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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D7168 it is the complementary color #A28E97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D7168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D7168 shade: #627163, #738376, #849589, #95A79C and #A6B9AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D7168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D7168 shade: #5D7168, #4C5F55, #3B4D42, #2A3B2F and #19291C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D7168 shade: #5C7067, #5C7062, #5C705C, #61705C and #67705C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D7168 shade: #5C7067, #5C706D, #5C6E70, #5C6970 and #5C6370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D7168 shade matches the following richer shades: #5C7067, #4B8169, #3B916A, #2AA26C and #1AB26E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D7168 shade: #5C7067, #6C6065, #7D4F64, #8D3F62 and #9E2E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D7168 shade: #5C705C, #5C7062, #5C7067, #5C706C and #5C6F70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D7168 shade: #37433D, #495A52, #5C7067, #6E877C and #849A90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D7168 shade: #5D7168, #5C6170 and #705F5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D7168 shade: #5D7168, #675C70 and #70675C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D7168 shade: #5D7168, #5C6170, #705C65 and #706B5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D7168 shade: #5D7168, #5D5C70, #705C65 and #6F705C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 8 / 56

HEX #5D7168

RGB 93 113 104

HSL 153, 0.1%, 0.4%

LAB 45.82, -9.4, 2.53

 

Complementary color

CMYK 0 / 12 / 7 / 36

HEX #A28E97

RGB 162 142 151

HSL 333, 0.1%, 0.6%

LAB 61.01, 9.09, -2.02

 

CMYK 13 / 0 / 12 / 56

HEX #627163

RGB 98 113 99

HSL 124, 0.07%, 0.41%

LAB 46.05, -8.58, 5.89

 

CMYK 12 / 0 / 10 / 49

HEX #738376

RGB 115 131 118

HSL 131.25, 0.07%, 0.48%

LAB 53.15, -8.53, 5.05

 

CMYK 11 / 0 / 8 / 42

HEX #849589

RGB 132 149 137

HSL 137.65, 0.07%, 0.55%

LAB 60.07, -8.5, 4.28

 

CMYK 11 / 0 / 7 / 35

HEX #95A79C

RGB 149 167 156

HSL 143.33, 0.09%, 0.62%

LAB 66.85, -8.48, 3.54

 

CMYK 10 / 0 / 5 / 27

HEX #A6B9AF

RGB 166 185 175

HSL 148.42, 0.12%, 0.69%

LAB 73.48, -8.48, 2.84

 

CMYK 18 / 0 / 8 / 56

HEX #5D7168

RGB 93 113 104

HSL 153, 0.1%, 0.4%

LAB 45.82, -9.4, 2.53

 

CMYK 20 / 0 / 11 / 63

HEX #4C5F55

RGB 76 95 85

HSL 148.42, 0.11%, 0.34%

LAB 38.51, -9.52, 3.33

 

CMYK 23 / 0 / 14 / 70

HEX #3B4D42

RGB 59 77 66

HSL 143.33, 0.13%, 0.27%

LAB 30.95, -9.68, 4.23

 

CMYK 29 / 0 / 20 / 77

HEX #2A3B2F

RGB 42 59 47

HSL 137.65, 0.17%, 0.2%

LAB 23.09, -9.9, 5.24

 

CMYK 39 / 0 / 32 / 84

HEX #19291C

RGB 25 41 28

HSL 131.25, 0.24%, 0.13%

LAB 14.82, -10.2, 6.44

 

CMYK 18 / 0 / 8 / 56

HEX #5C7067

RGB 92 112 103

HSL 153, 0.1%, 0.4%

LAB 45.42, -9.41, 2.53

 

CMYK 18 / 0 / 13 / 56

HEX #5C7062

RGB 92 112 98

HSL 138, 0.1%, 0.4%

LAB 45.28, -10.48, 5.33

 

CMYK 18 / 0 / 18 / 56

HEX #5C705C

RGB 92 112 92

HSL 120, 0.1%, 0.4%

LAB 45.13, -11.7, 8.69

 

