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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D82DF it is the complementary color #A27D20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D82DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D82DF shade: #6282DA, #7394ED, #84A6FF, #95B8FF and #A6CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D82DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D82DF shade: #5D82DF, #4C70CC, #3B5EB9, #2A4CA6 and #193A93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D82DF shade: #5D82DF, #5D5FDF, #7E5DDF, #A15DDF and #C45DDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D82DF shade: #5D82DF, #5D5FDF and #5D5DDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D82DF shade matches the following richer shades: #5D82DF, #4D7BEE and #3D74FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D82DF shade: #5D82DF, #6C88CF, #7C8FBF, #8C96AF and #9B9DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D82DF shade: #5DC9DF, #5DA6DF, #5D84DF, #5D61DF and #7B5DDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D82DF shade: #2653C3, #3A67D8, #5D82DF, #7F9CE5 and #A2B7EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D82DF shade: #5D82DF, #D25DDF and #B8DF5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D82DF shade: #5D82DF, #DF5D84 and #84DF5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D82DF shade: #5D82DF, #D25DDF, #DFB85D and #6ADF5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D82DF shade: #5D82DF, #DF5DC5, #DFB85D and #5DDF77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

Complementary color

CMYK 0 / 23 / 80 / 36

HEX #A27D20

RGB 162 125 32

HSL 42.92, 0.67%, 0.38%

LAB 54.5, 5.38, 52.34

 

CMYK 55 / 40 / 0 / 15

HEX #6282DA

RGB 98 130 218

HSL 224, 0.62%, 0.62%

LAB 55.71, 14.12, -48.6

 

CMYK 51 / 38 / 0 / 7

HEX #7394ED

RGB 115 148 237

HSL 223.77, 0.77%, 0.69%

LAB 62.46, 13.06, -48.42

 

CMYK 48 / 35 / 0 / 0

HEX #84A6FF

RGB 132 166 255

HSL 223.41, 1%, 0.76%

LAB 69.04, 11.86, -47.81

 

CMYK 42 / 28 / 0 / 0

HEX #95B8FF

RGB 149 184 255

HSL 220.19, 1%, 0.79%

LAB 74.76, 5.83, -38.8

 

CMYK 35 / 21 / 0 / 0

HEX #A6CAFF

RGB 166 202 255

HSL 215.73, 1%, 0.83%

LAB 80.5, 0.45, -29.84

 

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

CMYK 63 / 45 / 0 / 20

HEX #4C70CC

RGB 76 112 204

HSL 223.13, 0.56%, 0.55%

LAB 48.86, 16.18, -51.64

 

CMYK 68 / 49 / 0 / 27

HEX #3B5EB9

RGB 59 94 185

HSL 223.33, 0.52%, 0.48%

LAB 41.9, 17.97, -51.88

 

CMYK 75 / 54 / 0 / 35

HEX #2A4CA6

RGB 42 76 166

HSL 223.55, 0.6%, 0.41%

LAB 34.83, 20.22, -52.12

 

CMYK 83 / 61 / 0 / 42

HEX #193A93

RGB 25 58 147

HSL 223.77, 0.71%, 0.34%

LAB 27.68, 23.09, -52.26

 

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

CMYK 58 / 57 / 0 / 13

HEX #5D5FDF

RGB 93 95 223

HSL 239.08, 0.67%, 0.62%

LAB 46.76, 36.12, -65.8

 

CMYK 43 / 58 / 0 / 13

HEX #7E5DDF

RGB 126 93 223

HSL 255.23, 0.67%, 0.62%

LAB 49, 43.74, -62.05

 

CMYK 28 / 58 / 0 / 13

HEX #A15DDF

RGB 161 93 223

HSL 271.38, 0.67%, 0.62%

LAB 52.66, 51.65, -55.97

 

CMYK 12 / 58 / 0 / 13

HEX #C45DDF

RGB 196 93 223

HSL 287.54, 0.67%, 0.62%

LAB 56.97, 60.16, -48.84

 

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

CMYK 58 / 57 / 0 / 13

HEX #5D5FDF

RGB 93 95 223

HSL 239.08, 0.67%, 0.62%

LAB 46.76, 36.12, -65.8

 

CMYK 58 / 58 / 0 / 13

HEX #5D5DDF

RGB 93 93 223

HSL 240, 0.67%, 0.62%

LAB 46.29, 37.33, -66.57

 

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

CMYK 68 / 48 / 0 / 7

HEX #4D7BEE

RGB 77 123 238

HSL 222.86, 0.83%, 0.62%

LAB 53.94, 21.34, -62.68

 

CMYK 76 / 54 / 0 / 0

HEX #3D74FE

RGB 61 116 254

HSL 222.9, 0.99%, 0.62%

LAB 52.55, 29.34, -73.84

 

