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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D93CDCE it is the complementary color #A26C32CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D93CDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D93CDCE shade: #6293C8CE, #73A5DBCE, #84B7EECE, #95C9FFCE and #A6DBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D93CDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D93CDCE shade: #5D93CDCE, #4C81BACE, #3B6FA7CE, #2A5D94CE and #194B81CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D93CDCE shade: #5B92CD, #5B73CD, #625BCD, #805BCD and #9F5BCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D93CDCE shade: #5B92CD, #5B73CD and #5B5BCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D93CDCE shade matches the following richer shades: #5B92CD, #4A91DE and #3891EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D93CDCE shade: #5B92CD, #6C92BB, #7E93AA, #8F9499 and #A09487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D93CDCE shade: #5BCDCB, #5BB0CD, #5B92CD, #5B74CD and #615BCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D93CDCE shade: #3269A3, #3C7DC3, #5B92CD, #7BA7D6 and #9ABCE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D93CDCE shade: #5D93CD, #AC5BCD and #BFCD5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D93CDCE shade: #5D93CD, #CD5B92 and #92CD5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D93CDCE shade: #5D93CD, #AC5BCD, #CD965B and #7BCD5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D93CDCE shade: #5D93CD, #CD5BCB, #CD965B and #5BCD5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 23 / 0 / 16

HEX #5D93CDCE

RGBA 93 147 205 0.81

HSLA 211.07, 0.53%, 0.58%, 0.81

LABA 59.53, -1.11, -35.3, 0.81

 

Complementary color

CMYK 0 / 27 / 56 / 30

HEX #A26C32CE

RGBA 162 108 50 0.81

HSLA 31.07, 0.53%, 0.42%, 0.81

LABA 50.26, 15.89, 40.23, 0.81

 

CMYK 41 / 21 / 0 / 17

HEX #6293C8CE

RGBA 98 147 200 0.81

HSLA 211.18, 0.48%, 0.58%, 0.81

LABA 59.56, -1.53, -32.42, 0.81

 

CMYK 38 / 20 / 0 / 11

HEX #73A5DBCE

RGBA 115 165 219 0.81

HSLA 211.15, 0.59%, 0.65%, 0.81

LABA 66.27, -2.07, -32.52, 0.81

 

CMYK 36 / 19 / 0 / 5

HEX #84B7EECE

RGBA 132 183 238 0.81

HSLA 211.13, 0.76%, 0.73%, 0.81

LABA 72.86, -2.52, -32.64, 0.81

 

CMYK 34 / 17 / 0 / 0

HEX #95C9FFCE

RGBA 149 201 255 0.81

HSLA 210.57, 1%, 0.79%, 0.81

LABA 79.26, -3.43, -31.83, 0.81

 

CMYK 28 / 11 / 0 / 0

HEX #A6DBFFCE

RGBA 166 219 255 0.81

HSLA 204.27, 1%, 0.83%, 0.81

LABA 84.99, -8.53, -22.99, 0.81

 

CMYK 44 / 23 / 0 / 16

HEX #5D93CDCE

RGBA 93 147 205 0.81

HSLA 211.07, 0.53%, 0.58%, 0.81

LABA 59.53, -1.11, -35.3, 0.81

 

CMYK 48 / 25 / 0 / 22

HEX #4C81BACE

RGBA 76 129 186 0.81

HSLA 211.09, 0.44%, 0.51%, 0.81

LABA 52.71, -0.3, -35.24, 0.81

 

CMYK 52 / 27 / 0 / 28

HEX #3B6FA7CE

RGBA 59 111 167 0.81

HSLA 211.11, 0.48%, 0.44%, 0.81

LABA 45.76, 0.75, -35.21, 0.81

 

CMYK 58 / 30 / 0 / 34

HEX #2A5D94CE

RGBA 42 93 148 0.81

HSLA 211.13, 0.56%, 0.37%, 0.81

LABA 38.65, 2.14, -35.18, 0.81

 

CMYK 65 / 34 / 0 / 40

HEX #194B81CE

RGBA 25 75 129 0.81

HSLA 211.15, 0.68%, 0.3%, 0.81

LABA 31.4, 4.05, -35.14, 0.81

 

