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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DAAD3 it is the complementary color #A2552C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DAAD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DAAD3 shade: #62AACE, #73BCE1, #84CEF4, #95E0FF and #A6F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DAAD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DAAD3 shade: #5DAAD3, #4C98C0, #3B86AD, #2A749A and #196287

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DAAD3 shade: #5FABD3, #5F8BD3, #5F6CD3, #715FD3 and #905FD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DAAD3 shade: #5FABD3, #5F8BD3, #5F6CD3 and #5F5FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DAAD3 shade matches the following richer shades: #5FABD3, #4EB0E4 and #3EB5F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DAAD3 shade: #5FABD3, #6FA6C3, #80A1B2, #909CA2 and #A19791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DAAD3 shade: #5FD3BC, #5FCBD3, #5FACD3, #5F8DD3 and #5F6ED3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DAAD3 shade: #3083AF, #3E9ACA, #5FABD3, #7FBCDC and #A0CDE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DAAD3 shade: #5DAAD3, #9D5FD3 and #D3CB5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DAAD3 shade: #5DAAD3, #D35FAC and #ACD35F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DAAD3 shade: #5DAAD3, #9D5FD3, #D3865F and #95D35F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DAAD3 shade: #5DAAD3, #C05FD3, #D3865F and #72D35F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 19 / 0 / 17

HEX #5DAAD3

RGB 93 170 211

HSL 200.85, 0.57%, 0.6%

LAB 66.35, -12.1, -28.06

 

Complementary color

CMYK 0 / 48 / 73 / 36

HEX #A2552C

RGB 162 85 44

HSL 20.85, 0.57%, 0.4%

LAB 44.75, 28.47, 37.3

 

CMYK 52 / 17 / 0 / 19

HEX #62AACE

RGB 98 170 206

HSL 200, 0.52%, 0.6%

LAB 66.37, -12.53, -25.25

 

CMYK 49 / 16 / 0 / 12

HEX #73BCE1

RGB 115 188 225

HSL 200.18, 0.65%, 0.67%

LAB 72.92, -12.88, -25.56

 

CMYK 46 / 16 / 0 / 4

HEX #84CEF4

RGB 132 206 244

HSL 200.36, 0.84%, 0.74%

LAB 79.37, -13.15, -25.86

 

CMYK 42 / 12 / 0 / 0

HEX #95E0FF

RGB 149 224 255

HSL 197.55, 1%, 0.79%

LAB 85.46, -15.45, -22.35

 

CMYK 35 / 5 / 0 / 0

HEX #A6F2FF

RGB 166 242 255

HSL 188.76, 1%, 0.83%

LAB 91.16, -20.18, -13.69

 

CMYK 56 / 19 / 0 / 17

HEX #5DAAD3

RGB 93 170 211

HSL 200.85, 0.57%, 0.6%

LAB 66.35, -12.1, -28.06

 

CMYK 60 / 21 / 0 / 25

HEX #4C98C0

RGB 76 152 192

HSL 200.69, 0.48%, 0.53%

LAB 59.71, -11.51, -27.77

 

CMYK 66 / 23 / 0 / 32

HEX #3B86AD

RGB 59 134 173

HSL 200.53, 0.49%, 0.45%

LAB 52.95, -10.74, -27.46

 

CMYK 73 / 25 / 0 / 40

HEX #2A749A

RGB 42 116 154

HSL 200.36, 0.57%, 0.38%

LAB 46.06, -9.69, -27.12

 

CMYK 81 / 27 / 0 / 47

HEX #196287

RGB 25 98 135

HSL 200.18, 0.69%, 0.31%

LAB 39.06, -8.22, -26.73

 

CMYK 55 / 19 / 0 / 17

HEX #5FABD3

RGB 95 171 211

HSL 200.69, 0.57%, 0.6%

LAB 66.72, -12.23, -27.48

 

CMYK 55 / 34 / 0 / 17

HEX #5F8BD3

RGB 95 139 211

HSL 217.24, 0.57%, 0.6%

LAB 57.66, 5.88, -41.59

 

