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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DA7D8 it is the complementary color #A25827. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DA7D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DA7D8 shade: #62A7D3, #73B9E6, #84CBF9, #95DDFF and #A6EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DA7D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DA7D8 shade: #5DA7D8, #4C95C5, #3B83B2, #2A719F and #195F8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DA7D8 shade: #5FA8D8, #5F87D8, #5F66D8, #785FD8 and #995FD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DA7D8 shade: #5FA8D8, #5F87D8, #5F66D8 and #5F5FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DA7D8 shade matches the following richer shades: #5FA8D8, #4FABE8 and #3FAEF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DA7D8 shade: #5FA8D8, #6FA5C8, #7FA1B8, #8F9EA8 and #9F9B98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DA7D8 shade: #5FD8C6, #5FCAD8, #5FAAD8, #5F89D8 and #5F69D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DA7D8 shade: #2D80B8, #3E96D0, #5FA8D8, #80BAE0 and #A1CCE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DA7D8 shade: #5DA7D8, #A65FD8 and #D8D65F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DA7D8 shade: #5DA7D8, #D85FAA and #AAD85F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DA7D8 shade: #5DA7D8, #A65FD8, #D88D5F and #91D85F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DA7D8 shade: #5DA7D8, #CA5FD8, #D88D5F and #6DD85F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 23 / 0 / 15

HEX #5DA7D8

RGB 93 167 216

HSL 203.9, 0.61%, 0.61%

LAB 65.69, -8.94, -31.84

 

Complementary color

CMYK 0 / 46 / 76 / 36

HEX #A25827

RGB 162 88 39

HSL 23.9, 0.61%, 0.39%

LAB 45.37, 26.58, 40.51

 

CMYK 54 / 21 / 0 / 17

HEX #62A7D3

RGB 98 167 211

HSL 203.36, 0.56%, 0.61%

LAB 65.7, -9.42, -29.05

 

CMYK 50 / 20 / 0 / 10

HEX #73B9E6

RGB 115 185 230

HSL 203.48, 0.7%, 0.68%

LAB 72.27, -9.86, -29.28

 

CMYK 47 / 18 / 0 / 2

HEX #84CBF9

RGB 132 203 249

HSL 203.59, 0.91%, 0.75%

LAB 78.73, -10.22, -29.52

 

CMYK 42 / 13 / 0 / 0

HEX #95DDFF

RGB 149 221 255

HSL 199.25, 1%, 0.79%

LAB 84.65, -13.92, -23.59

 

CMYK 35 / 6 / 0 / 0

HEX #A6EFFF

RGB 166 239 255

HSL 190.79, 1%, 0.83%

LAB 90.35, -18.7, -14.9

 

CMYK 57 / 23 / 0 / 15

HEX #5DA7D8

RGB 93 167 216

HSL 203.9, 0.61%, 0.61%

LAB 65.69, -8.94, -31.84

 

CMYK 61 / 24 / 0 / 23

HEX #4C95C5

RGB 76 149 197

HSL 203.8, 0.51%, 0.54%

LAB 59.03, -8.24, -31.63

 

CMYK 67 / 26 / 0 / 30

HEX #3B83B2

RGB 59 131 178

HSL 203.7, 0.5%, 0.46%

LAB 52.26, -7.33, -31.4

 

CMYK 74 / 29 / 0 / 38

HEX #2A719F

RGB 42 113 159

HSL 203.59, 0.58%, 0.39%

LAB 45.37, -6.12, -31.16

 

CMYK 82 / 32 / 0 / 45

HEX #195F8C

RGB 25 95 140

HSL 203.48, 0.7%, 0.32%

LAB 38.35, -4.47, -30.87

 

CMYK 56 / 22 / 0 / 15

HEX #5FA8D8

RGB 95 168 216

HSL 203.8, 0.61%, 0.61%

LAB 66.06, -9.08, -31.27

 

CMYK 56 / 38 / 0 / 15

HEX #5F87D8

RGB 95 135 216

HSL 220.17, 0.61%, 0.61%

LAB 56.8, 9.85, -45.75

 

