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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D95DD it is the complementary color #A26A22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D95DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D95DD shade: #6295D8, #73A7EB, #84B9FE, #95CBFF and #A6DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D95DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D95DD shade: #5D95DD, #4C83CA, #3B71B7, #2A5FA4 and #194D91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D95DD shade: #5F96DD, #5F74DD, #6C5FDD, #8E5FDD and #B05FDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D95DD shade: #5F96DD, #5F74DD and #5F5FDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D95DD shade matches the following richer shades: #5F96DD, #4F94ED and #4092FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D95DD shade: #5F96DD, #6F98CD, #7E9ABE, #8E9CAE and #9E9E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D95DD shade: #5FDBDD, #5FB9DD, #5F98DD, #5F76DD and #6A5FDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D95DD shade: #296BC1, #3D80D6, #5F96DD, #81ADE4 and #A3C3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D95DD shade: #5D95DD, #BE5FDD and #CADD5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D95DD shade: #5D95DD, #DD5F98 and #98DD5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D95DD shade: #5D95DD, #BE5FDD, #DDA45F and #7FDD5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D95DD shade: #5D95DD, #DD5FD7, #DDA45F and #5FDD65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 33 / 0 / 13

HEX #5D95DD

RGB 93 149 221

HSL 213.75, 0.65%, 0.62%

LAB 60.82, 2.81, -42.21

 

Complementary color

CMYK 0 / 35 / 79 / 36

HEX #A26A22

RGB 162 106 34

HSL 33.75, 0.65%, 0.38%

LAB 49.62, 16.23, 47.02

 

CMYK 55 / 31 / 0 / 15

HEX #6295D8

RGB 98 149 216

HSL 214.07, 0.6%, 0.62%

LAB 60.83, 2.26, -39.4

 

CMYK 51 / 29 / 0 / 8

HEX #73A7EB

RGB 115 167 235

HSL 214, 0.75%, 0.69%

LAB 67.49, 1.52, -39.42

 

CMYK 48 / 27 / 0 / 0

HEX #84B9FE

RGB 132 185 254

HSL 213.93, 0.98%, 0.76%

LAB 74.04, 0.9, -39.45

 

CMYK 42 / 20 / 0 / 0

HEX #95CBFF

RGB 149 203 255

HSL 209.43, 1%, 0.79%

LAB 79.8, -4.5, -31.01

 

CMYK 35 / 13 / 0 / 0

HEX #A6DDFF

RGB 166 221 255

HSL 202.92, 1%, 0.83%

LAB 85.52, -9.56, -22.18

 

CMYK 58 / 33 / 0 / 13

HEX #5D95DD

RGB 93 149 221

HSL 213.75, 0.65%, 0.62%

LAB 60.82, 2.81, -42.21

 

CMYK 62 / 35 / 0 / 21

HEX #4C83CA

RGB 76 131 202

HSL 213.81, 0.54%, 0.55%

LAB 54.06, 3.87, -42.24

 

CMYK 68 / 38 / 0 / 28

HEX #3B71B7

RGB 59 113 183

HSL 213.87, 0.51%, 0.47%

LAB 47.18, 5.2, -42.28

 

CMYK 74 / 42 / 0 / 36

HEX #2A5FA4

RGB 42 95 164

HSL 213.93, 0.59%, 0.4%

LAB 40.18, 6.93, -42.33

 

CMYK 83 / 47 / 0 / 43

HEX #194D91

RGB 25 77 145

HSL 214, 0.71%, 0.33%

LAB 33.05, 9.22, -42.34

 

CMYK 57 / 32 / 0 / 13

HEX #5F96DD

RGB 95 150 221

HSL 213.81, 0.65%, 0.62%

LAB 61.19, 2.63, -41.62

 

CMYK 57 / 48 / 0 / 13

HEX #5F74DD

RGB 95 116 221

HSL 230, 0.65%, 0.62%

LAB 52, 23, -56.21

 

CMYK 51 / 57 / 0 / 13

HEX #6C5FDD

RGB 108 95 221

HSL 246.19, 0.65%, 0.62%

LAB 47.74, 38.3, -63.02

 

CMYK 36 / 57 / 0 / 13

HEX #8E5FDD

RGB 142 95 221

HSL 262.38, 0.65%, 0.62%

LAB 50.87, 45.64, -57.82

 

CMYK 20 / 57 / 0 / 13

HEX #B05FDD

RGB 176 95 221

HSL 278.57, 0.65%, 0.62%

LAB 54.69, 53.83, -51.49

 

CMYK 57 / 32 / 0 / 13

HEX #5F96DD

RGB 95 150 221

HSL 213.81, 0.65%, 0.62%

LAB 61.19, 2.63, -41.62

 

CMYK 57 / 48 / 0 / 13

HEX #5F74DD

RGB 95 116 221

HSL 230, 0.65%, 0.62%

LAB 52, 23, -56.21

 

CMYK 57 / 57 / 0 / 13

HEX #5F5FDD

RGB 95 95 221

HSL 240, 0.65%, 0.62%

LAB 46.76, 35.83, -64.66

 

CMYK 57 / 32 / 0 / 13

HEX #5F96DD

RGB 95 150 221

HSL 213.81, 0.65%, 0.62%

LAB 61.19, 2.63, -41.62

 

CMYK 67 / 38 / 0 / 7

HEX #4F94ED

RGB 79 148 237

HSL 213.8, 0.81%, 0.62%

LAB 60.74, 6.21, -51.24

 

CMYK 75 / 42 / 0 / 1

HEX #4092FC

RGB 64 146 252

HSL 213.83, 0.97%, 0.62%

LAB 60.49, 10.58, -59.93

 