CMYK 55 / 49 / 0 / 17

HEX #5F6CD3

RGB 95 108 211

HSL 233.28, 0.57%, 0.6%

LAB 49.33, 24.66, -54.83

 

CMYK 46 / 55 / 0 / 17

HEX #715FD3

RGB 113 95 211

HSL 249.31, 0.57%, 0.6%

LAB 47.49, 36.36, -57.71

 

CMYK 32 / 55 / 0 / 17

HEX #905FD3

RGB 144 95 211

HSL 265.34, 0.57%, 0.6%

LAB 50.47, 43.59, -52.77

 

CMYK 55 / 19 / 0 / 17

HEX #5FABD3

RGB 95 171 211

HSL 200.69, 0.57%, 0.6%

LAB 66.72, -12.23, -27.48

 

CMYK 55 / 34 / 0 / 17

HEX #5F8BD3

RGB 95 139 211

HSL 217.24, 0.57%, 0.6%

LAB 57.66, 5.88, -41.59

 

CMYK 55 / 49 / 0 / 17

HEX #5F6CD3

RGB 95 108 211

HSL 233.28, 0.57%, 0.6%

LAB 49.33, 24.66, -54.83

 

CMYK 55 / 55 / 0 / 17

HEX #5F5FD3

RGB 95 95 211

HSL 240, 0.57%, 0.6%

LAB 46.07, 32.65, -60.08

 

CMYK 55 / 19 / 0 / 17

HEX #5FABD3

RGB 95 171 211

HSL 200.69, 0.57%, 0.6%

LAB 66.72, -12.23, -27.48

 

CMYK 66 / 23 / 0 / 11

HEX #4EB0E4

RGB 78 176 228

HSL 200.8, 0.74%, 0.6%

LAB 68.22, -12.77, -34.56

 

CMYK 75 / 26 / 0 / 4

HEX #3EB5F4

RGB 62 181 244

HSL 200.77, 0.89%, 0.6%

LAB 69.9, -12.41, -40.7

 

CMYK 55 / 19 / 0 / 17

HEX #5FABD3

RGB 95 171 211

HSL 200.69, 0.57%, 0.6%

LAB 66.72, -12.23, -27.48

 

CMYK 43 / 15 / 0 / 24

HEX #6FA6C3

RGB 111 166 195

HSL 200.71, 0.41%, 0.6%

LAB 65.43, -10.4, -20.53

 

CMYK 28 / 10 / 0 / 30

HEX #80A1B2

RGB 128 161 178

HSL 200.4, 0.25%, 0.6%

LAB 64.4, -7.31, -12.51

 

CMYK 11 / 4 / 0 / 36

HEX #909CA2

RGB 144 156 162

HSL 200, 0.09%, 0.6%

LAB 63.6, -3.02, -4.6

 

CMYK 0 / 6 / 10 / 37

HEX #A19791

RGB 161 151 145

HSL 22.5, 0.08%, 0.6%

LAB 63.14, 2.59, 4.47

 

CMYK 55 / 0 / 11 / 17

HEX #5FD3BC

RGB 95 211 188

HSL 168.1, 0.57%, 0.6%

LAB 77.67, -38.37, 1.46

 

CMYK 55 / 4 / 0 / 17

HEX #5FCBD3

RGB 95 203 211

HSL 184.14, 0.57%, 0.6%

LAB 75.98, -28.65, -13.42

 

CMYK 55 / 18 / 0 / 17

HEX #5FACD3

RGB 95 172 211

HSL 200.17, 0.57%, 0.6%

LAB 67.01, -12.77, -27.04

 

CMYK 55 / 33 / 0 / 17

HEX #5F8DD3

RGB 95 141 211

HSL 216.21, 0.57%, 0.6%

LAB 58.21, 4.7, -40.72

 

CMYK 55 / 48 / 0 / 17

HEX #5F6ED3

RGB 95 110 211

HSL 232.24, 0.57%, 0.6%

LAB 49.84, 23.43, -54.01

 

