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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DBD35 it is the complementary color #A242CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DBD35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DBD35 shade: #62BD30, #73CF43, #84E156, #95F369 and #A6FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DBD35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DBD35 shade: #5DBD35, #4CAB22, #3B990F, #2A8700 and #197500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DBD35 shade: #5CBB35, #80BB35, #A5BB35, #BBAD35 and #BB8935

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DBD35 shade: #5CBB35, #38BB35, #35BB56, #35BB7A and #35BB9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DBD35 shade matches the following richer shades: #5CBB35, #54CE21 and #4CE20E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DBD35 shade: #5CBB35, #64A848, #6C945C, #74816F and #7C6D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DBD35 shade: #A5BB35, #81BB35, #5DBB35, #39BB35 and #35BB54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DBD35 shade: #3C7B23, #4C9B2C, #5CBB35, #72CD4C and #8BD66D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DBD35 shade: #5DBD35, #35BBAE and #BB3593

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DBD35 shade: #5DBD35, #355DBB and #BB355D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DBD35 shade: #5DBD35, #35BBAE, #9335BB and #BB3542

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DBD35 shade: #5DBD35, #35A0BB, #9335BB and #BB5035

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 72 / 26

HEX #5DBD35

RGB 93 189 53

HSL 102.35, 0.56%, 0.47%

LAB 68.74, -52.07, 56.89

 

Complementary color

CMYK 20 / 67 / 0 / 21

HEX #A242CA

RGB 162 66 202

HSL 282.35, 0.56%, 0.53%

LAB 46.77, 60.19, -53.43

 

CMYK 48 / 0 / 75 / 26

HEX #62BD30

RGB 98 189 48

HSL 98.72, 0.59%, 0.46%

LAB 68.9, -50.94, 58.9

 

CMYK 44 / 0 / 68 / 19

HEX #73CF43

RGB 115 207 67

HSL 99.43, 0.59%, 0.54%

LAB 75.25, -51.39, 58.58

 

CMYK 41 / 0 / 62 / 12

HEX #84E156

RGB 132 225 86

HSL 100.14, 0.7%, 0.61%

LAB 81.53, -51.64, 57.85

 

CMYK 39 / 0 / 57 / 5

HEX #95F369

RGB 149 243 105

HSL 100.87, 0.85%, 0.68%

LAB 87.73, -51.75, 56.89

 

CMYK 35 / 0 / 51 / 0

HEX #A6FF7C

RGB 166 255 124

HSL 100.76, 1%, 0.74%

LAB 92.17, -49.27, 53.78

 

CMYK 51 / 0 / 72 / 26

HEX #5DBD35

RGB 93 189 53

HSL 102.35, 0.56%, 0.47%

LAB 68.74, -52.07, 56.89

 

CMYK 56 / 0 / 80 / 33

HEX #4CAB22

RGB 76 171 34

HSL 101.61, 0.67%, 0.4%

LAB 62.32, -51.35, 56.81

 

CMYK 61 / 0 / 90 / 40

HEX #3B990F

RGB 59 153 15

HSL 100.87, 0.82%, 0.33%

LAB 55.83, -50.17, 55.56

 

CMYK 69 / 0 / 100 / 47

HEX #2A8700

RGB 42 135 0

HSL 101.33, 1%, 0.26%

LAB 49.28, -48.36, 52.6

 

CMYK 79 / 0 / 100 / 54

HEX #197500

RGB 25 117 0

HSL 107.18, 1%, 0.23%

LAB 42.66, -45.65, 47.17

 

CMYK 51 / 0 / 72 / 27

HEX #5CBB35

RGB 92 187 53

HSL 102.54, 0.56%, 0.47%

LAB 68.07, -51.6, 56.21

 

CMYK 32 / 0 / 72 / 27

HEX #80BB35

RGB 128 187 53

HSL 86.42, 0.56%, 0.47%

LAB 69.74, -39.63, 58.44

 

