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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DA5FDCE it is the complementary color #A25A02CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DA5FDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DA5FDCE shade: #62A5F8CE, #73B7FFCE, #84C9FFCE, #95DBFFCE and #A6EDFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DA5FDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DA5FDCE shade: #5DA5FDCE, #4C93EACE, #3B81D7CE, #2A6FC4CE and #195DB1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DA5FDCE shade: #5DA5FD, #5D7AFD, #6C5DFD, #975DFD and #C25DFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DA5FDCE shade: #5DA5FD, #5D7AFD and #5D5DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DA5FDCE shade matches the following richer shades: #5DA5FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DA5FDCE shade: #5DA5FD, #6BA7F0, #78A8E3, #85A9D6 and #92ABC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DA5FDCE shade: #5DFBFD, #5DD0FD, #5DA5FD, #5D7BFD and #6B5DFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DA5FDCE shade: #0C78FD, #358FFD, #5DA5FD, #86BCFE and #AFD3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DA5FDCE shade: #5DA5FD, #D55DFD and #E5FD5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DA5FDCE shade: #5DA5FD, #FD5DA5 and #A5FD5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DA5FDCE shade: #5DA5FD, #D55DFD, #FDB55D and #85FD5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DA5FDCE shade: #5DA5FD, #FD5DF5, #FDB55D and #5DFD65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 28 / 0 / 1

HEX #5DA5FDCE

RGBA 93 165 253 0.81

HSLA 213, 0.98%, 0.68%, 0.81

LABA 66.77, 3.98, -50.43, 0.81

 

Complementary color

CMYK 0 / 36 / 80 / 30

HEX #A25A02CE

RGBA 162 90 2 0.81

HSLA 33, 0.98%, 0.32%, 0.81

LABA 45.63, 24.46, 53.72, 0.81

 

CMYK 49 / 27 / 0 / 2

HEX #62A5F8CE

RGBA 98 165 248 0.81

HSLA 213.2, 0.91%, 0.68%, 0.81

LABA 66.74, 3.24, -47.75, 0.81

 

CMYK 44 / 23 / 0 / 0

HEX #73B7FFCE

RGBA 115 183 255 0.81

HSLA 210.86, 1%, 0.73%, 0.81

LABA 72.71, -1.39, -42.11, 0.81

 

CMYK 39 / 17 / 0 / 0

HEX #84C9FFCE

RGBA 132 201 255 0.81

HSLA 206.34, 1%, 0.76%, 0.81

LABA 78.4, -7.49, -33.22, 0.81

 

CMYK 34 / 11 / 0 / 0

HEX #95DBFFCE

RGBA 149 219 255 0.81

HSLA 200.38, 1%, 0.79%, 0.81

LABA 84.11, -12.89, -24.41, 0.81

 

CMYK 28 / 6 / 0 / 0

HEX #A6EDFFCE

RGBA 166 237 255 0.81

HSLA 192.13, 1%, 0.83%, 0.81

LABA 89.81, -17.7, -15.71, 0.81

 

CMYK 51 / 28 / 0 / 1

HEX #5DA5FDCE

RGBA 93 165 253 0.81

HSLA 213, 0.98%, 0.68%, 0.81

LABA 66.77, 3.98, -50.43, 0.81

 

CMYK 55 / 30 / 0 / 7

HEX #4C93EACE

RGBA 76 147 234 0.81

HSLA 213.04, 0.79%, 0.61%, 0.81

LABA 60.2, 5.3, -50.45, 0.81

 

CMYK 59 / 32 / 0 / 13

HEX #3B81D7CE

RGBA 59 129 215 0.81

HSLA 213.08, 0.66%, 0.54%, 0.81

LABA 53.53, 6.91, -50.48, 0.81

 

CMYK 64 / 35 / 0 / 19

HEX #2A6FC4CE

RGBA 42 111 196 0.81

HSLA 213.12, 0.65%, 0.47%, 0.81

LABA 46.77, 8.93, -50.48, 0.81

 

