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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DC28A it is the complementary color #A23D75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DC28A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DC28A shade: #62C285, #73D498, #84E6AB, #95F8BE and #A6FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DC28A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DC28A shade: #5DC28A, #4CB077, #3B9E64, #2A8C51 and #197A3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DC28A shade: #5CC189, #5CC16E, #66C15C, #81C15C and #9CC15C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DC28A shade: #5CC189, #5CC1A5, #5CC1C0, #5CA8C1 and #5C8CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DC28A shade matches the following richer shades: #5CC189, #4AD387, #38E685 and #26F883

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DC28A shade: #5CC189, #6EAF8B, #819D8D, #938B8F and #A57991

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DC28A shade: #66C15C, #5CC16D, #5CC188, #5CC1A3 and #5CC1BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DC28A shade: #389361, #43B174, #5CC189, #7ACD9F and #98D8B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DC28A shade: #5DC28A, #5C81C1 and #C1605C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DC28A shade: #5DC28A, #885CC1 and #C1885C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DC28A shade: #5DC28A, #5C81C1, #C15C96 and #C19C5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DC28A shade: #5DC28A, #5C63C1, #C15C96 and #C1BB5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 29 / 24

HEX #5DC28A

RGB 93 194 138

HSL 146.73, 0.45%, 0.56%

LAB 71.38, -42.4, 19.37

 

Complementary color

CMYK 0 / 62 / 28 / 36

HEX #A23D75

RGB 162 61 117

HSL 326.73, 0.45%, 0.44%

LAB 41.69, 47.62, -10.62

 

CMYK 49 / 0 / 31 / 24

HEX #62C285

RGB 98 194 133

HSL 141.88, 0.44%, 0.57%

LAB 71.47, -42.12, 22.19

 

CMYK 46 / 0 / 28 / 17

HEX #73D498

RGB 115 212 152

HSL 142.89, 0.53%, 0.64%

LAB 77.87, -41.93, 21.01

 

CMYK 43 / 0 / 26 / 10

HEX #84E6AB

RGB 132 230 171

HSL 143.88, 0.66%, 0.71%

LAB 84.19, -41.7, 19.92

 

CMYK 40 / 0 / 23 / 3

HEX #95F8BE

RGB 149 248 190

HSL 144.85, 0.88%, 0.78%

LAB 90.43, -41.46, 18.89

 

CMYK 35 / 0 / 18 / 0

HEX #A6FFD1

RGB 166 255 209

HSL 148.99, 1%, 0.83%

LAB 93.55, -36.26, 13.63

 

CMYK 52 / 0 / 29 / 24

HEX #5DC28A

RGB 93 194 138

HSL 146.73, 0.45%, 0.56%

LAB 71.38, -42.4, 19.37

 

CMYK 57 / 0 / 32 / 31

HEX #4CB077

RGB 76 176 119

HSL 145.8, 0.4%, 0.49%

LAB 64.9, -42.47, 20.63

 

CMYK 63 / 0 / 37 / 38

HEX #3B9E64

RGB 59 158 100

HSL 144.85, 0.46%, 0.43%

LAB 58.32, -42.4, 22.01

 

CMYK 70 / 0 / 42 / 45

HEX #2A8C51

RGB 42 140 81

HSL 143.88, 0.54%, 0.36%

LAB 51.66, -42.07, 23.53

 

CMYK 80 / 0 / 49 / 52

HEX #197A3E

RGB 25 122 62

HSL 142.89, 0.66%, 0.29%

LAB 44.9, -41.32, 25.2

 

CMYK 52 / 0 / 29 / 24

HEX #5CC189

RGB 92 193 137

HSL 146.73, 0.45%, 0.56%

LAB 71.02, -42.41, 19.41

 

CMYK 52 / 0 / 43 / 24

HEX #5CC16E

RGB 92 193 110

HSL 130.69, 0.45%, 0.56%

LAB 70.55, -47.26, 32.98

 

CMYK 47 / 0 / 52 / 24

HEX #66C15C

RGB 102 193 92

HSL 114.06, 0.45%, 0.56%

LAB 70.69, -47.1, 42.22

 

