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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DB536 it is the complementary color #A24AC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DB536. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DB536 shade: #62B531, #73C744, #84D957, #95EB6A and #A6FD7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DB536. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DB536 shade: #5DB536, #4CA323, #3B9110, #2A7F00 and #196D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DB536 shade: #5DB536, #7FB536, #A1B536, #B5A636 and #B58436

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DB536 shade: #5DB536, #3BB536, #36B553, #36B576 and #36B598

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DB536 shade matches the following richer shades: #5DB536, #56C823 and #4EDB10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DB536 shade: #5DB536, #64A249, #6C8F5C, #737C6F and #7A6982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DB536 shade: #A2B536, #80B536, #5EB536, #3CB536 and #36B551

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DB536 shade: #3C7523, #4D952C, #5DB536, #72C94B and #8AD36A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DB536 shade: #5DB536, #36B5A6 and #B53691

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DB536 shade: #5DB536, #365EB5 and #B5365E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DB536 shade: #5DB536, #36B5A6, #8D36B5 and #B53645

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DB536 shade: #5DB536, #369DB5, #8D36B5 and #B54D36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

Complementary color

CMYK 19 / 63 / 0 / 21

HEX #A24AC9

RGB 162 74 201

HSL 281.57, 0.54%, 0.54%

LAB 48, 56.39, -50.87

 

CMYK 46 / 0 / 73 / 29

HEX #62B531

RGB 98 181 49

HSL 97.73, 0.57%, 0.45%

LAB 66.42, -47.72, 56.08

 

CMYK 42 / 0 / 66 / 22

HEX #73C744

RGB 115 199 68

HSL 98.47, 0.54%, 0.52%

LAB 72.83, -48.09, 55.61

 

CMYK 39 / 0 / 60 / 15

HEX #84D957

RGB 132 217 87

HSL 99.23, 0.63%, 0.6%

LAB 79.17, -48.28, 54.77

 

CMYK 37 / 0 / 55 / 8

HEX #95EB6A

RGB 149 235 106

HSL 100, 0.76%, 0.67%

LAB 85.43, -48.34, 53.76

 

CMYK 34 / 0 / 51 / 1

HEX #A6FD7D

RGB 166 253 125

HSL 100.78, 0.97%, 0.74%

LAB 91.61, -48.32, 52.65

 

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

CMYK 53 / 0 / 79 / 36

HEX #4CA323

RGB 76 163 35

HSL 100.78, 0.65%, 0.39%

LAB 59.76, -48.28, 54.07

 

CMYK 59 / 0 / 89 / 43

HEX #3B9110

RGB 59 145 16

HSL 100, 0.8%, 0.32%

LAB 53.19, -47.23, 53.07

 

CMYK 67 / 0 / 100 / 50

HEX #2A7F00

RGB 42 127 0

HSL 100.16, 1%, 0.25%

LAB 46.54, -45.59, 50.42

 

CMYK 77 / 0 / 100 / 57

HEX #196D00

RGB 25 109 0

HSL 106.24, 1%, 0.21%

LAB 39.82, -42.98, 44.91

 

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

CMYK 30 / 0 / 70 / 29

HEX #7FB536

RGB 127 181 54

HSL 85.51, 0.54%, 0.46%

LAB 67.89, -37.27, 56.17

 

CMYK 11 / 0 / 70 / 29

HEX #A1B536

RGB 161 181 54

HSL 69.45, 0.54%, 0.46%

LAB 70.1, -23.69, 59.12

 

CMYK 0 / 8 / 70 / 29

HEX #B5A636

RGB 181 166 54

HSL 52.91, 0.54%, 0.46%

LAB 67.55, -7.43, 57.11

 

CMYK 0 / 27 / 70 / 29

HEX #B58436

RGB 181 132 54

HSL 36.85, 0.54%, 0.46%

LAB 58.6, 11.05, 47.93

 

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

CMYK 67 / 0 / 70 / 29

HEX #3BB536

RGB 59 181 54

HSL 117.64, 0.54%, 0.46%

LAB 65.16, -57.49, 52.49

 

CMYK 70 / 0 / 54 / 29

HEX #36B553

RGB 54 181 83

HSL 133.7, 0.54%, 0.46%

LAB 65.32, -55.1, 39.75

 

CMYK 70 / 0 / 35 / 29

HEX #36B576

RGB 54 181 118

HSL 150.24, 0.54%, 0.46%

LAB 65.86, -49.06, 22.37

 

CMYK 70 / 0 / 16 / 29

HEX #36B598

RGB 54 181 152

HSL 166.3, 0.54%, 0.46%

LAB 66.6, -41.25, 4.85

 

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

CMYK 57 / 0 / 83 / 22

HEX #56C823

RGB 86 200 35

HSL 101.45, 0.7%, 0.46%

LAB 71.83, -59.1, 65.42

 

CMYK 64 / 0 / 93 / 14

HEX #4EDB10

RGB 78 219 16

HSL 101.67, 0.86%, 0.46%

LAB 77.47, -67.97, 73.77

 

