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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DC53D it is the complementary color #A23AC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DC53D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DC53D shade: #62C538, #73D74B, #84E95E, #95FB71 and #A6FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DC53D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DC53D shade: #5DC53D, #4CB32A, #3BA117, #2A8F04 and #197D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DC53D shade: #5EC63F, #83C63F, #A7C63F, #C6C03F and #C69B3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DC53D shade: #5EC63F, #3FC643, #3FC668, #3FC68C and #3FC6B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DC53D shade matches the following richer shades: #5EC63F, #54DA2A and #49EE16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DC53D shade: #5EC63F, #69B153, #749D67, #7E897B and #89758F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DC53D shade: #A8C63F, #84C63F, #60C63F, #3FC641 and #3FC665

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DC53D shade: #3F8929, #4EA932, #5EC63F, #79CF5E and #93D97E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DC53D shade: #5DC53D, #3FC6BF and #C63F96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DC53D shade: #5DC53D, #3F60C6 and #C63F60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DC53D shade: #5DC53D, #3FC6BF, #A43FC6 and #C63F45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DC53D shade: #5DC53D, #3FA4C6, #A43FC6 and #C6603F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 69 / 23

HEX #5DC53D

RGB 93 197 61

HSL 105.88, 0.54%, 0.51%

LAB 71.28, -54.48, 56.49

 

Complementary color

CMYK 16 / 70 / 0 / 24

HEX #A23AC2

RGB 162 58 194

HSL 285.88, 0.54%, 0.49%

LAB 45.08, 61.9, -51.49

 

CMYK 50 / 0 / 72 / 23

HEX #62C538

RGB 98 197 56

HSL 102.13, 0.56%, 0.5%

LAB 71.43, -53.46, 58.59

 

CMYK 47 / 0 / 65 / 16

HEX #73D74B

RGB 115 215 75

HSL 102.86, 0.64%, 0.57%

LAB 77.73, -53.86, 58.04

 

CMYK 43 / 0 / 60 / 9

HEX #84E95E

RGB 132 233 94

HSL 103.6, 0.76%, 0.64%

LAB 83.96, -54.08, 57.17

 

CMYK 41 / 0 / 55 / 2

HEX #95FB71

RGB 149 251 113

HSL 104.35, 0.95%, 0.71%

LAB 90.13, -54.16, 56.13

 

CMYK 35 / 0 / 48 / 0

HEX #A6FF84

RGB 166 255 132

HSL 103.41, 1%, 0.76%

LAB 92.26, -48.35, 50.19

 

CMYK 53 / 0 / 69 / 23

HEX #5DC53D

RGB 93 197 61

HSL 105.88, 0.54%, 0.51%

LAB 71.28, -54.48, 56.49

 

CMYK 58 / 0 / 77 / 30

HEX #4CB32A

RGB 76 179 42

HSL 105.11, 0.62%, 0.43%

LAB 64.92, -53.8, 56.76

 

CMYK 63 / 0 / 86 / 37

HEX #3BA117

RGB 59 161 23

HSL 104.35, 0.75%, 0.36%

LAB 58.49, -52.68, 56.12

 

CMYK 71 / 0 / 97 / 44

HEX #2A8F04

RGB 42 143 4

HSL 103.6, 0.95%, 0.29%

LAB 52, -50.94, 54.05

 

CMYK 80 / 0 / 100 / 51

HEX #197D00

RGB 25 125 0

HSL 108, 1%, 0.25%

LAB 45.46, -48.25, 49.4

 

CMYK 53 / 0 / 68 / 22

HEX #5EC63F

RGB 94 198 63

HSL 106.22, 0.54%, 0.51%

LAB 71.64, -54.41, 56.1

 

CMYK 34 / 0 / 68 / 22

HEX #83C63F

RGB 131 198 63

HSL 89.78, 0.54%, 0.51%

LAB 73.27, -42.64, 58.3

 