CMYK 56 / 53 / 0 / 15

HEX #5F66D8

RGB 95 102 216

HSL 236.53, 0.61%, 0.61%

LAB 48.13, 29.96, -59.61

 

CMYK 44 / 56 / 0 / 15

HEX #785FD8

RGB 120 95 216

HSL 252.4, 0.61%, 0.61%

LAB 48.43, 39.33, -59.02

 

CMYK 29 / 56 / 0 / 15

HEX #995FD8

RGB 153 95 216

HSL 268.76, 0.61%, 0.61%

LAB 51.74, 47.02, -53.53

 

CMYK 56 / 22 / 0 / 15

HEX #5FA8D8

RGB 95 168 216

HSL 203.8, 0.61%, 0.61%

LAB 66.06, -9.08, -31.27

 

CMYK 56 / 38 / 0 / 15

HEX #5F87D8

RGB 95 135 216

HSL 220.17, 0.61%, 0.61%

LAB 56.8, 9.85, -45.75

 

CMYK 56 / 53 / 0 / 15

HEX #5F66D8

RGB 95 102 216

HSL 236.53, 0.61%, 0.61%

LAB 48.13, 29.96, -59.61

 

CMYK 56 / 56 / 0 / 15

HEX #5F5FD8

RGB 95 95 216

HSL 240, 0.61%, 0.61%

LAB 46.41, 34.24, -62.38

 

CMYK 56 / 22 / 0 / 15

HEX #5FA8D8

RGB 95 168 216

HSL 203.8, 0.61%, 0.61%

LAB 66.06, -9.08, -31.27

 

CMYK 66 / 26 / 0 / 9

HEX #4FABE8

RGB 79 171 232

HSL 203.92, 0.77%, 0.61%

LAB 66.99, -8.59, -38.66

 

CMYK 75 / 30 / 0 / 3

HEX #3FAEF8

RGB 63 174 248

HSL 204, 0.93%, 0.61%

LAB 68.1, -7.11, -45.68

 

CMYK 56 / 22 / 0 / 15

HEX #5FA8D8

RGB 95 168 216

HSL 203.8, 0.61%, 0.61%

LAB 66.06, -9.08, -31.27

 

CMYK 45 / 18 / 0 / 22

HEX #6FA5C8

RGB 111 165 200

HSL 203.6, 0.45%, 0.61%

LAB 65.33, -8.47, -23.47

 

CMYK 31 / 13 / 0 / 28

HEX #7FA1B8

RGB 127 161 184

HSL 204.21, 0.29%, 0.61%

LAB 64.53, -6.13, -15.67

 

CMYK 15 / 6 / 0 / 34

HEX #8F9EA8

RGB 143 158 168

HSL 204, 0.13%, 0.61%

LAB 64.26, -3.17, -7.01

 

CMYK 0 / 3 / 4 / 38

HEX #9F9B98

RGB 159 155 152

HSL 25.71, 0.04%, 0.61%

LAB 64.23, 0.9, 2.08

 

CMYK 56 / 0 / 8 / 15

HEX #5FD8C6

RGB 95 216 198

HSL 171.07, 0.61%, 0.61%

LAB 79.4, -38.17, -1.36

 

CMYK 56 / 6 / 0 / 15

HEX #5FCAD8

RGB 95 202 216

HSL 186.94, 0.61%, 0.61%

LAB 75.84, -26.78, -16.32

 

CMYK 56 / 21 / 0 / 15

HEX #5FAAD8

RGB 95 170 216

HSL 202.81, 0.61%, 0.61%

LAB 66.63, -10.18, -30.39

 

CMYK 56 / 37 / 0 / 15

HEX #5F89D8

RGB 95 137 216

HSL 219.17, 0.61%, 0.61%

LAB 57.35, 8.66, -44.88

 

CMYK 56 / 51 / 0 / 15

HEX #5F69D8

RGB 95 105 216

HSL 235.04, 0.61%, 0.61%

LAB 48.88, 28.12, -58.4

 

