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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DC517 it is the complementary color #A23AE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DC517. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DC517 shade: #62C512, #73D725, #84E938, #95FB4B and #A6FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DC517. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DC517 shade: #5DC517, #4CB304, #3BA100, #2A8F00 and #197D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DC517 shade: #5DC417, #8BC417, #BAC417, #C4A017 and #C47117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DC517 shade: #5DC417, #2EC417, #17C42F, #17C45D and #17C48C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DC517 shade matches the following richer shades: #5DC417 and #59D605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DC517 shade: #5DC417, #60B329, #64A13B, #678F4C and #6B7D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DC517 shade: #BCC417, #8DC417, #5FC417, #31C417 and #17C42B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DC517 shade: #3A7A0E, #4B9F13, #5DC417, #6FE520 and #87E945

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DC517 shade: #5DC517, #17C49F and #C417A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DC517 shade: #5DC517, #175FC4 and #C4175F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DC517 shade: #5DC517, #17C49F, #7C17C4 and #C4173D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DC517 shade: #5DC517, #17B6C4, #7C17C4 and #C42517

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 88 / 23

HEX #5DC517

RGB 93 197 23

HSL 95.86, 0.79%, 0.43%

LAB 71.09, -56.6, 67.52

 

Complementary color

CMYK 30 / 75 / 0 / 9

HEX #A23AE8

RGB 162 58 232

HSL 275.86, 0.79%, 0.57%

LAB 47.67, 69.67, -69.11

 

CMYK 50 / 0 / 91 / 23

HEX #62C512

RGB 98 197 18

HSL 93.18, 0.83%, 0.42%

LAB 71.26, -55.3, 68.59

 

CMYK 47 / 0 / 83 / 16

HEX #73D725

RGB 115 215 37

HSL 93.71, 0.71%, 0.49%

LAB 77.51, -56.29, 70.42

 

CMYK 43 / 0 / 76 / 9

HEX #84E938

RGB 132 233 56

HSL 94.24, 0.8%, 0.57%

LAB 83.69, -56.98, 71.13

 

CMYK 41 / 0 / 70 / 2

HEX #95FB4B

RGB 149 251 75

HSL 94.77, 0.96%, 0.64%

LAB 89.81, -57.46, 71.13

 

CMYK 35 / 0 / 63 / 0

HEX #A6FF5E

RGB 166 255 94

HSL 93.17, 1%, 0.68%

LAB 91.88, -52.15, 66.38

 

CMYK 53 / 0 / 88 / 23

HEX #5DC517

RGB 93 197 23

HSL 95.86, 0.79%, 0.43%

LAB 71.09, -56.6, 67.52

 

CMYK 58 / 0 / 98 / 30

HEX #4CB304

RGB 76 179 4

HSL 95.31, 0.96%, 0.36%

LAB 64.79, -55.26, 64.79

 

CMYK 63 / 0 / 100 / 37

HEX #3BA100

RGB 59 161 0

HSL 98.01, 1%, 0.32%

LAB 58.43, -53.37, 60.05

 

CMYK 71 / 0 / 100 / 44

HEX #2A8F00

RGB 42 143 0

HSL 102.38, 1%, 0.28%

LAB 51.99, -51.06, 54.75

 

CMYK 80 / 0 / 100 / 51

HEX #197D00

RGB 25 125 0

HSL 108, 1%, 0.25%

LAB 45.46, -48.25, 49.4

 

CMYK 53 / 0 / 88 / 23

HEX #5DC417

RGB 93 196 23

HSL 95.72, 0.79%, 0.43%

LAB 70.78, -56.24, 67.25

 

CMYK 29 / 0 / 88 / 23

HEX #8BC417

RGB 139 196 23

HSL 79.77, 0.79%, 0.43%

LAB 72.91, -40.77, 69.91

 

CMYK 5 / 0 / 88 / 23

HEX #BAC417

RGB 186 196 23

HSL 63.47, 0.79%, 0.43%

LAB 76.06, -21.66, 73.78

 

CMYK 0 / 18 / 88 / 23

HEX #C4A017

RGB 196 160 23

HSL 47.51, 0.79%, 0.43%

LAB 67.23, 1.29, 67.1

 

CMYK 0 / 42 / 88 / 23

HEX #C47117

RGB 196 113 23

HSL 31.21, 0.79%, 0.43%

LAB 55.69, 26.91, 57.97

 

CMYK 53 / 0 / 88 / 23

HEX #5DC417

RGB 93 196 23

HSL 95.72, 0.79%, 0.43%

LAB 70.78, -56.24, 67.25

 

CMYK 77 / 0 / 88 / 23

HEX #2EC417

RGB 46 196 23

HSL 112.02, 0.79%, 0.43%

LAB 69.56, -66.41, 65.72

 

CMYK 88 / 0 / 76 / 23

HEX #17C42F

RGB 23 196 47

HSL 128.32, 0.79%, 0.43%

LAB 69.37, -67.62, 59.12

 

CMYK 88 / 0 / 53 / 23

HEX #17C45D

RGB 23 196 93

HSL 144.28, 0.79%, 0.43%

LAB 69.79, -62.47, 40.22

 

CMYK 88 / 0 / 29 / 23

HEX #17C48C

RGB 23 196 140

HSL 160.58, 0.79%, 0.43%

LAB 70.56, -53.5, 16.94

 

CMYK 53 / 0 / 88 / 23

HEX #5DC417

RGB 93 196 23

HSL 95.72, 0.79%, 0.43%

LAB 70.78, -56.24, 67.25

 

CMYK 58 / 0 / 98 / 16

HEX #59D605

RGB 89 214 5

HSL 95.89, 0.95%, 0.43%

LAB 76.21, -63.99, 74

 