CMYK 73 / 25 / 0 / 31

HEX #3083AF

RGB 48 131 175

HSL 200.79, 0.57%, 0.44%

LAB 51.79, -10.07, -30.44

 

CMYK 69 / 24 / 0 / 21

HEX #3E9ACA

RGB 62 154 202

HSL 200.57, 0.57%, 0.52%

LAB 60.25, -11.74, -32.58

 

CMYK 55 / 19 / 0 / 17

HEX #5FABD3

RGB 95 171 211

HSL 200.69, 0.57%, 0.6%

LAB 66.72, -12.23, -27.48

 

CMYK 42 / 15 / 0 / 14

HEX #7FBCDC

RGB 127 188 220

HSL 200.65, 0.57%, 0.68%

LAB 73.32, -11.37, -22.19

 

CMYK 30 / 10 / 0 / 10

HEX #A0CDE5

RGB 160 205 229

HSL 200.87, 0.57%, 0.76%

LAB 80.06, -9.17, -16.65

 

CMYK 56 / 19 / 0 / 17

HEX #5DAAD3

RGB 93 170 211

HSL 200.85, 0.57%, 0.6%

LAB 66.35, -12.1, -28.06

 

CMYK 26 / 55 / 0 / 17

HEX #9D5FD3

RGB 157 95 211

HSL 272.07, 0.57%, 0.6%

LAB 51.9, 46.83, -50.4

 

CMYK 0 / 4 / 55 / 17

HEX #D3CB5F

RGB 211 203 95

HSL 55.86, 0.57%, 0.6%

LAB 80.4, -11.11, 53.95

 

CMYK 56 / 19 / 0 / 17

HEX #5DAAD3

RGB 93 170 211

HSL 200.85, 0.57%, 0.6%

LAB 66.35, -12.1, -28.06

 

CMYK 0 / 55 / 18 / 17

HEX #D35FAC

RGB 211 95 172

HSL 320.17, 0.57%, 0.6%

LAB 57.09, 54.61, -19.38

 

CMYK 18 / 0 / 55 / 17

HEX #ACD35F

RGB 172 211 95

HSL 80.17, 0.57%, 0.6%

LAB 79.72, -30.62, 52.42

 

CMYK 56 / 19 / 0 / 17

HEX #5DAAD3

RGB 93 170 211

HSL 200.85, 0.57%, 0.6%

LAB 66.35, -12.1, -28.06

 

CMYK 26 / 55 / 0 / 17

HEX #9D5FD3

RGB 157 95 211

HSL 272.07, 0.57%, 0.6%

LAB 51.9, 46.83, -50.4

 

CMYK 0 / 36 / 55 / 17

HEX #D3865F

RGB 211 134 95

HSL 20.17, 0.57%, 0.6%

LAB 63.12, 25.56, 33.17

 

CMYK 29 / 0 / 55 / 17

HEX #95D35F

RGB 149 211 95

HSL 92.07, 0.57%, 0.6%

LAB 78.35, -39.12, 50.47

 

CMYK 56 / 19 / 0 / 17

HEX #5DAAD3

RGB 93 170 211

HSL 200.85, 0.57%, 0.6%

LAB 66.35, -12.1, -28.06

 

CMYK 9 / 55 / 0 / 17

HEX #C05FD3

RGB 192 95 211

HSL 290.17, 0.57%, 0.6%

LAB 56.18, 55.88, -43.34

 

CMYK 0 / 36 / 55 / 17

HEX #D3865F

RGB 211 134 95

HSL 20.17, 0.57%, 0.6%

LAB 63.12, 25.56, 33.17

 

CMYK 46 / 0 / 55 / 17

HEX #72D35F

RGB 114 211 95

HSL 110.17, 0.57%, 0.6%

LAB 76.67, -50.54, 48.09

 

Description

Color code: HEX #5DAAD3 | qconv.com Color code: HEX #5DAAD3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 170 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 170 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 19 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 19% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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