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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D4D3E it is the complementary color #A2B2C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D4D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D4D3E shade: #624D39, #735F4C, #84715F, #958372 and #A69585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D4D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D4D3E shade: #5D4D3E, #4C3B2B, #3B2918, #2A1705 and #190500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D4D3E shade: #5C4C3D, #5C443D and #5C3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D4D3E shade: #5C4C3D, #5C543D, #5B5C3D, #535C3D and #4B5C3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D4D3E shade matches the following richer shades: #5C4C3D, #684C31, #754B24, #814B18 and #8D4A0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D4D3E shade: #5C4C3D, #4F4C4A, #434D56, #374D62 and #2A4E6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D4D3E shade: #5C3D3F, #5C443D, #5C4C3D, #5C543D and #5B5C3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D4D3E shade: #2A231C, #43382D, #5C4C3D, #75614E and #8D755E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D4D3E shade: #5D4D3E, #475C3D and #403D5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D4D3E shade: #5D4D3E, #3D5C4C and #4C3D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D4D3E shade: #5D4D3E, #475C3D, #3D4D5C and #523D5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D4D3E shade: #5D4D3E, #3E5C3D, #3D4D5C and #5B3D5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 33 / 64

HEX #5D4D3E

RGB 93 77 62

HSL 29.03, 0.2%, 0.3%

LAB 33.95, 4.18, 11.41

 

Complementary color

CMYK 16 / 8 / 0 / 24

HEX #A2B2C1

RGB 162 178 193

HSL 209.03, 0.2%, 0.7%

LAB 71.81, -2.4, -9.51

 

CMYK 0 / 21 / 42 / 62

HEX #624D39

RGB 98 77 57

HSL 29.27, 0.26%, 0.3%

LAB 34.4, 5.75, 15.22

 

CMYK 0 / 17 / 34 / 55

HEX #735F4C

RGB 115 95 76

HSL 29.23, 0.2%, 0.37%

LAB 41.77, 5.04, 13.91

 

CMYK 0 / 14 / 28 / 48

HEX #84715F

RGB 132 113 95

HSL 29.19, 0.16%, 0.45%

LAB 48.94, 4.48, 12.75

 

CMYK 0 / 12 / 23 / 42

HEX #958372

RGB 149 131 114

HSL 29.14, 0.14%, 0.52%

LAB 55.92, 4.01, 11.7

 

CMYK 0 / 10 / 20 / 35

HEX #A69585

RGB 166 149 133

HSL 29.09, 0.16%, 0.59%

LAB 62.76, 3.62, 10.74

 

CMYK 0 / 17 / 33 / 64

HEX #5D4D3E

RGB 93 77 62

HSL 29.03, 0.2%, 0.3%

LAB 33.95, 4.18, 11.41

 

CMYK 0 / 22 / 43 / 70

HEX #4C3B2B

RGB 76 59 43

HSL 29.09, 0.28%, 0.23%

LAB 26.27, 4.9, 12.76

 

CMYK 0 / 31 / 59 / 77

HEX #3B2918

RGB 59 41 24

HSL 29.14, 0.42%, 0.16%

LAB 18.28, 5.93, 14.39

 

CMYK 0 / 45 / 88 / 84

HEX #2A1705

RGB 42 23 5

HSL 29.19, 0.79%, 0.09%

LAB 9.92, 7.49, 12.94

 

CMYK 0 / 80 / 100 / 90

HEX #190500

RGB 25 5 0

HSL 12, 1%, 0.05%

LAB 2.85, 6.37, 4.38

 

CMYK 0 / 17 / 34 / 64

HEX #5C4C3D

RGB 92 76 61

HSL 29.03, 0.2%, 0.3%

LAB 33.52, 4.2, 11.44

 

CMYK 0 / 26 / 34 / 64

HEX #5C443D

RGB 92 68 61

HSL 13.55, 0.2%, 0.3%

LAB 31.22, 9.21, 8.25

 

CMYK 0 / 34 / 34 / 64

HEX #5C3D3D

RGB 92 61 61

HSL 0, 0.2%, 0.3%

LAB 29.29, 13.63, 5.52

 