CMYK 53 / 0 / 88 / 23

HEX #5DC417

RGB 93 196 23

HSL 95.72, 0.79%, 0.43%

LAB 70.78, -56.24, 67.25

 

CMYK 46 / 0 / 77 / 30

HEX #60B329

RGB 96 179 41

HSL 96.09, 0.63%, 0.43%

LAB 65.66, -48.07, 58.06

 

CMYK 38 / 0 / 63 / 37

HEX #64A13B

RGB 100 161 59

HSL 95.88, 0.46%, 0.43%

LAB 60.35, -37.83, 45.66

 

CMYK 28 / 0 / 47 / 44

HEX #678F4C

RGB 103 143 76

HSL 95.82, 0.31%, 0.43%

LAB 55.12, -26.41, 31.19

 

CMYK 14 / 0 / 25 / 51

HEX #6B7D5E

RGB 107 125 94

HSL 94.84, 0.14%, 0.43%

LAB 50.22, -12.73, 14.77

 

CMYK 4 / 0 / 88 / 23

HEX #BCC417

RGB 188 196 23

HSL 62.77, 0.79%, 0.43%

LAB 76.21, -20.8, 73.96

 

CMYK 28 / 0 / 88 / 23

HEX #8DC417

RGB 141 196 23

HSL 79.08, 0.79%, 0.43%

LAB 73.03, -40.01, 70.05

 

CMYK 52 / 0 / 88 / 23

HEX #5FC417

RGB 95 196 23

HSL 95.03, 0.79%, 0.43%

LAB 70.85, -55.67, 67.35

 

CMYK 75 / 0 / 88 / 23

HEX #31C417

RGB 49 196 23

HSL 110.98, 0.79%, 0.43%

LAB 69.61, -65.96, 65.78

 

CMYK 88 / 0 / 78 / 23

HEX #17C42B

RGB 23 196 43

HSL 126.94, 0.79%, 0.43%

LAB 69.35, -67.9, 60.39

 

CMYK 52 / 0 / 89 / 52

HEX #3A7A0E

RGB 58 122 14

HSL 95.56, 0.79%, 0.27%

LAB 45.43, -38.72, 46.75

 

CMYK 53 / 0 / 88 / 38

HEX #4B9F13

RGB 75 159 19

HSL 96, 0.79%, 0.35%

LAB 58.36, -47.82, 57.12

 

CMYK 53 / 0 / 88 / 23

HEX #5DC417

RGB 93 196 23

HSL 95.72, 0.79%, 0.43%

LAB 70.78, -56.24, 67.25

 

CMYK 52 / 0 / 86 / 10

HEX #6FE520

RGB 111 229 32

HSL 95.94, 0.79%, 0.51%

LAB 81.58, -62.77, 75.03

 

CMYK 42 / 0 / 70 / 9

HEX #87E945

RGB 135 233 69

HSL 95.85, 0.79%, 0.59%

LAB 83.89, -55.24, 67.05

 

CMYK 53 / 0 / 88 / 23

HEX #5DC517

RGB 93 197 23

HSL 95.86, 0.79%, 0.43%

LAB 71.09, -56.6, 67.52

 

CMYK 88 / 0 / 19 / 23

HEX #17C49F

RGB 23 196 159

HSL 167.17, 0.79%, 0.43%

LAB 70.98, -48.9, 7.27

 

CMYK 0 / 88 / 16 / 23

HEX #C417A5

RGB 196 23 165

HSL 310.75, 0.79%, 0.43%

LAB 45.72, 73.86, -33.06

 

CMYK 53 / 0 / 88 / 23

HEX #5DC517

RGB 93 197 23

HSL 95.86, 0.79%, 0.43%

LAB 71.09, -56.6, 67.52

 

CMYK 88 / 52 / 0 / 23

HEX #175FC4

RGB 23 95 196

HSL 215.03, 0.79%, 0.43%

LAB 41.77, 17.6, -58.56

 

CMYK 0 / 88 / 52 / 23

HEX #C4175F

RGB 196 23 95

HSL 335.03, 0.79%, 0.43%

LAB 43.03, 66.52, 5.76

 

CMYK 53 / 0 / 88 / 23

HEX #5DC517

RGB 93 197 23

HSL 95.86, 0.79%, 0.43%

LAB 71.09, -56.6, 67.52

 

CMYK 88 / 0 / 19 / 23

HEX #17C49F

RGB 23 196 159

HSL 167.17, 0.79%, 0.43%

LAB 70.98, -48.9, 7.27

 

CMYK 37 / 88 / 0 / 23

HEX #7C17C4

RGB 124 23 196

HSL 275.03, 0.79%, 0.43%

LAB 35.76, 67.1, -68.05

 

CMYK 0 / 88 / 69 / 23

HEX #C4173D

RGB 196 23 61

HSL 346.82, 0.79%, 0.43%

LAB 42.29, 64.42, 26.1

 

CMYK 53 / 0 / 88 / 23

HEX #5DC517

RGB 93 197 23

HSL 95.86, 0.79%, 0.43%

LAB 71.09, -56.6, 67.52

 

CMYK 88 / 7 / 0 / 23

HEX #17B6C4

RGB 23 182 196

HSL 184.86, 0.79%, 0.43%

LAB 67.74, -32.09, -17.8

 

CMYK 37 / 88 / 0 / 23

HEX #7C17C4

RGB 124 23 196

HSL 275.03, 0.79%, 0.43%

LAB 35.76, 67.1, -68.05

 

CMYK 0 / 81 / 88 / 23

HEX #C42517

RGB 196 37 23

HSL 4.86, 0.79%, 0.43%

LAB 42.94, 60.11, 47.99

 

Description

Color code: HEX #5DC517 | qconv.com Color code: HEX #5DC517 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 197 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 197 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 88 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 88% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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