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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DB732 it is the complementary color #A248CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DB732. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DB732 shade: #62B72D, #73C940, #84DB53, #95ED66 and #A6FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DB732. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DB732 shade: #5DB732, #4CA51F, #3B930C, #2A8100 and #196F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DB732 shade: #5EB832, #82B832, #A6B832, #B8A632 and #B88232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DB732 shade: #5EB832, #3AB832, #32B84F, #32B873 and #32B897

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DB732 shade matches the following richer shades: #5EB832, #57CB1F and #50DE0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DB732 shade: #5EB832, #64A545, #6B9258, #727F6B and #786C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DB732 shade: #A6B832, #83B832, #5FB832, #3BB832 and #32B84D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DB732 shade: #3D7721, #4D982A, #5EB832, #72CD47 and #8BD668

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DB732 shade: #5DB732, #32B8A6 and #B83295

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DB732 shade: #5DB732, #325FB8 and #B8325F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DB732 shade: #5DB732, #32B8A6, #8C32B8 and #B83244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DB732 shade: #5DB732, #32A2B8, #8C32B8 and #B84932

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 73 / 28

HEX #5DB732

RGB 93 183 50

HSL 100.6, 0.57%, 0.46%

LAB 66.84, -49.98, 56.08

 

Complementary color

CMYK 21 / 65 / 0 / 20

HEX #A248CD

RGB 162 72 205

HSL 280.6, 0.57%, 0.54%

LAB 47.91, 58.15, -53.32

 

CMYK 46 / 0 / 75 / 28

HEX #62B72D

RGB 98 183 45

HSL 96.96, 0.61%, 0.45%

LAB 67.02, -48.78, 58.08

 

CMYK 43 / 0 / 68 / 21

HEX #73C940

RGB 115 201 64

HSL 97.66, 0.56%, 0.52%

LAB 73.41, -49.23, 57.82

 

CMYK 40 / 0 / 62 / 14

HEX #84DB53

RGB 132 219 83

HSL 98.38, 0.65%, 0.59%

LAB 79.72, -49.47, 57.11

 

CMYK 37 / 0 / 57 / 7

HEX #95ED66

RGB 149 237 102

HSL 99.11, 0.79%, 0.66%

LAB 85.97, -49.58, 56.17

 

CMYK 35 / 0 / 53 / 0

HEX #A6FF79

RGB 166 255 121

HSL 99.85, 1%, 0.74%

LAB 92.14, -49.6, 55.11

 

CMYK 49 / 0 / 73 / 28

HEX #5DB732

RGB 93 183 50

HSL 100.6, 0.57%, 0.46%

LAB 66.84, -49.98, 56.08

 

CMYK 54 / 0 / 81 / 35

HEX #4CA51F

RGB 76 165 31

HSL 99.85, 0.68%, 0.38%

LAB 60.38, -49.27, 55.89

 

CMYK 60 / 0 / 92 / 42

HEX #3B930C

RGB 59 147 12

HSL 99.11, 0.85%, 0.31%

LAB 53.84, -48.1, 54.42

 

CMYK 67 / 0 / 100 / 49

HEX #2A8100

RGB 42 129 0

HSL 100.47, 1%, 0.25%

LAB 47.23, -46.29, 50.97

 

CMYK 77 / 0 / 100 / 56

HEX #196F00

RGB 25 111 0

HSL 106.49, 1%, 0.22%

LAB 40.53, -43.65, 45.47

 

CMYK 49 / 0 / 73 / 28

HEX #5EB832

RGB 94 184 50

HSL 100.3, 0.57%, 0.46%

LAB 67.2, -50.07, 56.44

 

CMYK 29 / 0 / 73 / 28

HEX #82B832

RGB 130 184 50

HSL 84.18, 0.57%, 0.46%

LAB 68.94, -37.74, 58.76

 

CMYK 10 / 0 / 73 / 28

HEX #A6B832

RGB 166 184 50

HSL 68.06, 0.57%, 0.46%

LAB 71.3, -23.29, 61.86

 

