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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D8ABD it is the complementary color #A27542. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D8ABD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D8ABD shade: #628AB8, #739CCB, #84AEDE, #95C0F1 and #A6D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D8ABD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D8ABD shade: #5D8ABD, #4C78AA, #3B6697, #2A5484 and #194271

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D8ABD shade: #5C89BC, #5C6FBC, #635CBC, #7D5CBC and #975CBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D8ABD shade: #5C89BC, #5C6FBC and #5C5CBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D8ABD shade matches the following richer shades: #5C89BC, #4988CF, #3787E2 and #2486F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D8ABD shade: #5C89BC, #6F8AAA, #818C97, #948D85 and #A68E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D8ABD shade: #5CBCBB, #5CA4BC, #5C8BBC, #5C71BC and #615CBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D8ABD shade: #39608D, #4574AA, #5C89BC, #799EC8 and #97B4D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D8ABD shade: #5D8ABD, #A15CBC and #B1BC5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D8ABD shade: #5D8ABD, #BC5C8B and #8BBC5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D8ABD shade: #5D8ABD, #A15CBC, #BC8E5C and #77BC5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D8ABD shade: #5D8ABD, #BC5CBB, #BC8E5C and #5CBC5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 27 / 0 / 26

HEX #5D8ABD

RGB 93 138 189

HSL 211.88, 0.42%, 0.55%

LAB 56.27, -0.87, -31.34

 

Complementary color

CMYK 0 / 28 / 59 / 36

HEX #A27542

RGB 162 117 66

HSL 31.88, 0.42%, 0.45%

LAB 52.73, 11.89, 34.74

 

CMYK 47 / 25 / 0 / 28

HEX #628AB8

RGB 98 138 184

HSL 212.09, 0.38%, 0.55%

LAB 56.32, -1.16, -28.39

 

CMYK 43 / 23 / 0 / 20

HEX #739CCB

RGB 115 156 203

HSL 212.05, 0.46%, 0.62%

LAB 63.12, -1.6, -28.51

 

CMYK 41 / 22 / 0 / 13

HEX #84AEDE

RGB 132 174 222

HSL 212, 0.58%, 0.69%

LAB 69.79, -1.97, -28.65

 

CMYK 38 / 20 / 0 / 5

HEX #95C0F1

RGB 149 192 241

HSL 211.96, 0.77%, 0.76%

LAB 76.34, -2.28, -28.82

 

CMYK 35 / 18 / 0 / 0

HEX #A6D2FF

RGB 166 210 255

HSL 210.34, 1%, 0.83%

LAB 82.6, -3.81, -26.62

 

CMYK 51 / 27 / 0 / 26

HEX #5D8ABD

RGB 93 138 189

HSL 211.88, 0.42%, 0.55%

LAB 56.27, -0.87, -31.34

 

CMYK 55 / 29 / 0 / 33

HEX #4C78AA

RGB 76 120 170

HSL 211.91, 0.38%, 0.48%

LAB 49.34, -0.19, -31.28

 

CMYK 61 / 32 / 0 / 41

HEX #3B6697

RGB 59 102 151

HSL 211.96, 0.44%, 0.41%

LAB 42.26, 0.7, -31.25

 

CMYK 68 / 36 / 0 / 48

HEX #2A5484

RGB 42 84 132

HSL 212, 0.52%, 0.34%

LAB 35, 1.91, -31.24

 

CMYK 78 / 42 / 0 / 56

HEX #194271

RGB 25 66 113

HSL 212.05, 0.64%, 0.27%

LAB 27.56, 3.62, -31.23

 

CMYK 51 / 27 / 0 / 26

HEX #5C89BC

RGB 92 137 188

HSL 211.88, 0.42%, 0.55%

LAB 55.88, -0.84, -31.37

 

CMYK 51 / 41 / 0 / 26

HEX #5C6FBC

RGB 92 111 188

HSL 228.13, 0.42%, 0.55%

LAB 48.6, 14.78, -42.81

 

