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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D599D it is the complementary color #A2A662. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D599D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D599D shade: #625998, #736BAB, #847DBE, #958FD1 and #A6A1E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D599D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D599D shade: #5D599D, #4C478A, #3B3577, #2A2364 and #191151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D599D shade: #5C589D, #6F589D, #81589D, #94589D and #9D5893

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D599D shade: #5C589D and #58589D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D599D shade matches the following richer shades: #5C589D, #4B44B0, #3931C4, #281DD8 and #1609EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D599D shade: #5C589D, #6E6C89, #7F8075, #919461 and #A2A74D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D599D shade: #58799D, #58679D, #5C589D, #6E589D and #80589D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D599D shade: #3D3A68, #4D4982, #5C589D, #7370AE and #8D8ABD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D599D shade: #5D599D, #9D588C and #709D58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D599D shade: #5D599D, #9D5C58 and #589D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D599D shade: #5D599D, #9D588C, #999D58 and #589D69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D599D shade: #5D599D, #9D5877, #999D58 and #589D7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 43 / 0 / 38

HEX #5D599D

RGB 93 89 157

HSL 243.53, 0.28%, 0.48%

LAB 41.07, 19.16, -36.56

 

Complementary color

CMYK 2 / 0 / 41 / 35

HEX #A2A662

RGB 162 166 98

HSL 63.53, 0.28%, 0.52%

LAB 66.39, -11.93, 34.68

 

CMYK 36 / 41 / 0 / 40

HEX #625998

RGB 98 89 152

HSL 248.57, 0.26%, 0.47%

LAB 41.23, 19.11, -33.28

 

CMYK 33 / 37 / 0 / 33

HEX #736BAB

RGB 115 107 171

HSL 247.5, 0.28%, 0.55%

LAB 48.39, 18.27, -33.17

 

CMYK 31 / 34 / 0 / 25

HEX #847DBE

RGB 132 125 190

HSL 246.46, 0.33%, 0.62%

LAB 55.37, 17.54, -33.11

 

CMYK 29 / 32 / 0 / 18

HEX #958FD1

RGB 149 143 209

HSL 245.45, 0.42%, 0.69%

LAB 62.2, 16.91, -33.1

 

CMYK 27 / 29 / 0 / 11

HEX #A6A1E4

RGB 166 161 228

HSL 244.48, 0.55%, 0.76%

LAB 68.89, 16.34, -33.14

 

CMYK 41 / 43 / 0 / 38

HEX #5D599D

RGB 93 89 157

HSL 243.53, 0.28%, 0.48%

LAB 41.07, 19.16, -36.56

 

CMYK 45 / 49 / 0 / 46

HEX #4C478A

RGB 76 71 138

HSL 244.48, 0.32%, 0.41%

LAB 33.73, 20.28, -36.81

 

CMYK 50 / 55 / 0 / 53

HEX #3B3577

RGB 59 53 119

HSL 245.45, 0.38%, 0.34%

LAB 26.18, 21.67, -37.13

 

CMYK 58 / 65 / 0 / 61

HEX #2A2364

RGB 42 35 100

HSL 246.46, 0.48%, 0.26%

LAB 18.43, 23.41, -37.47

 

CMYK 69 / 79 / 0 / 68

HEX #191151

RGB 25 17 81

HSL 247.5, 0.65%, 0.19%

LAB 10.57, 25.48, -37.63

 

CMYK 41 / 44 / 0 / 38

HEX #5C589D

RGB 92 88 157

HSL 243.48, 0.28%, 0.48%

LAB 40.72, 19.52, -37.12

 

CMYK 29 / 44 / 0 / 38

HEX #6F589D

RGB 111 88 157

HSL 260, 0.28%, 0.48%

LAB 42.45, 24.89, -34.27

 

CMYK 18 / 44 / 0 / 38

HEX #81589D

RGB 129 88 157

HSL 275.65, 0.28%, 0.48%

LAB 44.35, 30.31, -31.15

 

CMYK 6 / 44 / 0 / 38

HEX #94589D

RGB 148 88 157

HSL 292.17, 0.28%, 0.48%

LAB 46.59, 36.22, -27.48

 

CMYK 0 / 44 / 6 / 38

HEX #9D5893

RGB 157 88 147

HSL 308.7, 0.28%, 0.48%

LAB 47.31, 37.17, -20.33

 

CMYK 41 / 44 / 0 / 38

HEX #5C589D

RGB 92 88 157

HSL 243.48, 0.28%, 0.48%

LAB 40.72, 19.52, -37.12

 

CMYK 44 / 44 / 0 / 38

HEX #58589D

RGB 88 88 157

HSL 240, 0.28%, 0.48%

LAB 40.39, 18.45, -37.66

 

CMYK 41 / 44 / 0 / 38

HEX #5C589D

RGB 92 88 157

HSL 243.48, 0.28%, 0.48%

LAB 40.72, 19.52, -37.12

 

CMYK 57 / 61 / 0 / 31

HEX #4B44B0

RGB 75 68 176

HSL 243.89, 0.44%, 0.48%

LAB 35.53, 34.22, -56.85

 

CMYK 71 / 75 / 0 / 23

HEX #3931C4

RGB 57 49 196

HSL 243.27, 0.6%, 0.48%

LAB 31.93, 49.38, -74.61

 

CMYK 81 / 87 / 0 / 15

HEX #281DD8

RGB 40 29 216

HSL 243.53, 0.76%, 0.48%

LAB 30.13, 63.39, -89.27

 

CMYK 91 / 96 / 0 / 7

HEX #1609EC

RGB 22 9 236

HSL 243.44, 0.93%, 0.48%

LAB 30.45, 73.35, -100.21

 