CMYK 0 / 10 / 73 / 28

HEX #B8A632

RGB 184 166 50

HSL 51.94, 0.57%, 0.46%

LAB 67.79, -6.32, 58.99

 

CMYK 0 / 29 / 73 / 28

HEX #B88232

RGB 184 130 50

HSL 35.82, 0.57%, 0.46%

LAB 58.4, 13.28, 49.64

 

CMYK 49 / 0 / 73 / 28

HEX #5EB832

RGB 94 184 50

HSL 100.3, 0.57%, 0.46%

LAB 67.2, -50.07, 56.44

 

CMYK 68 / 0 / 73 / 28

HEX #3AB832

RGB 58 184 50

HSL 116.42, 0.57%, 0.46%

LAB 66.07, -59.04, 54.94

 

CMYK 73 / 0 / 57 / 28

HEX #32B84F

RGB 50 184 79

HSL 132.99, 0.57%, 0.46%

LAB 66.15, -57.38, 42.64

 

CMYK 73 / 0 / 38 / 28

HEX #32B873

RGB 50 184 115

HSL 149.1, 0.57%, 0.46%

LAB 66.67, -51.45, 25.05

 

CMYK 73 / 0 / 18 / 28

HEX #32B897

RGB 50 184 151

HSL 165.22, 0.57%, 0.46%

LAB 67.42, -43.36, 6.58

 

CMYK 49 / 0 / 73 / 28

HEX #5EB832

RGB 94 184 50

HSL 100.3, 0.57%, 0.46%

LAB 67.2, -50.07, 56.44

 

CMYK 57 / 0 / 85 / 20

HEX #57CB1F

RGB 87 203 31

HSL 100.47, 0.74%, 0.46%

LAB 72.78, -60.07, 67.25

 

CMYK 64 / 0 / 95 / 13

HEX #50DE0C

RGB 80 222 12

HSL 100.57, 0.9%, 0.46%

LAB 78.45, -68.58, 75.04

 

CMYK 49 / 0 / 73 / 28

HEX #5EB832

RGB 94 184 50

HSL 100.3, 0.57%, 0.46%

LAB 67.2, -50.07, 56.44

 

CMYK 39 / 0 / 58 / 35

HEX #64A545

RGB 100 165 69

HSL 100.63, 0.41%, 0.46%

LAB 61.7, -38.57, 42.57

 

CMYK 27 / 0 / 40 / 43

HEX #6B9258

RGB 107 146 88

HSL 100.34, 0.25%, 0.46%

LAB 56.47, -24.71, 26.51

 

CMYK 10 / 0 / 16 / 50

HEX #727F6B

RGB 114 127 107

HSL 99, 0.09%, 0.46%

LAB 51.63, -8.79, 9.27

 

CMYK 5 / 14 / 0 / 51

HEX #786C7E

RGB 120 108 126

HSL 280, 0.08%, 0.46%

LAB 47.27, 8.31, -8.24

 

CMYK 10 / 0 / 73 / 28

HEX #A6B832

RGB 166 184 50

HSL 68.06, 0.57%, 0.46%

LAB 71.3, -23.29, 61.86

 

CMYK 29 / 0 / 73 / 28

HEX #83B832

RGB 131 184 50

HSL 83.73, 0.57%, 0.46%

LAB 68.99, -37.36, 58.83

 

CMYK 48 / 0 / 73 / 28

HEX #5FB832

RGB 95 184 50

HSL 99.85, 0.57%, 0.46%

LAB 67.24, -49.76, 56.5

 

CMYK 68 / 0 / 73 / 28

HEX #3BB832

RGB 59 184 50

HSL 115.97, 0.57%, 0.46%

LAB 66.09, -58.84, 54.97

 

CMYK 73 / 0 / 58 / 28

HEX #32B84D

RGB 50 184 77

HSL 132.09, 0.57%, 0.46%

LAB 66.13, -57.64, 43.56

 