CMYK 47 / 51 / 0 / 26

HEX #635CBC

RGB 99 92 188

HSL 244.38, 0.42%, 0.55%

LAB 44.14, 28.16, -49.9

 

CMYK 34 / 51 / 0 / 26

HEX #7D5CBC

RGB 125 92 188

HSL 260.63, 0.42%, 0.55%

LAB 46.51, 34.58, -45.99

 

CMYK 20 / 51 / 0 / 26

HEX #975CBC

RGB 151 92 188

HSL 276.88, 0.42%, 0.55%

LAB 49.33, 41.58, -41.32

 

CMYK 51 / 27 / 0 / 26

HEX #5C89BC

RGB 92 137 188

HSL 211.88, 0.42%, 0.55%

LAB 55.88, -0.84, -31.37

 

CMYK 51 / 41 / 0 / 26

HEX #5C6FBC

RGB 92 111 188

HSL 228.13, 0.42%, 0.55%

LAB 48.6, 14.78, -42.81

 

CMYK 51 / 51 / 0 / 26

HEX #5C5CBC

RGB 92 92 188

HSL 240, 0.42%, 0.55%

LAB 43.6, 26.58, -50.81

 

CMYK 51 / 27 / 0 / 26

HEX #5C89BC

RGB 92 137 188

HSL 211.88, 0.42%, 0.55%

LAB 55.88, -0.84, -31.37

 

CMYK 65 / 34 / 0 / 19

HEX #4988CF

RGB 73 136 207

HSL 211.79, 0.58%, 0.55%

LAB 55.61, 2.06, -42.63

 

CMYK 76 / 40 / 0 / 11

HEX #3787E2

RGB 55 135 226

HSL 211.93, 0.75%, 0.55%

LAB 55.72, 6.76, -53.18

 

CMYK 85 / 45 / 0 / 4

HEX #2486F4

RGB 36 134 244

HSL 211.73, 0.9%, 0.55%

LAB 56.04, 12.29, -62.69

 

CMYK 51 / 27 / 0 / 26

HEX #5C89BC

RGB 92 137 188

HSL 211.88, 0.42%, 0.55%

LAB 55.88, -0.84, -31.37

 

CMYK 35 / 19 / 0 / 33

HEX #6F8AAA

RGB 111 138 170

HSL 212.54, 0.26%, 0.55%

LAB 56.54, -1.57, -19.98

 

CMYK 15 / 7 / 0 / 41

HEX #818C97

RGB 129 140 151

HSL 210, 0.1%, 0.55%

LAB 57.71, -1.61, -7.21

 

CMYK 0 / 5 / 10 / 42

HEX #948D85

RGB 148 141 133

HSL 32, 0.07%, 0.55%

LAB 59.01, 1.13, 5.18

 

CMYK 0 / 14 / 31 / 35

HEX #A68E72

RGB 166 142 114

HSL 32.31, 0.23%, 0.55%

LAB 60.49, 4.72, 18.27

 

CMYK 51 / 0 / 1 / 26

HEX #5CBCBB

RGB 92 188 187

HSL 179.38, 0.42%, 0.55%

LAB 70.75, -28.41, -8.18

 

CMYK 51 / 13 / 0 / 26

HEX #5CA4BC

RGB 92 164 188

HSL 195, 0.42%, 0.55%

LAB 63.72, -15.88, -19.32

 

CMYK 51 / 26 / 0 / 26

HEX #5C8BBC

RGB 92 139 188

HSL 210.63, 0.42%, 0.55%

LAB 56.46, -1.99, -30.48

 

CMYK 51 / 40 / 0 / 26

HEX #5C71BC

RGB 92 113 188

HSL 226.88, 0.42%, 0.55%

LAB 49.15, 13.55, -41.95

 

CMYK 48 / 51 / 0 / 26

HEX #615CBC

RGB 97 92 188

HSL 243.13, 0.42%, 0.55%

LAB 43.98, 27.7, -50.16

 

