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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DBFE3 it is the complementary color #A2401C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DBFE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DBFE3 shade: #62BFDE, #73D1F1, #84E3FF, #95F5FF and #A6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DBFE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DBFE3 shade: #5DBFE3, #4CADD0, #3B9BBD, #2A89AA and #197797

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DBFE3 shade: #5DBFE3, #5D9BE3, #5D77E3, #685DE3 and #8C5DE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DBFE3 shade: #5DBFE3, #5D9BE3, #5D77E3 and #5D5DE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DBFE3 shade matches the following richer shades: #5DBFE3 and #4EC6F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DBFE3 shade: #5DBFE3, #6CB8D4, #7CB1C5, #8BAAB5 and #9AA3A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DBFE3 shade: #5DE3BF, #5DE3E3, #5DBFE3, #5D9CE3 and #5D78E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DBFE3 shade: #229ECC, #3AB1DD, #5DBFE3, #80CDE9 and #A4DBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DBFE3 shade: #5DBFE3, #9C5DE3 and #E3D15D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DBFE3 shade: #5DBFE3, #E35DBF and #BFE35D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DBFE3 shade: #5DBFE3, #9C5DE3, #E3815D and #A5E35D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DBFE3 shade: #5DBFE3, #C45DE3, #E3815D and #7CE35D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

Complementary color

CMYK 0 / 60 / 83 / 36

HEX #A2401C

RGB 162 64 28

HSL 16.12, 0.71%, 0.37%

LAB 40.3, 38.73, 40.9

 

CMYK 56 / 14 / 0 / 13

HEX #62BFDE

RGB 98 191 222

HSL 195, 0.65%, 0.63%

LAB 72.98, -18.93, -23.9

 

CMYK 52 / 13 / 0 / 5

HEX #73D1F1

RGB 115 209 241

HSL 195.24, 0.82%, 0.7%

LAB 79.38, -19.29, -24.31

 

CMYK 48 / 11 / 0 / 0

HEX #84E3FF

RGB 132 227 255

HSL 193.66, 1%, 0.76%

LAB 85.54, -20.91, -22.31

 

CMYK 42 / 4 / 0 / 0

HEX #95F5FF

RGB 149 245 255

HSL 185.66, 1%, 0.79%

LAB 91.2, -25.88, -13.72

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 63 / 17 / 0 / 18

HEX #4CADD0

RGB 76 173 208

HSL 195.91, 0.58%, 0.56%

LAB 66.5, -17.82, -26.22

 

CMYK 69 / 18 / 0 / 26

HEX #3B9BBD

RGB 59 155 189

HSL 195.69, 0.52%, 0.49%

LAB 59.93, -17.02, -25.78

 

CMYK 75 / 19 / 0 / 33

HEX #2A89AA

RGB 42 137 170

HSL 195.47, 0.6%, 0.42%

LAB 53.26, -15.97, -25.28

 

CMYK 83 / 21 / 0 / 41

HEX #197797

RGB 25 119 151

HSL 195.24, 0.72%, 0.35%

LAB 46.49, -14.52, -24.72

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 59 / 32 / 0 / 11

HEX #5D9BE3

RGB 93 155 227

HSL 212.24, 0.71%, 0.63%

LAB 62.77, 1.27, -42.47

 

CMYK 59 / 48 / 0 / 11

HEX #5D77E3

RGB 93 119 227

HSL 228.36, 0.71%, 0.63%

LAB 53.02, 22.75, -57.96

 

CMYK 54 / 59 / 0 / 11

HEX #685DE3

RGB 104 93 227

HSL 244.93, 0.71%, 0.63%

LAB 47.39, 40.54, -67.01

 

CMYK 38 / 59 / 0 / 11

HEX #8C5DE3

RGB 140 93 227

HSL 261.04, 0.71%, 0.63%

LAB 50.63, 47.84, -61.61

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 59 / 32 / 0 / 11

HEX #5D9BE3

RGB 93 155 227

HSL 212.24, 0.71%, 0.63%

LAB 62.77, 1.27, -42.47

 

CMYK 59 / 48 / 0 / 11

HEX #5D77E3

RGB 93 119 227

HSL 228.36, 0.71%, 0.63%

LAB 53.02, 22.75, -57.96

 

CMYK 59 / 59 / 0 / 11

HEX #5D5DE3

RGB 93 93 227

HSL 240, 0.71%, 0.63%

LAB 46.58, 38.61, -68.36

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 68 / 18 / 0 / 5

HEX #4EC6F2

RGB 78 198 242

HSL 196.1, 0.86%, 0.63%

LAB 75.09, -19.93, -31.53

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 49 / 13 / 0 / 17

HEX #6CB8D4

RGB 108 184 212

HSL 196.15, 0.55%, 0.63%

LAB 71.02, -16.01, -21.4

 

