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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DC278 it is the complementary color #A23D87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DC278. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DC278 shade: #62C273, #73D486, #84E699, #95F8AC and #A6FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DC278. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DC278 shade: #5DC278, #4CB065, #3B9E52, #2A8C3F and #197A2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DC278 shade: #5CC177, #5DC15C, #78C15C, #93C15C and #AEC15C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DC278 shade: #5CC177, #5CC193, #5CC1AE, #5CBAC1 and #5C9EC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DC278 shade matches the following richer shades: #5CC177, #4AD36F, #38E666 and #26F85E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DC278 shade: #5CC177, #6EAF80, #819D88, #938B91 and #A57999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DC278 shade: #77C15C, #5CC15C, #5CC177, #5CC192 and #5CC1AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DC278 shade: #389350, #43B161, #5CC177, #7ACD90 and #98D8A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DC278 shade: #5DC278, #5C92C1 and #C15C6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DC278 shade: #5DC278, #775CC1 and #C1775C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DC278 shade: #5DC278, #5C92C1, #C15CA6 and #C18B5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DC278 shade: #5DC278, #5C74C1, #C15CA6 and #C1AA5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 38 / 24

HEX #5DC278

RGB 93 194 120

HSL 136.04, 0.45%, 0.56%

LAB 71.05, -45.76, 28.46

 

Complementary color

CMYK 0 / 62 / 17 / 36

HEX #A23D87

RGB 162 61 135

HSL 316.04, 0.45%, 0.44%

LAB 42.41, 50.22, -20.58

 

CMYK 49 / 0 / 41 / 24

HEX #62C273

RGB 98 194 115

HSL 130.63, 0.44%, 0.57%

LAB 71.16, -45.29, 31.23

 

CMYK 46 / 0 / 37 / 17

HEX #73D486

RGB 115 212 134

HSL 131.75, 0.53%, 0.64%

LAB 77.55, -45.14, 29.95

 

CMYK 43 / 0 / 33 / 10

HEX #84E699

RGB 132 230 153

HSL 132.86, 0.66%, 0.71%

LAB 83.86, -44.93, 28.75

 

CMYK 40 / 0 / 31 / 3

HEX #95F8AC

RGB 149 248 172

HSL 133.94, 0.88%, 0.78%

LAB 90.09, -44.7, 27.61

 

CMYK 35 / 0 / 25 / 0

HEX #A6FFBF

RGB 166 255 191

HSL 136.85, 1%, 0.83%

LAB 93.18, -39.59, 22.32

 

CMYK 52 / 0 / 38 / 24

HEX #5DC278

RGB 93 194 120

HSL 136.04, 0.45%, 0.56%

LAB 71.05, -45.76, 28.46

 

CMYK 57 / 0 / 43 / 31

HEX #4CB065

RGB 76 176 101

HSL 135, 0.4%, 0.49%

LAB 64.59, -45.78, 29.82

 

CMYK 63 / 0 / 48 / 38

HEX #3B9E52

RGB 59 158 82

HSL 133.94, 0.46%, 0.43%

LAB 58.03, -45.61, 31.27

 

CMYK 70 / 0 / 55 / 45

HEX #2A8C3F

RGB 42 140 63

HSL 132.86, 0.54%, 0.36%

LAB 51.39, -45.13, 32.79

 

CMYK 80 / 0 / 64 / 52

HEX #197A2C

RGB 25 122 44

HSL 131.75, 0.66%, 0.29%

LAB 44.67, -44.09, 34.29

 

CMYK 52 / 0 / 38 / 24

HEX #5CC177

RGB 92 193 119

HSL 136.04, 0.45%, 0.56%

LAB 70.7, -45.77, 28.5

 

CMYK 52 / 0 / 52 / 24

HEX #5DC15C

RGB 93 193 92

HSL 119.41, 0.45%, 0.56%

LAB 70.34, -49.62, 41.72

 

CMYK 38 / 0 / 52 / 24

HEX #78C15C

RGB 120 193 92

HSL 103.37, 0.45%, 0.56%

LAB 71.49, -41.49, 43.38

 