CMYK 0 / 17 / 34 / 64

HEX #5C4C3D

RGB 92 76 61

HSL 29.03, 0.2%, 0.3%

LAB 33.52, 4.2, 11.44

 

CMYK 0 / 9 / 34 / 64

HEX #5C543D

RGB 92 84 61

HSL 44.52, 0.2%, 0.3%

LAB 35.89, -0.73, 14.66

 

CMYK 1 / 0 / 34 / 64

HEX #5B5C3D

RGB 91 92 61

HSL 61.94, 0.2%, 0.3%

LAB 38.23, -5.97, 17.76

 

CMYK 10 / 0 / 34 / 64

HEX #535C3D

RGB 83 92 61

HSL 77.42, 0.2%, 0.3%

LAB 37.54, -9.5, 16.71

 

CMYK 18 / 0 / 34 / 64

HEX #4B5C3D

RGB 75 92 61

HSL 92.9, 0.2%, 0.3%

LAB 36.91, -12.91, 15.76

 

CMYK 0 / 17 / 34 / 64

HEX #5C4C3D

RGB 92 76 61

HSL 29.03, 0.2%, 0.3%

LAB 33.52, 4.2, 11.44

 

CMYK 0 / 27 / 53 / 59

HEX #684C31

RGB 104 76 49

HSL 29.45, 0.36%, 0.3%

LAB 34.67, 8.21, 20.61

 

CMYK 0 / 36 / 69 / 54

HEX #754B24

RGB 117 75 36

HSL 28.89, 0.53%, 0.3%

LAB 35.87, 13.79, 29.99

 

CMYK 0 / 42 / 81 / 49

HEX #814B18

RGB 129 75 24

HSL 29.14, 0.69%, 0.3%

LAB 37.42, 18.72, 38.21

 

CMYK 0 / 48 / 91 / 45

HEX #8D4A0C

RGB 141 74 12

HSL 28.84, 0.84%, 0.3%

LAB 38.88, 24.34, 44.82

 

CMYK 0 / 17 / 34 / 64

HEX #5C4C3D

RGB 92 76 61

HSL 29.03, 0.2%, 0.3%

LAB 33.52, 4.2, 11.44

 

CMYK 0 / 4 / 6 / 69

HEX #4F4C4A

RGB 79 76 74

HSL 24, 0.03%, 0.3%

LAB 32.54, 0.82, 1.62

 

CMYK 22 / 10 / 0 / 66

HEX #434D56

RGB 67 77 86

HSL 208.42, 0.12%, 0.3%

LAB 32.2, -1.73, -6.65

 

CMYK 44 / 21 / 0 / 62

HEX #374D62

RGB 55 77 98

HSL 209.3, 0.28%, 0.3%

LAB 31.81, -2.31, -14.95

 

CMYK 62 / 30 / 0 / 56

HEX #2A4E6F

RGB 42 78 111

HSL 208.7, 0.45%, 0.3%

LAB 32.01, -1.95, -22.9

 

CMYK 0 / 34 / 32 / 64

HEX #5C3D3F

RGB 92 61 63

HSL 356.13, 0.2%, 0.3%

LAB 29.34, 13.94, 4.3

 

CMYK 0 / 26 / 34 / 64

HEX #5C443D

RGB 92 68 61

HSL 13.55, 0.2%, 0.3%

LAB 31.22, 9.21, 8.25

 

CMYK 0 / 17 / 34 / 64

HEX #5C4C3D

RGB 92 76 61

HSL 29.03, 0.2%, 0.3%

LAB 33.52, 4.2, 11.44

 

CMYK 0 / 9 / 34 / 64

HEX #5C543D

RGB 92 84 61

HSL 44.52, 0.2%, 0.3%

LAB 35.89, -0.73, 14.66

 

CMYK 1 / 0 / 34 / 64

HEX #5B5C3D

RGB 91 92 61

HSL 61.94, 0.2%, 0.3%

LAB 38.23, -5.97, 17.76

 

