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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D7B28 it is the complementary color #A284D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D7B28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D7B28 shade: #627B23, #738D36, #849F49, #95B15C and #A6C36F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D7B28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D7B28 shade: #5D7B28, #4C6915, #3B5702, #2A4500 and #193300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D7B28 shade: #5D7B28, #747B28, #7B6C28, #7B5628 and #7B4028

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D7B28 shade: #5D7B28, #477B28, #307B28, #287B36 and #287B4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D7B28 shade matches the following richer shades: #5D7B28, #61881B, #64960E and #68A300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D7B28 shade: #5D7B28, #596E35, #566142, #525450 and #4E465D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D7B28 shade: #7B6C28, #747B28, #5E7B28, #487B28 and #327B28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D7B28 shade: #2E3D14, #465C1E, #5D7B28, #759A32 and #8CBA3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D7B28 shade: #5D7B28, #287B56 and #77287B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D7B28 shade: #5D7B28, #285E7B and #7B285E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D7B28 shade: #5D7B28, #287B56, #45287B and #7B284D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D7B28 shade: #5D7B28, #287B6F, #45287B and #7B2834

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

Complementary color

CMYK 25 / 39 / 0 / 16

HEX #A284D7

RGB 162 132 215

HSL 261.69, 0.51%, 0.68%

LAB 60.86, 28.5, -38.47

 

CMYK 20 / 0 / 72 / 52

HEX #627B23

RGB 98 123 35

HSL 77.05, 0.56%, 0.31%

LAB 48.11, -22.6, 43

 

CMYK 18 / 0 / 62 / 45

HEX #738D36

RGB 115 141 54

HSL 77.93, 0.45%, 0.38%

LAB 55.03, -23.03, 42.3

 

CMYK 17 / 0 / 54 / 38

HEX #849F49

RGB 132 159 73

HSL 78.84, 0.37%, 0.45%

LAB 61.81, -23.29, 41.26

 

CMYK 16 / 0 / 48 / 31

HEX #95B15C

RGB 149 177 92

HSL 79.76, 0.35%, 0.53%

LAB 68.47, -23.46, 40.1

 

CMYK 15 / 0 / 43 / 24

HEX #A6C36F

RGB 166 195 111

HSL 80.71, 0.41%, 0.6%

LAB 75, -23.56, 38.93

 

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

CMYK 28 / 0 / 80 / 59

HEX #4C6915

RGB 76 105 21

HSL 80.71, 0.67%, 0.25%

LAB 40.73, -23.86, 40.68

 

CMYK 32 / 0 / 98 / 66

HEX #3B5702

RGB 59 87 2

HSL 79.76, 0.96%, 0.17%

LAB 33.46, -23.09, 39.82

 

CMYK 39 / 0 / 100 / 73

HEX #2A4500

RGB 42 69 0

HSL 83.48, 1%, 0.14%

LAB 26.01, -21.6, 34.05

 

CMYK 51 / 0 / 100 / 80

HEX #193300

RGB 25 51 0

HSL 90.59, 1%, 0.1%

LAB 18.25, -19.9, 25.56

 

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

CMYK 6 / 0 / 67 / 52

HEX #747B28

RGB 116 123 40

HSL 65.06, 0.51%, 0.32%

LAB 49.54, -14.28, 42.76

 

CMYK 0 / 12 / 67 / 52

HEX #7B6C28

RGB 123 108 40

HSL 49.16, 0.51%, 0.32%

LAB 45.76, -2.67, 38.97

 

CMYK 0 / 30 / 67 / 52

HEX #7B5628

RGB 123 86 40

HSL 33.25, 0.51%, 0.32%

LAB 39.61, 10.27, 32.24

 

CMYK 0 / 48 / 67 / 52

HEX #7B4028

RGB 123 64 40

HSL 17.35, 0.51%, 0.32%

LAB 34.05, 23.31, 25.81

 

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

CMYK 42 / 0 / 67 / 52

HEX #477B28

RGB 71 123 40

HSL 97.59, 0.51%, 0.32%

LAB 46.52, -32.95, 38.65

 

CMYK 61 / 0 / 67 / 52

HEX #307B28

RGB 48 123 40

HSL 114.22, 0.51%, 0.32%

LAB 45.56, -40.15, 37.33

 

CMYK 67 / 0 / 56 / 52

HEX #287B36

RGB 40 123 54

HSL 130.12, 0.51%, 0.32%

LAB 45.47, -40.3, 30.27

 

CMYK 67 / 0 / 37 / 52

HEX #287B4D

RGB 40 123 77

HSL 146.75, 0.51%, 0.32%

LAB 45.84, -36.18, 18.06

 

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

CMYK 29 / 0 / 80 / 47

HEX #61881B

RGB 97 136 27

HSL 81.47, 0.67%, 0.32%

LAB 52.09, -29.88, 49.79

 

CMYK 33 / 0 / 91 / 41

HEX #64960E

RGB 100 150 14

HSL 82.06, 0.83%, 0.32%

LAB 56.64, -35.64, 57.14

 

