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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DBB13 it is the complementary color #A244EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DBB13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DBB13 shade: #62BB0E, #73CD21, #84DF34, #95F147 and #A6FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DBB13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DBB13 shade: #5DBB13, #4CA900, #3B9700, #2A8500 and #197300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DBB13 shade: #5CBA12, #89BA12, #B6BA12, #BA9012 and #BA6312

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DBB13 shade: #5CBA12, #2FBA12, #12BA23, #12BA50 and #12BA7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DBB13 shade matches the following richer shades: #5CBA12 and #5ACA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DBB13 shade: #5CBA12, #5EA923, #609933, #628844 and #647854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DBB13 shade: #B7BA12, #8ABA12, #5EBA12, #31BA12 and #12BA20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DBB13 shade: #376F0B, #49940F, #5CBA12, #6FDF16 and #84EB34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DBB13 shade: #5DBB13, #12BA90 and #BA12A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DBB13 shade: #5DBB13, #125EBA and #BA125E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DBB13 shade: #5DBB13, #12BA90, #6E12BA and #BA123C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DBB13 shade: #5DBB13, #12B1BA, #6E12BA and #BA1B12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 90 / 27

HEX #5DBB13

RGB 93 187 19

HSL 93.57, 0.82%, 0.4%

LAB 67.96, -53.03, 65.59

 

Complementary color

CMYK 31 / 71 / 0 / 7

HEX #A244EC

RGB 162 68 236

HSL 273.57, 0.82%, 0.6%

LAB 49.34, 66.59, -68.65

 

CMYK 48 / 0 / 93 / 27

HEX #62BB0E

RGB 98 187 14

HSL 90.87, 0.86%, 0.39%

LAB 68.15, -51.63, 66.61

 

CMYK 44 / 0 / 84 / 20

HEX #73CD21

RGB 115 205 33

HSL 91.4, 0.72%, 0.47%

LAB 74.46, -52.61, 68.66

 

CMYK 41 / 0 / 77 / 13

HEX #84DF34

RGB 132 223 52

HSL 91.93, 0.73%, 0.54%

LAB 80.7, -53.3, 69.51

 

CMYK 38 / 0 / 71 / 5

HEX #95F147

RGB 149 241 71

HSL 92.47, 0.86%, 0.61%

LAB 86.88, -53.77, 69.56

 

CMYK 35 / 0 / 65 / 0

HEX #A6FF5A

RGB 166 255 90

HSL 92.36, 1%, 0.68%

LAB 91.85, -52.46, 67.92

 

CMYK 50 / 0 / 90 / 27

HEX #5DBB13

RGB 93 187 19

HSL 93.57, 0.82%, 0.4%

LAB 67.96, -53.03, 65.59

 

CMYK 55 / 0 / 100 / 34

HEX #4CA900

RGB 76 169 0

HSL 93.02, 1%, 0.33%

LAB 61.58, -51.75, 62.77

 

CMYK 61 / 0 / 100 / 41

HEX #3B9700

RGB 59 151 0

HSL 96.56, 1%, 0.3%

LAB 55.14, -49.87, 57.45

 

CMYK 68 / 0 / 100 / 48

HEX #2A8500

RGB 42 133 0

HSL 101.05, 1%, 0.26%

LAB 48.6, -47.68, 52.05

 

CMYK 78 / 0 / 100 / 55

HEX #197300

RGB 25 115 0

HSL 106.96, 1%, 0.23%

LAB 41.95, -44.99, 46.6

 

CMYK 51 / 0 / 90 / 27

HEX #5CBA12

RGB 92 186 18

HSL 93.57, 0.82%, 0.4%

LAB 67.6, -52.98, 65.44

 

CMYK 26 / 0 / 90 / 27

HEX #89BA12

RGB 137 186 18

HSL 77.5, 0.82%, 0.4%

LAB 69.81, -37.24, 68.17

 