CMYK 41 / 44 / 0 / 38

HEX #5C589D

RGB 92 88 157

HSL 243.48, 0.28%, 0.48%

LAB 40.72, 19.52, -37.12

 

CMYK 20 / 21 / 0 / 46

HEX #6E6C89

RGB 110 108 137

HSL 244.14, 0.12%, 0.48%

LAB 46.77, 7.27, -15.64

 

CMYK 1 / 0 / 9 / 50

HEX #7F8075

RGB 127 128 117

HSL 65.45, 0.04%, 0.48%

LAB 53.21, -2.49, 5.84

 

CMYK 2 / 0 / 34 / 42

HEX #919461

RGB 145 148 97

HSL 63.53, 0.21%, 0.48%

LAB 59.95, -9.47, 26.65

 

CMYK 3 / 0 / 54 / 35

HEX #A2A74D

RGB 162 167 77

HSL 63.33, 0.37%, 0.48%

LAB 66.41, -14.56, 45.25

 

CMYK 44 / 23 / 0 / 38

HEX #58799D

RGB 88 121 157

HSL 211.3, 0.28%, 0.48%

LAB 49.72, -1.84, -23.06

 

CMYK 44 / 34 / 0 / 38

HEX #58679D

RGB 88 103 157

HSL 226.96, 0.28%, 0.48%

LAB 44.53, 9.05, -31.12

 

CMYK 41 / 44 / 0 / 38

HEX #5C589D

RGB 92 88 157

HSL 243.48, 0.28%, 0.48%

LAB 40.72, 19.52, -37.12

 

CMYK 30 / 44 / 0 / 38

HEX #6E589D

RGB 110 88 157

HSL 259.13, 0.28%, 0.48%

LAB 42.35, 24.6, -34.43

 

CMYK 18 / 44 / 0 / 38

HEX #80589D

RGB 128 88 157

HSL 274.78, 0.28%, 0.48%

LAB 44.24, 30.01, -31.33

 

CMYK 41 / 44 / 0 / 59

HEX #3D3A68

RGB 61 58 104

HSL 243.91, 0.28%, 0.32%

LAB 26.79, 13.96, -26.58

 

CMYK 41 / 44 / 0 / 49

HEX #4D4982

RGB 77 73 130

HSL 244.21, 0.28%, 0.4%

LAB 33.89, 16.78, -31.62

 

CMYK 41 / 44 / 0 / 38

HEX #5C589D

RGB 92 88 157

HSL 243.48, 0.28%, 0.48%

LAB 40.72, 19.52, -37.12

 

CMYK 34 / 36 / 0 / 32

HEX #7370AE

RGB 115 112 174

HSL 242.9, 0.28%, 0.56%

LAB 49.84, 16.06, -32.63

 

CMYK 25 / 27 / 0 / 26

HEX #8D8ABD

RGB 141 138 189

HSL 243.53, 0.28%, 0.64%

LAB 59.45, 12.4, -26.16

 

CMYK 41 / 43 / 0 / 38

HEX #5D599D

RGB 93 89 157

HSL 243.53, 0.28%, 0.48%

LAB 41.07, 19.16, -36.56

 

CMYK 0 / 44 / 11 / 38

HEX #9D588C

RGB 157 88 140

HSL 314.78, 0.28%, 0.48%

LAB 47.03, 35.92, -16.58

 

CMYK 29 / 0 / 44 / 38

HEX #709D58

RGB 112 157 88

HSL 99.13, 0.28%, 0.48%

LAB 60.13, -28.27, 31.26

 

CMYK 41 / 43 / 0 / 38

HEX #5D599D

RGB 93 89 157

HSL 243.53, 0.28%, 0.48%

LAB 41.07, 19.16, -36.56

 

CMYK 0 / 41 / 44 / 38

HEX #9D5C58

RGB 157 92 88

HSL 3.48, 0.28%, 0.48%

LAB 46.35, 26.12, 13.78

 

CMYK 44 / 0 / 41 / 38

HEX #589D5C

RGB 88 157 92

HSL 123.48, 0.28%, 0.48%

LAB 58.94, -35.81, 27.35

 

CMYK 41 / 43 / 0 / 38

HEX #5D599D

RGB 93 89 157

HSL 243.53, 0.28%, 0.48%

LAB 41.07, 19.16, -36.56

 

CMYK 0 / 44 / 11 / 38

HEX #9D588C

RGB 157 88 140

HSL 314.78, 0.28%, 0.48%

LAB 47.03, 35.92, -16.58

 

CMYK 3 / 0 / 44 / 38

HEX #999D58

RGB 153 157 88

HSL 63.48, 0.28%, 0.48%

LAB 63, -12.03, 35.49

 

CMYK 44 / 0 / 33 / 38

HEX #589D69

RGB 88 157 105

HSL 134.78, 0.28%, 0.48%

LAB 59.17, -33.55, 20.58

 

CMYK 41 / 43 / 0 / 38

HEX #5D599D

RGB 93 89 157

HSL 243.53, 0.28%, 0.48%

LAB 41.07, 19.16, -36.56

 

CMYK 0 / 44 / 24 / 38

HEX #9D5877

RGB 157 88 119

HSL 333.04, 0.28%, 0.48%

LAB 46.28, 32.48, -5.05

 

CMYK 3 / 0 / 44 / 38

HEX #999D58

RGB 153 157 88

HSL 63.48, 0.28%, 0.48%

LAB 63, -12.03, 35.49

 

CMYK 44 / 0 / 20 / 38

HEX #589D7E

RGB 88 157 126

HSL 153.04, 0.28%, 0.48%

LAB 59.61, -29.28, 9.49

 

Description

Color code: HEX #5D599D | qconv.com Color code: HEX #5D599D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 89 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 89 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 43 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 43% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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