CMYK 60 / 32 / 0 / 45

HEX #39608D

RGB 57 96 141

HSL 212.14, 0.42%, 0.39%

LAB 39.85, 0.54, -29.04

 

CMYK 59 / 32 / 0 / 33

HEX #4574AA

RGB 69 116 170

HSL 212.08, 0.42%, 0.47%

LAB 47.83, 0.71, -33.68

 

CMYK 51 / 27 / 0 / 26

HEX #5C89BC

RGB 92 137 188

HSL 211.88, 0.42%, 0.55%

LAB 55.88, -0.84, -31.37

 

CMYK 40 / 21 / 0 / 22

HEX #799EC8

RGB 121 158 200

HSL 211.9, 0.42%, 0.63%

LAB 63.91, -1.98, -25.6

 

CMYK 29 / 15 / 0 / 17

HEX #97B4D4

RGB 151 180 212

HSL 211.48, 0.41%, 0.71%

LAB 72.21, -2.53, -19.38

 

CMYK 51 / 27 / 0 / 26

HEX #5D8ABD

RGB 93 138 189

HSL 211.88, 0.42%, 0.55%

LAB 56.27, -0.87, -31.34

 

CMYK 14 / 51 / 0 / 26

HEX #A15CBC

RGB 161 92 188

HSL 283.13, 0.42%, 0.55%

LAB 50.53, 44.36, -39.36

 

CMYK 6 / 0 / 51 / 26

HEX #B1BC5C

RGB 177 188 92

HSL 66.88, 0.42%, 0.55%

LAB 73.6, -17.72, 46.76

 

CMYK 51 / 27 / 0 / 26

HEX #5D8ABD

RGB 93 138 189

HSL 211.88, 0.42%, 0.55%

LAB 56.27, -0.87, -31.34

 

CMYK 0 / 51 / 26 / 26

HEX #BC5C8B

RGB 188 92 139

HSL 330.63, 0.42%, 0.55%

LAB 52.07, 44.06, -7.95

 

CMYK 26 / 0 / 51 / 26

HEX #8BBC5C

RGB 139 188 92

HSL 90.63, 0.42%, 0.55%

LAB 71.03, -32.57, 43.07

 

CMYK 51 / 27 / 0 / 26

HEX #5D8ABD

RGB 93 138 189

HSL 211.88, 0.42%, 0.55%

LAB 56.27, -0.87, -31.34

 

CMYK 14 / 51 / 0 / 26

HEX #A15CBC

RGB 161 92 188

HSL 283.13, 0.42%, 0.55%

LAB 50.53, 44.36, -39.36

 

CMYK 0 / 24 / 51 / 26

HEX #BC8E5C

RGB 188 142 92

HSL 31.25, 0.42%, 0.55%

LAB 62.35, 11.37, 33.26

 

CMYK 37 / 0 / 51 / 26

HEX #77BC5C

RGB 119 188 92

HSL 103.13, 0.42%, 0.55%

LAB 69.94, -39.63, 41.49

 

CMYK 51 / 27 / 0 / 26

HEX #5D8ABD

RGB 93 138 189

HSL 211.88, 0.42%, 0.55%

LAB 56.27, -0.87, -31.34

 

CMYK 0 / 51 / 1 / 26

HEX #BC5CBB

RGB 188 92 187

HSL 300.63, 0.42%, 0.55%

LAB 53.96, 51.78, -33.15

 

CMYK 0 / 24 / 51 / 26

HEX #BC8E5C

RGB 188 142 92

HSL 31.25, 0.42%, 0.55%

LAB 62.35, 11.37, 33.26

 

CMYK 51 / 0 / 50 / 26

HEX #5CBC5E

RGB 92 188 94

HSL 121.25, 0.42%, 0.55%

LAB 68.79, -47.61, 38.83

 

Description

Color code: HEX #5D8ABD | qconv.com Color code: HEX #5D8ABD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 138 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 138 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 27 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 27% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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