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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DA0F74C it is the complementary color #A25F084C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DA0F74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DA0F74C shade: #62A0F24C, #73B2FF4C, #84C4FF4C, #95D6FF4C and #A6E8FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DA0F74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DA0F74C shade: #5DA0F74C, #4C8EE44C, #3B7CD14C, #2A6ABE4C and #1958AB4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DA0F74C shade: #5EA1F7, #5E78F7, #6E5EF7, #985EF7 and #C15EF7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DA0F74C shade: #5EA1F7, #5E78F7 and #5E5EF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DA0F74C shade matches the following richer shades: #5EA1F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DA0F74C shade: #5EA1F7, #6CA3EA, #7AA4DC, #87A6CF and #95A8C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DA0F74C shade: #5EF5F7, #5ECCF7, #5EA3F7, #5E7AF7 and #6B5EF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DA0F74C shade: #0F73F4, #378AF6, #5EA1F7, #86B8F9 and #ADCFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DA0F74C shade: #5DA0F7, #D15EF7 and #E0F75E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DA0F74C shade: #5DA0F7, #F75EA3 and #A3F75E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DA0F74C shade: #5DA0F7, #D15EF7, #F7B35E and #85F75E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DA0F74C shade: #5DA0F7, #F75EF0, #F7B35E and #5EF766

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 11 / 0 / 1

HEX #5DA0F74C

RGBA 93 160 247 0.3

HSLA 213.9, 0.91%, 0.67%, 0.3

LABA 65.11, 4.89, -49.79, 0.3

 

Complementary color

CMYK 0 / 12 / 29 / 11

HEX #A25F084C

RGBA 162 95 8 0.3

HSLA 33.9, 0.91%, 0.33%, 0.3

LABA 46.82, 21.76, 53.09, 0.3

 

CMYK 18 / 10 / 0 / 2

HEX #62A0F24C

RGBA 98 160 242 0.3

HSLA 214.17, 0.85%, 0.67%, 0.3

LABA 65.08, 4.17, -47.08, 0.3

 

CMYK 16 / 9 / 0 / 0

HEX #73B2FF4C

RGBA 115 178 255 0.3

HSLA 213, 1%, 0.73%, 0.3

LABA 71.35, 1.39, -44.24, 0.3

 

CMYK 14 / 7 / 0 / 0

HEX #84C4FF4C

RGBA 132 196 255 0.3

HSLA 208.78, 1%, 0.76%, 0.3

LABA 77.04, -4.81, -35.32, 0.3

 

CMYK 12 / 5 / 0 / 0

HEX #95D6FF4C

RGBA 149 214 255 0.3

HSLA 203.21, 1%, 0.79%, 0.3

LABA 82.76, -10.3, -26.47, 0.3

 

CMYK 10 / 3 / 0 / 0

HEX #A6E8FF4C

RGBA 166 232 255 0.3

HSLA 195.51, 1%, 0.83%, 0.3

LABA 88.47, -15.19, -17.73, 0.3

 

CMYK 19 / 11 / 0 / 1

HEX #5DA0F74C

RGBA 93 160 247 0.3

HSLA 213.9, 0.91%, 0.67%, 0.3

LABA 65.11, 4.89, -49.79, 0.3

 

CMYK 20 / 11 / 0 / 3

HEX #4C8EE44C

RGBA 76 142 228 0.3

HSLA 213.95, 0.74%, 0.6%, 0.3

LABA 58.49, 6.19, -49.83, 0.3

 

CMYK 22 / 12 / 0 / 5

HEX #3B7CD14C

RGBA 59 124 209 0.3

HSLA 214, 0.62%, 0.53%, 0.3

LABA 51.78, 7.8, -49.88, 0.3

 

CMYK 23 / 13 / 0 / 8

HEX #2A6ABE4C

RGBA 42 106 190 0.3

HSLA 214.05, 0.64%, 0.45%, 0.3

LABA 44.97, 9.81, -49.91, 0.3

 