CMYK 33 / 0 / 52 / 24

HEX #81C15C

RGB 129 193 92

HSL 98.02, 0.45%, 0.56%

LAB 71.95, -38.44, 44.04

 

CMYK 19 / 0 / 52 / 24

HEX #9CC15C

RGB 156 193 92

HSL 81.98, 0.45%, 0.56%

LAB 73.53, -28.52, 46.31

 

CMYK 52 / 0 / 29 / 24

HEX #5CC189

RGB 92 193 137

HSL 146.73, 0.45%, 0.56%

LAB 71.02, -42.41, 19.41

 

CMYK 52 / 0 / 15 / 24

HEX #5CC1A5

RGB 92 193 165

HSL 163.37, 0.45%, 0.56%

LAB 71.64, -36.31, 5.15

 

CMYK 52 / 0 / 1 / 24

HEX #5CC1C0

RGB 92 193 192

HSL 179.41, 0.45%, 0.56%

LAB 72.38, -29.52, -8.5

 

CMYK 52 / 13 / 0 / 24

HEX #5CA8C1

RGB 92 168 193

HSL 194.85, 0.45%, 0.56%

LAB 65.07, -16.57, -20.05

 

CMYK 52 / 27 / 0 / 24

HEX #5C8CC1

RGB 92 140 193

HSL 211.49, 0.45%, 0.56%

LAB 56.96, -1.03, -32.54

 

CMYK 52 / 0 / 29 / 24

HEX #5CC189

RGB 92 193 137

HSL 146.73, 0.45%, 0.56%

LAB 71.02, -42.41, 19.41

 

CMYK 65 / 0 / 36 / 17

HEX #4AD387

RGB 74 211 135

HSL 146.72, 0.61%, 0.56%

LAB 75.94, -54.02, 27.05

 

CMYK 76 / 0 / 42 / 10

HEX #38E685

RGB 56 230 133

HSL 146.55, 0.78%, 0.56%

LAB 81.36, -64.17, 35.17

 

CMYK 85 / 0 / 47 / 3

HEX #26F883

RGB 38 248 131

HSL 146.57, 0.94%, 0.56%

LAB 86.6, -72.39, 42.82

 

CMYK 52 / 0 / 29 / 24

HEX #5CC189

RGB 92 193 137

HSL 146.73, 0.45%, 0.56%

LAB 71.02, -42.41, 19.41

 

CMYK 37 / 0 / 21 / 31

HEX #6EAF8B

RGB 110 175 139

HSL 146.77, 0.29%, 0.56%

LAB 66.4, -28.84, 11.99

 

CMYK 18 / 0 / 10 / 38

HEX #819D8D

RGB 129 157 141

HSL 145.71, 0.13%, 0.56%

LAB 62.26, -13.08, 5.13

 

CMYK 0 / 5 / 3 / 42

HEX #938B8F

RGB 147 139 143

HSL 330, 0.04%, 0.56%

LAB 58.65, 3.73, -1.07

 

CMYK 0 / 27 / 12 / 35

HEX #A57991

RGB 165 121 145

HSL 327.27, 0.2%, 0.56%

LAB 55.8, 21.06, -6.22

 

CMYK 47 / 0 / 52 / 24

HEX #66C15C

RGB 102 193 92

HSL 114.06, 0.45%, 0.56%

LAB 70.69, -47.1, 42.22

 

CMYK 52 / 0 / 44 / 24

HEX #5CC16D

RGB 92 193 109

HSL 130.1, 0.45%, 0.56%

LAB 70.54, -47.42, 33.47

 

CMYK 52 / 0 / 30 / 24

HEX #5CC188

RGB 92 193 136

HSL 146.14, 0.45%, 0.56%

LAB 71, -42.61, 19.92

 

CMYK 52 / 0 / 16 / 24

HEX #5CC1A3

RGB 92 193 163

HSL 162.18, 0.45%, 0.56%

LAB 71.6, -36.78, 6.16

 