CMYK 2 / 0 / 90 / 27

HEX #B6BA12

RGB 182 186 18

HSL 61.43, 0.82%, 0.4%

LAB 72.96, -18.51, 72.02

 

CMYK 0 / 23 / 90 / 27

HEX #BA9012

RGB 186 144 18

HSL 45, 0.82%, 0.4%

LAB 62.02, 5.38, 63.64

 

CMYK 0 / 47 / 90 / 27

HEX #BA6312

RGB 186 99 18

HSL 28.93, 0.82%, 0.4%

LAB 51.16, 30.11, 55.32

 

CMYK 51 / 0 / 90 / 27

HEX #5CBA12

RGB 92 186 18

HSL 93.57, 0.82%, 0.4%

LAB 67.6, -52.98, 65.44

 

CMYK 75 / 0 / 90 / 27

HEX #2FBA12

RGB 47 186 18

HSL 109.64, 0.82%, 0.4%

LAB 66.34, -63.38, 63.87

 

CMYK 90 / 0 / 81 / 27

HEX #12BA23

RGB 18 186 35

HSL 126.07, 0.82%, 0.4%

LAB 66.03, -65.87, 59.59

 

CMYK 90 / 0 / 57 / 27

HEX #12BA50

RGB 18 186 80

HSL 142.14, 0.82%, 0.4%

LAB 66.39, -61.45, 42.34

 

CMYK 90 / 0 / 33 / 27

HEX #12BA7D

RGB 18 186 125

HSL 158.21, 0.82%, 0.4%

LAB 67.07, -53.37, 20.18

 

CMYK 51 / 0 / 90 / 27

HEX #5CBA12

RGB 92 186 18

HSL 93.57, 0.82%, 0.4%

LAB 67.6, -52.98, 65.44

 

CMYK 55 / 0 / 99 / 21

HEX #5ACA02

RGB 90 202 2

HSL 93.6, 0.98%, 0.4%

LAB 72.51, -59.66, 71.37

 

CMYK 51 / 0 / 90 / 27

HEX #5CBA12

RGB 92 186 18

HSL 93.57, 0.82%, 0.4%

LAB 67.6, -52.98, 65.44

 

CMYK 44 / 0 / 79 / 34

HEX #5EA923

RGB 94 169 35

HSL 93.58, 0.66%, 0.4%

LAB 62.4, -45.04, 56.84

 

CMYK 37 / 0 / 67 / 40

HEX #609933

RGB 96 153 51

HSL 93.53, 0.5%, 0.4%

LAB 57.57, -36.43, 46.08

 

CMYK 28 / 0 / 50 / 47

HEX #628844

RGB 98 136 68

HSL 93.53, 0.33%, 0.4%

LAB 52.53, -25.9, 32.14

 

CMYK 17 / 0 / 30 / 53

HEX #647854

RGB 100 120 84

HSL 93.33, 0.18%, 0.4%

LAB 47.98, -14.45, 17.42

 

CMYK 2 / 0 / 90 / 27

HEX #B7BA12

RGB 183 186 18

HSL 61.07, 0.82%, 0.4%

LAB 73.04, -18.08, 72.12

 

CMYK 26 / 0 / 90 / 27

HEX #8ABA12

RGB 138 186 18

HSL 77.14, 0.82%, 0.4%

LAB 69.87, -36.85, 68.24

 

CMYK 49 / 0 / 90 / 27

HEX #5EBA12

RGB 94 186 18

HSL 92.86, 0.82%, 0.4%

LAB 67.68, -52.38, 65.54

 

CMYK 74 / 0 / 90 / 27

HEX #31BA12

RGB 49 186 18

HSL 108.93, 0.82%, 0.4%

LAB 66.38, -63.06, 63.92

 

CMYK 90 / 0 / 83 / 27

HEX #12BA20

RGB 18 186 32

HSL 125, 0.82%, 0.4%

LAB 66.02, -66.04, 60.4

 