CMYK 26 / 15 / 0 / 10

HEX #1958AB4C

RGBA 25 88 171 0.3

HSLA 214.11, 0.74%, 0.38%, 0.3

LABA 38.07, 12.38, -49.89, 0.3

 

CMYK 62 / 35 / 0 / 3

HEX #5EA1F7

RGB 94 161 247

HSL 213.73, 0.91%, 0.67%

LAB 65.42, 4.49, -49.29

 

CMYK 62 / 51 / 0 / 3

HEX #5E78F7

RGB 94 120 247

HSL 229.8, 0.91%, 0.67%

LAB 54.58, 28.94, -66.6

 

CMYK 55 / 62 / 0 / 3

HEX #6E5EF7

RGB 110 94 247

HSL 246.27, 0.91%, 0.67%

LAB 49.54, 47.08, -74.73

 

CMYK 38 / 62 / 0 / 3

HEX #985EF7

RGB 152 94 247

HSL 262.75, 0.91%, 0.67%

LAB 53.38, 54.98, -68.32

 

CMYK 22 / 62 / 0 / 3

HEX #C15EF7

RGB 193 94 247

HSL 278.82, 0.91%, 0.67%

LAB 58.09, 63.83, -60.49

 

CMYK 62 / 35 / 0 / 3

HEX #5EA1F7

RGB 94 161 247

HSL 213.73, 0.91%, 0.67%

LAB 65.42, 4.49, -49.29

 

CMYK 62 / 51 / 0 / 3

HEX #5E78F7

RGB 94 120 247

HSL 229.8, 0.91%, 0.67%

LAB 54.58, 28.94, -66.6

 

CMYK 62 / 62 / 0 / 3

HEX #5E5EF7

RGB 94 94 247

HSL 240, 0.91%, 0.67%

LAB 48.39, 44.56, -76.66

 

CMYK 62 / 35 / 0 / 3

HEX #5EA1F7

RGB 94 161 247

HSL 213.73, 0.91%, 0.67%

LAB 65.42, 4.49, -49.29

 

CMYK 62 / 35 / 0 / 3

HEX #5EA1F7

RGB 94 161 247

HSL 213.73, 0.91%, 0.67%

LAB 65.42, 4.49, -49.29

 

CMYK 54 / 30 / 0 / 8

HEX #6CA3EA

RGB 108 163 234

HSL 213.81, 0.75%, 0.67%

LAB 66, 1.95, -41.22

 

CMYK 45 / 25 / 0 / 14

HEX #7AA4DC

RGB 122 164 220

HSL 214.29, 0.58%, 0.67%

LAB 66.41, 0.49, -32.82

 

CMYK 35 / 20 / 0 / 19

HEX #87A6CF

RGB 135 166 207

HSL 214.17, 0.43%, 0.67%

LAB 67.22, -0.71, -24.32

 

CMYK 23 / 13 / 0 / 24

HEX #95A8C1

RGB 149 168 193

HSL 214.09, 0.26%, 0.67%

LAB 68.2, -1.1, -15.01

 

CMYK 62 / 1 / 0 / 3

HEX #5EF5F7

RGB 94 245 247

HSL 180.78, 0.91%, 0.67%

LAB 89.11, -38.8, -12.86

 

CMYK 62 / 17 / 0 / 3

HEX #5ECCF7

RGB 94 204 247

HSL 196.86, 0.91%, 0.67%

LAB 77.45, -18.97, -30.54

 

CMYK 62 / 34 / 0 / 3

HEX #5EA3F7

RGB 94 163 247

HSL 212.94, 0.91%, 0.67%

LAB 65.97, 3.34, -48.42

 

CMYK 62 / 51 / 0 / 3

HEX #5E7AF7

RGB 94 122 247

HSL 229.02, 0.91%, 0.67%

LAB 55.09, 27.72, -65.79

 

CMYK 57 / 62 / 0 / 3

HEX #6B5EF7

RGB 107 94 247

HSL 245.1, 0.91%, 0.67%

LAB 49.31, 46.59, -75.11

 