CMYK 0 / 17 / 33 / 84

HEX #2A231C

RGB 42 35 28

HSL 30, 0.2%, 0.14%

LAB 14.28, 1.91, 5.93

 

CMYK 0 / 16 / 33 / 74

HEX #43382D

RGB 67 56 45

HSL 30, 0.2%, 0.22%

LAB 24.36, 2.85, 8.68

 

CMYK 0 / 17 / 34 / 64

HEX #5C4C3D

RGB 92 76 61

HSL 29.03, 0.2%, 0.3%

LAB 33.52, 4.2, 11.44

 

CMYK 0 / 17 / 33 / 54

HEX #75614E

RGB 117 97 78

HSL 29.23, 0.2%, 0.38%

LAB 42.58, 5.01, 13.85

 

CMYK 0 / 17 / 33 / 45

HEX #8D755E

RGB 141 117 94

HSL 29.36, 0.2%, 0.46%

LAB 50.91, 5.8, 16.2

 

CMYK 0 / 17 / 33 / 64

HEX #5D4D3E

RGB 93 77 62

HSL 29.03, 0.2%, 0.3%

LAB 33.95, 4.18, 11.41

 

CMYK 23 / 0 / 34 / 64

HEX #475C3D

RGB 71 92 61

HSL 100.65, 0.2%, 0.3%

LAB 36.61, -14.56, 15.32

 

CMYK 30 / 34 / 0 / 64

HEX #403D5C

RGB 64 61 92

HSL 245.81, 0.2%, 0.3%

LAB 27.3, 9.25, -18.01

 

CMYK 0 / 17 / 33 / 64

HEX #5D4D3E

RGB 93 77 62

HSL 29.03, 0.2%, 0.3%

LAB 33.95, 4.18, 11.41

 

CMYK 34 / 0 / 17 / 64

HEX #3D5C4C

RGB 61 92 76

HSL 149.03, 0.2%, 0.3%

LAB 36.31, -15.32, 5.6

 

CMYK 17 / 34 / 0 / 64

HEX #4C3D5C

RGB 76 61 92

HSL 269.03, 0.2%, 0.3%

LAB 28.5, 13.49, -16.05

 

CMYK 0 / 17 / 33 / 64

HEX #5D4D3E

RGB 93 77 62

HSL 29.03, 0.2%, 0.3%

LAB 33.95, 4.18, 11.41

 

CMYK 23 / 0 / 34 / 64

HEX #475C3D

RGB 71 92 61

HSL 100.65, 0.2%, 0.3%

LAB 36.61, -14.56, 15.32

 

CMYK 34 / 16 / 0 / 64

HEX #3D4D5C

RGB 61 77 92

HSL 209.03, 0.2%, 0.3%

LAB 31.97, -2.2, -10.85

 

CMYK 11 / 34 / 0 / 64

HEX #523D5C

RGB 82 61 92

HSL 280.65, 0.2%, 0.3%

LAB 29.17, 15.69, -14.96

 

CMYK 0 / 17 / 33 / 64

HEX #5D4D3E

RGB 93 77 62

HSL 29.03, 0.2%, 0.3%

LAB 33.95, 4.18, 11.41

 

CMYK 33 / 0 / 34 / 64

HEX #3E5C3D

RGB 62 92 61

HSL 118.06, 0.2%, 0.3%

LAB 36.01, -18.1, 14.41

 

CMYK 34 / 16 / 0 / 64

HEX #3D4D5C

RGB 61 77 92

HSL 209.03, 0.2%, 0.3%

LAB 31.97, -2.2, -10.85

 

CMYK 1 / 34 / 0 / 64

HEX #5B3D5C

RGB 91 61 92

HSL 298.06, 0.2%, 0.3%

LAB 30.24, 19.03, -13.23

 

Description

Color code: HEX #5D4D3E | qconv.com Color code: HEX #5D4D3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 77 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 77 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 33 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 33% 64% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

60% - Libertas Faculdades ...
Link: http://www.libertas.edu.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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