CMYK 52 / 0 / 2 / 24

HEX #5CC1BE

RGB 92 193 190

HSL 178.22, 0.45%, 0.56%

LAB 72.32, -30.05, -7.5

 

CMYK 62 / 0 / 34 / 42

HEX #389361

RGB 56 147 97

HSL 147.03, 0.45%, 0.4%

LAB 54.63, -38.98, 18.67

 

CMYK 62 / 0 / 34 / 31

HEX #43B174

RGB 67 177 116

HSL 146.73, 0.45%, 0.48%

LAB 64.88, -45.45, 22.18

 

CMYK 52 / 0 / 29 / 24

HEX #5CC189

RGB 92 193 137

HSL 146.73, 0.45%, 0.56%

LAB 71.02, -42.41, 19.41

 

CMYK 40 / 0 / 22 / 20

HEX #7ACD9F

RGB 122 205 159

HSL 146.75, 0.45%, 0.64%

LAB 76.26, -35.5, 15.1

 

CMYK 30 / 0 / 16 / 15

HEX #98D8B5

RGB 152 216 181

HSL 147.19, 0.45%, 0.72%

LAB 81.36, -27.53, 10.82

 

CMYK 52 / 0 / 29 / 24

HEX #5DC28A

RGB 93 194 138

HSL 146.73, 0.45%, 0.56%

LAB 71.38, -42.4, 19.37

 

CMYK 52 / 33 / 0 / 24

HEX #5C81C1

RGB 92 129 193

HSL 218.02, 0.45%, 0.56%

LAB 53.84, 5.44, -37.41

 

CMYK 0 / 50 / 52 / 24

HEX #C1605C

RGB 193 96 92

HSL 2.38, 0.45%, 0.56%

LAB 52.37, 38.41, 20.43

 

CMYK 52 / 0 / 29 / 24

HEX #5DC28A

RGB 93 194 138

HSL 146.73, 0.45%, 0.56%

LAB 71.38, -42.4, 19.37

 

CMYK 30 / 52 / 0 / 24

HEX #885CC1

RGB 136 92 193

HSL 266.14, 0.45%, 0.56%

LAB 47.93, 38.73, -46.55

 

CMYK 0 / 30 / 52 / 24

HEX #C1885C

RGB 193 136 92

HSL 26.14, 0.45%, 0.56%

LAB 61.41, 16.79, 32.19

 

CMYK 52 / 0 / 29 / 24

HEX #5DC28A

RGB 93 194 138

HSL 146.73, 0.45%, 0.56%

LAB 71.38, -42.4, 19.37

 

CMYK 52 / 33 / 0 / 24

HEX #5C81C1

RGB 92 129 193

HSL 218.02, 0.45%, 0.56%

LAB 53.84, 5.44, -37.41

 

CMYK 0 / 52 / 22 / 24

HEX #C15C96

RGB 193 92 150

HSL 325.54, 0.45%, 0.56%

LAB 53.16, 47.26, -12.74

 

CMYK 0 / 19 / 52 / 24

HEX #C19C5C

RGB 193 156 92

HSL 38.02, 0.45%, 0.56%

LAB 66.43, 5.82, 38.46

 

CMYK 52 / 0 / 29 / 24

HEX #5DC28A

RGB 93 194 138

HSL 146.73, 0.45%, 0.56%

LAB 71.38, -42.4, 19.37

 

CMYK 52 / 49 / 0 / 24

HEX #5C63C1

RGB 92 99 193

HSL 235.84, 0.45%, 0.56%

LAB 45.7, 23.82, -50.33

 

CMYK 0 / 52 / 22 / 24

HEX #C15C96

RGB 193 92 150

HSL 325.54, 0.45%, 0.56%

LAB 53.16, 47.26, -12.74

 

CMYK 0 / 3 / 52 / 24

HEX #C1BB5C

RGB 193 187 92

HSL 56.44, 0.45%, 0.56%

LAB 74.6, -10.62, 48.26

 

Description

Color code: HEX #5DC28A | qconv.com Color code: HEX #5DC28A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 194 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 194 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 29 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 29% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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