CMYK 36 / 0 / 100 / 36

HEX #68A300

RGB 104 163 0

HSL 81.72, 1%, 0.32%

LAB 60.9, -40.12, 62.77

 

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

CMYK 19 / 0 / 52 / 57

HEX #596E35

RGB 89 110 53

HSL 82.11, 0.35%, 0.32%

LAB 43.56, -18.03, 29.04

 

CMYK 11 / 0 / 32 / 62

HEX #566142

RGB 86 97 66

HSL 81.29, 0.19%, 0.32%

LAB 39.45, -10.29, 16.32

 

CMYK 2 / 0 / 5 / 67

HEX #525450

RGB 82 84 80

HSL 90, 0.02%, 0.32%

LAB 35.43, -1.65, 2.05

 

CMYK 16 / 25 / 0 / 64

HEX #4E465D

RGB 78 70 93

HSL 260.87, 0.14%, 0.32%

LAB 31.32, 8.63, -12.34

 

CMYK 0 / 12 / 67 / 52

HEX #7B6C28

RGB 123 108 40

HSL 49.16, 0.51%, 0.32%

LAB 45.76, -2.67, 38.97

 

CMYK 6 / 0 / 67 / 52

HEX #747B28

RGB 116 123 40

HSL 65.06, 0.51%, 0.32%

LAB 49.54, -14.28, 42.76

 

CMYK 24 / 0 / 67 / 52

HEX #5E7B28

RGB 94 123 40

HSL 80.96, 0.51%, 0.32%

LAB 47.88, -23.93, 40.51

 

CMYK 41 / 0 / 67 / 52

HEX #487B28

RGB 72 123 40

HSL 96.87, 0.51%, 0.32%

LAB 46.57, -32.59, 38.72

 

CMYK 59 / 0 / 67 / 52

HEX #327B28

RGB 50 123 40

HSL 112.77, 0.51%, 0.32%

LAB 45.63, -39.61, 37.42

 

CMYK 25 / 0 / 67 / 76

HEX #2E3D14

RGB 46 61 20

HSL 81.95, 0.51%, 0.16%

LAB 23.57, -13.92, 22.82

 

CMYK 24 / 0 / 67 / 64

HEX #465C1E

RGB 70 92 30

HSL 81.29, 0.51%, 0.24%

LAB 36.08, -19.1, 32

 

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

CMYK 24 / 0 / 68 / 40

HEX #759A32

RGB 117 154 50

HSL 81.35, 0.51%, 0.4%

LAB 59.09, -28.93, 48.49

 

CMYK 25 / 0 / 68 / 27

HEX #8CBA3C

RGB 140 186 60

HSL 81.9, 0.51%, 0.48%

LAB 70.19, -34.17, 56.44

 

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

CMYK 67 / 0 / 30 / 52

HEX #287B56

RGB 40 123 86

HSL 153.25, 0.51%, 0.32%

LAB 46.03, -34.2, 13.1

 

CMYK 3 / 67 / 0 / 52

HEX #77287B

RGB 119 40 123

HSL 297.11, 0.51%, 0.32%

LAB 31.51, 45.65, -30.7

 

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

CMYK 67 / 24 / 0 / 52

HEX #285E7B

RGB 40 94 123

HSL 200.96, 0.51%, 0.32%

LAB 37.64, -8.02, -21.59

 

CMYK 0 / 67 / 24 / 52

HEX #7B285E

RGB 123 40 94

HSL 320.96, 0.51%, 0.32%

LAB 30.73, 41.86, -13.35

 

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

CMYK 67 / 0 / 30 / 52

HEX #287B56

RGB 40 123 86

HSL 153.25, 0.51%, 0.32%

LAB 46.03, -34.2, 13.1

 

CMYK 44 / 67 / 0 / 52

HEX #45287B

RGB 69 40 123

HSL 260.96, 0.51%, 0.32%

LAB 24.36, 33.47, -42.55

 

CMYK 0 / 67 / 37 / 52

HEX #7B284D

RGB 123 40 77

HSL 333.25, 0.51%, 0.32%

LAB 30.07, 39.55, -3.24

 

CMYK 24 / 0 / 67 / 52

HEX #5D7B28

RGB 93 123 40

HSL 81.69, 0.51%, 0.32%

LAB 47.81, -24.35, 40.42

 

CMYK 67 / 0 / 10 / 52

HEX #287B6F

RGB 40 123 111

HSL 171.33, 0.51%, 0.32%

LAB 46.66, -27.72, -0.72

 

CMYK 44 / 67 / 0 / 52

HEX #45287B

RGB 69 40 123

HSL 260.96, 0.51%, 0.32%

LAB 24.36, 33.47, -42.55

 

CMYK 0 / 67 / 58 / 52

HEX #7B2834

RGB 123 40 52

HSL 351.33, 0.51%, 0.32%

LAB 29.35, 36.94, 12.27

 

Description

Color code: HEX #5D7B28 | qconv.com Color code: HEX #5D7B28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 123 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 123 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 67 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 67% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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