CMYK 12 / 0 / 72 / 27

HEX #A5BB35

RGB 165 187 53

HSL 69.85, 0.56%, 0.47%

LAB 72.09, -25.02, 61.55

 

CMYK 0 / 7 / 72 / 27

HEX #BBAD35

RGB 187 173 53

HSL 53.73, 0.56%, 0.47%

LAB 69.97, -8.54, 60.07

 

CMYK 0 / 27 / 72 / 27

HEX #BB8935

RGB 187 137 53

HSL 37.61, 0.56%, 0.47%

LAB 60.53, 10.88, 50.6

 

CMYK 51 / 0 / 72 / 27

HEX #5CBB35

RGB 92 187 53

HSL 102.54, 0.56%, 0.47%

LAB 68.07, -51.6, 56.21

 

CMYK 70 / 0 / 72 / 27

HEX #38BB35

RGB 56 187 53

HSL 118.66, 0.56%, 0.47%

LAB 67, -60.17, 54.77

 

CMYK 72 / 0 / 54 / 27

HEX #35BB56

RGB 53 187 86

HSL 134.78, 0.56%, 0.47%

LAB 67.25, -56.98, 40.62

 

CMYK 72 / 0 / 35 / 27

HEX #35BB7A

RGB 53 187 122

HSL 150.9, 0.56%, 0.47%

LAB 67.8, -50.76, 22.85

 

CMYK 72 / 0 / 16 / 27

HEX #35BB9E

RGB 53 187 158

HSL 167.01, 0.56%, 0.47%

LAB 68.58, -42.47, 4.41

 

CMYK 51 / 0 / 72 / 27

HEX #5CBB35

RGB 92 187 53

HSL 102.54, 0.56%, 0.47%

LAB 68.07, -51.6, 56.21

 

CMYK 59 / 0 / 84 / 19

HEX #54CE21

RGB 84 206 33

HSL 102.31, 0.72%, 0.47%

LAB 73.63, -61.77, 67.51

 

CMYK 66 / 0 / 94 / 11

HEX #4CE20E

RGB 76 226 14

HSL 102.45, 0.88%, 0.47%

LAB 79.59, -70.63, 75.73

 

CMYK 51 / 0 / 72 / 27

HEX #5CBB35

RGB 92 187 53

HSL 102.54, 0.56%, 0.47%

LAB 68.07, -51.6, 56.21

 

CMYK 40 / 0 / 57 / 34

HEX #64A848

RGB 100 168 72

HSL 102.5, 0.4%, 0.47%

LAB 62.66, -39.56, 42.27

 

CMYK 27 / 0 / 38 / 42

HEX #6C945C

RGB 108 148 92

HSL 102.86, 0.23%, 0.47%

LAB 57.21, -24.73, 25.3

 

CMYK 10 / 0 / 14 / 49

HEX #74816F

RGB 116 129 111

HSL 103.33, 0.08%, 0.47%

LAB 52.47, -8.4, 8.15

 

CMYK 5 / 16 / 0 / 49

HEX #7C6D82

RGB 124 109 130

HSL 282.86, 0.09%, 0.47%

LAB 48.05, 10.04, -9.42

 

CMYK 12 / 0 / 72 / 27

HEX #A5BB35

RGB 165 187 53

HSL 69.85, 0.56%, 0.47%

LAB 72.09, -25.02, 61.55

 

CMYK 31 / 0 / 72 / 27

HEX #81BB35

RGB 129 187 53

HSL 85.97, 0.56%, 0.47%

LAB 69.8, -39.26, 58.51

 

CMYK 50 / 0 / 72 / 27

HEX #5DBB35

RGB 93 187 53

HSL 102.09, 0.56%, 0.47%

LAB 68.11, -51.31, 56.26

 

CMYK 70 / 0 / 72 / 27

HEX #39BB35

RGB 57 187 53

HSL 118.21, 0.56%, 0.47%

LAB 67.03, -59.98, 54.8

 

CMYK 72 / 0 / 55 / 27

HEX #35BB54

RGB 53 187 84

HSL 133.88, 0.56%, 0.47%

LAB 67.23, -57.26, 41.56

 

