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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D4D48 it is the complementary color #A2B2B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D4D48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D4D48 shade: #624D43, #735F56, #847169, #95837C and #A6958F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D4D48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D4D48 shade: #5D4D48, #4C3B35, #3B2922, #2A170F and #190500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D4D48 shade: #5C4C46 and #5C4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D4D48 shade: #5C4C46, #5C5146, #5C5746, #5B5C46 and #555C46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D4D48 shade matches the following richer shades: #5C4C46, #694539, #763E2C, #83371F and #913012

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D4D48 shade: #5C4C46, #4F5254, #415961, #34606E and #27677B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D4D48 shade: #5C464D, #5C4647, #5C4B46, #5C5146 and #5C5746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D4D48 shade: #2D2523, #443835, #5C4C46, #735F58 and #8A726A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D4D48 shade: #5D4D48, #535C46 and #464A5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D4D48 shade: #5D4D48, #465C4B and #4B465C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D4D48 shade: #5D4D48, #535C46, #46575C and #50465C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D4D48 shade: #5D4D48, #4C5C46, #46575C and #56465C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 23 / 64

HEX #5D4D48

RGB 93 77 72

HSL 14.29, 0.13%, 0.32%

LAB 34.2, 5.8, 5.46

 

Complementary color

CMYK 11 / 3 / 0 / 28

HEX #A2B2B7

RGB 162 178 183

HSL 194.29, 0.13%, 0.68%

LAB 71.51, -4.51, -4.45

 

CMYK 0 / 21 / 32 / 62

HEX #624D43

RGB 98 77 67

HSL 19.35, 0.19%, 0.32%

LAB 34.62, 7.18, 9.29

 

CMYK 0 / 17 / 25 / 55

HEX #735F56

RGB 115 95 86

HSL 18.62, 0.14%, 0.39%

LAB 42, 6.56, 8.17

 

CMYK 0 / 14 / 20 / 48

HEX #847169

RGB 132 113 105

HSL 17.78, 0.11%, 0.46%

LAB 49.17, 6.05, 7.18

 

CMYK 0 / 12 / 17 / 42

HEX #95837C

RGB 149 131 124

HSL 16.8, 0.11%, 0.54%

LAB 56.17, 5.62, 6.28

 

CMYK 0 / 10 / 14 / 35

HEX #A6958F

RGB 166 149 143

HSL 15.65, 0.11%, 0.61%

LAB 63, 5.25, 5.45

 

CMYK 0 / 17 / 23 / 64

HEX #5D4D48

RGB 93 77 72

HSL 14.29, 0.13%, 0.32%

LAB 34.2, 5.8, 5.46

 

CMYK 0 / 22 / 30 / 70

HEX #4C3B35

RGB 76 59 53

HSL 15.65, 0.18%, 0.25%

LAB 26.51, 6.42, 6.56

 

CMYK 0 / 31 / 42 / 77

HEX #3B2922

RGB 59 41 34

HSL 16.8, 0.27%, 0.18%

LAB 18.5, 7.26, 7.89

 

CMYK 0 / 45 / 64 / 84

HEX #2A170F

RGB 42 23 15

HSL 17.78, 0.47%, 0.11%

LAB 10.1, 8.5, 8.83

 

CMYK 0 / 80 / 100 / 90

HEX #190500

RGB 25 5 0

HSL 12, 1%, 0.05%

LAB 2.85, 6.37, 4.38

 

CMYK 0 / 17 / 24 / 64

HEX #5C4C46

RGB 92 76 70

HSL 16.36, 0.14%, 0.32%

LAB 33.75, 5.65, 6.07

 

CMYK 0 / 24 / 24 / 64

HEX #5C4646

RGB 92 70 70

HSL 0, 0.14%, 0.32%

LAB 32.03, 9.42, 3.62

 

CMYK 0 / 17 / 24 / 64

HEX #5C4C46

RGB 92 76 70

HSL 16.36, 0.14%, 0.32%

LAB 33.75, 5.65, 6.07

 

CMYK 0 / 12 / 24 / 64

HEX #5C5146

RGB 92 81 70

HSL 30, 0.14%, 0.32%

LAB 35.21, 2.54, 8.13

 

CMYK 0 / 5 / 24 / 64

HEX #5C5746

RGB 92 87 70

HSL 46.36, 0.14%, 0.32%

LAB 36.99, -1.13, 10.63

 

CMYK 1 / 0 / 24 / 64

HEX #5B5C46

RGB 91 92 70

HSL 62.73, 0.14%, 0.32%

LAB 38.41, -4.57, 12.57

 

CMYK 8 / 0 / 24 / 64

HEX #555C46

RGB 85 92 70

HSL 79.09, 0.14%, 0.32%

LAB 37.89, -7.14, 11.77

 

CMYK 0 / 17 / 24 / 64

HEX #5C4C46

RGB 92 76 70

HSL 16.36, 0.14%, 0.32%

LAB 33.75, 5.65, 6.07

 

CMYK 0 / 34 / 46 / 59

HEX #694539

RGB 105 69 57

HSL 15, 0.3%, 0.32%

LAB 33.04, 13.9, 13.55

 

CMYK 0 / 47 / 63 / 54

HEX #763E2C

RGB 118 62 44

HSL 14.59, 0.46%, 0.32%

LAB 32.87, 22.59, 21.79

 

CMYK 0 / 58 / 76 / 49

HEX #83371F

RGB 131 55 31

HSL 14.4, 0.62%, 0.32%

LAB 33.26, 31.15, 30.49

 

CMYK 0 / 67 / 88 / 43

HEX #913012

RGB 145 48 18

HSL 14.17, 0.78%, 0.32%

LAB 34.35, 39.55, 39.15

 

