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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D8ABF it is the complementary color #A27540. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D8ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D8ABF shade: #628ABA, #739CCD, #84AEE0, #95C0F3 and #A6D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D8ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D8ABF shade: #5D8ABF, #4C78AC, #3B6699, #2A5486 and #194273

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D8ABF shade: #5F8BBF, #5F71BF, #665FBF, #805FBF and #9A5FBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D8ABF shade: #5F8BBF, #5F71BF and #5F5FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D8ABF shade matches the following richer shades: #5F8BBF, #4C89D1, #3A88E3 and #2886F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D8ABF shade: #5F8BBF, #718CAD, #838E9B, #958F89 and #A79176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D8ABF shade: #5FBFBF, #5FA5BF, #5F8CBF, #5F72BF and #655FBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D8ABF shade: #3A6291, #4676AF, #5F8BBF, #7CA0CB and #9AB6D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D8ABF shade: #5D8ABF, #A55FBF and #B2BF5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D8ABF shade: #5D8ABF, #BF5F8C and #8CBF5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D8ABF shade: #5D8ABF, #A55FBF, #BF925F and #78BF5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D8ABF shade: #5D8ABF, #BF5FBC, #BF925F and #5FBF62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 28 / 0 / 25

HEX #5D8ABF

RGB 93 138 191

HSL 212.45, 0.43%, 0.56%

LAB 56.35, -0.26, -32.34

 

Complementary color

CMYK 0 / 28 / 60 / 36

HEX #A27540

RGB 162 117 64

HSL 32.45, 0.43%, 0.44%

LAB 52.7, 11.74, 35.78

 

CMYK 47 / 26 / 0 / 27

HEX #628ABA

RGB 98 138 186

HSL 212.73, 0.39%, 0.56%

LAB 56.41, -0.57, -29.4

 

CMYK 44 / 24 / 0 / 20

HEX #739CCD

RGB 115 156 205

HSL 212.67, 0.47%, 0.63%

LAB 63.2, -1.04, -29.5

 

CMYK 41 / 22 / 0 / 12

HEX #84AEE0

RGB 132 174 224

HSL 212.61, 0.6%, 0.7%

LAB 69.87, -1.43, -29.63

 

CMYK 39 / 21 / 0 / 5

HEX #95C0F3

RGB 149 192 243

HSL 212.55, 0.8%, 0.77%

LAB 76.41, -1.76, -29.78

 

CMYK 35 / 18 / 0 / 0

HEX #A6D2FF

RGB 166 210 255

HSL 210.34, 1%, 0.83%

LAB 82.6, -3.81, -26.62

 

CMYK 51 / 28 / 0 / 25

HEX #5D8ABF

RGB 93 138 191

HSL 212.45, 0.43%, 0.56%

LAB 56.35, -0.26, -32.34

 

CMYK 56 / 30 / 0 / 33

HEX #4C78AC

RGB 76 120 172

HSL 212.5, 0.39%, 0.49%

LAB 49.43, 0.46, -32.3

 

CMYK 61 / 33 / 0 / 40

HEX #3B6699

RGB 59 102 153

HSL 212.55, 0.44%, 0.42%

LAB 42.36, 1.4, -32.28

 

CMYK 69 / 37 / 0 / 47

HEX #2A5486

RGB 42 84 134

HSL 212.61, 0.52%, 0.35%

LAB 35.11, 2.66, -32.29

 

CMYK 78 / 43 / 0 / 55

HEX #194273

RGB 25 66 115

HSL 212.67, 0.64%, 0.27%

LAB 27.68, 4.44, -32.3

 

CMYK 50 / 27 / 0 / 25

HEX #5F8BBF

RGB 95 139 191

HSL 212.5, 0.43%, 0.56%

LAB 56.74, -0.37, -31.73

 

CMYK 50 / 41 / 0 / 25

HEX #5F71BF

RGB 95 113 191

HSL 228.75, 0.43%, 0.56%

LAB 49.5, 15.2, -43.11

 

