72

 

CMYK 70 / 0 / 10 / 20

HEX #3ECCB8

RGB 62 204 184

HSL 171.55, 0.58%, 0.52%

LAB 74.62, -41.92, -0.94

 

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

CMYK 64 / 0 / 81 / 13

HEX #51DF2A

RGB 81 223 42

HSL 107.07, 0.74%, 0.52%

LAB 78.86, -67.71, 69.97

 

CMYK 71 / 0 / 91 / 5

HEX #46F316

RGB 70 243 22

HSL 106.97, 0.9%, 0.52%

LAB 84.72, -76.71, 78.94

 

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

CMYK 43 / 0 / 56 / 28

HEX #68B851

RGB 104 184 81

HSL 106.6, 0.42%, 0.52%

LAB 67.89, -44.09, 44.17

 

CMYK 30 / 0 / 38 / 36

HEX #73A465

RGB 115 164 101

HSL 106.67, 0.26%, 0.52%

LAB 62.62, -28.69, 27.6

 

CMYK 13 / 0 / 16 / 44

HEX #7E9079

RGB 126 144 121

HSL 106.96, 0.09%, 0.52%

LAB 57.81, -11.02, 10.08

 

CMYK 3 / 12 / 0 / 45

HEX #897C8D

RGB 137 124 141

HSL 285.88, 0.07%, 0.52%

LAB 53.66, 8.27, -7.38

 

CMYK 17 / 0 / 70 / 20

HEX #AACC3E

RGB 170 204 62

HSL 74.37, 0.58%, 0.52%

LAB 77.33, -30.61, 63.57

 

CMYK 35 / 0 / 70 / 20

HEX #85CC3E

RGB 133 204 62

HSL 90, 0.58%, 0.52%

LAB 75.15, -44.57, 60.66

 

CMYK 53 / 0 / 70 / 20

HEX #5FCC3E

RGB 95 204 62

HSL 106.06, 0.58%, 0.52%

LAB 73.52, -56.46, 58.47

 

CMYK 70 / 0 / 68 / 20

HEX #3ECC42

RGB 62 204 66

HSL 121.69, 0.58%, 0.52%

LAB 72.63, -63.54, 55.69

 

CMYK 70 / 0 / 49 / 20

HEX #3ECC68

RGB 62 204 104

HSL 137.75, 0.58%, 0.52%

LAB 73.03, -58.85, 38.97

 

CMYK 58 / 0 / 74 / 44

HEX #3D9026

RGB 61 144 38

HSL 106.98, 0.58%, 0.36%

LAB 53.04, -45.02, 46.2

 

CMYK 58 / 0 / 73 / 31

HEX #4BB12F

RGB 75 177 47

HSL 107.08, 0.58%, 0.44%

LAB 64.28, -52.97, 54.37

 

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

CMYK 43 / 0 / 56 / 17

HEX #78D45E

RGB 120 212 94

HSL 106.78, 0.58%, 0.6%

LAB 77.21, -49.27, 49.25

 

CMYK 33 / 0 / 43 / 13

HEX #93DD7F

RGB 147 221 127

HSL 107.23, 0.58%, 0.68%

LAB 81.54, -40.43, 38.97

 

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

CMYK 70 / 0 / 2 / 20

HEX #3ECCC7

RGB 62 204 199

HSL 177.89, 0.58%, 0.52%

LAB 75.03, -37.84, -8.44

 

CMYK 0 / 70 / 25 / 20

HEX #CC3E98

RGB 204 62 152

HSL 321.97, 0.58%, 0.52%

LAB 50.16, 63.73, -18.33

 

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

CMYK 70 / 53 / 0 / 20

HEX #3E5FCC

RGB 62 95 204

HSL 226.06, 0.58%, 0.52%

LAB 43.61, 24.66, -60.14

 

CMYK 0 / 70 / 53 / 20

HEX #CC3E5F

RGB 204 62 95

HSL 346.06, 0.58%, 0.52%

LAB 48.4, 57.83, 13.52

 

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

CMYK 70 / 0 / 2 / 20

HEX #3ECCC7

RGB 62 204 199

HSL 177.89, 0.58%, 0.52%

LAB 75.03, -37.84, -8.44

 

CMYK 17 / 70 / 0 / 20

HEX #AA3ECC

RGB 170 62 204

HSL 285.63, 0.58%, 0.52%

LAB 47.43, 63.96, -53.45

 

CMYK 0 / 70 / 68 / 20

HEX #CC3E42

RGB 204 62 66

HSL 358.31, 0.58%, 0.52%

LAB 47.85, 55.92, 30.28

 

CMYK 54 / 0 / 70 / 20

HEX #5DCC3E

RGB 93 204 62

HSL 106.9, 0.58%, 0.52%

LAB 73.46, -56.99, 58.38

 

CMYK 70 / 19 / 0 / 20

HEX #3EA6CC

RGB 62 166 204

HSL 196.06, 0.58%, 0.52%

LAB 63.88, -17.58, -28.07

 

CMYK 17 / 70 / 0 / 20

HEX #AA3ECC

RGB 170 62 204

HSL 285.63, 0.58%, 0.52%

LAB 47.43, 63.96, -53.45

 

CMYK 0 / 51 / 70 / 20

HEX #CC633E

RGB 204 99 62

HSL 15.63, 0.58%, 0.52%

LAB 54.14, 38.97, 39.94

 

Description

Color code: HEX #5DCC3E | qconv.com Color code: HEX #5DCC3E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 204 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 204 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 70% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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