CMYK 56 / 29 / 0 / 20

HEX #5B92CD

RGB 91 146 205

HSL 211.05, 0.53%, 0.58%

LAB 59.15, -0.96, -35.9

 

CMYK 56 / 44 / 0 / 20

HEX #5B73CD

RGB 91 115 205

HSL 227.37, 0.53%, 0.58%

LAB 50.56, 17.58, -49.45

 

CMYK 52 / 56 / 0 / 20

HEX #625BCD

RGB 98 91 205

HSL 243.68, 0.53%, 0.58%

LAB 44.92, 33.79, -58.48

 

CMYK 38 / 56 / 0 / 20

HEX #805BCD

RGB 128 91 205

HSL 259.47, 0.53%, 0.58%

LAB 47.6, 40.42, -54.04

 

CMYK 22 / 56 / 0 / 20

HEX #9F5BCD

RGB 159 91 205

HSL 275.79, 0.53%, 0.58%

LAB 50.99, 48.08, -48.42

 

CMYK 56 / 29 / 0 / 20

HEX #5B92CD

RGB 91 146 205

HSL 211.05, 0.53%, 0.58%

LAB 59.15, -0.96, -35.9

 

CMYK 56 / 44 / 0 / 20

HEX #5B73CD

RGB 91 115 205

HSL 227.37, 0.53%, 0.58%

LAB 50.56, 17.58, -49.45

 

CMYK 56 / 56 / 0 / 20

HEX #5B5BCD

RGB 91 91 205

HSL 240, 0.53%, 0.58%

LAB 44.4, 32.41, -59.36

 

CMYK 56 / 29 / 0 / 20

HEX #5B92CD

RGB 91 146 205

HSL 211.05, 0.53%, 0.58%

LAB 59.15, -0.96, -35.9

 

CMYK 67 / 35 / 0 / 13

HEX #4A91DE

RGB 74 145 222

HSL 211.22, 0.69%, 0.58%

LAB 58.96, 2.04, -45.76

 

CMYK 77 / 39 / 0 / 6

HEX #3891EF

RGB 56 145 239

HSL 210.82, 0.85%, 0.58%

LAB 59.27, 5.59, -54.73

 

CMYK 56 / 29 / 0 / 20

HEX #5B92CD

RGB 91 146 205

HSL 211.05, 0.53%, 0.58%

LAB 59.15, -0.96, -35.9

 

CMYK 42 / 22 / 0 / 27

HEX #6C92BB

RGB 108 146 187

HSL 211.14, 0.37%, 0.58%

LAB 59.28, -2.29, -25.47

 

CMYK 26 / 14 / 0 / 33

HEX #7E93AA

RGB 126 147 170

HSL 211.36, 0.21%, 0.58%

LAB 60.07, -2.11, -14.53

 

CMYK 7 / 3 / 0 / 40

HEX #8F9499

RGB 143 148 153

HSL 210, 0.05%, 0.58%

LAB 61.06, -0.8, -3.27

 

CMYK 0 / 7 / 16 / 37

HEX #A09487

RGB 160 148 135

HSL 31.2, 0.12%, 0.58%

LAB 62, 2.17, 8.47

 

CMYK 56 / 0 / 1 / 20

HEX #5BCDCB

RGB 91 205 203

HSL 178.95, 0.53%, 0.58%

LAB 76.19, -32.54, -8.8

 

CMYK 56 / 14 / 0 / 20

HEX #5BB0CD

RGB 91 176 205

HSL 195.26, 0.53%, 0.58%

LAB 67.79, -17.49, -22.55

 

CMYK 56 / 29 / 0 / 20

HEX #5B92CD

RGB 91 146 205

HSL 211.05, 0.53%, 0.58%

LAB 59.15, -0.96, -35.9

 

CMYK 56 / 43 / 0 / 20

HEX #5B74CD

RGB 91 116 205

HSL 226.84, 0.53%, 0.58%

LAB 50.83, 16.96, -49.03

 

