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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D5A96 it is the complementary color #A2A569. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D5A96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D5A96 shade: #625A91, #736CA4, #847EB7, #9590CA and #A6A2DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D5A96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D5A96 shade: #5D5A96, #4C4883, #3B3670, #2A245D and #19124A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D5A96 shade: #5D5A96, #6D5A96, #7D5A96, #8D5A96 and #965A8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D5A96 shade: #5D5A96 and #5A5A96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D5A96 shade matches the following richer shades: #5D5A96, #4B46A9, #3A33BD, #2920D0 and #170CE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D5A96 shade: #5D5A96, #6E6D82, #80816F, #91945C and #A3A748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D5A96 shade: #5A7796, #5A6796, #5D5A96, #6D5A96 and #7D5A96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D5A96 shade: #3D3B62, #4D4A7C, #5D5A96, #7370A9 and #8C8AB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D5A96 shade: #5D5A96, #965A87 and #6F965A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D5A96 shade: #5D5A96, #965D5A and #5A965D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D5A96 shade: #5D5A96, #965A87, #93965A and #5A9669

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D5A96 shade: #5D5A96, #965A75, #93965A and #5A967B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

Complementary color

CMYK 2 / 0 / 36 / 35

HEX #A2A569

RGB 162 165 105

HSL 63, 0.25%, 0.53%

LAB 66.22, -10.58, 30.77

Pantone® 5777 C

CMYK 32 / 38 / 0 / 43

HEX #625A91

RGB 98 90 145

HSL 248.73, 0.23%, 0.46%

LAB 41.14, 16.52, -29.22

 

CMYK 30 / 34 / 0 / 36

HEX #736CA4

RGB 115 108 164

HSL 247.5, 0.24%, 0.53%

LAB 48.32, 15.78, -29.17

 

CMYK 28 / 31 / 0 / 28

HEX #847EB7

RGB 132 126 183

HSL 246.32, 0.28%, 0.61%

LAB 55.32, 15.15, -29.18

 

CMYK 26 / 29 / 0 / 21

HEX #9590CA

RGB 149 144 202

HSL 245.17, 0.35%, 0.68%

LAB 62.17, 14.59, -29.23

 

CMYK 25 / 27 / 0 / 13

HEX #A6A2DD

RGB 166 162 221

HSL 244.07, 0.46%, 0.75%

LAB 68.87, 14.09, -29.33

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 42 / 45 / 0 / 49

HEX #4C4883

RGB 76 72 131

HSL 244.07, 0.29%, 0.4%

LAB 33.58, 17.46, -32.73

 

CMYK 47 / 52 / 0 / 56

HEX #3B3670

RGB 59 54 112

HSL 245.17, 0.35%, 0.33%

LAB 25.97, 18.68, -33

 

CMYK 55 / 61 / 0 / 64

HEX #2A245D

RGB 42 36 93

HSL 246.32, 0.44%, 0.25%

LAB 18.12, 20.26, -33.35

 

CMYK 66 / 76 / 0 / 71

HEX #19124A

RGB 25 18 74

HSL 247.5, 0.61%, 0.18%

LAB 10.06, 22.25, -33.63

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 27 / 40 / 0 / 41

HEX #6D5A96

RGB 109 90 150

HSL 259, 0.25%, 0.47%

LAB 42.41, 21.22, -30.16

 

CMYK 17 / 40 / 0 / 41

HEX #7D5A96

RGB 125 90 150

HSL 275, 0.25%, 0.47%

LAB 44.05, 26.24, -27.47

 

CMYK 6 / 40 / 0 / 41

HEX #8D5A96

RGB 141 90 150

HSL 291, 0.25%, 0.47%

LAB 45.88, 31.41, -24.5

 

CMYK 0 / 40 / 5 / 41

HEX #965A8E

RGB 150 90 142

HSL 308, 0.25%, 0.47%

LAB 46.64, 32.81, -18.44

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 40 / 40 / 0 / 41

HEX #5A5A96

RGB 90 90 150

HSL 240, 0.25%, 0.47%

LAB 40.72, 15.62, -32.94

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 56 / 59 / 0 / 34

HEX #4B46A9

RGB 75 70 169

HSL 243.03, 0.41%, 0.47%

LAB 35.48, 30.69, -52.76

 

CMYK 69 / 73 / 0 / 26

HEX #3A33BD

RGB 58 51 189

HSL 243.04, 0.58%, 0.47%

LAB 31.67, 46.14, -70.91

 

CMYK 80 / 85 / 0 / 18

HEX #2920D0

RGB 41 32 208

HSL 243.07, 0.73%, 0.47%

LAB 29.56, 60.02, -85.57

 