CMYK 16 / 0 / 68 / 22

HEX #A7C63F

RGB 167 198 63

HSL 73.78, 0.54%, 0.51%

LAB 75.43, -28.91, 61.21

 

CMYK 0 / 3 / 68 / 22

HEX #C6C03F

RGB 198 192 63

HSL 57.33, 0.54%, 0.51%

LAB 76.11, -13.08, 62.66

 

CMYK 0 / 22 / 68 / 22

HEX #C69B3F

RGB 198 155 63

HSL 40.89, 0.54%, 0.51%

LAB 66.37, 6.4, 52.63

 

CMYK 53 / 0 / 68 / 22

HEX #5EC63F

RGB 94 198 63

HSL 106.22, 0.54%, 0.51%

LAB 71.64, -54.41, 56.1

 

CMYK 68 / 0 / 66 / 22

HEX #3FC643

RGB 63 198 67

HSL 121.78, 0.54%, 0.51%

LAB 70.77, -61.26, 53.28

 

CMYK 68 / 0 / 47 / 22

HEX #3FC668

RGB 63 198 104

HSL 138.22, 0.54%, 0.51%

LAB 71.18, -56.5, 36.64

 

CMYK 68 / 0 / 29 / 22

HEX #3FC68C

RGB 63 198 140

HSL 154.22, 0.54%, 0.51%

LAB 71.78, -49.79, 18.72

 

CMYK 68 / 0 / 11 / 22

HEX #3FC6B0

RGB 63 198 176

HSL 170.22, 0.54%, 0.51%

LAB 72.61, -41.22, 0.47

 

CMYK 53 / 0 / 68 / 22

HEX #5EC63F

RGB 94 198 63

HSL 106.22, 0.54%, 0.51%

LAB 71.64, -54.41, 56.1

 

CMYK 61 / 0 / 81 / 15

HEX #54DA2A

RGB 84 218 42

HSL 105.68, 0.7%, 0.51%

LAB 77.4, -65.41, 68.65

 

CMYK 69 / 0 / 91 / 7

HEX #49EE16

RGB 73 238 22

HSL 105.83, 0.86%, 0.51%

LAB 83.24, -74.7, 77.73

 

CMYK 53 / 0 / 68 / 22

HEX #5EC63F

RGB 94 198 63

HSL 106.22, 0.54%, 0.51%

LAB 71.64, -54.41, 56.1

 

CMYK 41 / 0 / 53 / 31

HEX #69B153

RGB 105 177 83

HSL 105.96, 0.38%, 0.51%

LAB 65.8, -40.54, 40.74

 

CMYK 26 / 0 / 34 / 38

HEX #749D67

RGB 116 157 103

HSL 105.56, 0.22%, 0.51%

LAB 60.61, -24.59, 23.87

 

CMYK 8 / 0 / 10 / 46

HEX #7E897B

RGB 126 137 123

HSL 107.14, 0.06%, 0.51%

LAB 55.84, -6.8, 6.14

 

CMYK 4 / 18 / 0 / 44

HEX #89758F

RGB 137 117 143

HSL 286.15, 0.1%, 0.51%

LAB 51.86, 12.77, -11.24

 

CMYK 15 / 0 / 68 / 22

HEX #A8C63F

RGB 168 198 63

HSL 73.33, 0.54%, 0.51%

LAB 75.5, -28.51, 61.3

 

CMYK 33 / 0 / 68 / 22

HEX #84C63F

RGB 132 198 63

HSL 89.33, 0.54%, 0.51%

LAB 73.32, -42.28, 58.37

 

CMYK 52 / 0 / 68 / 22

HEX #60C63F

RGB 96 198 63

HSL 105.33, 0.54%, 0.51%

LAB 71.71, -53.85, 56.2

 

CMYK 68 / 0 / 67 / 22

HEX #3FC641

RGB 63 198 65

HSL 120.89, 0.54%, 0.51%

LAB 70.75, -61.46, 54.08

 

CMYK 68 / 0 / 49 / 22

HEX #3FC665

RGB 63 198 101

HSL 136.89, 0.54%, 0.51%

LAB 71.14, -56.97, 38.09

 