CMYK 70 / 38 / 0 / 25

HEX #195DB1CE

RGBA 25 93 177 0.81

HSLA 213.16, 0.75%, 0.4%, 0.81

LABA 39.93, 11.49, -50.43, 0.81

 

CMYK 63 / 35 / 0 / 1

HEX #5DA5FD

RGB 93 165 253

HSL 213, 0.98%, 0.68%

LAB 66.77, 3.98, -50.43

 

CMYK 63 / 52 / 0 / 1

HEX #5D7AFD

RGB 93 122 253

HSL 229.13, 0.98%, 0.68%

LAB 55.42, 29.55, -68.57

 

CMYK 57 / 63 / 0 / 1

HEX #6C5DFD

RGB 108 93 253

HSL 245.63, 0.98%, 0.68%

LAB 49.63, 49.13, -77.93

 

CMYK 40 / 63 / 0 / 1

HEX #975DFD

RGB 151 93 253

HSL 261.75, 0.98%, 0.68%

LAB 53.49, 56.81, -71.47

 

CMYK 23 / 63 / 0 / 1

HEX #C25DFD

RGB 194 93 253

HSL 277.88, 0.98%, 0.68%

LAB 58.41, 65.76, -63.3

 

CMYK 63 / 35 / 0 / 1

HEX #5DA5FD

RGB 93 165 253

HSL 213, 0.98%, 0.68%

LAB 66.77, 3.98, -50.43

 

CMYK 63 / 52 / 0 / 1

HEX #5D7AFD

RGB 93 122 253

HSL 229.13, 0.98%, 0.68%

LAB 55.42, 29.55, -68.57

 

CMYK 63 / 63 / 0 / 1

HEX #5D5DFD

RGB 93 93 253

HSL 240, 0.98%, 0.68%

LAB 48.57, 46.91, -79.7

 

CMYK 63 / 35 / 0 / 1

HEX #5DA5FD

RGB 93 165 253

HSL 213, 0.98%, 0.68%

LAB 66.77, 3.98, -50.43

 

CMYK 63 / 35 / 0 / 1

HEX #5DA5FD

RGB 93 165 253

HSL 213, 0.98%, 0.68%

LAB 66.77, 3.98, -50.43

 

CMYK 55 / 30 / 0 / 6

HEX #6BA7F0

RGB 107 167 240

HSL 212.93, 0.82%, 0.68%

LAB 67.32, 1.32, -42.44

 

CMYK 47 / 26 / 0 / 11

HEX #78A8E3

RGB 120 168 227

HSL 213.08, 0.66%, 0.68%

LAB 67.68, -0.24, -34.7

 

CMYK 38 / 21 / 0 / 16

HEX #85A9D6

RGB 133 169 214

HSL 213.33, 0.5%, 0.68%

LAB 68.18, -1.09, -26.73

 

CMYK 27 / 15 / 0 / 21

HEX #92ABC9

RGB 146 171 201

HSL 212.73, 0.34%, 0.68%

LAB 69.08, -1.77, -18.12

 

CMYK 63 / 1 / 0 / 1

HEX #5DFBFD

RGB 93 251 253

HSL 180.75, 0.98%, 0.68%

LAB 90.97, -40.06, -13.21

 

CMYK 63 / 18 / 0 / 1

HEX #5DD0FD

RGB 93 208 253

HSL 196.88, 0.98%, 0.68%

LAB 78.77, -19.37, -31.71

 

CMYK 63 / 35 / 0 / 1

HEX #5DA5FD

RGB 93 165 253

HSL 213, 0.98%, 0.68%

LAB 66.77, 3.98, -50.43

 

CMYK 63 / 51 / 0 / 1

HEX #5D7BFD

RGB 93 123 253

HSL 228.75, 0.98%, 0.68%

LAB 55.67, 28.95, -68.17

 

CMYK 58 / 63 / 0 / 1

HEX #6B5DFD

RGB 107 93 253

HSL 245.25, 0.98%, 0.68%

LAB 49.55, 48.98, -78.06

 

