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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D5EBB it is the complementary color #A2A144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D5EBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D5EBB shade: #625EB6, #7370C9, #8482DC, #9594EF and #A6A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D5EBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D5EBB shade: #5D5EBB, #4C4CA8, #3B3A95, #2A2882 and #19166F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D5EBB shade: #5D5EBB, #755DBB, #8E5DBB, #A85DBB and #BB5DB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D5EBB shade: #5D5EBB and #5D5DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D5EBB shade matches the following richer shades: #5D5EBB, #4A4CCD, #3839E0 and #2527F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D5EBB shade: #5D5EBB, #6F70A8, #828296, #949483 and #A7A671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D5EBB shade: #5D90BB, #5D77BB, #5D5EBB, #745DBB and #8D5DBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D5EBB shade: #3A3B8B, #4647A8, #5D5EBB, #7A7BC7 and #9798D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D5EBB shade: #5D5EBB, #BB5DAA and #84BB5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D5EBB shade: #5D5EBB, #BB5D5E and #5EBB5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D5EBB shade: #5D5EBB, #BB5DAA, #BBB95D and #5DBB6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D5EBB shade: #5D5EBB, #BB5D8D, #BBB95D and #5DBB8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

Complementary color

CMYK 0 / 1 / 58 / 36

HEX #A2A144

RGB 162 161 68

HSL 59.36, 0.41%, 0.45%

LAB 64.63, -12.17, 47.49

 

CMYK 46 / 48 / 0 / 29

HEX #625EB6

RGB 98 94 182

HSL 242.73, 0.38%, 0.54%

LAB 44.2, 24.86, -46.31

 

CMYK 43 / 44 / 0 / 21

HEX #7370C9

RGB 115 112 201

HSL 242.02, 0.45%, 0.61%

LAB 51.21, 23.71, -46.04

 

CMYK 40 / 41 / 0 / 14

HEX #8482DC

RGB 132 130 220

HSL 241.33, 0.56%, 0.69%

LAB 58.07, 22.72, -45.83

 

CMYK 38 / 38 / 0 / 6

HEX #9594EF

RGB 149 148 239

HSL 240.66, 0.74%, 0.76%

LAB 64.8, 21.86, -45.67

 

CMYK 35 / 35 / 0 / 0

HEX #A6A6FF

RGB 166 166 255

HSL 240, 1%, 0.83%

LAB 71.28, 20.32, -44.13

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 55 / 55 / 0 / 34

HEX #4C4CA8

RGB 76 76 168

HSL 240, 0.38%, 0.48%

LAB 36.99, 26.76, -49.72

 

CMYK 60 / 61 / 0 / 42

HEX #3B3A95

RGB 59 58 149

HSL 240.66, 0.44%, 0.41%

LAB 29.73, 28.59, -50.07

 

CMYK 68 / 69 / 0 / 49

HEX #2A2882

RGB 42 40 130

HSL 241.33, 0.53%, 0.33%

LAB 22.38, 30.78, -50.32

 

CMYK 77 / 80 / 0 / 56

HEX #19166F

RGB 25 22 111

HSL 242.02, 0.67%, 0.26%

LAB 15.11, 33.17, -50.17

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 37 / 50 / 0 / 27

HEX #755DBB

RGB 117 93 187

HSL 255.32, 0.41%, 0.55%

LAB 45.9, 31.65, -46.41

 

CMYK 24 / 50 / 0 / 27

HEX #8E5DBB

RGB 142 93 187

HSL 271.28, 0.41%, 0.55%

LAB 48.47, 38.31, -42.17

 

CMYK 10 / 50 / 0 / 27

HEX #A85DBB

RGB 168 93 187

HSL 287.87, 0.41%, 0.55%

LAB 51.54, 45.6, -37.12

 

CMYK 0 / 50 / 4 / 27

HEX #BB5DB4

RGB 187 93 180

HSL 304.47, 0.41%, 0.55%

LAB 53.7, 49.75, -29.52

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 64 / 63 / 0 / 20

HEX #4A4CCD

RGB 74 76 205

HSL 239.08, 0.57%, 0.55%

LAB 39.64, 38.71, -67.15

 

CMYK 75 / 75 / 0 / 12

HEX #3839E0

RGB 56 57 224

HSL 239.64, 0.73%, 0.55%

LAB 36.27, 53.9, -83.65

 