CMYK 13 / 0 / 18 / 56

HEX #61705C

RGB 97 112 92

HSL 105, 0.1%, 0.4%

LAB 45.5, -9.77, 9.26

 

CMYK 8 / 0 / 18 / 56

HEX #67705C

RGB 103 112 92

HSL 87, 0.1%, 0.4%

LAB 45.97, -7.39, 9.99

 

CMYK 18 / 0 / 8 / 56

HEX #5C7067

RGB 92 112 103

HSL 153, 0.1%, 0.4%

LAB 45.42, -9.41, 2.53

 

CMYK 18 / 0 / 3 / 56

HEX #5C706D

RGB 92 112 109

HSL 171, 0.1%, 0.4%

LAB 45.59, -8.07, -0.81

 

CMYK 18 / 2 / 0 / 56

HEX #5C6E70

RGB 92 110 112

HSL 186, 0.1%, 0.4%

LAB 45.08, -6.22, -3.36

 

CMYK 18 / 6 / 0 / 56

HEX #5C6970

RGB 92 105 112

HSL 201, 0.1%, 0.4%

LAB 43.58, -3.28, -5.59

 

CMYK 18 / 12 / 0 / 56

HEX #5C6370

RGB 92 99 112

HSL 219, 0.1%, 0.4%

LAB 41.8, 0.31, -8.24

 

CMYK 18 / 0 / 8 / 56

HEX #5C7067

RGB 92 112 103

HSL 153, 0.1%, 0.4%

LAB 45.42, -9.41, 2.53

 

CMYK 42 / 0 / 19 / 49

HEX #4B8169

RGB 75 129 105

HSL 153.33, 0.26%, 0.4%

LAB 49.76, -23.84, 7.44

 

CMYK 59 / 0 / 27 / 43

HEX #3B916A

RGB 59 145 106

HSL 152.79, 0.42%, 0.4%

LAB 54.26, -35.5, 13.11

 

CMYK 74 / 0 / 33 / 36

HEX #2AA26C

RGB 42 162 108

HSL 153, 0.59%, 0.4%

LAB 59.36, -45.43, 18.94

 

CMYK 85 / 0 / 38 / 30

HEX #1AB26E

RGB 26 178 110

HSL 153.16, 0.75%, 0.4%

LAB 64.31, -52.99, 24.5

 

CMYK 18 / 0 / 8 / 56

HEX #5C7067

RGB 92 112 103

HSL 153, 0.1%, 0.4%

LAB 45.42, -9.41, 2.53

 

CMYK 0 / 11 / 6 / 58

HEX #6C6065

RGB 108 96 101

HSL 335, 0.06%, 0.4%

LAB 41.99, 5.77, -1.09

 

CMYK 0 / 37 / 20 / 51

HEX #7D4F64

RGB 125 79 100

HSL 332.61, 0.23%, 0.4%

LAB 39.36, 22.58, -4.13

 

CMYK 0 / 55 / 30 / 45

HEX #8D3F62

RGB 141 63 98

HSL 333.08, 0.38%, 0.4%

LAB 38.02, 37.15, -4.62

 

CMYK 0 / 71 / 39 / 38

HEX #9E2E60

RGB 158 46 96

HSL 333.21, 0.55%, 0.4%

LAB 37.96, 50.15, -3.12

 

CMYK 18 / 0 / 18 / 56

HEX #5C705C

RGB 92 112 92

HSL 120, 0.1%, 0.4%

LAB 45.13, -11.7, 8.69

 

CMYK 18 / 0 / 13 / 56

HEX #5C7062

RGB 92 112 98

HSL 138, 0.1%, 0.4%

LAB 45.28, -10.48, 5.33

 

CMYK 18 / 0 / 8 / 56

HEX #5C7067

RGB 92 112 103

HSL 153, 0.1%, 0.4%

LAB 45.42, -9.41, 2.53

 

CMYK 18 / 0 / 4 / 56

HEX #5C706C

RGB 92 112 108

HSL 168, 0.1%, 0.4%

LAB 45.56, -8.3, -0.25

 

