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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DC73B it is the complementary color #A238C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DC73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DC73B shade: #62C736, #73D949, #84EB5C, #95FD6F and #A6FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DC73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DC73B shade: #5DC73B, #4CB528, #3BA315, #2A9102 and #197F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DC73B shade: #5EC83C, #84C83C, #AAC83C, #C8C13C and #C89B3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DC73B shade: #5EC83C, #3CC840, #3CC866, #3CC88B and #3CC8B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DC73B shade matches the following richer shades: #5EC83C, #54DC28 and #49F014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DC73B shade: #5EC83C, #68B450, #73A065, #7D8B79 and #88778D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DC73B shade: #AAC83C, #84C83C, #5FC83C, #3CC83E and #3CC864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DC73B shade: #3F8B27, #4EAB30, #5EC83C, #79D15C and #93DA7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DC73B shade: #5DC73B, #3CC8C1 and #C83C97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DC73B shade: #5DC73B, #3C5FC8 and #C83C5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DC73B shade: #5DC73B, #3CC8C1, #A53CC8 and #C83C43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DC73B shade: #5DC73B, #3CA5C8, #A53CC8 and #C85F3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 70 / 22

HEX #5DC73B

RGB 93 199 59

HSL 105.43, 0.56%, 0.51%

LAB 71.89, -55.38, 57.89

 

Complementary color

CMYK 17 / 71 / 0 / 23

HEX #A238C4

RGB 162 56 196

HSL 285.43, 0.56%, 0.49%

LAB 44.93, 63.08, -52.89

 

CMYK 51 / 0 / 73 / 22

HEX #62C736

RGB 98 199 54

HSL 101.79, 0.57%, 0.5%

LAB 72.03, -54.36, 59.92

 

CMYK 47 / 0 / 66 / 15

HEX #73D949

RGB 115 217 73

HSL 102.5, 0.65%, 0.57%

LAB 78.32, -54.81, 59.47

 

CMYK 44 / 0 / 61 / 8

HEX #84EB5C

RGB 132 235 92

HSL 103.22, 0.78%, 0.64%

LAB 84.53, -55.06, 58.66

 

CMYK 41 / 0 / 56 / 1

HEX #95FD6F

RGB 149 253 111

HSL 103.94, 0.97%, 0.71%

LAB 90.68, -55.17, 57.67

 

CMYK 35 / 0 / 49 / 0

HEX #A6FF82

RGB 166 255 130

HSL 102.72, 1%, 0.75%

LAB 92.24, -48.59, 51.1

 

CMYK 53 / 0 / 70 / 22

HEX #5DC73B

RGB 93 199 59

HSL 105.43, 0.56%, 0.51%

LAB 71.89, -55.38, 57.89

 

CMYK 58 / 0 / 78 / 29

HEX #4CB528

RGB 76 181 40

HSL 104.68, 0.64%, 0.43%

LAB 65.54, -54.65, 58.01

 

CMYK 64 / 0 / 87 / 36

HEX #3BA315

RGB 59 163 21

HSL 103.94, 0.77%, 0.36%

LAB 59.14, -53.46, 57.16

 

CMYK 71 / 0 / 99 / 43

HEX #2A9102

RGB 42 145 2

HSL 103.22, 0.97%, 0.29%

LAB 52.67, -51.67, 54.94

 

CMYK 80 / 0 / 100 / 50

HEX #197F00

RGB 25 127 0

HSL 108.19, 1%, 0.25%

LAB 46.16, -48.89, 49.96

 

CMYK 53 / 0 / 70 / 22

HEX #5EC83C

RGB 94 200 60

HSL 105.43, 0.56%, 0.51%

LAB 72.24, -55.4, 57.88

 

CMYK 34 / 0 / 70 / 22

HEX #84C83C

RGB 132 200 60

HSL 89.14, 0.56%, 0.51%

LAB 73.89, -43.36, 60.11

 