CMYK 57 / 32 / 0 / 13

HEX #5F96DD

RGB 95 150 221

HSL 213.81, 0.65%, 0.62%

LAB 61.19, 2.63, -41.62

 

CMYK 46 / 26 / 0 / 20

HEX #6F98CD

RGB 111 152 205

HSL 213.83, 0.48%, 0.62%

LAB 61.86, 0.22, -31.59

 

CMYK 34 / 19 / 0 / 25

HEX #7E9ABE

RGB 126 154 190

HSL 213.75, 0.33%, 0.62%

LAB 62.73, -1, -21.78

 

CMYK 18 / 10 / 0 / 32

HEX #8E9CAE

RGB 142 156 174

HSL 213.75, 0.16%, 0.62%

LAB 63.82, -1.06, -11.04

 

CMYK 57 / 1 / 0 / 13

HEX #5FDBDD

RGB 95 219 221

HSL 180.95, 0.65%, 0.62%

LAB 80.91, -33.59, -11.39

 

CMYK 57 / 16 / 0 / 13

HEX #5FB9DD

RGB 95 185 221

HSL 197.14, 0.65%, 0.62%

LAB 71.11, -16.7, -26.22

 

CMYK 57 / 31 / 0 / 13

HEX #5F98DD

RGB 95 152 221

HSL 212.86, 0.65%, 0.62%

LAB 61.75, 1.48, -40.75

 

CMYK 57 / 47 / 0 / 13

HEX #5F76DD

RGB 95 118 221

HSL 229.05, 0.65%, 0.62%

LAB 52.52, 21.77, -55.38

 

CMYK 52 / 57 / 0 / 13

HEX #6A5FDD

RGB 106 95 221

HSL 245.24, 0.65%, 0.62%

LAB 47.58, 37.9, -63.29

 

CMYK 79 / 45 / 0 / 24

HEX #296BC1

RGB 41 107 193

HSL 213.95, 0.65%, 0.46%

LAB 45.41, 10.21, -50.93

 

CMYK 71 / 40 / 0 / 16

HEX #3D80D6

RGB 61 128 214

HSL 213.73, 0.65%, 0.54%

LAB 53.26, 7.44, -50.34

 

CMYK 57 / 32 / 0 / 13

HEX #5F96DD

RGB 95 150 221

HSL 213.81, 0.65%, 0.62%

LAB 61.19, 2.63, -41.62

 

CMYK 43 / 24 / 0 / 11

HEX #81ADE4

RGB 129 173 228

HSL 213.33, 0.65%, 0.7%

LAB 69.58, -0.54, -32.27

 

CMYK 31 / 17 / 0 / 7

HEX #A3C3EC

RGB 163 195 236

HSL 213.7, 0.66%, 0.78%

LAB 77.8, -1.33, -23.82

 

CMYK 58 / 33 / 0 / 13

HEX #5D95DD

RGB 93 149 221

HSL 213.75, 0.65%, 0.62%

LAB 60.82, 2.81, -42.21

 

CMYK 14 / 57 / 0 / 13

HEX #BE5FDD

RGB 190 95 221

HSL 285.24, 0.65%, 0.62%

LAB 56.44, 57.33, -48.61

 

CMYK 9 / 0 / 57 / 13

HEX #CADD5F

RGB 202 221 95

HSL 69.05, 0.65%, 0.62%

LAB 84.53, -23.66, 58.45

 

CMYK 58 / 33 / 0 / 13

HEX #5D95DD

RGB 93 149 221

HSL 213.75, 0.65%, 0.62%

LAB 60.82, 2.81, -42.21

 

CMYK 0 / 57 / 31 / 13

HEX #DD5F98

RGB 221 95 152

HSL 332.86, 0.65%, 0.62%

LAB 57.87, 54.97, -6.44

 

CMYK 31 / 0 / 57 / 13

HEX #98DD5F

RGB 152 221 95

HSL 92.86, 0.65%, 0.62%

LAB 81.41, -42.47, 54.07

 

CMYK 58 / 33 / 0 / 13

HEX #5D95DD

RGB 93 149 221

HSL 213.75, 0.65%, 0.62%

LAB 60.82, 2.81, -42.21

 

CMYK 14 / 57 / 0 / 13

HEX #BE5FDD

RGB 190 95 221

HSL 285.24, 0.65%, 0.62%

LAB 56.44, 57.33, -48.61

 

CMYK 0 / 26 / 57 / 13

HEX #DDA45F

RGB 221 164 95

HSL 32.86, 0.65%, 0.62%

LAB 71.38, 13.5, 43.61

 

CMYK 43 / 0 / 57 / 13

HEX #7FDD5F

RGB 127 221 95

HSL 104.76, 0.65%, 0.62%

LAB 80.21, -50.68, 52.37

 

CMYK 58 / 33 / 0 / 13

HEX #5D95DD

RGB 93 149 221

HSL 213.75, 0.65%, 0.62%

LAB 60.82, 2.81, -42.21

 

CMYK 0 / 57 / 3 / 13

HEX #DD5FD7

RGB 221 95 215

HSL 302.86, 0.65%, 0.62%

LAB 60.3, 64.17, -38.85

 

CMYK 0 / 26 / 57 / 13

HEX #DDA45F

RGB 221 164 95

HSL 32.86, 0.65%, 0.62%

LAB 71.38, 13.5, 43.61

 

CMYK 57 / 0 / 54 / 13

HEX #5FDD65

RGB 95 221 101

HSL 122.86, 0.65%, 0.62%

LAB 79.09, -58.72, 48.01

 

Description

Color code: HEX #5D95DD | qconv.com Color code: HEX #5D95DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 149 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 149 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 33 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 33% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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