CMYK 49 / 0 / 72 / 53

HEX #3D7721

RGB 61 119 33

HSL 100.47, 0.57%, 0.3%

LAB 44.65, -35.28, 39.59

 

CMYK 49 / 0 / 72 / 40

HEX #4D982A

RGB 77 152 42

HSL 100.91, 0.57%, 0.38%

LAB 56.29, -43.16, 48.16

 

CMYK 49 / 0 / 73 / 28

HEX #5EB832

RGB 94 184 50

HSL 100.3, 0.57%, 0.46%

LAB 67.2, -50.07, 56.44

 

CMYK 44 / 0 / 65 / 20

HEX #72CD47

RGB 114 205 71

HSL 100.75, 0.57%, 0.54%

LAB 74.63, -50.57, 56.31

 

CMYK 35 / 0 / 51 / 16

HEX #8BD668

RGB 139 214 104

HSL 100.91, 0.57%, 0.62%

LAB 78.8, -42.9, 46.67

 

CMYK 49 / 0 / 73 / 28

HEX #5DB732

RGB 93 183 50

HSL 100.6, 0.57%, 0.46%

LAB 66.84, -49.98, 56.08

 

CMYK 73 / 0 / 10 / 28

HEX #32B8A6

RGB 50 184 166

HSL 171.94, 0.57%, 0.46%

LAB 67.81, -39.44, -1.11

 

CMYK 0 / 73 / 19 / 28

HEX #B83295

RGB 184 50 149

HSL 315.67, 0.57%, 0.46%

LAB 45.14, 62.42, -24.54

 

CMYK 49 / 0 / 73 / 28

HEX #5DB732

RGB 93 183 50

HSL 100.6, 0.57%, 0.46%

LAB 66.84, -49.98, 56.08

 

CMYK 73 / 48 / 0 / 28

HEX #325FB8

RGB 50 95 184

HSL 219.85, 0.57%, 0.46%

LAB 41.73, 15.61, -51.61

 

CMYK 0 / 73 / 48 / 28

HEX #B8325F

RGB 184 50 95

HSL 339.85, 0.57%, 0.46%

LAB 43.21, 56.25, 5.71

 

CMYK 49 / 0 / 73 / 28

HEX #5DB732

RGB 93 183 50

HSL 100.6, 0.57%, 0.46%

LAB 66.84, -49.98, 56.08

 

CMYK 73 / 0 / 10 / 28

HEX #32B8A6

RGB 50 184 166

HSL 171.94, 0.57%, 0.46%

LAB 67.81, -39.44, -1.11

 

CMYK 24 / 73 / 0 / 28

HEX #8C32B8

RGB 140 50 184

HSL 280.3, 0.57%, 0.46%

LAB 40.11, 58.52, -53.81

 

CMYK 0 / 73 / 63 / 28

HEX #B83244

RGB 184 50 68

HSL 351.94, 0.57%, 0.46%

LAB 42.6, 54.2, 21.68

 

CMYK 49 / 0 / 73 / 28

HEX #5DB732

RGB 93 183 50

HSL 100.6, 0.57%, 0.46%

LAB 66.84, -49.98, 56.08

 

CMYK 73 / 12 / 0 / 28

HEX #32A2B8

RGB 50 162 184

HSL 189.85, 0.57%, 0.46%

LAB 61.64, -23.57, -20.37

 

CMYK 24 / 73 / 0 / 28

HEX #8C32B8

RGB 140 50 184

HSL 280.3, 0.57%, 0.46%

LAB 40.11, 58.52, -53.81

 

CMYK 0 / 60 / 73 / 28

HEX #B84932

RGB 184 73 50

HSL 10.3, 0.57%, 0.46%

LAB 45.89, 43.58, 36.29

 

Description

Color code: HEX #5DB732 | qconv.com Color code: HEX #5DB732 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 183 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 183 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 73 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 73% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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