CMYK 15 / 0 / 70 / 22

HEX #AAC83C

RGB 170 200 60

HSL 72.86, 0.56%, 0.51%

LAB 76.18, -28.83, 63.16

 

CMYK 0 / 4 / 70 / 22

HEX #C8C13C

RGB 200 193 60

HSL 57, 0.56%, 0.51%

LAB 76.52, -12.89, 64.26

 

CMYK 0 / 23 / 70 / 22

HEX #C89B3C

RGB 200 155 60

HSL 40.71, 0.56%, 0.51%

LAB 66.56, 7.1, 54.21

 

CMYK 53 / 0 / 70 / 22

HEX #5EC83C

RGB 94 200 60

HSL 105.43, 0.56%, 0.51%

LAB 72.24, -55.4, 57.88

 

CMYK 70 / 0 / 68 / 22

HEX #3CC840

RGB 60 200 64

HSL 121.71, 0.56%, 0.51%

LAB 71.31, -62.77, 55.06

 

CMYK 70 / 0 / 49 / 22

HEX #3CC866

RGB 60 200 102

HSL 138, 0.56%, 0.51%

LAB 71.71, -58.06, 38.3

 

CMYK 70 / 0 / 31 / 22

HEX #3CC88B

RGB 60 200 139

HSL 153.86, 0.56%, 0.51%

LAB 72.32, -51.27, 19.98

 

CMYK 70 / 0 / 12 / 22

HEX #3CC8B1

RGB 60 200 177

HSL 170.14, 0.56%, 0.51%

LAB 73.18, -42.27, 0.75

 

CMYK 53 / 0 / 70 / 22

HEX #5EC83C

RGB 94 200 60

HSL 105.43, 0.56%, 0.51%

LAB 72.24, -55.4, 57.88

 

CMYK 62 / 0 / 82 / 14

HEX #54DC28

RGB 84 220 40

HSL 105.33, 0.72%, 0.51%

LAB 78.01, -66.17, 69.73

 

CMYK 70 / 0 / 92 / 6

HEX #49F014

RGB 73 240 20

HSL 105.55, 0.88%, 0.51%

LAB 83.85, -75.35, 78.51

 

CMYK 53 / 0 / 70 / 22

HEX #5EC83C

RGB 94 200 60

HSL 105.43, 0.56%, 0.51%

LAB 72.24, -55.4, 57.88

 

CMYK 42 / 0 / 56 / 29

HEX #68B450

RGB 104 180 80

HSL 105.6, 0.4%, 0.51%

LAB 66.65, -42.51, 43.18

 

CMYK 28 / 0 / 37 / 37

HEX #73A065

RGB 115 160 101

HSL 105.76, 0.24%, 0.51%

LAB 61.42, -26.75, 26.01

 

CMYK 10 / 0 / 13 / 45

HEX #7D8B79

RGB 125 139 121

HSL 106.67, 0.07%, 0.51%

LAB 56.29, -8.66, 7.92

 

CMYK 4 / 16 / 0 / 45

HEX #88778D

RGB 136 119 141

HSL 286.36, 0.09%, 0.51%

LAB 52.23, 10.82, -9.53

 

CMYK 15 / 0 / 70 / 22

HEX #AAC83C

RGB 170 200 60

HSL 72.86, 0.56%, 0.51%

LAB 76.18, -28.83, 63.16

 

CMYK 34 / 0 / 70 / 22

HEX #84C83C

RGB 132 200 60

HSL 89.14, 0.56%, 0.51%

LAB 73.89, -43.36, 60.11

 

CMYK 53 / 0 / 70 / 22

HEX #5FC83C

RGB 95 200 60

HSL 105, 0.56%, 0.51%

LAB 72.27, -55.13, 57.93

 

CMYK 70 / 0 / 69 / 22

HEX #3CC83E

RGB 60 200 62

HSL 120.86, 0.56%, 0.51%

LAB 71.29, -62.95, 55.83

 