CMYK 18 / 1 / 0 / 56

HEX #5C6F70

RGB 92 111 112

HSL 183, 0.1%, 0.4%

LAB 45.38, -6.8, -2.92

 

CMYK 18 / 0 / 9 / 74

HEX #37433D

RGB 55 67 61

HSL 150, 0.1%, 0.24%

LAB 27.2, -6.32, 2.01

 

CMYK 19 / 0 / 9 / 65

HEX #495A52

RGB 73 90 82

HSL 151.76, 0.1%, 0.32%

LAB 36.63, -8.39, 2.45

 

CMYK 18 / 0 / 8 / 56

HEX #5C7067

RGB 92 112 103

HSL 153, 0.1%, 0.4%

LAB 45.42, -9.41, 2.53

 

CMYK 19 / 0 / 8 / 47

HEX #6E877C

RGB 110 135 124

HSL 153.6, 0.1%, 0.48%

LAB 54.13, -11.31, 2.94

 

CMYK 14 / 0 / 6 / 40

HEX #849A90

RGB 132 154 144

HSL 152.73, 0.1%, 0.56%

LAB 61.68, -9.82, 2.63

 

CMYK 18 / 0 / 8 / 56

HEX #5D7168

RGB 93 113 104

HSL 153, 0.1%, 0.4%

LAB 45.82, -9.4, 2.53

 

CMYK 18 / 13 / 0 / 56

HEX #5C6170

RGB 92 97 112

HSL 225, 0.1%, 0.4%

LAB 41.21, 1.52, -9.13

 

CMYK 0 / 15 / 18 / 56

HEX #705F5C

RGB 112 95 92

HSL 9, 0.1%, 0.4%

LAB 41.85, 6.31, 4.25

 

CMYK 18 / 0 / 8 / 56

HEX #5D7168

RGB 93 113 104

HSL 153, 0.1%, 0.4%

LAB 45.82, -9.4, 2.53

 

CMYK 8 / 18 / 0 / 56

HEX #675C70

RGB 103 92 112

HSL 273, 0.1%, 0.4%

LAB 40.75, 8.61, -9.72

 

CMYK 0 / 8 / 18 / 56

HEX #70675C

RGB 112 103 92

HSL 33, 0.1%, 0.4%

LAB 44.12, 1.53, 7.49

 

CMYK 18 / 0 / 8 / 56

HEX #5D7168

RGB 93 113 104

HSL 153, 0.1%, 0.4%

LAB 45.82, -9.4, 2.53

 

CMYK 18 / 13 / 0 / 56

HEX #5C6170

RGB 92 97 112

HSL 225, 0.1%, 0.4%

LAB 41.21, 1.52, -9.13

 

CMYK 0 / 18 / 10 / 56

HEX #705C65

RGB 112 92 101

HSL 333, 0.1%, 0.4%

LAB 41.28, 9.79, -2.09

 

CMYK 0 / 4 / 18 / 56

HEX #706B5C

RGB 112 107 92

HSL 45, 0.1%, 0.4%

LAB 45.27, -0.83, 9.11

 

CMYK 18 / 0 / 8 / 56

HEX #5D7168

RGB 93 113 104

HSL 153, 0.1%, 0.4%

LAB 45.82, -9.4, 2.53

 

CMYK 17 / 18 / 0 / 56

HEX #5D5C70

RGB 93 92 112

HSL 243, 0.1%, 0.4%

LAB 39.83, 4.95, -11.19

 

CMYK 0 / 18 / 10 / 56

HEX #705C65

RGB 112 92 101

HSL 333, 0.1%, 0.4%

LAB 41.28, 9.79, -2.09

 

CMYK 1 / 0 / 18 / 56

HEX #6F705C

RGB 111 112 92

HSL 63, 0.1%, 0.4%

LAB 46.63, -4.15, 11.02

 

Description

Color code: HEX #5D7168 | qconv.com Color code: HEX #5D7168 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 113 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 113 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 8 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 8% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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