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

CMYK 48 / 34 / 0 / 19

HEX #6C88CF

RGB 108 136 207

HSL 223.03, 0.51%, 0.62%

LAB 57.37, 9.37, -39.75

 

CMYK 35 / 25 / 0 / 25

HEX #7C8FBF

RGB 124 143 191

HSL 222.99, 0.34%, 0.62%

LAB 59.61, 4.95, -27.15

 

CMYK 20 / 14 / 0 / 31

HEX #8C96AF

RGB 140 150 175

HSL 222.86, 0.18%, 0.62%

LAB 62.07, 1.87, -14.25

 

CMYK 3 / 2 / 0 / 37

HEX #9B9DA0

RGB 155 157 160

HSL 216, 0.03%, 0.62%

LAB 64.66, -0.13, -1.82

 

CMYK 58 / 10 / 0 / 13

HEX #5DC9DF

RGB 93 201 223

HSL 190.15, 0.67%, 0.62%

LAB 75.72, -24.68, -20.29

 

CMYK 58 / 26 / 0 / 13

HEX #5DA6DF

RGB 93 166 223

HSL 206.31, 0.67%, 0.62%

LAB 65.69, -6.22, -35.7

 

CMYK 58 / 41 / 0 / 13

HEX #5D84DF

RGB 93 132 223

HSL 222, 0.67%, 0.62%

LAB 56.25, 13.53, -50.57

 

CMYK 58 / 57 / 0 / 13

HEX #5D61DF

RGB 93 97 223

HSL 238.15, 0.67%, 0.62%

LAB 47.24, 34.91, -65.02

 

CMYK 45 / 58 / 0 / 13

HEX #7B5DDF

RGB 123 93 223

HSL 253.85, 0.67%, 0.62%

LAB 48.72, 43.1, -62.52

 

CMYK 81 / 57 / 0 / 24

HEX #2653C3

RGB 38 83 195

HSL 222.8, 0.67%, 0.46%

LAB 38.79, 26.26, -62.8

 

CMYK 73 / 52 / 0 / 15

HEX #3A67D8

RGB 58 103 216

HSL 222.91, 0.67%, 0.54%

LAB 46.39, 23.38, -62.52

 

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

CMYK 45 / 32 / 0 / 10

HEX #7F9CE5

RGB 127 156 229

HSL 222.94, 0.66%, 0.7%

LAB 64.92, 8.85, -40.08

 

CMYK 31 / 22 / 0 / 7

HEX #A2B7EC

RGB 162 183 236

HSL 222.97, 0.66%, 0.78%

LAB 74.57, 4.91, -28.76

 

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

CMYK 6 / 58 / 0 / 13

HEX #D25DDF

RGB 210 93 223

HSL 294, 0.67%, 0.62%

LAB 58.84, 63.64, -45.76

 

CMYK 17 / 0 / 58 / 13

HEX #B8DF5D

RGB 184 223 93

HSL 78, 0.67%, 0.62%

LAB 83.84, -31.81, 58.21

 

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

CMYK 0 / 58 / 41 / 13

HEX #DF5D84

RGB 223 93 132

HSL 342, 0.67%, 0.62%

LAB 57.25, 54.24, 4.39

 

CMYK 41 / 0 / 58 / 13

HEX #84DF5D

RGB 132 223 93

HSL 102, 0.67%, 0.62%

LAB 81, -50.15, 54.23

 

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

CMYK 6 / 58 / 0 / 13

HEX #D25DDF

RGB 210 93 223

HSL 294, 0.67%, 0.62%

LAB 58.84, 63.64, -45.76

 

CMYK 0 / 17 / 58 / 13

HEX #DFB85D

RGB 223 184 93

HSL 42, 0.67%, 0.62%

LAB 76.53, 3.56, 50.71

 

CMYK 52 / 0 / 58 / 13

HEX #6ADF5D

RGB 106 223 93

HSL 114, 0.67%, 0.62%

LAB 79.97, -57.67, 52.77

 

CMYK 58 / 42 / 0 / 13

HEX #5D82DF

RGB 93 130 223

HSL 222.92, 0.67%, 0.62%

LAB 55.71, 14.73, -51.42

 

CMYK 0 / 58 / 12 / 13

HEX #DF5DC5

RGB 223 93 197

HSL 312, 0.67%, 0.62%

LAB 59.48, 62.69, -29.91

 

CMYK 0 / 17 / 58 / 13

HEX #DFB85D

RGB 223 184 93

HSL 42, 0.67%, 0.62%

LAB 76.53, 3.56, 50.71

 

CMYK 58 / 0 / 47 / 13

HEX #5DDF77

RGB 93 223 119

HSL 132, 0.67%, 0.62%

LAB 79.86, -57.45, 40.34

 

Description

Color code: HEX #5D82DF | qconv.com Color code: HEX #5D82DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 130 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 130 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 42 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 42% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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