CMYK 47 / 50 / 0 / 25

HEX #665FBF

RGB 102 95 191

HSL 244.38, 0.43%, 0.56%

LAB 45.32, 27.92, -49.74

 

CMYK 33 / 50 / 0 / 25

HEX #805FBF

RGB 128 95 191

HSL 260.63, 0.43%, 0.56%

LAB 47.67, 34.4, -45.85

 

CMYK 19 / 50 / 0 / 25

HEX #9A5FBF

RGB 154 95 191

HSL 276.88, 0.43%, 0.56%

LAB 50.47, 41.45, -41.23

 

CMYK 50 / 27 / 0 / 25

HEX #5F8BBF

RGB 95 139 191

HSL 212.5, 0.43%, 0.56%

LAB 56.74, -0.37, -31.73

 

CMYK 50 / 41 / 0 / 25

HEX #5F71BF

RGB 95 113 191

HSL 228.75, 0.43%, 0.56%

LAB 49.5, 15.2, -43.11

 

CMYK 50 / 50 / 0 / 25

HEX #5F5FBF

RGB 95 95 191

HSL 240, 0.43%, 0.56%

LAB 44.77, 26.33, -50.65

 

CMYK 50 / 27 / 0 / 25

HEX #5F8BBF

RGB 95 139 191

HSL 212.5, 0.43%, 0.56%

LAB 56.74, -0.37, -31.73

 

CMYK 64 / 34 / 0 / 18

HEX #4C89D1

RGB 76 137 209

HSL 212.48, 0.59%, 0.56%

LAB 56.12, 2.67, -42.95

 

CMYK 74 / 40 / 0 / 11

HEX #3A88E3

RGB 58 136 227

HSL 212.31, 0.75%, 0.56%

LAB 56.14, 6.88, -53.05

 

CMYK 84 / 46 / 0 / 4

HEX #2886F6

RGB 40 134 246

HSL 212.62, 0.92%, 0.56%

LAB 56.24, 13.33, -63.47

 

CMYK 50 / 27 / 0 / 25

HEX #5F8BBF

RGB 95 139 191

HSL 212.5, 0.43%, 0.56%

LAB 56.74, -0.37, -31.73

 

CMYK 35 / 19 / 0 / 32

HEX #718CAD

RGB 113 140 173

HSL 213, 0.27%, 0.56%

LAB 57.35, -1.32, -20.45

 

CMYK 15 / 8 / 0 / 39

HEX #838E9B

RGB 131 142 155

HSL 212.5, 0.11%, 0.56%

LAB 58.54, -1.17, -8.24

 

CMYK 0 / 4 / 8 / 42

HEX #958F89

RGB 149 143 137

HSL 30, 0.05%, 0.56%

LAB 59.74, 1.11, 3.97

 

CMYK 0 / 13 / 29 / 35

HEX #A79176

RGB 167 145 118

HSL 33.06, 0.22%, 0.56%

LAB 61.46, 4.01, 17.38

 

CMYK 50 / 0 / 0 / 25

HEX #5FBFBF

RGB 95 191 191

HSL 180, 0.43%, 0.56%

LAB 71.86, -28.18, -8.71

 

CMYK 50 / 14 / 0 / 25

HEX #5FA5BF

RGB 95 165 191

HSL 196.25, 0.43%, 0.56%

LAB 64.25, -14.87, -20.18

 

CMYK 50 / 27 / 0 / 25

HEX #5F8CBF

RGB 95 140 191

HSL 211.88, 0.43%, 0.56%

LAB 57.03, -0.95, -31.29

 

CMYK 50 / 40 / 0 / 25

HEX #5F72BF

RGB 95 114 191

HSL 228.13, 0.43%, 0.56%

LAB 49.77, 14.59, -42.68

 

CMYK 47 / 50 / 0 / 25

HEX #655FBF

RGB 101 95 191

HSL 243.75, 0.43%, 0.56%

LAB 45.24, 27.69, -49.88

 