CMYK 24 / 0 / 52 / 24

HEX #93C15C

RGB 147 193 92

HSL 87.33, 0.45%, 0.56%

LAB 72.97, -31.94, 45.5

 

CMYK 10 / 0 / 52 / 24

HEX #AEC15C

RGB 174 193 92

HSL 71.29, 0.45%, 0.56%

LAB 74.77, -21.43, 48.08

 

CMYK 52 / 0 / 38 / 24

HEX #5CC177

RGB 92 193 119

HSL 136.04, 0.45%, 0.56%

LAB 70.7, -45.77, 28.5

 

CMYK 52 / 0 / 24 / 24

HEX #5CC193

RGB 92 193 147

HSL 152.67, 0.45%, 0.56%

LAB 71.23, -40.35, 14.32

 

CMYK 52 / 0 / 10 / 24

HEX #5CC1AE

RGB 92 193 174

HSL 168.71, 0.45%, 0.56%

LAB 71.87, -34.14, 0.58

 

CMYK 52 / 4 / 0 / 24

HEX #5CBAC1

RGB 92 186 193

HSL 184.16, 0.45%, 0.56%

LAB 70.35, -25.81, -12.08

 

CMYK 52 / 18 / 0 / 24

HEX #5C9EC1

RGB 92 158 193

HSL 200.79, 0.45%, 0.56%

LAB 62.15, -11.18, -24.51

 

CMYK 52 / 0 / 38 / 24

HEX #5CC177

RGB 92 193 119

HSL 136.04, 0.45%, 0.56%

LAB 70.7, -45.77, 28.5

 

CMYK 65 / 0 / 47 / 17

HEX #4AD36F

RGB 74 211 111

HSL 136.2, 0.61%, 0.56%

LAB 75.57, -58.14, 38.76

 

CMYK 76 / 0 / 56 / 10

HEX #38E666

RGB 56 230 102

HSL 135.86, 0.78%, 0.56%

LAB 80.96, -68.91, 49.56

 

CMYK 85 / 0 / 62 / 3

HEX #26F85E

RGB 38 248 94

HSL 136, 0.94%, 0.56%

LAB 86.18, -77.39, 59.06

 

CMYK 52 / 0 / 38 / 24

HEX #5CC177

RGB 92 193 119

HSL 136.04, 0.45%, 0.56%

LAB 70.7, -45.77, 28.5

 

CMYK 37 / 0 / 27 / 31

HEX #6EAF80

RGB 110 175 128

HSL 136.62, 0.29%, 0.56%

LAB 66.16, -31.01, 17.69

 

CMYK 18 / 0 / 13 / 38

HEX #819D88

RGB 129 157 136

HSL 135, 0.13%, 0.56%

LAB 62.13, -14.07, 7.77

 

CMYK 0 / 5 / 1 / 42

HEX #938B91

RGB 147 139 145

HSL 315, 0.04%, 0.56%

LAB 58.71, 4.12, -2.13

 

CMYK 0 / 27 / 7 / 35

HEX #A57999

RGB 165 121 153

HSL 316.36, 0.2%, 0.56%

LAB 56.06, 22.49, -10.48

 

CMYK 38 / 0 / 52 / 24

HEX #77C15C

RGB 119 193 92

HSL 103.96, 0.45%, 0.56%

LAB 71.44, -41.82, 43.31

 

CMYK 52 / 0 / 52 / 24

HEX #5CC15C

RGB 92 193 92

HSL 120, 0.45%, 0.56%

LAB 70.31, -49.89, 41.67

 

CMYK 52 / 0 / 38 / 24

HEX #5CC177

RGB 92 193 119

HSL 136.04, 0.45%, 0.56%

LAB 70.7, -45.77, 28.5

 

CMYK 52 / 0 / 24 / 24

HEX #5CC192

RGB 92 193 146

HSL 152.08, 0.45%, 0.56%

LAB 71.21, -40.56, 14.83

 