CMYK 85 / 84 / 0 / 5

HEX #2527F2

RGB 37 39 242

HSL 239.41, 0.89%, 0.55%

LAB 34.51, 66.82, -96.84

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 34 / 33 / 0 / 34

HEX #6F70A8

RGB 111 112 168

HSL 238.95, 0.25%, 0.55%

LAB 49.25, 13.24, -30.09

 

CMYK 13 / 13 / 0 / 41

HEX #828296

RGB 130 130 150

HSL 240, 0.09%, 0.55%

LAB 54.98, 4.23, -10.7

 

CMYK 0 / 0 / 11 / 42

HEX #949483

RGB 148 148 131

HSL 60, 0.07%, 0.55%

LAB 60.88, -3.11, 9

 

CMYK 0 / 1 / 32 / 35

HEX #A7A671

RGB 167 166 113

HSL 58.89, 0.23%, 0.55%

LAB 67.04, -8.09, 27.64

 

CMYK 50 / 23 / 0 / 27

HEX #5D90BB

RGB 93 144 187

HSL 207.45, 0.41%, 0.55%

LAB 57.91, -4.93, -27.66

 

CMYK 50 / 36 / 0 / 27

HEX #5D77BB

RGB 93 119 187

HSL 223.4, 0.41%, 0.55%

LAB 50.81, 9.8, -38.74

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 38 / 50 / 0 / 27

HEX #745DBB

RGB 116 93 187

HSL 254.68, 0.41%, 0.55%

LAB 45.81, 31.4, -46.56

 

CMYK 25 / 50 / 0 / 27

HEX #8D5DBB

RGB 141 93 187

HSL 270.64, 0.41%, 0.55%

LAB 48.36, 38.04, -42.35

 

CMYK 58 / 58 / 0 / 45

HEX #3A3B8B

RGB 58 59 139

HSL 239.26, 0.41%, 0.39%

LAB 29.14, 24.28, -44.88

 

CMYK 58 / 58 / 0 / 34

HEX #4647A8

RGB 70 71 168

HSL 239.39, 0.41%, 0.47%

LAB 35.27, 28.76, -52.52

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 39 / 38 / 0 / 22

HEX #7A7BC7

RGB 122 123 199

HSL 239.22, 0.41%, 0.63%

LAB 54.48, 18.35, -39.7

 

CMYK 28 / 28 / 0 / 17

HEX #9798D3

RGB 151 152 211

HSL 239, 0.41%, 0.71%

LAB 64.75, 12.84, -30.25

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 0 / 50 / 9 / 27

HEX #BB5DAA

RGB 187 93 170

HSL 310.85, 0.41%, 0.55%

LAB 53.27, 48.03, -24.37

 

CMYK 29 / 0 / 50 / 27

HEX #84BB5D

RGB 132 187 93

HSL 95.11, 0.41%, 0.55%

LAB 70.34, -34.54, 41.65

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 0 / 50 / 50 / 27

HEX #BB5D5E

RGB 187 93 94

HSL 359.36, 0.41%, 0.55%

LAB 50.92, 37.89, 17.15

 

CMYK 50 / 0 / 50 / 27

HEX #5EBB5D

RGB 94 187 93

HSL 119.36, 0.41%, 0.55%

LAB 68.54, -46.79, 39.04

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 0 / 50 / 9 / 27

HEX #BB5DAA

RGB 187 93 170

HSL 310.85, 0.41%, 0.55%

LAB 53.27, 48.03, -24.37

 

CMYK 0 / 1 / 50 / 27

HEX #BBB95D

RGB 187 185 93

HSL 58.72, 0.41%, 0.55%

LAB 73.58, -11.99, 46.45

 

CMYK 50 / 0 / 41 / 27

HEX #5DBB6E

RGB 93 187 110

HSL 130.85, 0.41%, 0.55%

LAB 68.75, -44.51, 30.64

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 0 / 50 / 25 / 27

HEX #BB5D8D

RGB 187 93 141

HSL 329.36, 0.41%, 0.55%

LAB 52.19, 43.5, -8.97

 

CMYK 0 / 1 / 50 / 27

HEX #BBB95D

RGB 187 185 93

HSL 58.72, 0.41%, 0.55%

LAB 73.58, -11.99, 46.45

 

CMYK 50 / 0 / 26 / 27

HEX #5DBB8A

RGB 93 187 138

HSL 148.72, 0.41%, 0.55%

LAB 69.26, -39.32, 16.43

 

Description

Color code: HEX #5D5EBB | qconv.com Color code: HEX #5D5EBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 94 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 94 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 50 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 50% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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