CMYK 70 / 0 / 50 / 22

HEX #3CC864

RGB 60 200 100

HSL 137.14, 0.56%, 0.51%

LAB 71.68, -58.37, 39.25

 

CMYK 55 / 0 / 72 / 45

HEX #3F8B27

RGB 63 139 39

HSL 105.6, 0.56%, 0.35%

LAB 51.46, -42.42, 44.21

 

CMYK 54 / 0 / 72 / 33

HEX #4EAB30

RGB 78 171 48

HSL 105.37, 0.56%, 0.43%

LAB 62.47, -49.85, 52.2

 

CMYK 53 / 0 / 70 / 22

HEX #5EC83C

RGB 94 200 60

HSL 105.43, 0.56%, 0.51%

LAB 72.24, -55.4, 57.88

 

CMYK 42 / 0 / 56 / 18

HEX #79D15C

RGB 121 209 92

HSL 105.13, 0.56%, 0.59%

LAB 76.34, -47.95, 49.15

 

CMYK 33 / 0 / 43 / 15

HEX #93DA7C

RGB 147 218 124

HSL 105.32, 0.56%, 0.67%

LAB 80.63, -39.5, 39.3

 

CMYK 53 / 0 / 70 / 22

HEX #5DC73B

RGB 93 199 59

HSL 105.43, 0.56%, 0.51%

LAB 71.89, -55.38, 57.89

 

CMYK 70 / 0 / 4 / 22

HEX #3CC8C1

RGB 60 200 193

HSL 177, 0.56%, 0.51%

LAB 73.62, -37.95, -7.29

 

CMYK 0 / 70 / 25 / 22

HEX #C83C97

RGB 200 60 151

HSL 321, 0.56%, 0.51%

LAB 49.19, 63.28, -19.28

 

CMYK 53 / 0 / 70 / 22

HEX #5DC73B

RGB 93 199 59

HSL 105.43, 0.56%, 0.51%

LAB 71.89, -55.38, 57.89

 

CMYK 70 / 53 / 0 / 22

HEX #3C5FC8

RGB 60 95 200

HSL 225, 0.56%, 0.51%

LAB 43.23, 22.93, -58.45

 

CMYK 0 / 70 / 53 / 22

HEX #C83C5F

RGB 200 60 95

HSL 345, 0.56%, 0.51%

LAB 47.41, 57.37, 12.05

 

CMYK 53 / 0 / 70 / 22

HEX #5DC73B

RGB 93 199 59

HSL 105.43, 0.56%, 0.51%

LAB 71.89, -55.38, 57.89

 

CMYK 70 / 0 / 4 / 22

HEX #3CC8C1

RGB 60 200 193

HSL 177, 0.56%, 0.51%

LAB 73.62, -37.95, -7.29

 

CMYK 18 / 70 / 0 / 22

HEX #A53CC8

RGB 165 60 200

HSL 285, 0.56%, 0.51%

LAB 46.18, 62.92, -53.19

 

CMYK 0 / 70 / 67 / 22

HEX #C83C43

RGB 200 60 67

HSL 357, 0.56%, 0.51%

LAB 46.86, 55.46, 28.31

 

CMYK 53 / 0 / 70 / 22

HEX #5DC73B

RGB 93 199 59

HSL 105.43, 0.56%, 0.51%

LAB 71.89, -55.38, 57.89

 

CMYK 70 / 18 / 0 / 22

HEX #3CA5C8

RGB 60 165 200

HSL 195, 0.56%, 0.51%

LAB 63.38, -18.64, -26.63

 

CMYK 18 / 70 / 0 / 22

HEX #A53CC8

RGB 165 60 200

HSL 285, 0.56%, 0.51%

LAB 46.18, 62.92, -53.19

 

CMYK 0 / 53 / 70 / 22

HEX #C85F3C

RGB 200 95 60

HSL 15, 0.56%, 0.51%

LAB 52.72, 39.35, 39.23

 

Description

Color code: HEX #5DC73B | qconv.com Color code: HEX #5DC73B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 199 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 199 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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