CMYK 52 / 0 / 10 / 24

HEX #5CC1AD

RGB 92 193 173

HSL 168.12, 0.45%, 0.56%

LAB 71.85, -34.38, 1.08

 

CMYK 62 / 0 / 46 / 42

HEX #389350

RGB 56 147 80

HSL 135.82, 0.45%, 0.4%

LAB 54.33, -42.19, 27.61

 

CMYK 62 / 0 / 45 / 31

HEX #43B161

RGB 67 177 97

HSL 136.36, 0.45%, 0.48%

LAB 64.56, -48.9, 31.82

 

CMYK 52 / 0 / 38 / 24

HEX #5CC177

RGB 92 193 119

HSL 136.04, 0.45%, 0.56%

LAB 70.7, -45.77, 28.5

 

CMYK 40 / 0 / 30 / 20

HEX #7ACD90

RGB 122 205 144

HSL 135.9, 0.45%, 0.64%

LAB 75.95, -38.35, 22.64

 

CMYK 30 / 0 / 22 / 15

HEX #98D8A9

RGB 152 216 169

HSL 135.94, 0.45%, 0.72%

LAB 81.1, -29.8, 16.8

 

CMYK 52 / 0 / 38 / 24

HEX #5DC278

RGB 93 194 120

HSL 136.04, 0.45%, 0.56%

LAB 71.05, -45.76, 28.46

 

CMYK 52 / 24 / 0 / 24

HEX #5C92C1

RGB 92 146 193

HSL 207.92, 0.45%, 0.56%

LAB 58.68, -4.48, -29.86

 

CMYK 0 / 52 / 45 / 24

HEX #C15C6A

RGB 193 92 106

HSL 351.68, 0.45%, 0.56%

LAB 51.87, 41.79, 11.47

 

CMYK 52 / 0 / 38 / 24

HEX #5DC278

RGB 93 194 120

HSL 136.04, 0.45%, 0.56%

LAB 71.05, -45.76, 28.46

 

CMYK 38 / 52 / 0 / 24

HEX #775CC1

RGB 119 92 193

HSL 256.04, 0.45%, 0.56%

LAB 46.21, 34.4, -49.39

 

CMYK 0 / 38 / 52 / 24

HEX #C1775C

RGB 193 119 92

HSL 16.04, 0.45%, 0.56%

LAB 57.37, 26.14, 27.02

 

CMYK 52 / 0 / 38 / 24

HEX #5DC278

RGB 93 194 120

HSL 136.04, 0.45%, 0.56%

LAB 71.05, -45.76, 28.46

 

CMYK 52 / 24 / 0 / 24

HEX #5C92C1

RGB 92 146 193

HSL 207.92, 0.45%, 0.56%

LAB 58.68, -4.48, -29.86

 

CMYK 0 / 52 / 14 / 24

HEX #C15CA6

RGB 193 92 166

HSL 316.04, 0.45%, 0.56%

LAB 53.76, 49.69, -21.22

 

CMYK 0 / 28 / 52 / 24

HEX #C18B5C

RGB 193 139 92

HSL 27.92, 0.45%, 0.56%

LAB 62.15, 15.13, 33.12

 

CMYK 52 / 0 / 38 / 24

HEX #5DC278

RGB 93 194 120

HSL 136.04, 0.45%, 0.56%

LAB 71.05, -45.76, 28.46

 

CMYK 52 / 40 / 0 / 24

HEX #5C74C1

RGB 92 116 193

HSL 225.74, 0.45%, 0.56%

LAB 50.24, 13.3, -43.1

 

CMYK 0 / 52 / 14 / 24

HEX #C15CA6

RGB 193 92 166

HSL 316.04, 0.45%, 0.56%

LAB 53.76, 49.69, -21.22

 

CMYK 0 / 12 / 52 / 24

HEX #C1AA5C

RGB 193 170 92

HSL 46.34, 0.45%, 0.56%

LAB 70.08, -1.72, 42.88

 

Description

Color code: HEX #5DC278 | qconv.com Color code: HEX #5DC278 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 194 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 194 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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