CMYK 0 / 17 / 24 / 64

HEX #5C4C46

RGB 92 76 70

HSL 16.36, 0.14%, 0.32%

LAB 33.75, 5.65, 6.07

 

CMYK 6 / 2 / 0 / 67

HEX #4F5254

RGB 79 82 84

HSL 204, 0.03%, 0.32%

LAB 34.67, -0.76, -1.59

 

CMYK 33 / 8 / 0 / 62

HEX #415961

RGB 65 89 97

HSL 195, 0.2%, 0.32%

LAB 36.24, -6.86, -7.54

 

CMYK 53 / 13 / 0 / 57

HEX #34606E

RGB 52 96 110

HSL 194.48, 0.36%, 0.32%

LAB 38.24, -10.95, -12.64

 

CMYK 68 / 16 / 0 / 52

HEX #27677B

RGB 39 103 123

HSL 194.29, 0.52%, 0.32%

LAB 40.51, -13.49, -17.16

 

CMYK 0 / 24 / 16 / 64

HEX #5C464D

RGB 92 70 77

HSL 340.91, 0.14%, 0.32%

LAB 32.24, 10.68, -0.56

 

CMYK 0 / 24 / 23 / 64

HEX #5C4647

RGB 92 70 71

HSL 357.27, 0.14%, 0.32%

LAB 32.06, 9.59, 3.02

 

CMYK 0 / 18 / 24 / 64

HEX #5C4B46

RGB 92 75 70

HSL 13.64, 0.14%, 0.32%

LAB 33.46, 6.27, 5.66

 

CMYK 0 / 12 / 24 / 64

HEX #5C5146

RGB 92 81 70

HSL 30, 0.14%, 0.32%

LAB 35.21, 2.54, 8.13

 

CMYK 0 / 5 / 24 / 64

HEX #5C5746

RGB 92 87 70

HSL 46.36, 0.14%, 0.32%

LAB 36.99, -1.13, 10.63

 

CMYK 0 / 18 / 22 / 82

HEX #2D2523

RGB 45 37 35

HSL 12, 0.13%, 0.16%

LAB 15.5, 3.34, 2.72

 

CMYK 0 / 18 / 22 / 73

HEX #443835

RGB 68 56 53

HSL 12, 0.12%, 0.24%

LAB 24.68, 4.72, 3.84

 

CMYK 0 / 17 / 24 / 64

HEX #5C4C46

RGB 92 76 70

HSL 16.36, 0.14%, 0.32%

LAB 33.75, 5.65, 6.07

 

CMYK 0 / 17 / 23 / 55

HEX #735F58

RGB 115 95 88

HSL 15.56, 0.13%, 0.4%

LAB 42.05, 6.89, 7.02

 

CMYK 0 / 17 / 23 / 46

HEX #8A726A

RGB 138 114 106

HSL 15, 0.13%, 0.48%

LAB 50.07, 8.08, 7.95

 

CMYK 0 / 17 / 23 / 64

HEX #5D4D48

RGB 93 77 72

HSL 14.29, 0.13%, 0.32%

LAB 34.2, 5.8, 5.46

 

CMYK 10 / 0 / 24 / 64

HEX #535C46

RGB 83 92 70

HSL 84.55, 0.14%, 0.32%

LAB 37.73, -7.98, 11.52

 

CMYK 24 / 20 / 0 / 64

HEX #464A5C

RGB 70 74 92

HSL 229.09, 0.14%, 0.32%

LAB 31.74, 2.85, -11.13

 

CMYK 0 / 17 / 23 / 64

HEX #5D4D48

RGB 93 77 72

HSL 14.29, 0.13%, 0.32%

LAB 34.2, 5.8, 5.46

 

CMYK 24 / 0 / 18 / 64

HEX #465C4B

RGB 70 92 75

HSL 133.64, 0.14%, 0.32%

LAB 36.86, -12.24, 7.09

 

CMYK 18 / 24 / 0 / 64

HEX #4B465C

RGB 75 70 92

HSL 253.64, 0.14%, 0.32%

LAB 30.99, 7.26, -12.23

 

CMYK 0 / 17 / 23 / 64

HEX #5D4D48

RGB 93 77 72

HSL 14.29, 0.13%, 0.32%

LAB 34.2, 5.8, 5.46

 

CMYK 10 / 0 / 24 / 64

HEX #535C46

RGB 83 92 70

HSL 84.55, 0.14%, 0.32%

LAB 37.73, -7.98, 11.52

 

CMYK 24 / 5 / 0 / 64

HEX #46575C

RGB 70 87 92

HSL 193.64, 0.14%, 0.32%

LAB 35.77, -5.27, -5.07

 

CMYK 13 / 24 / 0 / 64

HEX #50465C

RGB 80 70 92

HSL 267.27, 0.14%, 0.32%

LAB 31.48, 9.13, -11.44

 

CMYK 0 / 17 / 23 / 64

HEX #5D4D48

RGB 93 77 72

HSL 14.29, 0.13%, 0.32%

LAB 34.2, 5.8, 5.46

 

CMYK 17 / 0 / 24 / 64

HEX #4C5C46

RGB 76 92 70

HSL 103.64, 0.14%, 0.32%

LAB 37.18, -10.88, 10.67

 

CMYK 24 / 5 / 0 / 64

HEX #46575C

RGB 70 87 92

HSL 193.64, 0.14%, 0.32%

LAB 35.77, -5.27, -5.07

 

CMYK 7 / 24 / 0 / 64

HEX #56465C

RGB 86 70 92

HSL 283.64, 0.14%, 0.32%

LAB 32.1, 11.41, -10.44

 

Description

Color code: HEX #5D4D48 | qconv.com Color code: HEX #5D4D48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 77 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 77 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 23 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 23% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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