CMYK 53 / 56 / 0 / 20

HEX #615BCD

RGB 97 91 205

HSL 243.16, 0.53%, 0.58%

LAB 44.85, 33.59, -58.61

 

CMYK 69 / 36 / 0 / 36

HEX #3269A3

RGB 50 105 163

HSL 210.8, 0.53%, 0.42%

LAB 43.4, 1.44, -36.6

 

CMYK 69 / 36 / 0 / 24

HEX #3C7DC3

RGB 60 125 195

HSL 211.11, 0.53%, 0.5%

LAB 51.35, 2.32, -42.59

 

CMYK 56 / 29 / 0 / 20

HEX #5B92CD

RGB 91 146 205

HSL 211.05, 0.53%, 0.58%

LAB 59.15, -0.96, -35.9

 

CMYK 43 / 22 / 0 / 16

HEX #7BA7D6

RGB 123 167 214

HSL 210.99, 0.53%, 0.66%

LAB 67.05, -2.62, -28.51

 

CMYK 31 / 16 / 0 / 12

HEX #9ABCE0

RGB 154 188 224

HSL 210.86, 0.53%, 0.74%

LAB 74.96, -3.06, -21.72

 

CMYK 55 / 28 / 0 / 20

HEX #5D93CD

RGB 93 147 205

HSL 211.07, 0.53%, 0.58%

LAB 59.53, -1.11, -35.3

 

CMYK 16 / 56 / 0 / 20

HEX #AC5BCD

RGB 172 91 205

HSL 282.63, 0.53%, 0.58%

LAB 52.58, 51.43, -45.8

 

CMYK 7 / 0 / 56 / 20

HEX #BFCD5B

RGB 191 205 91

HSL 67.37, 0.53%, 0.58%

LAB 79.33, -20.59, 54.13

 

CMYK 55 / 28 / 0 / 20

HEX #5D93CD

RGB 93 147 205

HSL 211.07, 0.53%, 0.58%

LAB 59.53, -1.11, -35.3

 

CMYK 0 / 56 / 29 / 20

HEX #CD5B92

RGB 205 91 146

HSL 331.05, 0.53%, 0.58%

LAB 54.59, 51.03, -8.06

 

CMYK 29 / 0 / 56 / 20

HEX #92CD5B

RGB 146 205 91

HSL 91.05, 0.53%, 0.58%

LAB 76.39, -37.91, 49.99

 

CMYK 55 / 28 / 0 / 20

HEX #5D93CD

RGB 93 147 205

HSL 211.07, 0.53%, 0.58%

LAB 59.53, -1.11, -35.3

 

CMYK 16 / 56 / 0 / 20

HEX #AC5BCD

RGB 172 91 205

HSL 282.63, 0.53%, 0.58%

LAB 52.58, 51.43, -45.8

 

CMYK 0 / 27 / 56 / 20

HEX #CD965B

RGB 205 150 91

HSL 31.05, 0.53%, 0.58%

LAB 66.17, 14.06, 38.94

 

CMYK 40 / 0 / 56 / 20

HEX #7BCD5B

RGB 123 205 91

HSL 103.16, 0.53%, 0.58%

LAB 75.22, -45.76, 48.32

 

CMYK 55 / 28 / 0 / 20

HEX #5D93CD

RGB 93 147 205

HSL 211.07, 0.53%, 0.58%

LAB 59.53, -1.11, -35.3

 

CMYK 0 / 56 / 1 / 20

HEX #CD5BCB

RGB 205 91 203

HSL 301.05, 0.53%, 0.58%

LAB 56.85, 59.72, -37.62

 

CMYK 0 / 27 / 56 / 20

HEX #CD965B

RGB 205 150 91

HSL 31.05, 0.53%, 0.58%

LAB 66.17, 14.06, 38.94

 

CMYK 56 / 0 / 55 / 20

HEX #5BCD5D

RGB 91 205 93

HSL 121.05, 0.53%, 0.58%

LAB 73.98, -54.68, 45.61

 

Description

Color code: HEX #5D93CDCE | qconv.com Color code: HEX #5D93CDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 147 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 147 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 23 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 23% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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