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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DA015 it is the complementary color #A25FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DA015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DA015 shade: #62A010, #73B223, #84C436, #95D649 and #A6E85C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DA015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DA015 shade: #5DA015, #4C8E02, #3B7C00, #2A6A00 and #195800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DA015 shade: #5C9E15, #819E15, #9E9615, #9E7115 and #9E4C15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DA015 shade: #5C9E15, #379E15, #159E17, #159E3D and #159E62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DA015 shade matches the following richer shades: #5C9E15 and #5CAC06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DA015 shade: #5C9E15, #5B9023, #5B8131, #5A7340 and #5A644E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DA015 shade: #9E9515, #829E15, #5E9E15, #399E15 and #159E15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DA015 shade: #31550B, #477910, #5C9E15, #71C219 and #86E223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DA015 shade: #5DA015, #159E70 and #9E1595

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DA015 shade: #5DA015, #155E9E and #9E155E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DA015 shade: #5DA015, #159E70, #55159E and #9E1542

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DA015 shade: #5DA015, #159E99, #55159E and #9E1519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 87 / 37

HEX #5DA015

RGB 93 160 21

HSL 88.92, 0.77%, 0.35%

LAB 59.46, -42.31, 57.93

 

Complementary color

CMYK 31 / 59 / 0 / 8

HEX #A25FEA

RGB 162 95 234

HSL 268.92, 0.77%, 0.65%

LAB 53.82, 53.44, -60.29

 

CMYK 39 / 0 / 90 / 37

HEX #62A010

RGB 98 160 16

HSL 85.83, 0.82%, 0.35%

LAB 59.69, -40.7, 59.26

 

CMYK 35 / 0 / 80 / 30

HEX #73B223

RGB 115 178 35

HSL 86.43, 0.67%, 0.42%

LAB 66.22, -41.49, 60.75

 

CMYK 33 / 0 / 72 / 23

HEX #84C436

RGB 132 196 54

HSL 87.04, 0.57%, 0.49%

LAB 72.66, -42.03, 61.06

 

CMYK 30 / 0 / 66 / 16

HEX #95D649

RGB 149 214 73

HSL 87.66, 0.63%, 0.56%

LAB 79.02, -42.38, 60.7

 

CMYK 28 / 0 / 60 / 9

HEX #A6E85C

RGB 166 232 92

HSL 88.29, 0.75%, 0.64%

LAB 85.3, -42.61, 59.97

 

CMYK 42 / 0 / 87 / 37

HEX #5DA015

RGB 93 160 21

HSL 88.92, 0.77%, 0.35%

LAB 59.46, -42.31, 57.93

 

CMYK 46 / 0 / 99 / 44

HEX #4C8E02

RGB 76 142 2

HSL 88.29, 0.97%, 0.28%

LAB 52.83, -41.28, 55.55

 

CMYK 52 / 0 / 100 / 51

HEX #3B7C00

RGB 59 124 0

HSL 91.45, 1%, 0.24%

LAB 46.1, -39.69, 50.33

 

CMYK 60 / 0 / 100 / 58

HEX #2A6A00

RGB 42 106 0

HSL 96.23, 1%, 0.21%

LAB 39.24, -37.83, 44.65

 

CMYK 72 / 0 / 100 / 65

HEX #195800

RGB 25 88 0

HSL 102.95, 1%, 0.17%

LAB 32.23, -35.56, 38.87

 

CMYK 42 / 0 / 87 / 38

HEX #5C9E15

RGB 92 158 21

HSL 88.91, 0.77%, 0.35%

LAB 58.77, -41.83, 57.32

 

CMYK 18 / 0 / 87 / 38

HEX #819E15

RGB 129 158 21

HSL 72.7, 0.77%, 0.35%

LAB 60.94, -27.37, 60.03

 

CMYK 0 / 5 / 87 / 38

HEX #9E9615

RGB 158 150 21

HSL 56.5, 0.77%, 0.35%

LAB 60.9, -10.51, 60.93

 

CMYK 0 / 28 / 87 / 38

HEX #9E7115

RGB 158 113 21

HSL 40.29, 0.77%, 0.35%

LAB 50.84, 9.98, 52.63

 

CMYK 0 / 52 / 87 / 38

HEX #9E4C15

RGB 158 76 21

HSL 24.09, 0.77%, 0.35%

LAB 41.99, 30.77, 45.23

 

CMYK 42 / 0 / 87 / 38

HEX #5C9E15

RGB 92 158 21

HSL 88.91, 0.77%, 0.35%

LAB 58.77, -41.83, 57.32

 

CMYK 65 / 0 / 87 / 38

HEX #379E15

RGB 55 158 21

HSL 105.11, 0.77%, 0.35%

LAB 57.39, -52.65, 55.57

 

CMYK 87 / 0 / 85 / 38

HEX #159E17

RGB 21 158 23

HSL 120.88, 0.77%, 0.35%

LAB 56.76, -58.05, 54.28

 

CMYK 87 / 0 / 61 / 38

HEX #159E3D

RGB 21 158 61

HSL 137.52, 0.77%, 0.35%

LAB 57.03, -54.68, 40.35

 

CMYK 87 / 0 / 38 / 38

HEX #159E62

RGB 21 158 98

HSL 153.72, 0.77%, 0.35%

LAB 57.55, -48.41, 21.94

 

CMYK 42 / 0 / 87 / 38

HEX #5C9E15

RGB 92 158 21

HSL 88.91, 0.77%, 0.35%

LAB 58.77, -41.83, 57.32

 

CMYK 47 / 0 / 97 / 33

HEX #5CAC06

RGB 92 172 6

HSL 88.92, 0.93%, 0.35%

LAB 63.17, -47.89, 63.49

 