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

CMYK 38 / 0 / 55 / 36

HEX #64A249

RGB 100 162 73

HSL 101.8, 0.38%, 0.46%

LAB 60.81, -36.79, 39.61

 

CMYK 24 / 0 / 36 / 44

HEX #6C8F5C

RGB 108 143 92

HSL 101.18, 0.22%, 0.46%

LAB 55.69, -22.21, 23.3

 

CMYK 7 / 0 / 10 / 51

HEX #737C6F

RGB 115 124 111

HSL 101.54, 0.06%, 0.46%

LAB 50.93, -5.97, 5.95

 

CMYK 6 / 19 / 0 / 49

HEX #7A6982

RGB 122 105 130

HSL 280.8, 0.11%, 0.46%

LAB 46.78, 11.7, -11.35

 

CMYK 10 / 0 / 70 / 29

HEX #A2B536

RGB 162 181 54

HSL 68.98, 0.54%, 0.46%

LAB 70.17, -23.27, 59.21

 

CMYK 29 / 0 / 70 / 29

HEX #80B536

RGB 128 181 54

HSL 85.04, 0.54%, 0.46%

LAB 67.95, -36.89, 56.25

 

CMYK 48 / 0 / 70 / 29

HEX #5EB536

RGB 94 181 54

HSL 101.1, 0.54%, 0.46%

LAB 66.29, -48.59, 54.01

 

CMYK 67 / 0 / 70 / 29

HEX #3CB536

RGB 60 181 54

HSL 117.17, 0.54%, 0.46%

LAB 65.18, -57.29, 52.52

 

CMYK 70 / 0 / 55 / 29

HEX #36B551

RGB 54 181 81

HSL 132.76, 0.54%, 0.46%

LAB 65.3, -55.38, 40.69

 

CMYK 49 / 0 / 70 / 54

HEX #3C7523

RGB 60 117 35

HSL 101.71, 0.54%, 0.3%

LAB 43.95, -34.57, 37.98

 

CMYK 48 / 0 / 70 / 42

HEX #4D952C

RGB 77 149 44

HSL 101.14, 0.54%, 0.38%

LAB 55.33, -41.77, 46.38

 

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

CMYK 43 / 0 / 63 / 21

HEX #72C94B

RGB 114 201 75

HSL 101.43, 0.54%, 0.54%

LAB 73.45, -48.6, 53.35

 

CMYK 35 / 0 / 50 / 17

HEX #8AD36A

RGB 138 211 106

HSL 101.71, 0.54%, 0.62%

LAB 77.89, -41.69, 44.61

 

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

CMYK 70 / 0 / 8 / 29

HEX #36B5A6

RGB 54 181 166

HSL 172.91, 0.54%, 0.46%

LAB 66.96, -37.55, -2.34

 

CMYK 0 / 70 / 20 / 29

HEX #B53691

RGB 181 54 145

HSL 317.01, 0.54%, 0.46%

LAB 44.95, 59.7, -22.47

 

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

CMYK 70 / 48 / 0 / 29

HEX #365EB5

RGB 54 94 181

HSL 221.1, 0.54%, 0.46%

LAB 41.42, 15.72, -50.34

 

CMYK 0 / 70 / 48 / 29

HEX #B5365E

RGB 181 54 94

HSL 341.1, 0.54%, 0.46%

LAB 43.17, 53.79, 6.2

 

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

CMYK 70 / 0 / 8 / 29

HEX #36B5A6

RGB 54 181 166

HSL 172.91, 0.54%, 0.46%

LAB 66.96, -37.55, -2.34

 

CMYK 22 / 70 / 0 / 29

HEX #8D36B5

RGB 141 54 181

HSL 281.1, 0.54%, 0.46%

LAB 40.63, 56.44, -51.19

 

CMYK 0 / 70 / 62 / 29

HEX #B53645

RGB 181 54 69

HSL 352.91, 0.54%, 0.46%

LAB 42.6, 51.83, 20.96

 

CMYK 49 / 0 / 70 / 29

HEX #5DB536

RGB 93 181 54

HSL 101.57, 0.54%, 0.46%

LAB 66.24, -48.89, 53.96

 

CMYK 70 / 13 / 0 / 29

HEX #369DB5

RGB 54 157 181

HSL 191.34, 0.54%, 0.46%

LAB 60.1, -21.4, -21.02

 

CMYK 22 / 70 / 0 / 29

HEX #8D36B5

RGB 141 54 181

HSL 281.1, 0.54%, 0.46%

LAB 40.63, 56.44, -51.19

 

CMYK 0 / 57 / 70 / 29

HEX #B54D36

RGB 181 77 54

HSL 10.87, 0.54%, 0.46%

LAB 46.17, 40.74, 34.25

 

Description

Color code: HEX #5DB536 | qconv.com Color code: HEX #5DB536 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 181 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 181 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 70 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 70% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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