CMYK 50 / 0 / 90 / 56

HEX #376F0B

RGB 55 111 11

HSL 93.6, 0.82%, 0.24%

LAB 41.54, -35.29, 44.03

 

CMYK 51 / 0 / 90 / 42

HEX #49940F

RGB 73 148 15

HSL 93.83, 0.82%, 0.32%

LAB 54.69, -44.31, 54.78

 

CMYK 51 / 0 / 90 / 27

HEX #5CBA12

RGB 92 186 18

HSL 93.57, 0.82%, 0.4%

LAB 67.6, -52.98, 65.44

 

CMYK 50 / 0 / 90 / 13

HEX #6FDF16

RGB 111 223 22

HSL 93.43, 0.82%, 0.48%

LAB 79.73, -60.92, 75.23

 

CMYK 44 / 0 / 78 / 8

HEX #84EB34

RGB 132 235 52

HSL 93.77, 0.82%, 0.56%

LAB 84.26, -57.96, 72.86

 

CMYK 50 / 0 / 90 / 27

HEX #5DBB13

RGB 93 187 19

HSL 93.57, 0.82%, 0.4%

LAB 67.96, -53.03, 65.59

 

CMYK 90 / 0 / 23 / 27

HEX #12BA90

RGB 18 186 144

HSL 165, 0.82%, 0.4%

LAB 67.47, -48.93, 10.43

 

CMYK 0 / 90 / 13 / 27

HEX #BA12A1

RGB 186 18 161

HSL 308.93, 0.82%, 0.4%

LAB 43.43, 72.13, -34.41

 

CMYK 50 / 0 / 90 / 27

HEX #5DBB13

RGB 93 187 19

HSL 93.57, 0.82%, 0.4%

LAB 67.96, -53.03, 65.59

 

CMYK 90 / 49 / 0 / 27

HEX #125EBA

RGB 18 94 186

HSL 212.86, 0.82%, 0.4%

LAB 40.7, 13.97, -54.47

 

CMYK 0 / 90 / 49 / 27

HEX #BA125E

RGB 186 18 94

HSL 332.86, 0.82%, 0.4%

LAB 40.7, 64.83, 2.79

 

CMYK 50 / 0 / 90 / 27

HEX #5DBB13

RGB 93 187 19

HSL 93.57, 0.82%, 0.4%

LAB 67.96, -53.03, 65.59

 

CMYK 90 / 0 / 23 / 27

HEX #12BA90

RGB 18 186 144

HSL 165, 0.82%, 0.4%

LAB 67.47, -48.93, 10.43

 

CMYK 41 / 90 / 0 / 27

HEX #6E12BA

RGB 110 18 186

HSL 272.86, 0.82%, 0.4%

LAB 32.46, 64.33, -67.64

 

CMYK 0 / 90 / 68 / 27

HEX #BA123C

RGB 186 18 60

HSL 345, 0.82%, 0.4%

LAB 39.91, 62.62, 23.31

 

CMYK 50 / 0 / 90 / 27

HEX #5DBB13

RGB 93 187 19

HSL 93.57, 0.82%, 0.4%

LAB 67.96, -53.03, 65.59

 

CMYK 90 / 5 / 0 / 27

HEX #12B1BA

RGB 18 177 186

HSL 183.21, 0.82%, 0.4%

LAB 65.84, -33.11, -15.15

 

CMYK 41 / 90 / 0 / 27

HEX #6E12BA

RGB 110 18 186

HSL 272.86, 0.82%, 0.4%

LAB 32.46, 64.33, -67.64

 

CMYK 0 / 85 / 90 / 27

HEX #BA1B12

RGB 186 27 18

HSL 3.21, 0.82%, 0.4%

LAB 40.03, 59.58, 47.07

 

Description

Color code: HEX #5DBB13 | qconv.com Color code: HEX #5DBB13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 187 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 187 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 90 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 90% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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