CMYK 42 / 0 / 87 / 38

HEX #5C9E15

RGB 92 158 21

HSL 88.91, 0.77%, 0.35%

LAB 58.77, -41.83, 57.32

 

CMYK 37 / 0 / 76 / 44

HEX #5B9023

RGB 91 144 35

HSL 89.17, 0.61%, 0.35%

LAB 54.34, -35.45, 49.06

 

CMYK 29 / 0 / 62 / 49

HEX #5B8131

RGB 91 129 49

HSL 88.5, 0.45%, 0.35%

LAB 49.67, -27.33, 38.25

 

CMYK 22 / 0 / 44 / 55

HEX #5A7340

RGB 90 115 64

HSL 89.41, 0.28%, 0.35%

LAB 45.37, -18.85, 25.25

 

CMYK 10 / 0 / 22 / 61

HEX #5A644E

RGB 90 100 78

HSL 87.27, 0.12%, 0.35%

LAB 40.96, -8.3, 11.22

 

CMYK 0 / 6 / 87 / 38

HEX #9E9515

RGB 158 149 21

HSL 56.06, 0.77%, 0.35%

LAB 60.62, -9.97, 60.7

 

CMYK 18 / 0 / 87 / 38

HEX #829E15

RGB 130 158 21

HSL 72.26, 0.77%, 0.35%

LAB 61, -26.94, 60.12

 

CMYK 41 / 0 / 87 / 38

HEX #5E9E15

RGB 94 158 21

HSL 88.03, 0.77%, 0.35%

LAB 58.87, -41.12, 57.45

 

CMYK 64 / 0 / 87 / 38

HEX #399E15

RGB 57 158 21

HSL 104.23, 0.77%, 0.35%

LAB 57.44, -52.19, 55.64

 

CMYK 87 / 0 / 87 / 38

HEX #159E15

RGB 21 158 21

HSL 120, 0.77%, 0.35%

LAB 56.75, -58.15, 54.76

 

CMYK 42 / 0 / 87 / 67

HEX #31550B

RGB 49 85 11

HSL 89.19, 0.77%, 0.19%

LAB 32.2, -25.87, 35.59

 

CMYK 41 / 0 / 87 / 53

HEX #477910

RGB 71 121 16

HSL 88.57, 0.77%, 0.27%

LAB 45.7, -33.69, 46.71

 

CMYK 42 / 0 / 87 / 38

HEX #5C9E15

RGB 92 158 21

HSL 88.91, 0.77%, 0.35%

LAB 58.77, -41.83, 57.32

 

CMYK 42 / 0 / 87 / 24

HEX #71C219

RGB 113 194 25

HSL 88.76, 0.77%, 0.43%

LAB 70.98, -49.21, 67.36

 

CMYK 41 / 0 / 85 / 11

HEX #86E223

RGB 134 226 35

HSL 88.9, 0.77%, 0.51%

LAB 81.61, -54.57, 74.8

 

CMYK 42 / 0 / 87 / 37

HEX #5DA015

RGB 93 160 21

HSL 88.92, 0.77%, 0.35%

LAB 59.46, -42.31, 57.93

 

CMYK 87 / 0 / 29 / 38

HEX #159E70

RGB 21 158 112

HSL 159.85, 0.77%, 0.35%

LAB 57.83, -45.29, 14.58

 

CMYK 0 / 87 / 6 / 38

HEX #9E1595

RGB 158 21 149

HSL 303.94, 0.77%, 0.35%

LAB 37.8, 64.48, -36.39

 

CMYK 42 / 0 / 87 / 37

HEX #5DA015

RGB 93 160 21

HSL 88.92, 0.77%, 0.35%

LAB 59.46, -42.31, 57.93

 

CMYK 87 / 41 / 0 / 38

HEX #155E9E

RGB 21 94 158

HSL 208.03, 0.77%, 0.35%

LAB 38.96, 2.91, -40.73

 

CMYK 0 / 87 / 41 / 38

HEX #9E155E

RGB 158 21 94

HSL 328.03, 0.77%, 0.35%

LAB 35.23, 57.48, -5.91

 

CMYK 42 / 0 / 87 / 37

HEX #5DA015

RGB 93 160 21

HSL 88.92, 0.77%, 0.35%

LAB 59.46, -42.31, 57.93

 

CMYK 87 / 0 / 29 / 38

HEX #159E70

RGB 21 158 112

HSL 159.85, 0.77%, 0.35%

LAB 57.83, -45.29, 14.58

 

CMYK 46 / 87 / 0 / 38

HEX #55159E

RGB 85 21 158

HSL 268.03, 0.77%, 0.35%

LAB 26.55, 54.08, -60.66

 

CMYK 0 / 87 / 58 / 38

HEX #9E1542

RGB 158 21 66

HSL 340.29, 0.77%, 0.35%

LAB 34.39, 55.09, 11.09

 

CMYK 42 / 0 / 87 / 37

HEX #5DA015

RGB 93 160 21

HSL 88.92, 0.77%, 0.35%

LAB 59.46, -42.31, 57.93

 

CMYK 87 / 0 / 3 / 38

HEX #159E99

RGB 21 158 153

HSL 177.81, 0.77%, 0.35%

LAB 58.89, -34.17, -7.05

 

CMYK 46 / 87 / 0 / 38

HEX #55159E

RGB 85 21 158

HSL 268.03, 0.77%, 0.35%

LAB 26.55, 54.08, -60.66

 

CMYK 0 / 87 / 84 / 38

HEX #9E1519

RGB 158 21 25

HSL 358.25, 0.77%, 0.35%

LAB 33.72, 53.12, 36

 

Description

Color code: HEX #5DA015 | qconv.com Color code: HEX #5DA015 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 160 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 160 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 87 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 87% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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