CMYK 95 / 53 / 0 / 1

HEX #0C78FD

RGB 12 120 253

HSL 213.11, 0.98%, 0.52%

LAB 52.51, 23.32, -73.39

 

CMYK 79 / 43 / 0 / 1

HEX #358FFD

RGB 53 143 253

HSL 213, 0.98%, 0.6%

LAB 59.43, 11.56, -62.2

 

CMYK 63 / 35 / 0 / 1

HEX #5DA5FD

RGB 93 165 253

HSL 213, 0.98%, 0.68%

LAB 66.77, 3.98, -50.43

 

CMYK 47 / 26 / 0 / 0

HEX #86BCFE

RGB 134 188 254

HSL 213, 0.98%, 0.76%

LAB 74.94, -0.28, -38.03

 

CMYK 31 / 17 / 0 / 0

HEX #AFD3FE

RGB 175 211 254

HSL 212.66, 0.98%, 0.84%

LAB 83.37, -2.12, -24.88

 

CMYK 63 / 35 / 0 / 1

HEX #5DA5FD

RGB 93 165 253

HSL 213, 0.98%, 0.68%

LAB 66.77, 3.98, -50.43

 

CMYK 16 / 63 / 0 / 1

HEX #D55DFD

RGB 213 93 253

HSL 285, 0.98%, 0.68%

LAB 60.84, 69.94, -59.26

 

CMYK 9 / 0 / 63 / 1

HEX #E5FD5D

RGB 229 253 93

HSL 69, 0.98%, 0.68%

LAB 95.03, -28.32, 71.26

 

CMYK 63 / 35 / 0 / 1

HEX #5DA5FD

RGB 93 165 253

HSL 213, 0.98%, 0.68%

LAB 66.77, 3.98, -50.43

 

CMYK 0 / 63 / 35 / 1

HEX #FD5DA5

RGB 253 93 165

HSL 333, 0.98%, 0.68%

LAB 62.87, 66.92, -6.01

 

CMYK 35 / 0 / 63 / 1

HEX #A5FD5D

RGB 165 253 93

HSL 93, 0.98%, 0.68%

LAB 91.25, -51.74, 66.09

 

CMYK 63 / 35 / 0 / 1

HEX #5DA5FD

RGB 93 165 253

HSL 213, 0.98%, 0.68%

LAB 66.77, 3.98, -50.43

 

CMYK 16 / 63 / 0 / 1

HEX #D55DFD

RGB 213 93 253

HSL 285, 0.98%, 0.68%

LAB 60.84, 69.94, -59.26

 

CMYK 0 / 28 / 63 / 1

HEX #FDB55D

RGB 253 181 93

HSL 33, 0.98%, 0.68%

LAB 78.88, 17.57, 54.21

 

CMYK 47 / 0 / 63 / 1

HEX #85FD5D

RGB 133 253 93

HSL 105, 0.98%, 0.68%

LAB 89.87, -61.59, 64.18

 

CMYK 63 / 35 / 0 / 1

HEX #5DA5FD

RGB 93 165 253

HSL 213, 0.98%, 0.68%

LAB 66.77, 3.98, -50.43

 

CMYK 0 / 63 / 3 / 1

HEX #FD5DF5

RGB 253 93 245

HSL 303, 0.98%, 0.68%

LAB 65.98, 77.68, -46.34

 

CMYK 0 / 28 / 63 / 1

HEX #FDB55D

RGB 253 181 93

HSL 33, 0.98%, 0.68%

LAB 78.88, 17.57, 54.21

 

CMYK 63 / 0 / 60 / 1

HEX #5DFD65

RGB 93 253 101

HSL 123, 0.98%, 0.68%

LAB 88.69, -70.46, 59.21

 

Description

Color code: HEX #5DA5FDCE | qconv.com Color code: HEX #5DA5FDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 165 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 165 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 28 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 28% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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