CMYK 51 / 0 / 72 / 52

HEX #3C7B23

RGB 60 123 35

HSL 102.95, 0.56%, 0.31%

LAB 45.97, -37.13, 40.11

 

CMYK 51 / 0 / 72 / 39

HEX #4C9B2C

RGB 76 155 44

HSL 102.7, 0.56%, 0.39%

LAB 57.23, -44.52, 48.34

 

CMYK 51 / 0 / 72 / 27

HEX #5CBB35

RGB 92 187 53

HSL 102.54, 0.56%, 0.47%

LAB 68.07, -51.6, 56.21

 

CMYK 44 / 0 / 63 / 20

HEX #72CD4C

RGB 114 205 76

HSL 102.33, 0.56%, 0.55%

LAB 74.67, -50.12, 54.27

 

CMYK 35 / 0 / 49 / 16

HEX #8BD66D

RGB 139 214 109

HSL 102.86, 0.56%, 0.63%

LAB 78.86, -42.31, 44.36

 

CMYK 51 / 0 / 72 / 26

HEX #5DBD35

RGB 93 189 53

HSL 102.35, 0.56%, 0.47%

LAB 68.74, -52.07, 56.89

 

CMYK 72 / 0 / 7 / 27

HEX #35BBAE

RGB 53 187 174

HSL 174.18, 0.56%, 0.47%

LAB 69.01, -38.22, -3.75

 

CMYK 0 / 72 / 21 / 27

HEX #BB3593

RGB 187 53 147

HSL 317.91, 0.56%, 0.47%

LAB 45.93, 61.88, -22.07

 

CMYK 51 / 0 / 72 / 26

HEX #5DBD35

RGB 93 189 53

HSL 102.35, 0.56%, 0.47%

LAB 68.74, -52.07, 56.89

 

CMYK 72 / 50 / 0 / 27

HEX #355DBB

RGB 53 93 187

HSL 222.09, 0.56%, 0.47%

LAB 41.49, 18.45, -53.73

 

CMYK 0 / 72 / 50 / 27

HEX #BB355D

RGB 187 53 93

HSL 342.09, 0.56%, 0.47%

LAB 44.09, 55.88, 8.28

 

CMYK 51 / 0 / 72 / 26

HEX #5DBD35

RGB 93 189 53

HSL 102.35, 0.56%, 0.47%

LAB 68.74, -52.07, 56.89

 

CMYK 72 / 0 / 7 / 27

HEX #35BBAE

RGB 53 187 174

HSL 174.18, 0.56%, 0.47%

LAB 69.01, -38.22, -3.75

 

CMYK 21 / 72 / 0 / 27

HEX #9335BB

RGB 147 53 187

HSL 282.09, 0.56%, 0.47%

LAB 41.75, 59.36, -52.88

 

CMYK 0 / 72 / 65 / 27

HEX #BB3542

RGB 187 53 66

HSL 354.18, 0.56%, 0.47%

LAB 43.51, 53.92, 24.2

 

CMYK 51 / 0 / 72 / 26

HEX #5DBD35

RGB 93 189 53

HSL 102.35, 0.56%, 0.47%

LAB 68.74, -52.07, 56.89

 

CMYK 72 / 14 / 0 / 27

HEX #35A0BB

RGB 53 160 187

HSL 192.09, 0.56%, 0.47%

LAB 61.21, -21.18, -22.7

 

CMYK 21 / 72 / 0 / 27

HEX #9335BB

RGB 147 53 187

HSL 282.09, 0.56%, 0.47%

LAB 41.75, 59.36, -52.88

 

CMYK 0 / 57 / 72 / 27

HEX #BB5035

RGB 187 80 53

HSL 12.09, 0.56%, 0.47%

LAB 47.7, 41.48, 36.81

 

Description

Color code: HEX #5DBD35 | qconv.com Color code: HEX #5DBD35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 189 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 189 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 72 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 72% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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