CMYK 90 / 95 / 0 / 11

HEX #170CE3

RGB 23 12 227

HSL 243.07, 0.9%, 0.47%

LAB 29.39, 70.59, -96.85

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 15 / 16 / 0 / 49

HEX #6E6D82

RGB 110 109 130

HSL 242.86, 0.09%, 0.47%

LAB 46.8, 4.99, -11.43

 

CMYK 1 / 0 / 14 / 49

HEX #80816F

RGB 128 129 111

HSL 63.33, 0.08%, 0.47%

LAB 53.42, -3.74, 9.64

 

CMYK 2 / 0 / 38 / 42

HEX #91945C

RGB 145 148 92

HSL 63.21, 0.23%, 0.47%

LAB 59.86, -10.1, 29.26

 

CMYK 2 / 0 / 57 / 35

HEX #A3A748

RGB 163 167 72

HSL 62.53, 0.4%, 0.47%

LAB 66.44, -14.55, 47.67

 

CMYK 40 / 21 / 0 / 41

HEX #5A7796

RGB 90 119 150

HSL 211, 0.25%, 0.47%

LAB 48.97, -2.15, -20.1

 

CMYK 40 / 31 / 0 / 41

HEX #5A6796

RGB 90 103 150

HSL 227, 0.25%, 0.47%

LAB 44.34, 7.51, -27.26

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 27 / 40 / 0 / 41

HEX #6D5A96

RGB 109 90 150

HSL 259, 0.25%, 0.47%

LAB 42.41, 21.22, -30.16

 

CMYK 17 / 40 / 0 / 41

HEX #7D5A96

RGB 125 90 150

HSL 275, 0.25%, 0.47%

LAB 44.05, 26.24, -27.47

 

CMYK 38 / 40 / 0 / 62

HEX #3D3B62

RGB 61 59 98

HSL 243.08, 0.25%, 0.31%

LAB 26.74, 11.41, -22.78

 

CMYK 38 / 40 / 0 / 51

HEX #4D4A7C

RGB 77 74 124

HSL 243.6, 0.25%, 0.39%

LAB 33.84, 14.32, -27.98

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 32 / 34 / 0 / 34

HEX #7370A9

RGB 115 112 169

HSL 243.16, 0.25%, 0.55%

LAB 49.61, 14.7, -30.08

 

CMYK 24 / 25 / 0 / 27

HEX #8C8AB9

RGB 140 138 185

HSL 242.55, 0.25%, 0.63%

LAB 59.21, 11.11, -24.27

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 0 / 40 / 10 / 41

HEX #965A87

RGB 150 90 135

HSL 315, 0.25%, 0.47%

LAB 46.37, 31.53, -14.66

 

CMYK 26 / 0 / 40 / 41

HEX #6F965A

RGB 111 150 90

HSL 99, 0.25%, 0.47%

LAB 57.97, -24.92, 27.41

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 0 / 38 / 40 / 41

HEX #965D5A

RGB 150 93 90

HSL 3, 0.25%, 0.47%

LAB 45.7, 22.95, 11.54

 

CMYK 40 / 0 / 38 / 41

HEX #5A965D

RGB 90 150 93

HSL 123, 0.25%, 0.47%

LAB 56.86, -31.78, 24.1

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 0 / 40 / 10 / 41

HEX #965A87

RGB 150 90 135

HSL 315, 0.25%, 0.47%

LAB 46.37, 31.53, -14.66

 

CMYK 2 / 0 / 40 / 41

HEX #93965A

RGB 147 150 90

HSL 63, 0.25%, 0.47%

LAB 60.56, -10.58, 31.26

 

CMYK 40 / 0 / 30 / 41

HEX #5A9669

RGB 90 150 105

HSL 135, 0.25%, 0.47%

LAB 57.08, -29.63, 17.76

 

CMYK 38 / 40 / 0 / 41

HEX #5D5A96

RGB 93 90 150

HSL 243, 0.25%, 0.47%

LAB 40.96, 16.47, -32.53

 

CMYK 0 / 40 / 22 / 41

HEX #965A75

RGB 150 90 117

HSL 333, 0.25%, 0.47%

LAB 45.74, 28.48, -4.75

 

CMYK 2 / 0 / 40 / 41

HEX #93965A

RGB 147 150 90

HSL 63, 0.25%, 0.47%

LAB 60.56, -10.58, 31.26

 

CMYK 40 / 0 / 18 / 41

HEX #5A967B

RGB 90 150 123

HSL 153, 0.25%, 0.47%

LAB 57.48, -25.92, 8.17

 

Description

Color code: HEX #5D5A96 | qconv.com Color code: HEX #5D5A96 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 90 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 90 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 40 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 40% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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