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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D53DC it is the complementary color #A2AC23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D53DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D53DC shade: #6253D7, #7365EA, #8477FD, #9589FF and #A69BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D53DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D53DC shade: #5D53DC, #4C41C9, #3B2FB6, #2A1DA3 and #190B90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D53DC shade: #5C51DB, #8151DB, #A651DB, #CB51DB and #DB51C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D53DC shade: #5C51DB and #5151DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D53DC shade matches the following richer shades: #5C51DB, #4D41EC and #3F30FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D53DC shade: #5C51DB, #6A62CB, #7873BA, #8784A9 and #959598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D53DC shade: #5192DB, #516DDB, #5B51DB, #7F51DB and #A451DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D53DC shade: #3025B5, #3B2FD4, #5C51DB, #7C74E2 and #9C96E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D53DC shade: #5D53DC, #DB51B7 and #7FDB51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D53DC shade: #5D53DC, #DB5B51 and #51DB5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D53DC shade: #5D53DC, #DB51B7, #D2DB51 and #51DB76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D53DC shade: #5D53DC, #DB518D, #D2DB51 and #51DBA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 62 / 0 / 14

HEX #5D53DC

RGB 93 83 220

HSL 244.38, 0.66%, 0.59%

LAB 43.77, 42.34, -68.96

 

Complementary color

CMYK 6 / 0 / 80 / 33

HEX #A2AC23

RGB 162 172 35

HSL 64.38, 0.66%, 0.41%

LAB 67.51, -19.68, 63.06

 

CMYK 54 / 61 / 0 / 16

HEX #6253D7

RGB 98 83 215

HSL 246.82, 0.62%, 0.58%

LAB 43.78, 41.65, -66.06

 

CMYK 51 / 57 / 0 / 8

HEX #7365EA

RGB 115 101 234

HSL 246.32, 0.76%, 0.66%

LAB 50.56, 40.05, -65.78

 

CMYK 48 / 53 / 0 / 1

HEX #8477FD

RGB 132 119 253

HSL 245.82, 0.97%, 0.73%

LAB 57.26, 38.61, -65.47

 

CMYK 42 / 46 / 0 / 0

HEX #9589FF

RGB 149 137 255

HSL 246.1, 1%, 0.77%

LAB 62.93, 32.57, -57.42

 

CMYK 35 / 39 / 0 / 0

HEX #A69BFF

RGB 166 155 255

HSL 246.6, 1%, 0.8%

LAB 68.58, 26.54, -48.37

 

CMYK 58 / 62 / 0 / 14

HEX #5D53DC

RGB 93 83 220

HSL 244.38, 0.66%, 0.59%

LAB 43.77, 42.34, -68.96

 

CMYK 62 / 68 / 0 / 21

HEX #4C41C9

RGB 76 65 201

HSL 244.85, 0.56%, 0.52%

LAB 36.99, 44.24, -69.15

 

CMYK 68 / 74 / 0 / 29

HEX #3B2FB6

RGB 59 47 182

HSL 245.33, 0.59%, 0.45%

LAB 30.26, 46.22, -69.1

 

CMYK 74 / 82 / 0 / 36

HEX #2A1DA3

RGB 42 29 163

HSL 245.82, 0.7%, 0.38%

LAB 23.72, 47.95, -68.52

 

CMYK 83 / 92 / 0 / 44

HEX #190B90

RGB 25 11 144

HSL 246.32, 0.86%, 0.3%

LAB 17.74, 48.62, -66.81

 

CMYK 58 / 63 / 0 / 14

HEX #5C51DB

RGB 92 81 219

HSL 244.78, 0.66%, 0.59%

LAB 43.17, 43.04, -69.36

 

CMYK 41 / 63 / 0 / 14

HEX #8151DB

RGB 129 81 219

HSL 260.87, 0.66%, 0.59%

LAB 46.53, 49.88, -63.75

 

CMYK 24 / 63 / 0 / 14

HEX #A651DB

RGB 166 81 219

HSL 276.96, 0.66%, 0.59%

LAB 50.81, 57.87, -56.64

 

CMYK 7 / 63 / 0 / 14

HEX #CB51DB

RGB 203 81 219

HSL 293.04, 0.66%, 0.59%

LAB 55.78, 66.4, -48.41

 

CMYK 0 / 63 / 9 / 14

HEX #DB51C7

RGB 219 81 199

HSL 308.7, 0.66%, 0.59%

LAB 57.14, 66.97, -34.74

 

CMYK 58 / 63 / 0 / 14

HEX #5C51DB

RGB 92 81 219

HSL 244.78, 0.66%, 0.59%

LAB 43.17, 43.04, -69.36

 

CMYK 63 / 63 / 0 / 14

HEX #5151DB

RGB 81 81 219

HSL 240, 0.66%, 0.59%

LAB 42.38, 41.33, -70.69

 

CMYK 58 / 63 / 0 / 14

HEX #5C51DB

RGB 92 81 219

HSL 244.78, 0.66%, 0.59%

LAB 43.17, 43.04, -69.36

 

CMYK 67 / 72 / 0 / 7

HEX #4D41EC

RGB 77 65 236

HSL 244.21, 0.82%, 0.59%

LAB 40.27, 55.3, -83.83

 

CMYK 75 / 81 / 0 / 1

HEX #3F30FD

RGB 63 48 253

HSL 244.39, 0.98%, 0.59%

LAB 38.31, 67.39, -96.67

 

CMYK 58 / 63 / 0 / 14

HEX #5C51DB

RGB 92 81 219

HSL 244.78, 0.66%, 0.59%

LAB 43.17, 43.04, -69.36

 