CMYK 76 / 30 / 0 / 28

HEX #2D80B8

RGB 45 128 184

HSL 204.17, 0.61%, 0.45%

LAB 51.22, -5.54, -36.52

 

CMYK 70 / 28 / 0 / 18

HEX #3E96D0

RGB 62 150 208

HSL 203.84, 0.61%, 0.53%

LAB 59.33, -7.47, -37.37

 

CMYK 56 / 22 / 0 / 15

HEX #5FA8D8

RGB 95 168 216

HSL 203.8, 0.61%, 0.61%

LAB 66.06, -9.08, -31.27

 

CMYK 43 / 17 / 0 / 12

HEX #80BAE0

RGB 128 186 224

HSL 203.75, 0.61%, 0.69%

LAB 72.95, -8.98, -24.92

 

CMYK 31 / 12 / 0 / 9

HEX #A1CCE8

RGB 161 204 232

HSL 203.66, 0.61%, 0.77%

LAB 79.95, -7.65, -18.43

 

CMYK 57 / 23 / 0 / 15

HEX #5DA7D8

RGB 93 167 216

HSL 203.9, 0.61%, 0.61%

LAB 65.69, -8.94, -31.84

 

CMYK 23 / 56 / 0 / 15

HEX #A65FD8

RGB 166 95 216

HSL 275.21, 0.61%, 0.61%

LAB 53.22, 50.24, -51.08

 

CMYK 0 / 1 / 56 / 15

HEX #D8D65F

RGB 216 214 95

HSL 59.01, 0.61%, 0.61%

LAB 83.71, -14.59, 57.82

 

CMYK 57 / 23 / 0 / 15

HEX #5DA7D8

RGB 93 167 216

HSL 203.9, 0.61%, 0.61%

LAB 65.69, -8.94, -31.84

 

CMYK 0 / 56 / 21 / 15

HEX #D85FAA

RGB 216 95 170

HSL 322.81, 0.61%, 0.61%

LAB 57.74, 55.82, -17.17

 

CMYK 21 / 0 / 56 / 15

HEX #AAD85F

RGB 170 216 95

HSL 82.81, 0.61%, 0.61%

LAB 81.01, -33.71, 53.87

 

CMYK 57 / 23 / 0 / 15

HEX #5DA7D8

RGB 93 167 216

HSL 203.9, 0.61%, 0.61%

LAB 65.69, -8.94, -31.84

 

CMYK 23 / 56 / 0 / 15

HEX #A65FD8

RGB 166 95 216

HSL 275.21, 0.61%, 0.61%

LAB 53.22, 50.24, -51.08

 

CMYK 0 / 35 / 56 / 15

HEX #D88D5F

RGB 216 141 95

HSL 22.81, 0.61%, 0.61%

LAB 65.34, 23.82, 36.08

 

CMYK 33 / 0 / 56 / 15

HEX #91D85F

RGB 145 216 95

HSL 95.21, 0.61%, 0.61%

LAB 79.59, -42.72, 51.87

 

CMYK 57 / 23 / 0 / 15

HEX #5DA7D8

RGB 93 167 216

HSL 203.9, 0.61%, 0.61%

LAB 65.69, -8.94, -31.84

 

CMYK 6 / 56 / 0 / 15

HEX #CA5FD8

RGB 202 95 216

HSL 293.06, 0.61%, 0.61%

LAB 57.75, 59.42, -43.61

 

CMYK 0 / 35 / 56 / 15

HEX #D88D5F

RGB 216 141 95

HSL 22.81, 0.61%, 0.61%

LAB 65.34, 23.82, 36.08

 

CMYK 50 / 0 / 56 / 15

HEX #6DD85F

RGB 109 216 95

HSL 113.06, 0.61%, 0.61%

LAB 77.99, -53.95, 49.59

 

Description

Color code: HEX #5DA7D8 | qconv.com Color code: HEX #5DA7D8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 167 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 167 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 23 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 23% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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