CMYK 60 / 32 / 0 / 43

HEX #3A6291

RGB 58 98 145

HSL 212.41, 0.43%, 0.4%

LAB 40.7, 0.9, -30.1

 

CMYK 60 / 33 / 0 / 31

HEX #4676AF

RGB 70 118 175

HSL 212.57, 0.43%, 0.48%

LAB 48.7, 1.39, -35.21

 

CMYK 50 / 27 / 0 / 25

HEX #5F8BBF

RGB 95 139 191

HSL 212.5, 0.43%, 0.56%

LAB 56.74, -0.37, -31.73

 

CMYK 39 / 21 / 0 / 20

HEX #7CA0CB

RGB 124 160 203

HSL 212.66, 0.43%, 0.64%

LAB 64.75, -1.47, -25.95

 

CMYK 28 / 15 / 0 / 16

HEX #9AB6D7

RGB 154 182 215

HSL 212.46, 0.43%, 0.72%

LAB 73.04, -2.01, -19.74

 

CMYK 51 / 28 / 0 / 25

HEX #5D8ABF

RGB 93 138 191

HSL 212.45, 0.43%, 0.56%

LAB 56.35, -0.26, -32.34

 

CMYK 14 / 50 / 0 / 25

HEX #A55FBF

RGB 165 95 191

HSL 283.75, 0.43%, 0.56%

LAB 51.78, 44.52, -39.09

 

CMYK 7 / 0 / 50 / 25

HEX #B2BF5F

RGB 178 191 95

HSL 68.13, 0.43%, 0.56%

LAB 74.54, -18.54, 46.45

 

CMYK 51 / 28 / 0 / 25

HEX #5D8ABF

RGB 93 138 191

HSL 212.45, 0.43%, 0.56%

LAB 56.35, -0.26, -32.34

 

CMYK 0 / 50 / 27 / 25

HEX #BF5F8C

RGB 191 95 140

HSL 331.88, 0.43%, 0.56%

LAB 53.12, 43.69, -6.94

 

CMYK 27 / 0 / 50 / 25

HEX #8CBF5F

RGB 140 191 95

HSL 91.88, 0.43%, 0.56%

LAB 72, -33.27, 42.8

 

CMYK 51 / 28 / 0 / 25

HEX #5D8ABF

RGB 93 138 191

HSL 212.45, 0.43%, 0.56%

LAB 56.35, -0.26, -32.34

 

CMYK 14 / 50 / 0 / 25

HEX #A55FBF

RGB 165 95 191

HSL 283.75, 0.43%, 0.56%

LAB 51.78, 44.52, -39.09

 

CMYK 0 / 24 / 50 / 25

HEX #BF925F

RGB 191 146 95

HSL 31.88, 0.43%, 0.56%

LAB 63.72, 10.72, 33.45

 

CMYK 37 / 0 / 50 / 25

HEX #78BF5F

RGB 120 191 95

HSL 104.38, 0.43%, 0.56%

LAB 70.93, -40.25, 41.24

 

CMYK 51 / 28 / 0 / 25

HEX #5D8ABF

RGB 93 138 191

HSL 212.45, 0.43%, 0.56%

LAB 56.35, -0.26, -32.34

 

CMYK 0 / 50 / 2 / 25

HEX #BF5FBC

RGB 191 95 188

HSL 301.88, 0.43%, 0.56%

LAB 54.96, 51.34, -32.13

 

CMYK 0 / 24 / 50 / 25

HEX #BF925F

RGB 191 146 95

HSL 31.88, 0.43%, 0.56%

LAB 63.72, 10.72, 33.45

 

CMYK 50 / 0 / 49 / 25

HEX #5FBF62

RGB 95 191 98

HSL 121.88, 0.43%, 0.56%

LAB 69.88, -47.45, 38.22

 

Description

Color code: HEX #5D8ABF | qconv.com Color code: HEX #5D8ABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 138 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 138 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 28 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 28% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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