CMYK 37 / 10 / 0 / 23

HEX #7CB1C5

RGB 124 177 197

HSL 196.44, 0.39%, 0.63%

LAB 69.3, -12.34, -15.71

 

CMYK 23 / 6 / 0 / 29

HEX #8BAAB5

RGB 139 170 181

HSL 195.71, 0.22%, 0.63%

LAB 67.71, -8.1, -9.16

 

CMYK 7 / 2 / 0 / 35

HEX #9AA3A6

RGB 154 163 166

HSL 195, 0.06%, 0.63%

LAB 66.38, -2.58, -2.66

 

CMYK 59 / 0 / 16 / 11

HEX #5DE3BF

RGB 93 227 191

HSL 163.88, 0.71%, 0.63%

LAB 82.39, -45.13, 6.69

 

CMYK 59 / 0 / 0 / 11

HEX #5DE3E3

RGB 93 227 227

HSL 180, 0.71%, 0.63%

LAB 83.34, -36.07, -10.96

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 59 / 31 / 0 / 11

HEX #5D9CE3

RGB 93 156 227

HSL 211.79, 0.71%, 0.63%

LAB 63.05, 0.7, -42.03

 

CMYK 59 / 47 / 0 / 11

HEX #5D78E3

RGB 93 120 227

HSL 227.91, 0.71%, 0.63%

LAB 53.28, 22.13, -57.54

 

CMYK 83 / 23 / 0 / 20

HEX #229ECC

RGB 34 158 204

HSL 196.24, 0.71%, 0.47%

LAB 60.92, -16.45, -32.71

 

CMYK 74 / 20 / 0 / 13

HEX #3AB1DD

RGB 58 177 221

HSL 196.2, 0.71%, 0.55%

LAB 67.7, -18.39, -31.57

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 45 / 12 / 0 / 9

HEX #80CDE9

RGB 128 205 233

HSL 196, 0.7%, 0.71%

LAB 78.54, -16.53, -21.26

 

CMYK 31 / 8 / 0 / 6

HEX #A4DBEF

RGB 164 219 239

HSL 196, 0.7%, 0.79%

LAB 84.37, -12.93, -15.47

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 31 / 59 / 0 / 11

HEX #9C5DE3

RGB 156 93 227

HSL 268.21, 0.71%, 0.63%

LAB 52.33, 51.43, -58.78

 

CMYK 0 / 8 / 59 / 11

HEX #E3D15D

RGB 227 209 93

HSL 51.94, 0.71%, 0.63%

LAB 83.3, -7.7, 58.49

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 0 / 59 / 16 / 11

HEX #E35DBF

RGB 227 93 191

HSL 316.12, 0.71%, 0.63%

LAB 59.82, 62.89, -25.92

 

CMYK 16 / 0 / 59 / 11

HEX #BFE35D

RGB 191 227 93

HSL 76.12, 0.71%, 0.63%

LAB 85.41, -30.98, 60.08

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 31 / 59 / 0 / 11

HEX #9C5DE3

RGB 156 93 227

HSL 268.21, 0.71%, 0.63%

LAB 52.33, 51.43, -58.78

 

CMYK 0 / 43 / 59 / 11

HEX #E3815D

RGB 227 129 93

HSL 16.12, 0.71%, 0.63%

LAB 64.02, 34.44, 35.82

 

CMYK 27 / 0 / 59 / 11

HEX #A5E35D

RGB 165 227 93

HSL 87.76, 0.71%, 0.63%

LAB 83.82, -40.69, 57.88

 

CMYK 59 / 16 / 0 / 11

HEX #5DBFE3

RGB 93 191 227

HSL 196.12, 0.71%, 0.63%

LAB 72.98, -18.42, -26.63

 

CMYK 14 / 59 / 0 / 11

HEX #C45DE3

RGB 196 93 227

HSL 286.12, 0.71%, 0.63%

LAB 57.18, 60.94, -50.75

 

CMYK 0 / 43 / 59 / 11

HEX #E3815D

RGB 227 129 93

HSL 16.12, 0.71%, 0.63%

LAB 64.02, 34.44, 35.82

 

CMYK 45 / 0 / 59 / 11

HEX #7CE35D

RGB 124 227 93

HSL 106.12, 0.71%, 0.63%

LAB 81.85, -54.19, 55.11

 

Description

Color code: HEX #5DBFE3 | qconv.com Color code: HEX #5DBFE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 191 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 191 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 16 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 16% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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