CMYK 94 / 53 / 0 / 4

HEX #0F73F4

RGB 15 115 244

HSL 213.8, 0.91%, 0.51%

LAB 50.56, 23.11, -71.56

 

CMYK 78 / 44 / 0 / 4

HEX #378AF6

RGB 55 138 246

HSL 213.93, 0.91%, 0.59%

LAB 57.7, 12.23, -61.12

 

CMYK 62 / 35 / 0 / 3

HEX #5EA1F7

RGB 94 161 247

HSL 213.73, 0.91%, 0.67%

LAB 65.42, 4.49, -49.29

 

CMYK 46 / 26 / 0 / 2

HEX #86B8F9

RGB 134 184 249

HSL 213.91, 0.91%, 0.75%

LAB 73.67, 0.5, -37.32

 

CMYK 31 / 18 / 0 / 2

HEX #ADCFFB

RGB 173 207 251

HSL 213.85, 0.91%, 0.83%

LAB 82.1, -1.28, -25.24

 

CMYK 62 / 35 / 0 / 3

HEX #5DA0F7

RGB 93 160 247

HSL 213.9, 0.91%, 0.67%

LAB 65.11, 4.89, -49.79

 

CMYK 15 / 62 / 0 / 3

HEX #D15EF7

RGB 209 94 247

HSL 285.1, 0.91%, 0.67%

LAB 60.14, 67.45, -57.1

 

CMYK 9 / 0 / 62 / 3

HEX #E0F75E

RGB 224 247 94

HSL 69.02, 0.91%, 0.67%

LAB 93.09, -27.41, 68.69

 

CMYK 62 / 35 / 0 / 3

HEX #5DA0F7

RGB 93 160 247

HSL 213.9, 0.91%, 0.67%

LAB 65.11, 4.89, -49.79

 

CMYK 0 / 62 / 34 / 3

HEX #F75EA3

RGB 247 94 163

HSL 332.94, 0.91%, 0.67%

LAB 62.02, 64.55, -6.23

 

CMYK 34 / 0 / 62 / 3

HEX #A3F75E

RGB 163 247 94

HSL 92.94, 0.91%, 0.67%

LAB 89.45, -49.85, 63.68

 

CMYK 62 / 35 / 0 / 3

HEX #5DA0F7

RGB 93 160 247

HSL 213.9, 0.91%, 0.67%

LAB 65.11, 4.89, -49.79

 

CMYK 15 / 62 / 0 / 3

HEX #D15EF7

RGB 209 94 247

HSL 285.1, 0.91%, 0.67%

LAB 60.14, 67.45, -57.1

 

CMYK 0 / 28 / 62 / 3

HEX #F7B35E

RGB 247 179 94

HSL 33.33, 0.91%, 0.67%

LAB 77.77, 16.22, 52.3

 

CMYK 46 / 0 / 62 / 3

HEX #85F75E

RGB 133 247 94

HSL 104.71, 0.91%, 0.67%

LAB 88.12, -59.23, 61.84

 

CMYK 62 / 35 / 0 / 3

HEX #5DA0F7

RGB 93 160 247

HSL 213.9, 0.91%, 0.67%

LAB 65.11, 4.89, -49.79

 

CMYK 0 / 62 / 3 / 3

HEX #F75EF0

RGB 247 94 240

HSL 302.75, 0.91%, 0.67%

LAB 65.02, 75.1, -45.15

 

CMYK 0 / 28 / 62 / 3

HEX #F7B35E

RGB 247 179 94

HSL 33.33, 0.91%, 0.67%

LAB 77.77, 16.22, 52.3

 

CMYK 62 / 0 / 59 / 3

HEX #5EF766

RGB 94 247 102

HSL 123.14, 0.91%, 0.67%

LAB 86.93, -68.11, 56.76

 

Description

Color code: HEX #5DA0F74C | qconv.com Color code: HEX #5DA0F74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 160 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 160 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 11 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 11% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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