CMYK 48 / 52 / 0 / 20

HEX #6A62CB

RGB 106 98 203

HSL 244.57, 0.5%, 0.59%

LAB 47.12, 30.64, -53.76

 

CMYK 35 / 38 / 0 / 27

HEX #7873BA

RGB 120 115 186

HSL 244.23, 0.34%, 0.59%

LAB 51.61, 18.97, -36.78

 

CMYK 20 / 22 / 0 / 34

HEX #8784A9

RGB 135 132 169

HSL 244.86, 0.18%, 0.59%

LAB 56.6, 9.13, -19.16

 

CMYK 2 / 2 / 0 / 40

HEX #959598

RGB 149 149 152

HSL 240, 0.01%, 0.59%

LAB 61.78, 0.59, -1.58

 

CMYK 63 / 33 / 0 / 14

HEX #5192DB

RGB 81 146 219

HSL 211.74, 0.66%, 0.59%

LAB 59.36, 1.63, -43.43

 

CMYK 63 / 50 / 0 / 14

HEX #516DDB

RGB 81 109 219

HSL 227.83, 0.66%, 0.59%

LAB 49.25, 24.08, -59.54

 

CMYK 58 / 63 / 0 / 14

HEX #5B51DB

RGB 91 81 219

HSL 244.35, 0.66%, 0.59%

LAB 43.1, 42.88, -69.49

 

CMYK 42 / 63 / 0 / 14

HEX #7F51DB

RGB 127 81 219

HSL 260, 0.66%, 0.59%

LAB 46.33, 49.48, -64.1

 

CMYK 25 / 63 / 0 / 14

HEX #A451DB

RGB 164 81 219

HSL 276.09, 0.66%, 0.59%

LAB 50.56, 57.42, -57.05

 

CMYK 73 / 80 / 0 / 29

HEX #3025B5

RGB 48 37 181

HSL 244.58, 0.66%, 0.43%

LAB 27.54, 50.1, -73.02

 

CMYK 72 / 78 / 0 / 17

HEX #3B2FD4

RGB 59 47 212

HSL 244.36, 0.66%, 0.51%

LAB 33.38, 55.55, -81.51

 

CMYK 58 / 63 / 0 / 14

HEX #5C51DB

RGB 92 81 219

HSL 244.78, 0.66%, 0.59%

LAB 43.17, 43.04, -69.36

 

CMYK 45 / 49 / 0 / 11

HEX #7C74E2

RGB 124 116 226

HSL 244.36, 0.65%, 0.67%

LAB 54.31, 30.76, -55.22

 

CMYK 33 / 36 / 0 / 9

HEX #9C96E9

RGB 156 150 233

HSL 244.34, 0.65%, 0.75%

LAB 65.56, 21, -41.13

 

CMYK 58 / 62 / 0 / 14

HEX #5D53DC

RGB 93 83 220

HSL 244.38, 0.66%, 0.59%

LAB 43.77, 42.34, -68.96

 

CMYK 0 / 63 / 16 / 14

HEX #DB51B7

RGB 219 81 183

HSL 315.65, 0.66%, 0.59%

LAB 56.45, 64.59, -26.62

 

CMYK 42 / 0 / 63 / 14

HEX #7FDB51

RGB 127 219 81

HSL 100, 0.66%, 0.59%

LAB 79.48, -51.25, 57.62

 

CMYK 58 / 62 / 0 / 14

HEX #5D53DC

RGB 93 83 220

HSL 244.38, 0.66%, 0.59%

LAB 43.77, 42.34, -68.96

 

CMYK 0 / 58 / 63 / 14

HEX #DB5B51

RGB 219 91 81

HSL 4.35, 0.66%, 0.59%

LAB 55.21, 49.51, 31.25

 

CMYK 63 / 0 / 58 / 14

HEX #51DB5B

RGB 81 219 91

HSL 124.35, 0.66%, 0.59%

LAB 77.97, -62.32, 51.16

 

CMYK 58 / 62 / 0 / 14

HEX #5D53DC

RGB 93 83 220

HSL 244.38, 0.66%, 0.59%

LAB 43.77, 42.34, -68.96

 

CMYK 0 / 63 / 16 / 14

HEX #DB51B7

RGB 219 81 183

HSL 315.65, 0.66%, 0.59%

LAB 56.45, 64.59, -26.62

 

CMYK 4 / 0 / 63 / 14

HEX #D2DB51

RGB 210 219 81

HSL 63.91, 0.66%, 0.59%

LAB 84.46, -20.46, 64.45

 

CMYK 63 / 0 / 46 / 14

HEX #51DB76

RGB 81 219 118

HSL 136.09, 0.66%, 0.59%

LAB 78.3, -58.64, 38.79

 

CMYK 58 / 62 / 0 / 14

HEX #5D53DC

RGB 93 83 220

HSL 244.38, 0.66%, 0.59%

LAB 43.77, 42.34, -68.96

 

CMYK 0 / 63 / 36 / 14

HEX #DB518D

RGB 219 81 141

HSL 333.91, 0.66%, 0.59%

LAB 54.94, 59.2, -4.37

 

CMYK 4 / 0 / 63 / 14

HEX #D2DB51

RGB 210 219 81

HSL 63.91, 0.66%, 0.59%

LAB 84.46, -20.46, 64.45

 

CMYK 63 / 0 / 27 / 14

HEX #51DBA0

RGB 81 219 160

HSL 154.35, 0.66%, 0.59%

LAB 79.01, -50.92, 18.21

 

Description

Color code: HEX #5D53DC | qconv.com Color code: HEX #5D53DC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 83 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 83 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 62 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 62% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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