CMYK 54 / 0 / 70 / 46

HEX #3F8929

RGB 63 137 41

HSL 106.25, 0.54%, 0.35%

LAB 50.81, -41.44, 42.7

 

CMYK 54 / 0 / 70 / 34

HEX #4EA932

RGB 78 169 50

HSL 105.88, 0.54%, 0.43%

LAB 61.85, -48.93, 50.78

 

CMYK 53 / 0 / 68 / 22

HEX #5EC63F

RGB 94 198 63

HSL 106.22, 0.54%, 0.51%

LAB 71.64, -54.41, 56.1

 

CMYK 42 / 0 / 55 / 19

HEX #79CF5E

RGB 121 207 94

HSL 105.66, 0.54%, 0.59%

LAB 75.76, -46.89, 47.54

 

CMYK 32 / 0 / 42 / 15

HEX #93D97E

RGB 147 217 126

HSL 106.15, 0.54%, 0.67%

LAB 80.37, -38.78, 37.97

 

CMYK 53 / 0 / 69 / 23

HEX #5DC53D

RGB 93 197 61

HSL 105.88, 0.54%, 0.51%

LAB 71.28, -54.48, 56.49

 

CMYK 68 / 0 / 4 / 22

HEX #3FC6BF

RGB 63 198 191

HSL 176.89, 0.54%, 0.51%

LAB 73.03, -37.18, -7.08

 

CMYK 0 / 68 / 24 / 22

HEX #C63F96

RGB 198 63 150

HSL 321.33, 0.54%, 0.51%

LAB 49.21, 61.51, -18.68

 

CMYK 53 / 0 / 69 / 23

HEX #5DC53D

RGB 93 197 61

HSL 105.88, 0.54%, 0.51%

LAB 71.28, -54.48, 56.49

 

CMYK 68 / 52 / 0 / 22

HEX #3F60C6

RGB 63 96 198

HSL 225.33, 0.54%, 0.51%

LAB 43.51, 22.01, -56.84

 

CMYK 0 / 68 / 52 / 22

HEX #C63F60

RGB 198 63 96

HSL 345.33, 0.54%, 0.51%

LAB 47.5, 55.69, 11.51

 

CMYK 53 / 0 / 69 / 23

HEX #5DC53D

RGB 93 197 61

HSL 105.88, 0.54%, 0.51%

LAB 71.28, -54.48, 56.49

 

CMYK 68 / 0 / 4 / 22

HEX #3FC6BF

RGB 63 198 191

HSL 176.89, 0.54%, 0.51%

LAB 73.03, -37.18, -7.08

 

CMYK 17 / 68 / 0 / 22

HEX #A43FC6

RGB 164 63 198

HSL 284.89, 0.54%, 0.51%

LAB 46.34, 61.09, -51.78

 

CMYK 0 / 68 / 65 / 22

HEX #C63F45

RGB 198 63 69

HSL 357.33, 0.54%, 0.51%

LAB 46.96, 53.77, 27.16

 

CMYK 53 / 0 / 69 / 23

HEX #5DC53D

RGB 93 197 61

HSL 105.88, 0.54%, 0.51%

LAB 71.28, -54.48, 56.49

 

CMYK 68 / 17 / 0 / 22

HEX #3FA4C6

RGB 63 164 198

HSL 195.11, 0.54%, 0.51%

LAB 63.08, -18.31, -25.96

 

CMYK 17 / 68 / 0 / 22

HEX #A43FC6

RGB 164 63 198

HSL 284.89, 0.54%, 0.51%

LAB 46.34, 61.09, -51.78

 

CMYK 0 / 52 / 68 / 22

HEX #C6603F

RGB 198 96 63

HSL 14.67, 0.54%, 0.51%

LAB 52.65, 38.23, 37.46

 

Description

Color code: HEX #5DC53D | qconv.com Color code: HEX #5DC53D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 197 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 197 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 69 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 69% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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